Chaotic Witch Frankie Castanea

Witchcraft is rising in popularity. And with a successful book of spells and 1.2 million followers spread across social media, Frankie Castanea, better known as Chaotic Witch Aunt, is one of the faces of modern witchcraft. We talk witchcraft, spells, hexes, religion and why more and more people are becoming witches. Then, we countdown the Top 5 Things to put Ketchup On.

Chaotic Witch Aunt Frankie Castanea: 01:20ish

Pointless: 01:01:39ish

Top 5: 01:19:22ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://m.youtube.com/channel/UCg1WRceAe0bso9FwgtSCEQQ (Frankie’s YouTube)

https://www.instagram.com/chaoticwitchaunt/?hl=en (Frankie’s Instagram)

https://www.tiktok.com/@chaoticwitchaunt?lang=en (Frankie’s TikTok)

https://www.amazon.com/Spells-Change-Guide-Modern-Witches/dp/152487163X (Spells for Change - Frankie’s Book)

https://open.spotify.com/show/2LKfO9Bibty9lynEtnrMbw (Books and Broomsticks Podcast)

https://twitter.com/AuntChaotic?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor (Frankie’s Twitter)

Chaotic Witch Aunt Frankie Castanea: Interview

Nick VinZant 0:12

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, witchcraft and catch up.

Frankie Castanea (Chaotic Witch Aunt) 0:20

Witchcraft is about taking back control. It's about reclaiming your power and taking things into your own hands. I do not I mean, I'm not going to go out of my way and like, throw hexes willy nilly, but I don't have a problem getting my hands dirty if I need it. I did do I did put on, there was this fast luck oil, I put on fast luck oil to get above Boston Cream doughnut. It worked.

Nick VinZant 0:46

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or a review. We really appreciate it. It really helps us out if you're a new listener. Welcome to the show. If you're a longtime listener, thanks for spending your time with us. So I want to get right to our first guest. Because while this is a practice with deep historical roots, it has become increasingly popular in the last couple of years. This is Frankie Castaneda to, perhaps better known as chaotic witch. And when I think of like witchcraft, my mind goes to movies. Oh, yeah. But what what is this really like in modern day,

Frankie Castanea (Chaotic Witch Aunt) 1:30

I would say witchcraft is definitely a practice. Depending on who you ask, people are going to have a completely different opinion on it. I come from a tradition in which I practice mainly folk magic, which is referred to the magic of the people. So a lot of the things in my practice are need based spells need based magic. So I look at okay, what do the people around me need help with? Do they need help with financial stability? What can I do spell wise and action wise to help them achieve financial stability?

Nick VinZant 2:08

So is it is it religious? Or is it different? Or is it kind of but no.

Frankie Castanea (Chaotic Witch Aunt) 2:17

Witchcraft in itself is a practice that is not religious, you can have a you can be a pagan, where you would work with pagan gods and also be a witch you can be a Wiccan, which is a very specific pagan religion, and also be a witch. Or you can be you know, a folk Catholic or you invoke the saints or certain things and also be a witch. For me, I don't define myself as a pagan, I just practice witchcraft and folk magic. So a lot of my, you know, religious bearings have to do with a very particular goddess that was present in Italy, a Roman goddess, as well as that I work with the saints. So I kind of have a blend of a bunch of different things. And while my religion has become very intertwined with my witchcraft, that's not always the case for everyone.

Nick VinZant 3:14

I am confused. That's okay. Break it down. Yeah. Is that? I guess, is that just because it's unfamiliar to me? Or because there's like, okay, there's a lot of different things, okay.

Frankie Castanea (Chaotic Witch Aunt) 3:29

It's not It's definitely so the large the mainstream media, the mainstream kind of population, all they know about witchcraft is what they see on TV. And witches, okay, that's kind of something that, like, every witch knows that, like, when I meet someone, and I say, I'm a witch, they're gonna be like, Oh, Harry Potter, because that's what they know of it. But what it really looks like, and this is my personal practice is, I will time up certain things with the face of the moon, or I will cook and set intentions with that setting intentions, is basically saying, this thing is going to help me with this thing. But because witchcraft is so broad, it's such a broad topic, and so many for every single witch that exists, we will have a different definition of it. Witchcraft, in my opinion, is doing a spell or setting intentions or putting your will out into the universe to get something to happen in return. I also go ahead, I see your

Nick VinZant 4:40

is it any different than the idea of like praying for something when you get right down to?

Frankie Castanea (Chaotic Witch Aunt) 4:45

So I think yes, and now it is similar to praying the difference that I've seen in a lot of witches and the thing that we talk about a lot is that a spell by itself is not going to do anything. And what I mean by that is, if I do a spell to get a job interview, and I don't actually, or to get a job, and I don't actually do any interviews, I don't go out of my way to try and get this job. What does that spell gonna do? It may cause a miracle, like a miracle to happen, and helped me get a job without me applying anywhere. But with every kind of spiritual or metaphysical act we take, we have to take an active one, action and return. So while I was praying sometimes, because a lot of the I mean, I know a lot of witches that are x Christians. And they said that the difference is with praying, praying doesn't fix everything, in the same way that doing a spell doesn't fix everything. There's always a little bit of real world action you need to take in order to push it there, push it out into the universe, I kind of call it spiritual insurance. So if I have a feeling that if I know that someone is gonna get back to me about a job offer, and I'm just using jobs, as long as you know, I get you, right. And I want to be sure that this is a good offer, and it's going to be an offer that I want to take. I may do a spell to help with help with that.

Nick VinZant 6:19

I was raised Roman Catholic, and the idea was right, okay, so you pray on it, you do this kind of thing. But it seems like witchcraft, it's a little bit the same. But then you got to actually go out and do this thing as well, right? Like, you can't just pray for the job, you got to update your resume. And that's like, hey, look, I'm serious. Yeah, um, I guess when you cast, like, if you're casting the spell, like, Who are you casting it to? The spell itself,

Frankie Castanea (Chaotic Witch Aunt) 6:48

totally depends on the practitioner. Because there are so many different witches, I'll speak to my experience, when I cast a spell, I am usually just kind of asking either the universe or a very specific spirit to help me with something. The idea behind the spell is that you take a bunch of things that rub have energy. So let's say we get a candle, which I have like a spell that I did recently, a candle like this, which is referred to as a nine day candle. It's a block breaker. And then you add some oils, and some herbs that may align with your intention for the spell, you may write something on a piece of paper, like intention, or chant or anything. The idea with spell crafting and casting spells is to raise energy and then kind of push it out. So raising energy can look a lot like very different for very different people. I'm always like a, I do prayers while a spell is going I'll play it pray the rosary, because I have that kind of element to focus on Facism in my practice, but other people will dance, they'll play music, they will meditate or go into a trance state in order to kind of bring their energy up and focus their energy on what they want to achieve. So with spell crafting, we have lots of different methods of doing it. Some people just burn things like they mix herbs and a piece of paper, and they burn it. Some people will like me will do like candles, which this one burn for like five days straight. Yeah. And then we also have like, there are different types of candles, too. I love candle magic, it's my favorite thing. But different ways of casting are different ways of kind of raising energy. So the idea is I'm putting all my energy into this candle, I'm putting my intention on the back, I have like what I want written out here. I'm putting herbs to help me help like that align with the spell and oils with it. And then I am praying over it or chanting over it or dancing while it's going to give it more energy. And as it's burning down. That energy is being sent up into the universe to your guides to the Deity you're praying to wherever you intend for it to go.

Nick VinZant 9:12

Is it results based, right? Like I think of my background kind of in being raised Roman Catholic, and you pray and you pray and you did this stuff. And if it didn't happen, then it wasn't God's will. Right. Yeah, that's just not what he wanted to do. Is it results based in the sense like, I cast this spell, it doesn't work.

Frankie Castanea (Chaotic Witch Aunt) 9:30

If my spell doesn't work, I know I did something wrong. I did something wrong, or one of the people that the spirits that I work with said, we're not doing this and there's a reason. So similar to kind of God's will. If the spell doesn't work. I'm like, maybe it wasn't supposed to happen, but there's also a chance that I messed it up and did it wrong. Most of my spells have worked fine. And there's one that didn't work. It was because there was an element of this fell out of my control, then that pissed me off. I can explain Do you want me to elaborate? Yeah, no, I, I paid money for something that I got custom made for my partner. And the person I paid it to then basically disappeared off the internet and took the money. So they scammed me, and I did a spell to get my money back. But what ended up happening is I did the spell and I basically did what I call a little tripwire I said, if you don't give me the money back, I'm gonna put like a minor little Jinx on you like, you're gonna stub your toe every day for a week very basic. And they didn't give me my money back. So I hope they've stubbed their toe plenty of times, because it was a lot of money. And I was not happy about it.

Nick VinZant 10:52

That stub in the toe is it. Like that's a little bit more major.

Frankie Castanea (Chaotic Witch Aunt) 10:58

People, when we talk about, you know, painful magic and hexes I think a lot of people have very, very misconstrued ideas of what that looks like. A lot of times, painful magic, hexes excetera came from a place of, of soup survival. So we see a lot of more painful magic and traditions where it was born out of like, for example, hoodoo, which was born out of African American slaves being brought over. We also see that in situations where other things are out of the person's control, they're not coming from a place of privilege or coming up from a place. Where is it for example, in Italy, there is a spell a love spell that you can do, to have someone you know, fall in love with you and stay with you. And part of the reason that exists is because in Italy, 2040 50 years ago, if a woman got married to a man, and that man fell in love with someone else, she would probably lose a lot of her financial stability. If he left her. He would she would be left alone with how many kids so you do the love spell to make sure your husband stays with you and you don't lose that financial security. And that's it a lot of different situations all over the world. Love magic to is also very present in bukata. Yeah, and it's very important in between Hatha Yoga, which is Mexican American or Latino folk magic.

Nick VinZant 12:29

Okay, so people just listening to this, right? The first if they're skeptical, the thing is going to be like, What? What are you talking about? Right, like? What is it? I guess a two part question, right? Like, what would you say to somebody who would be like, What are you talking about? And the other part of that, I guess, would be, is it really that different than the kind of Protestantism Catholicism? Is it really that different? Or are we just unused, not used to it? Right, like, good question. I'm used to going to church on Sunday, but you're doing what? Like it's

Frankie Castanea (Chaotic Witch Aunt) 13:10

dancing with the devil in the moonlight. Hello, right. So the thing I would say to people who ask, What are you talking about is firstly, you know, I try to approach it from a specialty skeptic. So the, from the approach of, it's okay, if you don't give a shit about anything I'm saying, that's kind of where I always come from is the way that I live my life. And the way that I kind of go through my life is very much informed by the practice of witchcraft, which to me, looks like having spells on hand if I need something done having a spiritual team that works with me and helps me through things. But not everyone is going to look like that. Have something, have a practice that looks like that some people don't work with any spirits or deities or anything. Some people just do spells and it works for them. But I guess I, the metaphor that I like to use when someone's a skeptic, is breaking it down into kind of more mundane things. So if you have a test, tomorrow, you have a midterm test, and you know you have a test, you are going to take time out of your day and study correct. So you're kind of seeing something that is coming up that you want to do well in and you are taking actions necessary to do well in it. Witchcraft is very similar with their spells, it's this thing is coming up. Or this is an outcome I want. I'm gonna do these actions and also I'm just gonna make sure that the universe knows that's where I want to be. And of course, witchcraft is you know, informed by spirituality. Um, but believing that spells have power. And we as humans have the power to make these things happen without the without a God, without anyone around, which is kind of how it's different from Christianity as witches are not necessarily praying and praying and hoping someone answers. If my spirits don't respond, I take matters into my own hands, I just say, Alright, I'm going to do this myself. And that's kind of how I go about it. It's a huge tool, a lot of people, it's a huge reclamation of power, especially coming out of Christianity where God's will and God was very important. And this was okay. And this wasn't, because witchcraft doesn't really have a Set Rulebook on what to do. Everyone has their own morals and ethics that inform their practice. So my morals and ethics are going to be different from another practitioners and we all do our own thing. Some Witches are, you know, working with plants very heavily to cast spells, Some Witches are like me are doing heavy Spirit work, or they're calling on saints, or animal spirits or other spirits to help with their work. Someone just like I said, atheists, they do not believe in gods they do not think that a divine entity exists. So everything they do, is working within their own power and their own paradigm.

Nick VinZant 16:29

There's no Bible for which isn't necessarily is there, there is

Frankie Castanea (Chaotic Witch Aunt) 16:32

no Bible. You do I say this like there. Of course, there are kind of widespread morals and ethics, like cultural appropriation is bad, don't take something from initiatory closed practice, when you are not initiated into that practice, don't like we have these kind of set morals and ethics as human beings that inform our witchcraft. But at the end of the day, the history of witchcraft has been very intertwined with the other with the oppressed with activism. So when you move into witchcraft, you are picking up a reclamation in the language of something that was used to oppress so many people. It was used to oppress indigenous tribes, it was used to oppress Jewish individuals, it was used to oppress people of color, when we think the terms black magic and white magic, the term black magic, when a lot of people hear that they automatically think of voodoo and hoodoo or painful spells. And that's something that media has done is taken voodoo and hoodoo, which are African Voodoo is an African traditional religion. And hoodoo is a practice that is very much made by and for African American individuals. They take that and they demonized it on media. So if anyone's listening to this, and they're like, I don't think like that. But you did think like that. It's okay. It's definitely something that's very normal. In not knowing anything about witchcraft, and having these ideas of what good witchcraft and bad witchcraft looks like. We have a lot of people who are coming to witchcraft from the position of seeing the craft a couple times and not knowing anything else, which is okay, there's always room to learn. But picking up witchcraft is picking up something, picking up a term and declaring yourself the term of something that has historically been used negatively. And part of being a witch in the modern day is recognizing the way it's been used historically, and say if you're not, you know, and being able to say okay, I understand how this term was used. And I am going to do everything I can to support those groups because there are definitely places in the world where witches still a terrible term, and when someone gets called a witch it's bad it can mean that they get punished in a certain way can mean they get thrown out.

Nick VinZant 19:04

You mentioned that it's become popular slash almost trendy, right? Like why do you think that that is?

Frankie Castanea (Chaotic Witch Aunt) 19:09

That's a really good question. And so once again, speaking mostly from my experience of myself, because every which I can I know like I have like three friends who are witches who may disagree with me on this, I'm witchcraft is about taking back control. It's about reclaiming your power and taking things into your own hands. Witchcraft has kind of always been like that. Even things that aren't witchcraft, like folk magic has been about you know, survival necessity. Taking matters into your own hands or help going to someone who can help you without having to like, fight for access to it. Too, two ish years ago, we had the pandemic going on. The first thing that happened was people had a huge loss of control. Everything about normal life was gone. So I wasn't surprised that in 2020, when I logged on to Tik Tok, and started posting about witchcraft, the response was my things going viral, and a lot of people being interested, because it allowed people to take back control and take back their power at a time when a lot of people who had never felt powerless before were feeling powerless. And a lot of people that had never experienced something in which their normal life was ripped out from under them, experienced it. In regards a lot of times the witches that I know, that had been around for a long time, had that happen, when they were kids, or something happened to kind of, you know, the nuts, not every single witch that's like a few of my friends and myself included, I had like something happen, where I needed, I turned to the universe, and I'm like, Hey, universe, I need you to tell me that this is the way I need to go. And when the universe responded, I moved in that direction. But witchcraft creates a space for people that may not be represented or may not feel represented, within particular religions, which is why I say a lot of witches may be ex Christians, because in Christianity, especially those who have experienced religious trauma, witchcraft appears as not only be a lot of times seen as the antithesis to Christianity, which may not be how everyone sees it. But it's how a lot of people see it as this kind of standing in a posle to oppression or dominant religion,

Nick VinZant 21:48

it seems to primarily attract women is way why is that is that I would say, am I wrong? Is that just a question?

Frankie Castanea (Chaotic Witch Aunt) 21:55

I think a lot of women are witches. I also think that there is a growing base of like, non binary queer individuals who are witches. I also know a lot of queer men who are witches. I do know some straight men too, that are witches. But I would say it's probably because a lot of people think that witchcraft is for women. I think that that is, I think that the historically the representation of witches have has been mostly women. And I chose her I think there are plenty of men out there who have an interest in it, but feel like witchcraft isn't for them. I mean, I think a lot of the a lot of public witches are probably women. But I do know a lot of witches who are men, and they're, they're good, although

Nick VinZant 22:43

this just could be completely me. Right. But I do feel like there is something about it, that doesn't appeal to men's nature as much. Okay, was that an unfair assessment nature? I have no idea. I have no idea. There's, you know what? Maybe because the rules are not, are not don't seem to be hard and fast, that there's not a guide book or a manual to it. A rigid system

Frankie Castanea (Chaotic Witch Aunt) 23:17

is that I do fears that just see you.

Nick VinZant 23:21

It is most people that I know. But then again, of course I live in. I live in my own bubble, right. So take that for whatever it's worth.

Frankie Castanea (Chaotic Witch Aunt) 23:31

It's one of those things where you have to create your own manual. I have like, two to, to spell books that I've been keeping track of since I was 16, all my spells and now I'm pretty well informed of what works and what doesn't. But there is like a trial and error process when you begin because you're going in aware that something you find in a book may not work for you. And it may be a completely different path. Now we have a lot more kind of literature on witchcraft that allows people to see kind of what different practitioners do for different things and different paths and different traditions. And it allows a little bit more flexibility to like maybe this feels right or maybe this feels right, versus when I was starting when I was like 16 We just had like a couple books on Wicca and Tumblr. And because of that now there are more ways for people to explore and create that manual for themselves. But it definitely does kind of come from you go in and you make your own set of ethics and morals and what you're okay with or what you're not okay with. Like personally if I need to I do not mind Hexing someone but someone else may never want to do any kind of painful magic and that's okay. It doesn't make them any less of a witch versus me is if I need to make someone stubbed their toe for a week straight. I don't care But my morals and ethics revolve around when I do that. So am I going to do that randomly to random people? No, am I going to wait until I really feel like it's necessary to get the point across or to protect myself or others? Yes. So I probably won't go the whole nine yards and do a hex frequently, but when I do, I'm like, Alright, we're gonna go get like a bunch of cockroaches and pour them into a jar. And ya know, it's painful magic is very much like, not pretty, a lot of witchcraft is not pretty, it's something that you see a lot of witchy aesthetics online, but not everyone scrap practice looks like that. Or is that visually appealing, and not everyone has access to the is able to access the same kind of ingredients that another practitioner may be able to get easily, which is why it's such a broad spectrum of people who identify as witches, someone may do a spa with a candle and really nice herbs and do that. And someone else may take a little birthday candle, sprinkle some salt around it, set the intention, and that's their spell. It's so wide and varied the pads traditions, what people have access to. And it allows us to all kind of do something similar, but every single practice is different. If you brought a another witch on, they probably would have different answers as to how they define witchcraft than I would. Because some people I know define it by communing with land spirits, or working with the land or invoking spirits versus I consider those who do spells and witches, but also there are other elements of witchcraft, like activism, or certain things that I consider part of my practice as a witch, whereas someone else may say, witchcraft is this and not this. So it's really interesting, because there's so many of us. And that's why I don't know a lot of people like the fact that you go in, and there's like, a bunch of different ways to do one thing. And then sometimes you just create a new path,

Nick VinZant 27:25

I can see why it's appealing. The idea of you can take control, and you can do it your way.

Frankie Castanea (Chaotic Witch Aunt) 27:30

Skeptics always come to me and they're, like, prove witchcraft is real. Um, here's the thing is, I can't prove witchcraft is real to you. I can't sit here and give you the evidence that you would consider real and make you happy about that. Like, you can't do that. But I tried to approach it from if it's working for people, and they believe in it, and it's not harming you. Why are you so upset, I try to hit come from that place of I am minding my business. And then some people get angry because someone recently was angry because they feel like everyone who is a witch and believes in witchcraft and sells services, like tarot readings, or spells is a scammer, which I can't really control that person's thoughts. That's their own kind of their own opinion. And I'm not going to change it, especially if they really strong like, feel really strongly about that. And I kind of come to the point of when skeptics are kind of, there's been like an influx of them on tick tock recently, but one skeptics are like, personally, so I know it's real, cursed me and prove witchcraft is real. I just say no, because there's the position of there's two types of skeptics, they're skeptics that are really interested in actually want to hear how it works, and maybe try it for themselves and see if there's anything to it. And then there are skeptics who are trying to get you to debase yourself and do something for like, cast a spell on them. And then they say that no matter what the you know, it doesn't, they aren't going to think anything's gonna happen. I can't go to a skeptic, WHO IS WHO 100% does not believe in witchcraft and doesn't have any interest in learning anything about witchcraft and tell and convince them that it is real, because they're not going to be convinced there's no way for me to convince them. I kind of come from the position of you know, if people believe in it, it's real. That's something that my friend who is a folklorist told me is with folklore. It doesn't matter if at one point it was real or not real if people believe it is now real, because someone out there believes wholeheartedly. Many people believe that it is wholeheartedly how the world works and that that exists. Who are you to Hold them know if you don't know anything about it.

Nick VinZant 30:02

But is there times in your life that you've been like, I cast this spell? And this worked? It reinforced? Is there times you would say like this reinforcement, like, I know whether it's true or not, who cares?

Frankie Castanea (Chaotic Witch Aunt) 30:19

I was going to me. Yeah,

Nick VinZant 30:21

this this word.

Frankie Castanea (Chaotic Witch Aunt) 30:24

I think I have that happen a lot with asking if there's like a greater power in the universe. You know, like when I asked for, because I when I was 16, what got me into witchcraft. And what brought me too, that was, I asked, literally just the universe. I'm like, if anyone's listening, can you send me a sign to do something like, so I know, I'm making the right decision. And I was on a walk with my family and a blue jay came down right in front of me. And like, looked at me and went away. And I was like, that's it. And I just knew, in that moment, I'm like, someone's make someone has my back in this. I didn't know who it was at the time. But I'm like, someone made sure like someone heard me when I like prayed or asked for help. And then I was like, I started looking into animal symbolism and paganism. And that brought me to witchcraft. And I'm like, Okay, if I know someone is listening, when I just pray, when I just ask, what's going to change when I actually start putting more energy behind that and really solid intentions. I've had a couple of things where like, I set like I set up a spell a while ago, and I guess, like, I don't know, my entire life has been a combination of like, realizing that things I'm on like, I'm going on the right path. One of the things was when I was I did like, when I started getting into Italian folk magic, and venerating my ancestors. And I was like, I don't know, you know, I may not ever, like, make this my full practice Boileau spoiler alert, it became my full practice, but like, I may not ever make this my full practice. I took a class with someone. And like, there's just a moment where like, everything that I had known about my witchcraft practice, up to that point, fell away. And I was left with my ancestors, Italian folk magic and one goddess. And I said, I guess this is where I'm like, this is where I'm supposed to be. I've had things happen to were like, Oh, my favorite one. Oh, this is the this is the one that if you're going to include any of this include this one, I did a spell where I was half asleep. And I in my head popped in, like the image of four coffin nails wrapped in red thread. And I wrote it down because it felt important. And I also wrote down other things that were popping into my head. Like this was a spell, I had to do it on the Eclipse and I set it up. So I did this whole spell I nailed for coffin nails as part of the spell into the four corners of my house. Later, I had connected with some Italian Canadian folk practitioner. And I'm like, Yeah, I did this spell ones with four coffin nails in the four corners, and he they go, That's so crazy. We have almost the exact same spell in my family. When I was like, what and so I had no usage of coffin nails, I had never read anything about using coffin nails as protection or anything like this. And this spell just kind of popped up out of nowhere, like call it intuition call it ancestors call it the universe, whatever you want. But then later, I got confirmation that this is actually a spell that a lot of Italian folk practice Italian American Italian Canadian families have and do it was like slightly modified, but it was the same idea of coffin nails placed near entrances are in four corners to protect against to protect the home. And I know like I always thought, I always think like, maybe it was a coincidence. Maybe I saw it somewhere in my subconscious brought it but for me, that was like a I'm, yeah, that's that's kind of it made it feel real to me, even if other people hear that and they're like, could have been a coincidence. Yeah. But to me, it was one of those things where I'm like, there is no way that I just came up with this.

Nick VinZant 34:45

I don't want to kind of go back and forth like well, you know, like, Well, what about this, right? Because you can pick apart kind of anything, right? Like you could, and so I don't, I feel like that's not the point. Yeah, necessarily this conversation Right, because you could say this. And then you could say this. And I could say this, but it's the idea that like, we're trap. All right? And the thing is, is like, nobody fucking knows that really.

Frankie Castanea (Chaotic Witch Aunt) 35:13

Nobody knows if God's real either but a bunch of people wholeheartedly believe in God and then informs their entire experience. So why is me lighting a candle any different?

Nick VinZant 35:25

That's one thing that I am fascinated by right is the idea. I personally believe like, Look, do whatever you want young played a spaghetti monster in the sky? I don't care people do do right. If it makes you happy to do what you want to do. Are you ready for some? Listener? Harder slash listener submitted question. I'm

Frankie Castanea (Chaotic Witch Aunt) 35:44

ready. Let's do it.

Nick VinZant 35:46

Some of them are like, favorite spell? Oh,

Frankie Castanea (Chaotic Witch Aunt) 35:49

good question. I love a good protection spell. I also love a spell, which is found very present in Italian American folk magic, where you take someone's picture, bind it, which basically is wrapping it with a thread and you put it in the freezer, and it's supposed to freeze them and stop them in their place, or freeze them out of your mind and make you stop thinking about them. I use that very frequently. It's like a little sympathetic magic type thing. And sympathetic basically just means this is like this. So this is that.

Nick VinZant 36:22

So do you do it with people you don't like or people you do like or both?

Frankie Castanea (Chaotic Witch Aunt) 36:25

Like, I've done it, maybe twice. And one time, I did it with someone. And it didn't feel like it worked. And I was upset about it. And then I went into back into the freezer to look for it. It was gone. It disappeared out of the freezer. I'm assuming someone found it and threw it out. But I was like No wonder this doesn't didn't work. It's gone. It's gone.

Nick VinZant 36:51

Is it more reserved? I guess for like, the important things in life or people. I'm going to cast this spell so there's no line at the drive thru kind of.

Frankie Castanea (Chaotic Witch Aunt) 37:01

That's a really good idea.

Nick VinZant 37:02

I have not done that actually is a good idea.

Frankie Castanea (Chaotic Witch Aunt) 37:05

I did do I did put on there was this fast lock oil. I put on fast luck oil to get above Boston Cream doughnut. It worked.

Nick VinZant 37:15

I mean, Boston Cream is probably the best. No,

Frankie Castanea (Chaotic Witch Aunt) 37:17

I'm gluten free too. So we went to the gluten free bakery. And sometimes they're out of Boston creams. And I'm like, I'm gonna put on this oil and ask for Boston Boston Cream. got there, there was one left. And I was like,

Nick VinZant 37:28

That's luck. Honestly, that's the only proof I would just tell that story. And I think ever the audience of skeptics would be like, Oh, fuck

Frankie Castanea (Chaotic Witch Aunt) 37:36

that. Like, it's really a lot of witches, I know do very mundane thing. This is very much focused on you, your needs, whether that's monetarily, you know, financially, whatever. Um, it's focused on your needs. It's focused on the needs and the protection of the people around you. But sometimes you just feel like, I'm just gonna, I really want this to happen. And sometimes it's like, I really want concert tickets, like I really want to be able to get good seats. So you may cast a spell to help you get good seats, and then you're all set. Or for me, it was a Boston Cream doughnut. That was my like, I really want this doughnut this morning, please.

Nick VinZant 38:14

What is the most significant day of the year for you? Like is there a day where I want to?

Frankie Castanea (Chaotic Witch Aunt) 38:20

Oh my god. So for me personally, the most significant day is called the festival of St. John the Baptists and it's right around mid summer. A lot of people celebrate what is known as the modern meal of the year which comes from Wicca, which is for the two equinoxes the two soul surfaces and then for Celtic fire festivals. I don't follow that. But I do celebrate the solstice is incredible. Like I go very hard for solstices. I'm like mulled wine, dancing under the moonlight, full nine yards, um, but the festival of St. John the Baptist is really big in Italy and we make something called a lot of folk practitioners make something called St. John's water. So you collect a bunch of different plants that have medicinal and magical properties. So this year, I did like Molin, St. John's wort, like all these different plants, and they're typically picked fresh, but you can also pick them dried, or add dried stuff, and then you put a bunch of water over it and you let it sit out overnight to kind of absorb all the moisture and the dew. And in the morning, you wash your hands and you're like your hands and face in it and it's supposed to bring in like good luck and it blesses you. And so I keep mine year round and I use it for like all sorts of magical purposes. But the important thing about it is that you can only make it on this one night on this festival of St. John the Baptist, which I think is this year was the 23rd to the 24th it's usually like very close to mid summer. So I have like the summer solstice And I celebrate the summer solstice and do things for that. And then I do the festival of St. John the Baptist make. It's called LaQua de San Giovanni St. John's water, or say the festival of St. Sun Giovanni. And then the winter solstice is also really big for me. So that's not even just one, it's two. Then the winter solstice, I will do I celebrate Christmas because Christmas for me is about family. And it's something I've always done with my family. So I still celebrate it even though I do not. I'm not a Christian. So do Christmas. I do the winter solstice, and then I celebrate the Epiphany, which is an Italian tradition. So I go like winter has like three holidays all backed up one after the other. And then summer has like two holidays backed up. So I do the solstice is the kind of big events that I really center everything around because it's a halfway point for the seasons. It's like the longest day of the year and the shortest day of the year are great days to do magic to cleanse to reset. I'm not very good with celebrating the equinoxes. I will say that I kind of forget about them. But the other one is All Souls Day or salan also known as Halloween or All Hallows Eve that's a really big day for me as well and those are kind of the three major ones that I will go really ham for like I'll plan rituals out and I will get materials and then everyone's from I have like the festivals of certain spirits I work with, like no Morelia is Diana's Festival. Today is the festival of St. Michael Archangel I made him garlic, mac and cheese. So I'll try to like do little things on those days. But when I really go hard is like the solstice is I'm like, wake up, we're cleaning the house. We are doing all these things. And so for me, those are the two important days but depending on tradition, depending on if what kind of pagan the person is. Or if the person's a pagan or Christian or Jewish, they may have very different holidays. I know a Jewish witch who considers like Rosh HaShana, one of the more important like the High Holidays is very important.

Nick VinZant 42:17

Is it something about the day or is it just the tradition of the day Solstices

for I guess any of them really? So

Frankie Castanea (Chaotic Witch Aunt) 42:24

depends. If we're looking at like the solstice is the day itself, the summer solstice is the longest day of the year. So the longest day of the year, is associated with like partying, getting ready for the days to grow shorter. We see midsummer celebrations, spreading back centuries. So the solstices and the equinoxes it is about the day itself. Same with kind of the festivals of St. John's, but it definitely depends on who you ask,

Nick VinZant 42:57

what are painful spells, and are they looked at as being forbidden is the word that they use, but are they looked at in a negative light? negative light? That would be a

Frankie Castanea (Chaotic Witch Aunt) 43:11

really great question. I think that I discussed this a little earlier. But I think that painful magic does get a bad rap. For a lot of people don't spend a lot of time learning about painful magic. There are certain traditions in which and certain practitioners that will not do painful magic because of their morals or ethics. Wicca has something called the threefold law where it's the idea that anything you do will be sent back to you threefold not everyone follows it in Wicca but a lot of weekends do. Um, I talked earlier with someone who is a practitioner is also Hindu. And they talked about how, because of Hinduism, Jainism they do not cast painful magic they do not they do not do something that could harm people, animals the Earth. versus me, I do not I mean, I'm not gonna go out of my way and like, throw hexes willy nilly, but I don't have a problem getting my hands dirty if I need it. If I'm like, if it's someone and I typically save that for people who are like the worst of the worst, like so think, rapists, abusers, pedophiles, that's who I target. That's why I go after I don't go after people who like piss me off for no reason. I'm like, I don't have the energy. So to some people, it would be something that they would never think of doing and they just don't do it. A lot of fold practices do you have those darker spells? Because folk magic is magic of the people. And someone probably needed that to survive and when any way shape or form. And because painful magic is informed by survival and the language of those who have been oppressed. You're gonna see it a lot more in certain folk magics. That doesn't mean they're always going to and I say this There are always going to be people that use painful magic inappropriately. There's always going to be someone who gets pissed off by something you've said and hexes you for no reason other than you piss them off or you disagree with them. Depending on the practitioner, you ask, I believe that if your intention is kind of shoddy, like if you're just doing it to be petty, I don't think it's going to work as well as like really pure, in like, intention of like, I really did something new. But there are other people that argued that at the end of the day, if that person casted that spell, and they put enough energy and rage behind it, it's gonna hit you no matter what, I kind of believe a little bit less a little bit of that. If someone's intention is petty, and they aren't a great hexar, I'm not super concerned. But if they are a fantastic hexar, and their intention is petty, I'm pretty sure I'm still gonna feel it no matter what. Because they know how to do it. But at the end of the day, really depends on who you ask for me, I come from the position of I use it when necessary, like, and I read something recently that I think is really good to live by, if you wouldn't do it in real life, don't do it in magic. If you aren't prepared to face the consequences of what could come from it, don't do it. Which is why my all my little like, painful magic is kinda like, stub your toe for a week.

Nick VinZant 46:26

So this one just says like, what could you give us an example of a spell?

Frankie Castanea (Chaotic Witch Aunt) 46:30

Oh, yeah, I love examples of spells. So I just spell recently, um, for making sure I'm protected when I'm driving, because I will have a lot of car anxiety. So I took a bag. And I added a bunch of everything about what I added. I did like a little, I took a Black Candle at the St. Anthony, because I wanted to petition St. Anthony for the spell. So this is like usage of things. But I took a bag, I filled it with things that are protective. So herbal herbs that have protective qualities. I also added some porcupine quills, which is kind of like protection as well. And then I took a little like picture of St. Anthony and put it in there. Or maybe I did a picture of St. Mary that maybe I may put St Mary on there and sort of see Anthony I put one of the saints in there. I'm planning on its long garlic, like a bunch of different protective herbs, and sealed the bag and then made a candle with the intention of safe travels or protecting me while I drive and poured some wax from the candle on there. I also do this thing, I create sigils which are from originate from chaos magic, you take an intention. And by process by a particular process or ritual, they eventually become a symbol that is like just a symbol. So I take that symbol, put it in the bag and charge it which basically means giving an energy under the candle or by way of carving it into the candle. And so then everything I do with the candle spell feeds, the term that I created and the bag that I made. When another example is a money bowl, which I actually have, I can actually show it we there's my money ball. It's just a gravy bowl with a bunch of coins around it. I put, like there's cash in here, there's a bunch of herbs to draw in money. I have two different money drawing oils in here. And then some citrus, so I have like a bunch of different things to draw on money, and then I have the capability of adding money and taking it out. So whenever I add money, it's like the intention of bringing prosperity in and then taking money. It's like almost like an act of working to bring in prosperity. I also have a rosary in here because Mary,

Nick VinZant 48:57

have you ever had one like backfire? So that's a yes, that's it when I was

Frankie Castanea (Chaotic Witch Aunt) 49:03

16. Someone who I was friends with and treat me very kindly, and I had just gotten into witchcraft. I'm like, You know what I'm going to do, I am going to hex this person. It's really bad idea. So I took a lemon and put their name in the lemon and put a bunch of like gross stuff in it and I hung it outside my window and hung it outside my window and I just left it there because it's supposed to be left to its own devices which by the way with Hexing if you're ever interested in painful magic, my advice is do not shit where you eat, do not do hexes and keep them like in your house or anywhere near you because it's just a bunch of bad energy. Like you gave that even if you don't believe in like doing anything, you gave that spell so much rage. Now that rage is sitting in your house. So I opened the window one day and the lemon law Hold down, fell, rolled down the roof and landed in my parents gutter, the gutter outside my parents window. And then I went to college. And I was at college for two a year. And in the car up there, my mom, I said to mom, dad, hey, by the way, there's an active curse in the gutter, you should probably get rid of it. And they were like, What did you just say? And I'm like, just like bury it at the crossroads. And they're like, there's no Crossroads around here that we can bury it. They're all like pavement. And I'm like, okay, it sat there for four or five years. And through the entire four or five years, there was just a lot of things that happened, that were not great. Like they weren't awful, but they weren't great. Like they were not fantastic. And then I think in 2020, I took the lemon out and finally burned it. And all of a sudden, all of those things that had happened kind of reversed. So I am I'm still blamed for everything that happened. I was like, Yeah, remember when you did that? Remember when you hex our family and I'm like, please, sorry.

Nick VinZant 51:09

Are you ready for some of the more lighthearted ones? What is your favorite depiction of a witch in movies? That's

Frankie Castanea (Chaotic Witch Aunt) 51:16

a really good question. That's actually a really good question. Because so many of them are so bad. So let's

Nick VinZant 51:23

let's do best and

Frankie Castanea (Chaotic Witch Aunt) 51:27

doll. It is awful. The witches by Roald Dahl and I'm referring to the newest movie with like, their look, it's like the biggest anti semitic stereotype in a witch I've ever seen. Like they eat children. They have scales, they like have bird feet. It is so many bad Slyke tropes packed into one. And I'm like, Oh God, please. No. So were those the witches of the worst one of the best ones I would say is probably between the craft the 90s and Practical Magic. Practical Magic is like apart from like the Necromancer like raising your dead boyfriend, which like we don't actually do it, but like using whipped cream to make a pentagram. And as he goes, You don't have anything else, or like the garden be like that's the most accurate portrayal of what actual witchcraft can look like, of like, you got a bad spirit in the yard and the bushes are dying, or they're like weird omens everywhere. But one of those the Practical Magic is good. The craft was a little bit more cinematic in terms of what they did it in spells like changing your hair color, or changing your eye color. So but it's still like one of the representations that is better rather than bad. So I always recommend it. The Practical Magic and even like the series of Practical Magic, the books themselves are not like in AP completely inaccurate. It's a lot of like, going out in the garden and making herbal tinctures. And like we're just making things with whipped cream because you don't have a pen. That's very accurate.

Nick VinZant 53:18

How do you my wife and I one of our favorite movies is Kiki delivery. So I'd love to live.

Frankie Castanea (Chaotic Witch Aunt) 53:22

I wish we I wish we had rooms everywhere that we could ride. We don't but I wish because I would love to be Kiki. I'd love to be able to ride a broom and deliver things like that's the life.

Nick VinZant 53:35

Fantastic job. That sounds so much fun. I mean, have you really tried Oh yeah.

Frankie Castanea (Chaotic Witch Aunt) 53:39

I grabbed a broom one time and jumped. I felt nothing we had do have brooms, however, are considered protective. The Italian folk magic, this may be different, different cultures. But in Italian folk magic, we put a broom by the front door, it protects from witches because we just have to count every bristle of the broom before they can enter the house. Same with salt, they have to count every salt green before they enter the house and mustard seeds. So there's this idea that to keep bad spirits out. You give some you put something by the front of your house that the witch or the bad spirit would have to count a bunch of times and it would take them forever to like get in. So they just give up.

Nick VinZant 54:24

Yeah, that's interesting. I always associated it with them like using the oh

Frankie Castanea (Chaotic Witch Aunt) 54:30

you can use it to I mean I sweeping is very big. For me, I like you can sweep things out. You can sweep things in I have a cinnamon broom by my front door. Whenever I clean my room I sweep the sediment broom in to bring in prosperity. To get rid of negative energy in a room throw salt into four corners sweep inwards to purify. And also brooms are probably big because a lot of witches historically would be doing a lot of cleaning. They'd be the people who would stay at home they'd be women. So they would be using that broom or that kind of mundane object for spiritual things.

Nick VinZant 55:08

What should I do if I want to try this, but I'm not ready to try this?

Frankie Castanea (Chaotic Witch Aunt) 55:12

I get that. Okay, that's a really easy question. I mean, genuinely just start looking into it. You don't have to do anything. You don't have to cast any spells. And you can buy books about witchcraft and read them. Or learn about the history of witchcraft or watch YouTube videos or anything like that. You don't have to do a single spell until you're ready.

Nick VinZant 55:35

When you did that first one, where you kind of like, alright, this is gonna work or were you I thought it was gonna work doing

Frankie Castanea (Chaotic Witch Aunt) 55:41

my opinion, it falling into this particular like, the first spell I did, or the curse I did.

Nick VinZant 55:48

Oh,

Frankie Castanea (Chaotic Witch Aunt) 55:50

oh, so the first spell I did both was a spell for a snow day. Because I wandered off from school, very much high school things. And it worked. And I kind of went to bed with like, a, I don't know if this is gonna work or not, it works. And I was like, guess I'm a witch. Now. This is a thing. I got a snow day.

Nick VinZant 56:11

I guess as a teenager, I would be like, no matter who you are, he would be like, this is the only possible conclusion to come to.

Frankie Castanea (Chaotic Witch Aunt) 56:17

And it was like that we were probably gonna get a snow day anyway. But I was like, I just want to make sure that it happens. So I always approach spells where it's like, I want to make sure that this goes the direction I want. Especially if it's something like, like, I'm like getting an offer from publishers for a book. It's like, I want to make sure this is a good offer. So I'm gonna do a little spell to make sure of that. Most useful items. That's a really good question. I gotta think about that. Depending on who you ask, they're gonna have different answers. I am a fan of just pen and paper. You can do a lot with pen and paper. You can write out a petition, you can write out an intention, you can draw a sigil. You can write someone's name, and do something with it. second favorite is I use a lot of animal bones. In my practice, they are all ethically sourced, but I use a lot of like porcupine quills, rabbit heels. And then lastly, is candles because I'm a I love candles, you can do so much. We'd like a birthday candle and a chant. And I love that.

Nick VinZant 57:29

Is it anything that you think we missed? Oh,

Frankie Castanea (Chaotic Witch Aunt) 57:31

I mean, if people are interested and like want to know more, I have like, I have a book I wrote, which hold on. I have a copy here. It's called spots for change by Frankie Castaneda. And so it's like a beginner's guide to starting witchcraft, or a beginner or a non beginner can pick it up and then have a practice or have a good idea of what witchcraft is after. And obviously, you know, it's informed by my practice, but like, it's one of those bigger books that it is very much catered to someone who maybe doesn't have any I anything, know anything about witchcraft. Um, and then I have a YouTube too. And like, that's where I do most of my educational stuff is I talk a lot about spells. Folk magic. I did an interview recently with Dr. Angela puca, who did her PhD in Italian folk magic, which was really fun. I was like, Oh, my God, this is happening. Yeah, and that everything. You can find out everything as chaotic withdrawn. If you want to follow me on tick tock, I wouldn't recommend it. It's all joke videos. So if you're really interested in like learning do the book. Oh, I also have a podcast that I run with Matt, who's my friend and he is an indigenous folklorist. And we are doing a series on regional folk magics right now. That is books and broomsticks.

Nick VinZant 58:57

For somebody who kind of wants to get into it like what video would you recommend they start with what episode

Frankie Castanea (Chaotic Witch Aunt) 59:03

with books and broomsticks? Let me pull it up because I'm like, I don't know. I mean, starting from the beginning, as we talk cover a lot of different things. But we have episodes on like witchcraft in the internet. Gatekeeping is a good episode. If you want us to mess around, you can hear us talk about mistakes, mistakes we've made in our practice. I would start with my YouTube and then move on to books and broomsticks. Because books and broomsticks is more like someone who already knows witchcraft and wants to hear us talk about particular topics. The book that I wrote is the most beginner friendly stuff I have. And then YouTube is kinda like I would starting a series that will be more beginner friendly, but really, if you're going through it and you're interested in anything you'll be able to see and hear me talk about processes that about spells, things that I do in my practice what being a witch kind of looks like. And I also am very responsive on YouTube for questions. If you're like, what does this mean? I'm like, I got you.




Gambling and Sex Addiction Researcher Dr. Joshua Grubbs

Their allure is all around us, but why do some people get addicted and others don’t. Dr. Joshua Grubbs studies addiction, specifically gambling and sex related addictions. We talk problem gambling, porn addictions, identifying and treating addictions and the most addictive things. Then, we countdown the Top 5 Things You Shouldn’t Buy Cheap.

Dr. Joshua Grubbs: 01:21ish

Pointless: 47:23ish

Top 5: 01:12:28ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.joshuagrubbsphd.com/ (Dr. Grubbs’ Website)

https://twitter.com/JoshuaGrubbsPhD (Dr. Grubbs’ Twitter)

Interview with Dr. Joshua Grubbs: Gambling and Sex Addiction Researcher

0:12

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode addiction, and the top five things you don't want to buy cheap,

0:22

people seem to be more attached not to the win. But to that moment, right before they know whether it's a win or a near miss. Some most people are like, Oh, I bet you people lie because they don't want to share about their sex line. It's actually not typically that it's the issue for getting the truth for people is that our own perceptions of our behaviors shape what we see about ourselves. So anything you do, that makes you safer, and more likely to wake up tomorrow, even in the midst of your addiction, that's breaking part of the cycle.

0:55

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it. It helps out the show and more than anything, we just like hearing from people. So I want to get right to our first guest. He's an addiction researcher who specializes in gambling and sex addiction. This is Dr. Joshua Grubbs. What is addiction? Basically,

1:23

it's not an easy answer. This is one that if you ask them on the street, what is an addiction? I think they might actually be able to come up with a answer more quickly than most psychologists or specialists could because this is something that's still debated. Now, broadly speaking, when we say addiction, what we tend to mean is a pattern of excessive or compulsive behavior or behavior that's out of control, someone feels like they cannot stop, but they try to stop but they can't. Even though that behavior is getting in the way of their lives, it's causing problems. Normally, most professionals would also say that there's a chemical piece as well, right? There's this notion that there's things going on in your brain with neurotransmitters typically being altered via and the introduction of a chemical from outside the system. But the core of it is this inability to stop despite consequences. Despite wanting to stop.

2:17

Is this something that happens to us kind of over time? Or are people like born? And imagine you could look at the baby brain? And like, yep, that person is going to be addicted to something like, are we born this way? Or do we become this way?

2:31

So right, that's getting right at the core of nature versus nurture, which is at the heart of psychology, which we've been fighting about for as long as the field has existed? The answer is yes. Right. So genetics are a huge portion. If you are the child of people with addictions, you are more likely to develop that even if you were, you know, adopted at birth. But environment is a huge factor. So things happen along the way that make it more likely. And then personal decisions, as well as societal factors. You know, someone might have a predisposition developing an opioid addiction, but never really encountered opioids in daily life, because they never had an accident that left them needing pain medication. So yes, the genetic piece the being born with the piece is there for some people. But whether or not that leads to addiction is completely based on environment. And there's some people that come from families with no history of addiction whatsoever, that then due to life circumstances due to things that happen in them developing. So it's a little bit of both, and it varies from person to person.

3:32

So could it be like a situation for me, like I use myself as an example, I could be incredibly addicted to let's use something benign Nerds candy, but I've never had Nerds candy. And then one day, it's just, boom, I'm off the rails.

3:48

In theory, yes, certainly could happen there. There are, you know, documented cases of people that never had a problem with addiction in their life get prescribed an opioid. And then it seems like they can never come off of it, right. And so that that sort of thing. So they get prescribed oxy. And then it just never goes away. So that that happens, that's less likely more often than not, there's these complex factors. And it's not just one exposure. But there are cases that it is it seems like that one exposures and often sets it all off.

4:16

Do people usually know it? Like, did they know that they're addicted? Or the friends and family kind of spot it first

4:22

most in my clinical work? Most of the time? Yes, they get there tends to be in awareness. I mean, the consequences become severe enough that they have and they realize they can't stop even when they want to. Right. So often one of the criteria we look for in diagnosing addiction is well, having tried to stop and fail. If you've tried to stop you've typically acknowledged that something's wrong, right? And so there's an awareness that something's going right now what's interesting is we actually see with certain behaviors, they say viewing pornography, or sexual behavior, people will say they have an addiction even when they don't have one. And so there's actually an over reporting with some behaviors, and other behaviors are less likely to be report Like, traditionally, people with an alcohol problem, often take a little longer to realize the problem than say, maybe someone that was dealing with an illicit drug problem. There's just like social norms and awareness might lead someone to really I mean, the reality is that if you're using something like heroin that you're buying off the street, it doesn't take long to realize, like, maybe this isn't the best. And this is probably a sign that something's wrong. Whereas if you're, you know, having three drinks a day afterward, it evolves into four evolves into five evolves into six, it may take longer for you to realize, like, whoa, wait a minute, this is this is a lot, this is a problem.

5:39

Now, correct me if I'm wrong, but you specialize basically in gambling and sex addiction, those areas? Yeah. Is that are they fundamentally different than other types of addiction? Or is addiction addiction? It's just, instead of like, an apples, you like oranges?

5:55

So the answer you get to that question is going to vary by the research professional you talk to I'm definitely the one that says they are fundamentally different and functionally the same, which sounds like a weird distinction. And it is, in practice, with consequences in life with how it affects your relationships, how it affects your work, how it affects your day to day living, they are functionally the same as most other addictions, you know, at the end of the day, and out of control behavior pattern that leads your relationships to fall apart, that leads you to get fired from jobs that lead you to go into debt, that leads you to perform, I mean, to do things that are maybe not legal to support it, whether it's heroin, or sex, or gambling, they're all functionally looking the same. But fundamentally, I think when we really start parsing out what's going on underneath the surface, in the brain, and in in the complex psychological processes leading to it, I think there are some differences, I am of the opinion that there's maybe a difference between what we would call a compulsive behavior, which would be something like sex or gambling and a true addiction, which we would say maybe as a substance that you've developed and dependence on. But that that's very hotly debated. And so I would say this is my opinion, as a scientist and a professional that works in this space, and that you could find five other scientists and professionals that I strongly respect, they would absolutely disagree and say no, they're exactly the same.

7:26

How prevalent I guess, are gambling and sex addiction. Right? So

7:30

um, so if we're talking about prevalence, so I'll answer gambling first is super straightforward. somewhere between half a percent and 5% of the population has problems with that, I tend to think it's the number the best numbers I think are in that one to 2% range. So even 100 people, one of them probably has a gambling problem. That is more common than pressing B on your keyboard. But far less common than alcohol and nicotine, certainly less common than caffeine. Is it's, it's the type that again, if you think about your networks of people, you probably do know someone whether you know that you know or not, um, you probably do know, somewhat the game. Whereas if you think most of us we think about our networks of people, we know several people that have substance use issues somewhere along the way.

8:19

Yeah, sex is

8:21

is a lot more complicated. And the reason being is that it's hard to determine what is a dysregulated amount of sex and whether or not someone's self report is accurate? Here's what I mean by that. When we run nationally representative surveys, and I asked him, Do you think you're addicted to porn? A full 10% of American men will say, yes. That is an unbelievably high number. And I'm not trying to dismiss people's concerns. But if 10% of American men had a full blown addiction to true addiction to porn, we would expect there to be much larger societal consequences. I mean, the when we think about true addictions, we're talking about wages, lost work, missed relationships, falling apart, health problems, all of these things, none of those things are currently attached to porn use. So we actually see this phenomena with porn in particular, where people will overreported based on the fact that they're engaging in a behavior that makes them feel guilty and ashamed, but yet they still do it. And so there's the shame aspect with the SEC stuff. And that really complicates it if I guess I would say it's probably around that 1% mark, but I couldn't point to data that proved me right there.

9:30

That makes sense. I'll use like myself as an example right? Like I've certainly never missed work or anything like that. Or you know, like not spent time with family. But have I maybe looked at pictures when I probably should have been doing something else like yeah, so is that kind of

9:49

that like part of it? I mean, the big the lion's share of this shaming guilt phenomenon leading to someone thinking they're they have an addiction because They're, they're feeling guilty is in more conservative, more religious groups. And so if you look in conservative religious groups in the US and so I don't just so evangelical Christians are an obvious one here is but it's the same for the church, Jesus Christ of Latter Day Saints that the Mormon church. It's the same for Conservative Catholics. It's the same for several other denominations as well. It also occurs in the Orthodox Jewish community. There's an obsessive concern about how porn is ruining lives. And so there's a lot of messaging against pornography. So it's really heavily emphasized you should never look at more important is bad, it's evil. It's I mean, there's verses in the Bible that people quote saying, like, you know, this is literally committing adultery. So when you're viewing porn, you're you're committing adultery on your spouse, and you get this messaging in people's head. And so they think, Well, this is really bad. But yet, I'm still viewing it once a month, I must have an addiction. Because if, if it's this bad, and I can't stop doing it once a month, like, that means I'm addicted to it. And it's like, I've been up in porn for 30 minutes last month. And like, yeah, it created a lot of distress for you and probably created drama in your relationships. But that's just not the criteria typically associated with an addiction.

11:13

Yeah, that's kind of you and like I would, okay, so when what point would you say if you looked at like, Alright, now, this is a problem, somebody? Right? 30 minutes a day.

11:26

And so it's hugely variable, and it's going to vary on your your kind of life circumstances? And what's going on? What I would say is, are their objective consequences? So are you finding yourself you know, viewing porn, when you're at work, and it's creating problems. So I don't mean like, Okay, that one time, one year ago, I went to the bathroom with my phone, I mean, like, No, at my desk, I mean, every day. Or, or you find yourself spending multiple hours per day. So like, if you're in a situation where you're viewing porn for multiple hours a day, and it's getting in the way of work, or relationships or self care, like, Hey, you haven't showered six days, because spending eight hours a day viewing window, that's a that's a bad, like, that's not healthy, right? We are looking for those more extreme cases. And what the more common presentation is someone who might might go five or six days a week without viewing but then it's literally all weekend long, completely binge not engaged in any relationships whatsoever, just almost every waking moment. And again, these are extreme examples. But those are the types of examples that we see in therapy, that show up in some of the treatment studies as well of people that it's objectively ruining their life. I mean, and that sounds like a weird criteria to put out there. But I mean, that's what it is, is actually really creating major problems in your life, not your guilt about it, not your thoughts about it, but your actual behavior. Is that creating the problem? And if the answer is it's the actual behavior, then that's, that's a sign that something's going on that we probably want to work for with

13:08

sound. It reminds me kind of like, I went to journalism school. So it comes from that, right. Like the definition of obscenity is like, I can't tell you what it is. But I know it as soon as I see. Yeah,

13:18

there's a former Chief Justice of Supreme Court that actually said that about obscenities in forums recorded some bar papers of like defining porn is really hard. Defining obscenities are but you know, when you see addiction, I mean, there are right we use criteria like, you know, persistent patterns of dysregulation, but there's so much subjectivity in it about what impairment looks like. So if you told me, Well, you know, I'm an adult content creator, so I watch porn for three hours a day to get ideas, and I produce porn for two hours a day. Yeah, I actually enjoy that because that's who I am. I'm not going to tell that person that they have an addiction, even though they're spending five hours a day engaging with the art, right? Because it's a different context. But the person that says yeah, I'm, I'm spending, you know, couple minutes here or there, but then I go on these eight hour binges. And like, I got fired from me for doing that at work, or I don't spend time with any of my friends anymore. Because I have a free moment. I want to go to the porn. That's that's a more conservative and more It's easier with interpersonal sexual behaviors. If you tell me like, Yes, I'm constantly hooking up with strangers having unsafe sex, I cannot stop no matter what I try. I'm, I've had eight sexual partners last week. I don't remember who any of them were and it was all unsafe and unprotected. I'm going to be concerned. If you told me the same story and you're still being safe and protected. I'll be less concerned actually. But again, there's this when there's interpersonal sexual stuff, it's a little easier to pick up on them with safe Warren because we all have individual private sexual behaviors that getting norms were a little harder to establish.

14:54

I would imagine it's hard to get people to tell you the truth.

14:58

It is but not for the reason that you think So most people are like, Oh, I bet you people lie because they don't want to share about their sex life. And it's actually not typically that it's the issue for getting the truth from people is that our own perceptions of our behavior shape what we see about ourselves. So you'll have people we see this, it's actually pretty well documented with the people that game too much. So people that think they're addicted to games, if you actually measure how much time they're spending on games, and then ask them how much time they spend on games, they will over report they'll be they'll pick numbers that are sometimes twice three times as high as what they actually spent. So there's, there's this feeling something's wrong, so they inflated. And then the flip side people thinking, No, nothing's wrong, and so they downplay. And so our self perception, and this is actually true of all addictions. You know, there's this notion, sometimes in addiction therapy, that, Oh, you can't trust what your client says they're gonna lie to you. That's not what it is. Clients, people with addictions, people without addictions, we're not often very insightful about ourselves and our worldviews, our beliefs, our behaviors, our relationships, what we had for breakfast that morning, can all influence in that moment, what we recall of our own behaviors, and it changes what we say to the people. So yeah, it's hard to get honest reports, because I tell when I'm training new therapists that tell them you're not interested with therapy is not always about the objective truth. It's about their experience of their lives and getting to an experience of their life that's more positive, that's more that works for them. And so maybe that what they're telling you isn't entirely accurate, but it is what they think is accurate. So

16:36

is that is that because we I mean, are they in any way? Kind of? I don't know what the right phrase is self deflecting? Like they're not. They know what the truth is, but they won't admit it, or just that we as people are just bad at this.

16:49

Absolutely. Sometimes. That happens. Sometimes people are trying to hide and self deflecting and are being dishonest with themselves. I don't I don't I couldn't put a proportionate. But I would say I think it's probably more common that we just kind of lack insight. And so there are points in therapy as a therapist where I'm trying to push a client to say, Okay, if we really do an honest inventory of ourselves, right now, I think you're gonna come up with a different answer. But more often than not, it's you know, about reframing what's going on so that they can arrive. So it's not challenging them to be honest with themselves. It's, it's challenging them to think about it differently, which will then lead to different conclusion, which sounds like a small difference, but it is actually a pretty dramatic difference in in the room with how we're approaching things.

17:42

So when you look at like sex addiction, is it more prevalent amongst men, women,

17:48

undoubtedly, men, among people that self identify as having sex addiction that seek treatment from sex addiction, men are more common, and typically, it's heterosexual men. Despite the fact that bisexual gay men who have sex with men are actually typically much more sexually active and having more sexual encounters in their daily lives. It's typically heterosexual men that are identifying as having a sex addiction.

18:19

How come? Why do you? Why is that? Why would that? Why would it be?

18:23

So it's huge, huge, huge number of variables that go into play. One of the big ones is that same thing I was talking about was moral morality and shame and guilt and beliefs. Disproportionately the men who are dealing with conservative sexual values and feeling like they're violating are going to be men that identify as heterosexual right? If you're in a conservative religious group that says that viewing porn is evil, chances are you're also in a conservative religious group that says being anything other than heterosexual. So part of it is they're heterosexual by identification, because that's all they're allowed. So that's one factor. I mean, another factor is what's normative there. There are, you know, basic differences in sexual frequency desire drive, between men and women. I mean, it's very complex. And I don't want to get into like gender binary debates and all of that kind of stuff. Broadly speaking, on the whole, women are less likely to desire the frequency of sexual encounters as men. There's societal reasons for that. Whether or not they're biological is a separate debate. And so, heterosexual men are less likely to have partners that want sex as frequently as they are. And so there's a mismatch of desire. So one of the most common things you see in heterosexual marriages is desire mismatch, right? Where man wants more sex than woman. And instead of you know, working this throughout with compromise or therapy or conversations, man turns to porn and then he feels like he's using porn all the time. And It turns into this vicious cycle. Look, I'm not getting the sex I want. So I'm viewing porn, but I can't stop viewing porn. And when I tried to stop me when I couldn't, therefore having it, it just gets this this kind of spiral effect, where these, again, all of these things like it's hard to talk about it like, casually because there's so many different individual and then cultural variables that come into play. And I can imagine a counterpoint for everything that I'm saying. But on the whole, we see heterosexual men reporting it more. And it seems to be a combination of desire mismatch leading to other behaviors, and then the conservative sexual values

20:36

for gambling addictions, right, that gets it, I guess, what are they addicted to?

20:43

So it there's variability depending on the game of preference. In some case, some studies actually indicate it's an addiction to the ambiguity in the chance aspect of it. So what we actually have seen in repeated neurological studies in Curie activity size, they're just different paradigms that we use, people seem to be more attached not to the win. But to that moment, right before where they know whether it's a win or a near miss. So imagine on a traditional slot to really complicate matters on a more traditional slot setup, you've got your 347, whatever it is Rose, you know, spin, right. And they hit in order in whether it's a digital slot, or the old school traditional ones. They, you know, they they don't all stop at the same time, they stop one by one. So there's this build of like, Alright, I got this one. One logo showed up this one fruit to an old school slot machines. And the second one just hit the same. And there's this building anticipation, like, Ooh, what's going to be next. And then the third one hits this the same, and you're just waiting on that fourth one. And in that brief moment, there's this heightening of, I mean, everything inside like adrenaline kind of starts to pump. There's a lot of other kind of neuro chemicals getting involved bringing your attention into this moment really tying you into to what's about to hit next, what's going to be that last one. And what we find is that the arousal level actually hits the hardest. When you get you know, three, four, whatever it is in a row, and the last one misses, than when the last one hits. There's that near miss phenomena where there's this rush, and then the crushing disappointment, and that emotional roller coaster produces reactions and people that we crave, at a almost subconscious level. Now, yes, everyone loves winning. But if you won every time, it wouldn't be gambling, right? Like that's people aren't. So workaholism is not an actual addiction, right? You aren't addicted to going to work and making sure you get that paycheck every time. Like that's not a thing. It's the it's the uncertainty piece. That seems to activate something. Now there's there's theories about this a lot people will go back to evolutionary psychology and say that we're wired to seek uncertainty because uncertainty has the chance of better payoffs. I'm not entirely convinced by that argument. But there is something to be said said for humans like uncertainty. Even when we say that we don't we like a little bit ambiguity, we like surprises. And it seems to be that same process there. And that's for slot. I mean, it gets more complicated. We're talking about sports, and cards and things like that. But they all seem to be that same piece of that uncertainty, that moment of uncertainty. It's not when you when that hooks you, it's that uncertainty that you keep coming back for.

23:35

I would have never thought it that way. Right. Like I would have thought that they were addicted to the sensation of winning, but it sounds like they're really addicted to the sensation of almost winning and then losing

23:44

right. And if you talk to most gamblers boom, boom, you talk to most gamblers, they'll be like but no, it's the winning. And at a conscious level, it is the winning but when we look at what's happening underneath the surface, it is that bump bump roller coaster of that almost hitting it in the dropping, and then that makes the win even that much sweeter. Right? Because you've had you've gotten that ride, ride the roller coaster up and drop rides well, and then finally hits and it's like, yes. But again, it is that it's all built on on the losses like you have to have the losses for the winds to be appealing.

24:22

Does it matter the game like is somebody that is there a difference between the person who's addicted to blackjack versus craps versus poker versus slot machines?

24:32

So Blackjacks versus craps versus poker, actually, most often, there's not a whole lot of differences going on there. I joked that the difference between someone who has an addiction to poker, and the someone who's on the World Poker Tour is what how good they are right in there. It's not that that addiction isn't quite the same as what we're seeing with slots. In particular, and the reason being skill based games I has crafts is kind of watching it. So blackjack and poker have more skill pieces, poker being one of the most skill based games, with some chance interjected into it. And then everything gets progressively more chance based, those type of people that develop those problems. It's typically a complicated picture, based less on the inherently appealing nature of the game and more on what they're using the name for themselves. slots. i In practice, you see more people addicted to slots to sports, betting to Keno rare, more rare cases like extreme lottery ticket buying things like that. But for those people, there's often this clear use of the gambling as a detachment from something else going. So the very, we've documented this in a lot of our research, that people with PTSD, in particular are really drawn to slot machines to games that are very kind of zone out and just bring yourself into the game. So I mean, you could develop a slot machine problem without PTSD. But oftentimes, we see the slots functioning as a way of shutting out the rest of the world shutting off your internal world just being into with this one emotional roller coaster and not the rest of your life is chaos. Where that's a less common presentation for

26:29

poker like that. Are you ready for some harder slash listener submitted questions?

26:33

I'm always forced listener submitted questions.

26:36

Can people really break the cycle? Or do they just change one addiction for another,

26:41

people can absolutely break the cycle. And I would challenge people to think that breaking the cycle doesn't just mean total abstinence, you know, if someone in college was drinking, six, seven drinks a day living in a perpetual state of hungover to drunk and couldn't stop when they wanted, but then come to a point through either intervention or personal decision that they drink once or twice a month. That's breaking the cycle, right? That's breaking a cycle of what looks like an addictive behavior, even if they're not absence, even if they because they they've chosen to do things in a way that's safe. There's this notion in addiction treatment of harm reduction, anything you do that makes you safer, and more likely to wake up tomorrow, even in the midst of your addiction that's breaking part of the cycle. And so yes, absolutely. And I see people that go through recovery for one substance and never pick another one up. And yes, I see people the other way to that they just seem to change from one to the other. The person that had alcohol, the ghosts gambling, gambling goes to sex from sex, they go to hair, like yes, you see that. But more often than not, I see people that break the cycle or get to a safer place. And they don't they don't go back to that dark place again, and they move forward.

27:56

What's that? Like? I guess then what's the secret in the therapy? Or what's their secret? Like what did?

28:03

I mean, I don't think there's anything as far as I don't think it's a secret. I think it's a combination of, you know, getting getting the type of therapy you need. But a lot of people actually naturally remit which is it's hard for therapists to admit, but it's over half of people that have addictions, that recover, recover without therapists whatsoever. Like they just for some people, it is absolute, just white knuckling it through it. Other people, their lives change a relationship ends that was dragging them down for other people. It's a series of gradual changes, like I've met more than you know, I know lots of people that, you know, cold turkey their way quitting smoking, but I know a lot of other people that was like, Well, I used to smoke two packs a day. And then it came down to a half a pack a day. And then I switched to a vape. And I've been on a vape for three years now, but I only have eight, you know, twice a day. And yes, they're still, you know, dealing with the nicotine, but like, they're also their lung cancer risk went way down all of those types of so like it's, it's all sorts of different pictures that I see. And so it's not one size fits all. And one of the things if someone's listening to this and is really struggling with addiction, they don't feel like they can get through. My only advice is keep trying. If something's not working, don't just keep trying. Like if you've been trying to go to AAA meetings for 10 years, and it's never worked. Try something different. Like AAA doesn't work for everybody works for a lot of people doesn't work for everybody. So try something different.

29:31

Which does society demonize more gambling or sex addiction?

29:35

Sex? Yeah, sex. Undoubtedly, it's because of our society's got such a such a strong kind of Protestant background. And if you look, even politically, you know, one of the major political parties in the country's very strongly aligned with conservative Christian sexual values. So right now it's sex. Was it that way? 50 years ago, I don't know. Will it be that way? Two years from now, I don't know. Right now, though, I'd say it's X.

30:03

Are we more addicted now than you think that we were in the past?

30:08

No, no, this is actually pretty common idea like, oh, no, thanks to technology, and hyper palatable foods this we're all developing more addictions for I don't think there's any good evidence of that. I think, you know, I think addictions have have been here with us. The reason we think that there's more now is that we're more aware of what's happening. We just get better at measuring what's around us, the longer we go on. I think a good analogy is if you look at sports and sports statistics, and so you might sometimes listen to an old sports fan, like back in my day, we didn't have all these statistics. It's like, I mean, but they were there, like these metrics were still happening, right? Owen was measuring, right. So like, they, you know, you'll see, anytime you watch an NBA game, this is the first time someone's gone for this many minutes. This many scores this many thing while wearing shorts that were this long or whatever, right? Like, it seems absurd. But like it's its measurement, we're better at measuring things now than we used to be.

31:03

The thing this is completely aside, but the thing that I always wonder about is like, what did people in like the 1800s, they just look at clouds that look like a woman their history, or they do it?

31:16

History of porn is one of one of the really, I mean, I'm not a historian, but I've read some of this work. You know, there, there's certainly evidence that people were marketing erotic drawings, hundreds and hundreds of years ago, 1000s of years ago, it took less, it took only just a few short years for the from the invention of the camera to be selling of, you know, nudes. The reason that blu ray won out over what was it HD discs, or whatever it was,

31:46

was because though Yeah, heard that about? Yeah.

31:49

Yeah, Betamax. And this is consistent. Like, we have always used the technology at our disposal to produce images of sexuality, whether that was drawing on paper, to now with full blown virtual reality.

32:05

Are we all addicted to something?

32:08

So I think if you think of addiction in terms of functional impairment, like is this behavior creating problems in your ability to exist in life? The answer is no. If the if we're thinking about addiction in terms of is this something I can't stop? Even if I want it to, then yes, right. So like, Yes, I'm absolutely addicted to caffeine. Like, I traveled abroad a couple years ago, for COVID. To a country that did not have easy access to coffee, and I had withdrawal headaches for two days until I finally found a Starbucks. It was 16 blocks from my hotel, and I walked to it every single day, from there on out to get coffee. That absolutely sounds like an addiction when you describe it. Generally right now at home, three kids and wife at home, I get up in the morning, I make coffee. And I don't have problems. And so like, is that an addiction? A true addiction? Probably not. But in a different set of circumstances? Could it be conceived as one? Probably?

33:13

This one's a little lighthearted. Where on the scale of addiction studies, are you like, is the gambling and sex addiction person cooler than the person who studies like addiction to eating salt or addiction to something else? Right. So

33:30

I mean, depends on who you ask. Depends on how you define cool right now, if you want to talk about being able to get grant money, and who's able to get the money to do the work they want, and where the bottom of the totem pole but if you want to talk about the ones that people are the most excited to talk to and interested in. I think that we get a lot of public interest because the public is interested in these things, even if the funding agencies are

34:02

Yeah, they can't really fund it as much I guess.

34:06

Historically, not gambling, gambling is getting there. Eventually sex mind but sex they just get so wrapped up in the politics of it. All right. So

34:15

so that kind of a question that just jumps into my head is right, like so what do you think about gambling was hush hush, no gambling only in Vegas? Now you see fantasy advertisements for it left and right. Like I guess, what do you think about that? What's going on? Is this or new wave is coming or like what are you

34:37

so I don't so I see. You sometimes you see people that are very programming, saying there's not going to be any problems. It's just a new economic activity. And then sometimes you'll see people that are in the anti gambling, community sex. This is going to completely restructure society as we know it. And I think both are completely wrong. I think of it in terms of if you think about people being predisposed was to developing a problem with addiction. And then I mentioned really early on in this kind of podcast that well, sometimes you might be predisposed, but are never exposed to it, right? So you might be predisposed develop an alcohol problem, but for whatever reason, you just chose to never drink in your life even you never drank. So you never knew that you're predisposed, because you were never exposed to it. I think gambling is going to be like that I think more people that would have never developed a problem will but I don't think we're talking about some massive epidemic, I think we're talking. If the prevalence rate is 1%. Now maybe the prevalence rate goes to 2%. Now, that's an absolute doubling in the number of people that have gambling addictions, which is a very big deal. But it's also not like some rampant disease recognized all of society. So it's this kind of nuanced view. But I do think more people will develop problems that don't have it. And I think it won't be as bad as some people are afraid. You know, I am concerned, especially with the fact that a lot of states are legalizing the ability to gamble from your phone. The privacy aspect of it scares me a little bit. It's easier to be responsible with your bets, when you know people are watching you. But if nobody's watching you, and it's not real money, and there's not chips on the table, it's just numbers on the screen. I'm concerned, but it's a cautious concern, not a, I don't necessarily believe that it's definitely going to be a huge problem. I just I want to see what happened. And that's what a lot of our research now is is just documenting trends over time.

36:23

Most interesting gambling case most interesting sex addiction case you've had.

36:28

So I can't talk about specific line details publicly, right, because of HIPAA and various other protections. I think those some of my most gambling cases are the ones that have won big and I don't mean like, oh, they won 5000 or 10,000. Like I have cases that in one, one or 2 million, either via lottery or via some just insane cussing up AR, and then lost it all. Just, I mean, it says something to say I was up $2 million at one point. And now I'm in the hole 500,000. I mean, that speaks to what's going on. So that's that. And then sex addiction. What's not, it's not actually the sex addiction cases that are the most interesting to me. It's the ones that think they have a sex addiction with don't so like talking to someone that might say, I'm addicted to porn, and like, okay, so when was last time you for? Well, you know, three weeks ago, when I was in the supermarket, I was at the impulse counter. And I saw this very scantily clad woman on the magazine, and I thought of what she might look like naked. Like, yeah, but when was last time you looked at porn. And that's what they meant. And it's like this completely warped view of the world. Based on you just complete concerns about you know, not looking at a woman with lust in your eyes, which is, you know, a thing that comes up in Christian faith a lot. Like, so that's fascinates me again, not a true addiction. But fascinating worldview to kind of work with in the therapeutic room very hard, doesn't actually work out very well, sometimes, but very, very interesting.

37:55

Yeah. Like, what do you do in that kind of circumstances when you make maybe somebody thinks they have an addiction, but this isn't really an addiction,

38:03

right? Well, if someone is coming to me and asking for help, then I believe that they're a person that's in front of me that needs help. And so sometimes the help is addiction treatment, because you have addiction related kind of behaviors. But sometimes that's something like we the term we use is Acceptance and Commitment Therapy, it's kind of a school of thought is a type of therapy that's focused more on learning to not get so caught up in the struggles, basically, being able to say I fell short of my goals. That is in the past, I'm moving forward. And so I'm not saying I don't try to tell, you know, if my clients a conservative Christian, I'm not going to say, well, first, you should be an atheist, and then you should be okay to you in corn, like, I'm not going to say that, I'm going to say, okay, what are your values? How do we live up to those values without causing suffering in your life? And what does that mean for you? And so it looks a little different for everyone. But oftentimes, it's about learning not to hate yourself when you fall short of your values, and learning not to obsess about those values when you're living up. And so it's this balance of trying to just kind of even things out,

39:08

do people like when they maybe they cure the addiction, but can they ever get over a sense of shame? Like that? Oh, I was, I was a gambler, and I lost $10 million, or whatever, and I don't gamble anymore. But then do they ever get over that?

39:25

The aspect of times the negative emotion around it goes that the shame though, so they'll still be some regret, right? Feeling like I wish it hadn't been. But it doesn't carry the same pain. And a part of that is if you think about a lot of recovery groups, so whether it's a TA or GA or 12 Step groups, or there's lots of other groups that aren't 12 steps that that are different patterns. They're built on you telling your story pretty often and the more often you tell a story. It's the same thing for PTSD actually, the more often you tell that story that causes you pain, the less pain it costs. because you just get used to telling the story, it doesn't mean that you couldn't find the pain if you want it to it doesn't mean that there's not still some emotion there because of course there is. But it becomes less painful because it's it's just your story at that point. And the bigger thing we deal with is when somebody has a an incident where they slip back into something, there's often crushing shame. And then that crushing shame is like, well, what's the point in anything, might as well keep going. And it's like, no, a incident, you know, you've been sober for 10 years, and you've had one drink. That doesn't mean you need to give up and have 10 drinks a day for the rest of your life. It just means you had one drank and slept up to get back on.

40:37

I always wondered if John Daly was like a good example, or a bad example, somebody that was addicted and really had some trouble with it stopped for a long time, and then just seems to have become okay with it. Like in control, but still doing the thing that he was addicted to?

40:54

Yeah, I mean, it's tricky. I, I hesitate to point out like exemplars like if somebody is Yeah, right. But like, I do think, like I said earlier, whatever you're doing that makes it more likely that you wake up tomorrow morning, and that the people around you aren't getting harmed by what you're doing is a step in the right direction. And so if the thing is if you know, like, I'm going to end up using you, and I cannot stop it, but you learn a way to do that, that doesn't put your life in extreme risk and isn't actively hurting the people around you. I tend to think of that, as I mean, good versus bad is one way of thinking about I think of that as a better direction to go than just going full bore. You know,

41:39

is it always bad? Addiction, addiction, always bad?

41:43

Depends on how you define that, I think, I think of addiction, oftentimes as a reaction to what's life's got going on. So sometimes people will turn to addictions. Because what's going on in their life is so bad that they don't feel like they can face it without it. And I've worked with people with addictions that will say, Well, if I hadn't had that substance, I would have just committed suicide. And in that situation, it's a hard thing to say that that was bad, it may not have been the best thing for them. But it's hard to say it was bad at that they think that that kept them alive. I've heard that phrase before. And I think that that's one aspect. I mean, the other aspect of it is, as humans, we're always balancing, enjoying life and accomplishing the things that need to be accomplished. And it's not inherently bad that sometimes that balance gets out of whack, where we get a little too far on the enjoyment side of things, and we need to pull it back. We need to rake back. Yeah. Like I mean. So I again, I don't think I would say it's always bad. Yes, we want people to be safe. But sometimes people are going to engage in substances, they're going to engage in behaviors, sometimes they're going to get a little bit out of control. And it doesn't have to be

42:56

I would imagine that that's true in the sense that like, people don't get addicted to something for no reason. Like, are they usually kind of using it to compensate for something that might have been the worst option?

43:07

Oftentimes, that is the case. Yes. I mean, there are sure. Physiological addictions and there are these moments where people purely just develop a dependence on something and they can't stop because more often than not, yes, it is the addiction. The addiction develops, because the other options seemed worse. Now, we can debate on the outside whether it was or was not, but for the person living it, that's what that's what it felt like for them. And that's I mean, for me, that's part of being a non judgmental therapist is realizing that what led them to this point is not just some deranged, you know, desire to have an addiction or just a lack of self control or being weak know what led them to this point, it was a set of options that said, No, this is the option that makes no sense. And if we can understand that, some a lot of times addiction therapy is about making sure that there's better options there so that addiction is no longer the best option.

44:06

Yeah, kind of like I can confront my childhood field with abuse or I can drink alcohol. Yeah, and I drink alcohol is what I would do.

44:15

Right? And that that happens, and there may come a point with the right supports in place where confronting that abuse makes more sense. But where you are, for whatever reason right now, it just doesn't and so you choose to avoid it via substance.

44:31

Um, that's pretty much all the questions we got man. Is there anything that you think we missed? Or no, no, I think people kind of learn more about you. And

44:39

yeah, if you are interested, if you're ever interested in learning more about me, you can always find me I'm on Twitter at Josh Grubbs PhD. You My website is Joshua Grubbs phd.com. Both of those are probably the best place to catch up with me. But I'm always happy to hear from folks if people have questions. You know, I do get a lot of emails. I can't promise I'll respond to everything but I do try again. I'm pretty active on social.

45:04

What's the most addictive thing that you think like, oh, man, people get into that and it is just

45:13

I was gonna say caffeine. No, it's not caffeine. Right now I'm trying to decide if I think this is objectively true or if it's just because of where we kind of are societally. I mean, I tend to think of opioids is pretty pretty darn so like that. Heroin, fentanyl, car, fentanyl, that kind of isolated, which all have their purposes medically. But any human being if you gave them a daily dose of an opioid, for two weeks, they will be dependent on it at the end of the two weeks. Now, some people will fight through the withdrawal. But it's it's a very easy addiction to create. I think it's the easiest addiction to create that we've seen.

Celebrity Photographer Mickey Blank

Mickey Blank, better knows as New York Mickey, is a different kind of celebrity photographer. She’s gained a massive following online by showing a side of celebrities you don’t usually see. We talk celebrity photography, professional fans, the nicest and meanest celebrities and paparazzi. Then, we countdown a special “celebrity” themed Top 5.

Mickey Blank (New York Mickey): 01:45ish

Pointless: 29:53ish

Top 5: 46: 50ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://linktr.ee/mickmicknyc (New York Mickey Links - Linktr.ee)

Interview with New York Mickey (Mickey Blank)

0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode, celebrities, the real story, and ah, celebrities.

0:23

But I was very naive, and I started it. And I learned that a lot of photographers can be very aggressive, very aggressive, and covering the scene, like, I don't really care if they're going to look at me or not, I just covered it. This scene is what's interesting to me. Most of the celebrities, I do not recognize the only way I know like, I look at the other photographers where they point in their camera. And that's where I point,

0:49

I want to thank you so much for joining us, if you get a chance to subscribe, leave us a rating or a review. We really appreciate it, it helps out the show and more than anything, we just like hearing from you. So our first guest is a celebrity photographer. But she's different than most other celebrity photographers. And that's why she's gained a massive online following, because she specializes in showing the side of celebrities that we don't usually see. And even if you're not interested in celebrities, I think it's fascinating to find out what they're really like. And even more than that, what the world around them. And the people around them are like this is celebrity photographer, Mickey Blanc, better known as New York. Mickey, are you surprised my people's reaction to your videos?

1:50

I'm just surprised with how mean people can be either towards me or just the people featured in the video.

1:59

When you look through the comments, like are most of them nice? Or did the mean ones just really stand out? So that's what you see.

2:07

Mean ones always stand out. Yeah, you can have like tons of great comments, and then you'll have a few really nasty ones and they will always stand out.

2:17

Did you kind of set out to do this? Was this the plan? Like I want to be a celebrity photographer videographer. Was this something that just kind of happened?

2:28

No, I had nothing to do with a celebrity. I'm not I'm not into this world. I wasn't. And people used to ask me Oh, you live in New York City, what celebrities etc? I don't know. Maybe I saw Jerry Seinfeld once. And now like you asked me, I've seen everybody in a year. I've seen like, once you get your Bubble to notice they're celebrities around you. You can find them anywhere I've seen so many like I cannot even count. And that's the difference between like my before and my after before. It was like eight years one Jerry Seinfeld. And now it's like a year and it's every anybody just named the person I I've seen it. It's on my videos. It's crazy.

3:12

Does that mean that they're kind of like walking around us all the time? don't notice.

3:17

Like in Manhattan all the time. There's like events happening in premieres. New York Fashion Week is like basically a parade of celebrities. If you know where to stand. They're just gonna parade in front of you one by one. It's, yeah, you just need to have the Intel that's it.

3:36

How do you get that Intel then?

3:40

Well, that's. So basically, I have a big community of people and they know what I'm doing. And they know I cover celebrities and I cover premieres. So they will send me the information. Sometimes I get the information directly from the brands that like, oh, we are going do you want to cover us here? Do you want to cover us there?

4:02

That's what I was always kind of wondering, right? Like, how do people like yourself, find these celebrities, but it kind of sounds like one way or another either the celebrities people or the brand they are working for is directly telling you where they're going to be

4:20

like, Listen, I don't do I don't do private life. I'm not like there's some like paparazzi standing outside there where they live and just waiting for them to come out. I do not do this kind of stuff. That's like, that's creepy. But if they're on a filming set or filming on the street, if they have a premiere, if like the brand is reaching out, hey, this celebrity is going to be this restaurant at this time, then it's legit and it's like it's like public relations. Right? It's completely different story between the two. It's not the same. Is that

4:51

usually how it works, how celebrity photographers find out about it is like somebody from the brand or the celebrity is telling you where they're going to be

5:01

a lot of times yes. Like most of for filming set, no, I have this information filming set will not announce Oh, they do announce but they don't want a lot of people they have to announce because they they film in a public street. But most of the public don't know how to get to this information for premieres, they will announce that's why all the photographers are there, the Getty photographers the bag, read all the photographers out there, because they send them the information, they gave them credentials to stand there and take photos and videos. But if that's somebody walking outside of his house, that's paparazzi that's like a photographer that knows where the celebrity leaves and just park there the whole day waiting for them to come out. And people like me, I think I'm completely new to the industry because I'm a content creator. I don't see around me other content creators. All the other people around me are photographers that have been doing it for years. And some of them started putting their videos on social media. But there are photographers that their main priority, like selling their photos to magazines. They're not really, you know, creators. So I'm like the first person, I think, step in this borderline,

6:13

kind of moving away from the idea of selling the photographer's to somebody else, but you're just putting the content directly on social media, and doing if not

6:21

sell any photos or videos. Even if I have an exclusive videos. You do not believe the amount of email I get, oh, we want to this video unlike nope, not that like I didn't sell any of them. Zero.

6:35

How much? How much will they offer you for that?

6:39

They usually like Don't say that. We want the video, let's go through the contract and the contract and always, Oh, you like I gave them full rights, blah, blah, blah. I'm like, I don't want it. I just want this is my video. I want to be able to do whatever I want with it. So I don't even have the I don't even have the time to start negotiating with them. I just like usually ignore these emails.

6:59

That surprised you like I would feel like I couldn't resist the curiosity being like, well, what would you pay me though?

7:05

It's a hassle. And they're very manipulated, because they like a big company with a lot of people and I'm just one person and the contract, like usually, like you have to have the time to read it and to understand what they're asking for. And I don't I don't have this time. And so I don't I don't deal with it. Maybe I should but I don't. What's

7:27

kind of your typical like approach, say you're going out on a shoot or what's your day, like?

7:32

My weeks my days are very, very different. It's not like something fixed the day. So I just find a spot I do not like most photographers will shout like, looking at or looking at each other names. I don't feel the need to do it. Because there's so many photographers and I just feel like I'm I'm covering the scene, like I don't really care if they're going to look at me or not. I just covered this scene is what's interesting to me how this person Calvin surrounded with all the photographers and how they react.

8:03

What is that kind of scene usually like when celebrities arrive?

8:07

I? Well, it depends on the celebrity. It depends on the photographers around me, which by now I know most of the photographers. It depends how many people are there. There was like a scene going viral on Tiktok of Gigi Hadid arriving at Rockefeller. And we were like about 10 photographers there covering the event. And most of the photographers standing on one side, one photographer was standing with the fans. And before she arrived there, like fight in where she's gonna look if she's gonna look at him or she's gonna look at us. And when she's arrived like everybody like JJ Look at me. No, don't look at him. It was like, that was amazing. And and yeah, there were like showering it was like very emotional. And other scenes even if you have like more photographers are not that emotional. Especially if the celebrities tap in for a long time. Like if you're stopping for a long time each photographer have a chance. But if you're just walking inside and it can be boring, it can be yelling, it gets very emotional.

9:18

What's like how much time usually passes like you've got minutes to get a shot or you've got seconds.

9:27

The same event Dodger cat came and we knew that her car and she was sitting in side her car for like a full minute not coming out. And then she came out and she immediately walk inside. And everybody that booboo like they were booing because they were waiting for so long and she was just walking in. And so one minute inside the car we can see here and then just walk in for like 10 seconds. But I have a good video because there was nobody blocking my view. And another instant I had the premiere For Amsterdam with Robert De Niro and my buyers, that was insane, there was so many fans there. And there were so many people working at the entrance. When a celebrity came in, it kind of disappeared between the sea of people. So we couldn't see him. Like I have Drake coming out of the car, and I see him coming out of the car. And then in a second, he disappeared between a sea of people and walking inside. That's it. So I have a second the same for a second, when it's coming out of the car. That's it?

10:32

Is it pretty competitive with other photographers? Or is it more just like chaos is happening around these people? So you've got to get? are you competing with the other photographers? are you competing with the other people who are there?

10:45

Well, obviously, the more people that are there, the less chance you have to get a good shot, because people just can block you. Usually, I don't really care because I'm, again, I'm not selling I'm just taking photo of the scene. But I was very naive. And I started it. And I learned that a lot of photographers can be very aggressive, very aggressive. They can they're like, I think maybe you have to enter the industry, I don't know. But they can be really not pleasant to be around, aggressive, they can harass you, they can threaten you. Just not people you want to be around a lot of the times, which is kind of sad, but they were trying to drive me away from doing that. But I was holding my ground and I'm still I'm still here.

11:34

What are some what like what are some of the things that have happened to you?

11:37

I got threats, I got photographers, paparazzi is more taking photos of me sharing them on social media calling me names. Going to the police officers telling lies about me. Telling me go back to Brazil, or you're not gonna be allowed to step another time in New York City, you know, threats, basically harassing bullying?

12:06

Does it ever get like physical kind of

12:09

as So apparently, they know not to touch you. Because if they touch you, then that's like, that can ban them from this profession forever. And some of them already have filed against them so that they can I cannot have another one. But they have ways on emotionally manipulate you, and make you and stress you out without touching you. Is it male dominated? Yeah. For Yeah. Yeah. That's how males with floods of ego and self esteem and territorial, a sense of territories is my territory you're not supposed to be in my territory,

12:50

is that kind of, I'm not like absolving people necessarily. But is that how the industry works in the sense that like, in football, people are gonna get tackled, right? Like, this is how the industry is it is super competitive. And people will do anything to try to get any kind of advantage over the other person.

13:11

They will look, some of them are really nice. People, I actually got two of them as my mentors, they're helping me to find my way and helping me with finding the information. And one of them actually started with being my worst enemy. But like, we were able to turn over a new leaf and now you know, we kind of collaborating and we have like communication between us. But some are just like, very childish behavior. And I just currently just ignore and I just do not address a talk or and whenever I see them, I try to hide myself so they don't see me and you know, nothing happens.

14:00

When you go to like film something. Obviously events are scheduled ahead of time. But how much notice Do you usually get if somebody's like, hey, this person is going to be at this restaurant in five minutes. Can you get there? Or is it like, hey, they're going to be there? It's four o'clock they're going to be there at nine.

14:15

Oh, that's different. That's different. If somebody is going like if a celebrity going to the restaurant and that's kind of a PR stunt. They send you like, a few days or enough hours before that celebrity comes. That's like a PR event that's not a filming set of filming said they are not they do filming set usually don't want photographers paparazzi nobody covering their work, because like spoilers, I don't know why I don't know. So they will not announced but since they're filming in the streets, there are ways to find out where there's they're filming. And the time is tricky. But since I have a big community, lots of people, lots of items. The city. Usually when somebody see a film instead, they will say, Hey, Mickey, they're filming here and here. So you know. So I have the exact timing.

15:08

Are you ready for some harder slash listener submitted questions? Oh, sure. biggest celebrity that you've ever gotten video of?

15:18

Probably Julia Roberts. She's not my most viewed video, but I think she's the biggest, I think, Julia Roberts,

15:27

she's up there. She's kind of a little old school movie star celebrity as opposed

15:33

to like, but that's why because everybody knows her. Like I have the younger ones from tick tock, which are booming, but like the audience generation does not know them. But I feel like Julia Roberts 90% of the people know who she is, right. So

15:47

well, she's like a celebrity in the sense that she was famous for doing something as opposed to famous for being famous. Yes. Where I think some people are now kind of going into that territory. Yeah. Is there a type of celebrity that like, this experience is going to be easier or more difficult in the sense that like, okay, a movie star, that's going to be pretty simple. But the internet, tick tock influencers going to be chaotic, right, like, can you expect anything based on the industry that they are famous for?

16:23

Listen, nowadays, even if you have somebody like really famous, it's not a guarantee for your video to go viral? Especially if there were like lots of people taking this content. And it's like a competition is like, randomly the algorithm would choose one. As for the comments, it's like, it's somebody tick tock famous, like Dixie, which I film for New York Fashion Week, then the comments will be like, Oh, she's a celebrity. Oh, she's not a celebrity. You know, she's famous. She's not saying she's just a person doing tic TOCs. I don't get this debate. She clearly is a celebrity. And she's clearly is famous. But she's different from Julia Roberts, right. In the in your mind and people's mind. Yeah.

17:08

I have this theory that somehow the reason that people like, what did the inner the Tiktok influencers celebrities get so famous, is because there's such argument over of why they're famous. And that just fuels the whole algorithm, right?

17:24

Yeah, that definitely makes her like, if I'll use the word celebrity in her video that will make the video blows up, because she's not a celebrity.

17:34

Oh, do you do that on purpose? Or did you just kind of like that out? No,

17:38

I don't do it on purpose. But sometimes I make I choose a headline. And then I'm like, Okay, this video went viral because of the headline, not because of the actual video. But I know it in retrospect, I usually don't know it when I you know, write the headline.

17:57

Last time that you were kind of like, Oh, it's this person when you were personally like,

18:03

if I look back at my two most in all moments was when I met Ed Harris on the Westworld filming set at Harris. That was amazing. And then when I met Chris north, on the end, just like that filming said that we're like, Mike, ah, this is so cool. Yeah.

18:27

Are they are celebrities themselves? Are they usually nice to you? Are they mean to you?

18:32

They don't know me, they just, you see just how they are that particular moment. Sometimes they have time. They're really nice. Sometimes they like really running late. So we they will not stop. But it's not like they address their behavior towards me or anybody else. It's just the circumstances. It makes you see what you see in that moment.

18:54

They're, they're reacting to the situation, not necessarily any person involved in the situation.

19:00

But I noticed that some fans are really good in getting them smiling and getting their attention. And some fans are more likely to get photos with them than others. Funny if you look at this industry, it's not just the photographers with their photographers come the fan, which are a lot of them are like, professionalized in this field of finding celebrities and taking either selfies or autographs. So you see the same photographers, the same fans and the same people asking for autographs. It's usually the same people.

19:34

The people who go there like they're professional fans of celebrities, like they just go to

19:41

Yes. Like the front row is usually the same faces over and over again. And sometime I feel like really sad saying that because they some of them are kind of aggressive, like the photographers. And I see the celebrities giving them attention and it's like Ah, did not give this person attention. But you know, they don't know who this person is.

20:06

Oh, but are they like professional fans in the sense that like, this is what they, yeah, they like to do this or someone is hiring these people to like, go and act like this.

20:18

Oh, no. Well, maybe somebody hires them to go and get autographs because autographs can get you money, I guess. So maybe somebody can have somebody to just go and get autographs. I don't think the people for the selfies getting any money for the day just like it's like a hobby that went wild. That's why I say that, like very focused on getting as many photos with celebrities as possible,

20:47

like a good hobby, or like, Ooh, this is a little bit of an unhealthy session. Hi,

20:53

I feel it's unhealthy. I feel Yeah. In some cases, I'm like, this is across the border of they should have, they have no balance there. No balances, they just go whenever. And that's a big priority in life. So that's not healthy in my mind.

21:15

Oh, celebrity that's hardest to recognize. I mean, that in the sense that like, Oh, I didn't even know that was them.

21:22

Most of the celebrities. I do not recognize the only way I know. Like I look at the other photographers where they point in the camera. And that's where I point. Usually I do not recognize the people. I'm like, Okay, this is a person, okay. And then later, I like Google and find out who it is how big they are. And if it's worth, you know, posting the video or not. But I had this incident with Katie Holmes, like she was coming. I see. I thought she was coming from New York Fashion Week. Week. I saw a few photographers around there. I'm like, oh, maybe she's interested in I'll take a video. I took a video I forgot about it. And then I see the summary from the Tom Ford, neuro fashion week and I see Katie Holmes, and I see what she was wearing. I'm like, Oh, I took a video of her. She was standing next to me. I didn't recognize her. I made a video out of it of like me not recognizing Katie Holmes, because she was right in front of me. She was walking towards me basically,

22:16

do they generally look like what you think they're going to look like?

22:19

Um some of them I guess, like Gigi Hadid was, you know, everybody's screaming GG. And she's the only person walking so you know, it's really headed. But I had, I was filming the Michael Kors and Fashion Week and other models came. And I'm like, Oh, he must have some big models walking the runway. So I'm looking to see if I recognize any of them. I didn't. And then I say Bella Hadid was in his show. And like, How did I miss Bella Hadid? And like, she was there, but I filmed all the models there. How could I miss her? So I'm looking and I'm saying, yeah, she was walking right towards me. And as soon as she smiled into my camera, I shifted to the person behind her because I did not recognize her. Oh, my God. But yeah, that's the way it is. Well, but

23:10

it's tough to realize what people actually look like. Like, I used to be a news reporter. And we wouldn't do with celebrities. But usually like an infamous person this sense, like this person just got arrested. This is what they look like. And it's surprising like, oh, wait, is that? Is that them? I have no like, you wouldn't really be able to tell a lot of times because people don't look in person. Like what they you think that they are going to look like? Best place like if you're going and you're like, I gotta get something today. I gotta get some content today. Like, where are you going to go and be like, I know I'm gonna see somebody Are you a paparazzi

23:49

so as I mentioned at the beginning of this conversation, paparazzi, somebody that makes money of the photos and videos and we already established the fact that I had never sold a signal, single celebrity photos or videos to news media. That's one second one is somebody that's achieved celebrity celebrities on their private life. And you do not see videos of like, I do not do that. I do not go outside their houses. I do not. Occasionally a fan or one of my community members will send me a video of oh, I met this celebrity in the street and they have like a really cute video I will share it. But I'm not. That that's not what I do know. So the answer is no.

24:33

What's your reaction when celebrities get mad at photographers taking their pictures?

24:40

I don't I didn't even i i don't remember seeing a celebrity being mad. Because again, I'm not taking photos of them doing their private life, either on a filming set where they're already on camera or premieres where they expect camera and red carpet. They expect cameras or a PR event when it And they expect cameras. So I don't I don't think I've ever seen a celebrity get upset because they were. I can feel I can think of an incident. Oh, you know what I think Sarah Jessica Parker was really frustrated, because her show when she started filming and just like that, it was so buzzing and everybody wanted to see her in her outfit. It was insane. That was like lots of photographers every time she was filming. Lots of fans. The streets were full of people. I think she was frustrated about it. But she never she never really said anything. You just I kind of read between the lines, or you heard it from people on the crew, but she never said anything directly to the fans or photographers.

25:56

nicest celebrity

25:59

nicest. I think they're like, I think if you are in the industry, you have to be nice. I think all of them are nice, because if they weren't, they weren't be in the industry. And sometimes again, they're in a hurry, so they cannot be nice. But sometimes I go to a premiere. And I did it actually one time, because I went to the power of the Rings premiere, and the actors there, people don't know them because they're all new. So I went and I covered that. And I had to make it interesting because people do not know the actors. So I rank them according to what I saw, as they were coming in, and how they react to their fans. And they were reacting to you know, the people around them. So I was ranking them between, like one they just walked in ignoring everybody to the one that was really nice. talking to the camera just been really sweet. So I did that one time. Yes.

26:54

Is there a meanest one? Do you have a meanest one mean?

26:58

I'm not mean, I had not mean the only thing I can think of that sometimes they're really oblivious to the world of photographers and fans around them. So it's kind of really kind of really painful to see the photographers that are choosing to be around them, which makes me feel not hire any of them. Because if they're choosing this photographer, they clearly I don't know. But not mean, no.

27:31

That's pretty much all the questions I've got. Is there anything else you think that we missed or anything like that? Oh,

27:38

well, this is a very broad territory. There's a lot to cover, but I think you've covered most of the good stuff.

27:46

So for people if they want to find you want to find out more about you like what should where should they look? Where are you at all that kind of stuff?

27:53

Sure. So I'm, I have my social media channels. And basically I share different content for each one of my social media channel. So for my Facebook followers, I share live videos from New York and then I talk about whatever was happening in my life and what celebrity I met what filming said I covered but whatever was going on or in the city I will share in my life. Walk on Facebook. Instagram is like the current things happen in city this is happening now. This is happening tomorrow. This is and Tik Tok is basically interesting moment I captured throughout the day that like anybody even if you're not in New York or interested in coming here, you'll find it interesting.

28:41

Now, is this the full time living? Can it be a full time living?

28:45

It's more than a full time living do it 24/7



Rare Bookseller Tom Ayling

From First Editions worth thousands, to long-lost manuscripts worth millions. Rare Bookseller Tom Ayling takes us inside the world of rare books. We talk the most expensive books in the world, forging counterfeit books, starting a book collection, lost books, banned books and what makes a book truly unique. Then, we countdown the Top 5 Collectibles.

Tom Ayling: 01:43ish

Pointless: 54:55ish

Top 5: 01:18:04ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

http://www.jonkers.co.uk (Tom Ayling Bookstore)

https://www.tiktok.com/@tomwayling (Tom Ayling TikTok)

https://www.instagram.com/tomwayling (Tom Ayling Instagram)

Interview with Rare Bookseller Tom Ayling

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, the rarest books and the best collectibles,

Tom Ayling 0:21

not many things that are 500 years old, have survived to the present day. But there are plenty of books that have, say we were very quick to say, we'd love to see it, can you bring it or send it to us and the book arrives, and I opened it and immediately said, that's not right. A copy a complete copy has not come up for sale for some time. But when it does, we're talking 10s of millions of dollars, I have no doubt, book collecting is really a pursuit of love. If you don't enjoy what the things that you're collecting, that I doubt, it's going to do much for you.

Nick VinZant 0:58

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it, it helps out the show and more than anything, we just like hearing from people. So our first guest is someone that I've wanted to talk to for a long time. Because I think this topic slash industry is just fascinating. Because not only is it interested in terms of how he finds these things, how much they cost, the lengths that people will go to, to counterfeit them. But it's really a journey back into our history. This is rare bookseller Tom ailing. So what what makes a book rare.

Tom Ayling 1:46

So in the in the book trade Rare Book is a relatively modern moniker that we use to describe a book. And it's conferring not just a sense of, of scarcity, that something is hard to find, or doesn't exist in many copies, but also an element of it being sought after. There are many, many books in the world that people aren't interested in. And, you know, you might have the only copy of a book in the world. But if there's no one that wants to buy it, then it's it might be in, in absolute terms, a rare book, but it's not going to sort of fall into the category of a rare book when we talk about what books are sought after, and what books are, you know, highly collectible. So, in our sense, a rare book is, is anything where you've got a base level of scarcity, that is going to in some way drive, you know, value and interest, and then, you know, a level of a level of demand for it alongside that. And that could be because the author's famous, that could be because the content is is hugely important in, you know, to our history, or our literature, or to a contribution of a field like science and medicine. It could be that it's a book of extraordinary beauty, beautifully illustrated, beautifully bound, beautifully designed. So it's the sort of overall moniker of rare books is is quite a broad church. And certainly, the trade itself comprises not just printed books, but anything from fully blown illuminated manuscripts to, you know, little scraps of paper that a professor left in a cupboard 200 years ago.

Nick VinZant 3:36

Is this a big industry? Like, I can't imagine there being a lot of people who do this, I would

Tom Ayling 3:43

say it's not a big industry, but there are probably more booksellers out there than you think. You know, there was a time 100 years ago, where you could drive through Britain and every single market town would have a antiquarian bookshop of some description. What's happened to the trade in the last, you know, in the last sort of 30 years, is, is a decline in those bricks and mortar shops. And these businesses selling sort of a more broad, general antiquarian stock. So there's lots of people still dealing in books, but they might be sort of one one man or one woman bands dealing from home selling books online, working with a small very niche group of customers with say, a special interest

Nick VinZant 4:26

where our books kind of in the collectibles hierarchy, right, like if one is baseball cards and 10 is gold diamond rings worn by the queen, Queen herself, right? Like, where is kind of books on that collectible hierarchy?

Tom Ayling 4:45

Well, I would say that extraordinarily good value compared to other objects, but I might say that, you know, they are, I would say, they're quite awkward objects to deal in. Because often they're they take quite It's a lot of hard work to work out exactly what they are, and need quite a lot of expertise to be able to deal in them. If you come to our shop, you know, there are books on the shelf for 1015 20 pounds, and there are books for hundreds of 1000s of pounds. So even within one specialist business, you have quite an wide, you know, wide range of prices. But there aren't, you know, printed books tend not to reach the sort of 10s of millions of pounds price range, you know, that, I suppose might be an argument that, you know, a fine Shakespeare first failure, or a complete Gutenberg Bible would now get into the, you know, not nine figure price range. But they're the exceptions rather than the rule, for the most part, you know, the vast majority of a specialist book dealers stock is going to, you know, maybe average out it a few 1000 pounds with a wide range from, you know, 10s of 1000s to 10s of pounds to 10s of 1000s.

Nick VinZant 6:04

So, how does the kind of the process work in the sense that, like, Are you going out and finding these books are people bringing to them?

Tom Ayling 6:11

Yeah, it's, well, it sort of works differently for, you know, whoever you're, whoever you're dealing with. But for the most part, we look to buy books that that we know about, that we're specialists in. So our specialism in the broadest sense is English literature, from Chaucer to just arrived about Harry Potter. So that's a wide scape of several 100 years. That comprises a lot of printed books, we deal in other areas as well. But that's the broad specialty. So we know what we're doing with those books. And where we see a book, you know, a first edition of a famous work of literature, we know what we're looking for, we know what it's worth, and who wants to try and buy it for stock, whether we have a customer immediately to sell it to all or not. That sounds quite simple. But what it actually involves in practice is an awful lot of looking, my time has probably spent 90% of it looking for books, and only about 10% of it actually sort of selling books, we probably look at maybe 10,000 books for every one book that we purchase for our stock or for a customer. So it's an awful lot of you know, rifling through huge libraries, massive auctions, things that come into the shop house visits that we go out and do to then select not just the right book, but the right copy of the right book.

Nick VinZant 7:45

Why is that such a disparity between what you look at and what you buys? Because the books not good enough? Not going to sell it not rare enough? Not exactly what you want? Like, what's the reason that you're usually ruling them out?

Tom Ayling 7:58

Well, there are an awful lot of books in the world. And not many of them are valuable. And certainly not many of them are rare. You know, if I was buying 10,000, in every 15,000, I looked at then one could hardly consider them Rare Books. For the most part, I mean, it could be that it just isn't what we what we do. But for the most part, it's a question of quality. So what we're looking for in a book is originality. So is it the first printing integrity? So is it complete? And as issued on publication day, whether that was 20 years ago, or 250 years ago? And very much related to integrity is condition. So that counts for completeness. But also, is it an is it an attractive copy? Is it in nice condition? Is it sound? Is it about fall apart? Or is it you know, still in the original publishers binding from 1820. And then there's a whole slew of slightly unquantifiable things that a book can possess that might make it more interesting. So it may have been owned by somebody significant, it may have their marks of provenance or their annotations, it might be a presentation copy that the author has given to somebody significant. If it's a if it's a very early book, say from the 1400s or 1500 words, it might bear the marks of an early reader. Now, even if we have no idea who this reader is, seeing their annotations, and underlining and marginalia, in a book of that age is telling us how people interacted with a book for 500 years ago, and that's hugely valuable to to historians to collectors in building an idea of the history of a book and and really that list of unquantifiable things of that nature is is as long as you like, because you don't know what you're going to find when you open up a book or look at it closely.

Nick VinZant 10:08

How difficult is it to find something in good condition? Right? Like, I would imagine it had to be preserved already, if we're talking about books that are hundreds of years old. Yeah, I mean, the history of beauty even find one that's still good. I mean, the history of

Tom Ayling 10:21

book collecting is a long one, people have collected books for centuries, if not millennia, they may or may not have collected them in the same way that we do. Now, they certainly didn't. But book collecting in its current form. Collecting say, important copies of important books, has been a factor in the book trade for for a couple of 100 years. And as a result, there are books that, you know, I can track if I if a book reaches me, often, I can have a look at the ownership records that I can find inside the book, marry them up with auction records, and I can see each of the 5678 owners who have owned the book in the last few 100 years. So there is some way you've got that solid chain of provenance, there was a wonderful example of a manuscript I was working on. Not all that recently, but relatively recently, and which was a manuscript by the poet Thomas Gray, who is most famous for writing and elegy and a country churchyard. And after he died, somebody inherited all of his things, he didn't have children. And after they died, someone inherited all of his things. And then all of his things were sold at auction. So we have the auction catalog of that sale. And we can read an annotated copy of that catalog that you can find online for free. And you can not only see what everything sold for, but you can see the names of the purchases. And then you can follow that again to another book sale a few years later, where the person who bought all of Thomas graves manuscripts, which were which were sort of separate scraps of paper, had them bound up into one single book, and had it sold as a single book. And then there's an auction a few years after that, where that book is broken up into individual pieces of paper, and sold again, each manuscript being sold individually. And that collection, the person who bought the manuscript from that sale, it went to their house on the River Thames, quite near to our bookshop, and stayed there for 100 and 150 years, until we bought their library a few years ago, and it was this thing, and going off nothing but the title of the poem written in Thomas Grace hand, we can give this one piece of paper, you know, a history spanning a few 100 years.

Nick VinZant 12:46

That is, I would imagine they write that book is interesting, but the history of the book is probably just as interesting. A lot of circumstances. Yeah. How, how can you tell if it's real, is that a huge kind of factor in that world,

Tom Ayling 13:00

we are less exposed to fakes and forgeries than other collecting areas, say, certainly, it's far less common than painting. But we do encounter it, you encounter it mostly, I would say with forged signatures, you know, if you've got a copy of a book, and then you've got a copy of a book signed by an author, that can increase the value, you know, it can add one zero to the end of it, it can add a few series to the end of it. It can in some cases, if the author was particularly prolific at signing books had no value whatsoever. So one encounters forged signatures, not infrequently, I wouldn't say most weeks, but certainly every couple of weeks, I'll be looking through, say an auction catalog. And there'll be a picture of a signed book and immediately say, No, that's wrong. But in terms of forging an entire book, that's a very difficult thing to do. And it has been done, there's been a couple of very famous and high profile cases in the not too distant past, where people have literally forged an entire book by essentially using 3d printing to recreate a form of time and then print on treated paper to make it look like old paper, bind it up and and fake an entire printed book from the 16th century. That's an awful lot of work. And you've got to I suppose I don't know much about the the economy of criminals but you've got to forge a jolly expensive book to for it to reward the time, the time it would take and the risk of being found out and in that case, it it was found out but not before it it had already changed hands for a large sum of money.

Nick VinZant 15:03

Yeah, that would be Yeah, it's not like you're going to spend all that time forging books that sell for like 100 pounds or $200, or something like that, right? Like, you kind of gotta go big. But then if you go big, everybody knows exactly what that thing is supposed

Tom Ayling 15:14

to look like, because you'd have to replicate it was explained what the sort of same printing processes that people were using hundreds of years ago. And that's tough. It's really, really tough. And, you know, print, if you think about printing itself, that have what we would call the hand press period, which is a period where to print a book, you have to arrange every single piece of type, every single letter is an individual piece, and you have to arrange that in a frame in reverse, so that it prints the words the right way round, and then print every single sheet. If the book, this whole process would take a year to print an addition of, you know, 500 copies, and then have it bound up. It's a hugely involved, involved process. And part of the the beauty of collecting books is that that remarkable process, and that remarkable innovation, produces things of great beauty. But it's it's a lot of work to do.

Nick VinZant 16:23

When when you have customers come in, are they usually? Are they looking for kind of the next big thing? Right? Are they looking for a book that is rare? And that is going to be valuable? Or are they usually looking for a very specific book,

Tom Ayling 16:38

there are people who are trying to predict the future. I tend to counsel against that, because it's very difficult to know. Speculating is, is a dangerous game, I think in in most fields, but in a field, where you're essentially saying, Will, this author or this book be popular in, you know, 50 100 years, that's tough to know. But the other thing that's tough to know is, will this book be rare, in 50, or 100 years, because a book published today by a very famous and popular author might have a print run in the hundreds of 1000s of copies. And such a, an a book produced in that number, it's going to take a very, very long time for it to be hard to find, or an awful lot of wanton destruction. So for the most part, people coming into our shop. And what we advise people to do when they're building collections, is to have a look at the market that we're in today. And with with our experience, you know, I look at famous sales of great book collections, say that was sold at auction in the in the 80s, and 90s. And you look at the prices that they made them, and what people said about these prices, and people were saying, you know, it's ridiculous that someone's paying this sum of money for that book, you'd buy every single book there today at that price in a heartbeat. So what tends to be the best way of going about it is to is to take the market as it is. But also, rather than buying a book because you think it's going to be valuable tomorrow, buy a book because it's of interest to you that should be what's guiding book collections, you know, book collecting is really a pursuit of love. If you don't enjoy what the things that you're collecting, then I doubt it's going to do much for you. So always lead with that. And you know, when you're investing large sums of money in a book, it is important that you're not throwing money down the drain. And that's why buying say the right copy is important. So a copy in the best condition you can find it or a copy with the most interesting association say, and by association. I mean, it might have been owned by somebody important and therefore be significant. So you mentioned Lord of the Rings earlier, actually. And there's a wonderful example of this. That we have at the moment we a few years ago, well, actually in about nine or 10 years ago, the editor who published the Lord of the Rings died and his library was sold. And included in that library was his set of Lord of the Rings, in beautiful condition, basically pristine, and each volume was signed by JRR Tolkien. And even better than that, not only was the he the editor that brought the Lord of the Rings and The Silmarillion into the world, but his father was a publisher and head of the same publishing firm, when Tolkien submitted the manuscript of a funny little book called The Hobbit. And one evening his father took the book home and gave gave it to him and said, we've just been given this do you think it's any good. And he read it, he loved it, and basically told his father that he had to publish this book about these funny creatures called hobbits. And that kind of copy owned by someone so significant in the whole history of the world that Tolkien created is an almost it, it makes the book more than the sum of its parts. Because its existence, and its ownership history, starts telling a new story about it. And that's really the sort of copy of a book that gets that gets me excited in the sort of thing that, that I I try to share that enthusiasm with my customers.

Nick VinZant 20:55

So then, how much would a book like that sell for?

Tom Ayling 21:01

An awful lot of money. I can't tell you what he paid for it, what the customer paid for it. But I mean, that I mean, signed first edition of The Lord of the Rings is a comfortably a six figure book. In whichever currency you want to choose,

Nick VinZant 21:20

is there any indication that the people who buy them actually read them? Yeah, I mean, I would be too nervous to actually read it to be honest with you. Like I would encase it in? Carbonite? Yes, Star Wars reference, but like I wouldn't. Do people actually read these books with a somebody like, Yeah, I mean, 1500 year old book, like, I'm not reading that thing. Yeah.

Tom Ayling 21:43

I mean, it depends on the book. And I suppose it depends on the collector. I mean, there is something wonderful about reading a first edition of a book, and experiencing the same thing that that books very first readers would have experienced. You know, when you are holding a copy of the first edition of A Study in Scarlet, the first Sherlock Holmes book, and you're reading it, you're experiencing something that was felt by someone who had no idea who Sherlock Holmes was, but books his objects faster earlier than we give them credit for. Not many things that are 500 years old, have survived to the present day, but there are plenty of books that have,

Nick VinZant 22:34

are you ready for some harder slash listener submitted questions, of course, start out with kind of the big ones, right? rarest book you've ever had, rarest book in the world?

Tom Ayling 22:46

That's difficult to say. Because there are a whole number of books and things that ideally that are unique. You know, there's only one of them. If you're talking about something we have in the shop at the moment, say like, we have Ian Fleming's final corrected type script for diamonds are forever. The fourth James Bond book, there is only one type script with his annotations that exists. So that's totally unique. You can't get rarer than one of one. And there are plenty of things of that nature that we deal in that are that are hugely exciting objects to work with. Again, rarest book in the world. If we're talking purely on scarcity, then then there are plenty of things that surviving only one copy, there are books, in fact that we know were published and were printed, but no copies survive. My old University Professor Andrew Patrick Green, who runs a program at the University of St. Andrews, called the Universal short title catalogue has a list of these lost books that we can track in auction records, or newspaper advertisements. But there isn't a single copy recorded in any library on the planet. So I suppose a zero of one is rather than a one of one. But there are things of that nature. If we're talking about what people normally mean, when they say, what's the rarest thing in the world? Or what's the rarest thing you've ever sold? Often they really want to know what the most expensive book in the world is. Oh, which which, again, is pretty much is a result of that. You know, when we use the moniker rare books, we're talking about scarcity, but we're also talking about demand, you know, it's a supply and demand game. So if you're talking about what printed books are the most valuable there Then once talking about the sort of great rarities, like the Gutenberg Bible, which is the first book with movable type printed in the West, from from 1455. That's a hugely valuable book. A copy a complete copy has not come up for sale for some time. But when it does, we're talking 10s of millions of dollars, I have no doubt. A book like The Shakespeare first failure, which is the first collected edition of Shakespeare's plays, published in 1624. Not a rare book, in absolute terms, there are some 200 copies in different libraries around the world. But the last copy of that to come up for auction, the last complete copy of that to come up for auction sold in New York a couple of years ago now, for a shade under $10 million dollars.

Nick VinZant 25:53

Do you have a personal quest? And I think what they mean by this is like, is there a book that like, Man, I have been trying to find this,

Tom Ayling 26:02

or there are a lot, that's what keeps you going, you know, that's what, that's what makes you do your, you know, your third house call of the week when the first two haven't brought any books. And occasionally, you know, one is one is satisfied, satisfied there. There are, you know, a few black tulips as it were, that would be wonderful to get get one's hands on one day things like the true first edition of Lyrical Ballads by Wordsworth, and Coleridge, which was printed in tiny numbers in Bristol, and then republished in London the same year. So copies with the Bristol title page, fabled rarities, I think there's one at the British Library, I'm not sure there are many others anywhere in the world, those those great books like Shakespeare, folios, and Gutenberg Bibles, it would be a real thrill to, to have to have a hand in setting them. But there are there are plenty of other things as well that that are perhaps less grand, but very difficult to find. I have a personal collection of books about the town in University of St. Andrews, which is the university that I went to, and it's where I fell in love with old and rare books and with book collecting and sent me on the path to be doing what I'm doing. And the printing press came to St. Andrews in the in the 1500s. And I would love to own a copy of the very first book printed in St. Andrews,

Nick VinZant 27:40

do you get that a lot of people that are just like, maybe it's not a rare book, maybe it's not a valuable book, but somebody who is just looking for this very specific thing for a personal or whatever reason.

Tom Ayling 27:52

I had somebody in the shop a couple months ago now. And their father was very good friends with Roald Dahl. And he was a doctor who I think, treated one of Dallas children. And as a gift darlin scribed him a book, I think it was a copy of Charlie in the Chocolate Factory. Now, these people came into the shop and said, Oh, we're looking for a signed copy of Charlie in the Chocolate Factory. But I sort of started on air. Are you looking for First Edition? Are you looking for, you know, the, the British Edition or the American edition? Because there's sort of two slightly different things. And they said, No, we're looking for the copy that he gave my father. And I was like, Okay, and so we, you know, take down the details of her father's name, and what was likely to be inscribed and the circumstances of the inscription and so on. And that is a book that, you know, I am desperate to find, it's not going to, you know, its selling it would not, you know, make our year financially, but a book imbued with such personal significance, combined with the fact that it's out there somewhere, and there's only going to be one of them. Is, is the sort of, you know, going back to what you said about personal quests, you know, that's the sort of thing where if I could pull that off, I'd consider that a about as good a day's work as I'm capable of doing.

Nick VinZant 29:35

How could you even find that? Is that just pure? Like, do you have skills that would allow you to do that or is that just going to be a pure luck? You made me sound like Liam Neeson in taking it, it has a certain set of skills to find rare books.

Tom Ayling 29:52

I will find it it's, it's it's a combination of things. I mean, we we happen to have Other big specialty in children's books, and dealing a lot of Roald Dahl first editions. So there's a certain case of, if somebody's going to find it, it's likely going to be us just with the volume of things we get through. There's also the volume of books that that we look at. I mean, I told you that earlier on that we look at maybe 10,000 books for every one that we buy. That's an that's an awful lot to get through when you're buying, you know, 1000s of books a year. So, so, with with that kind of hit rate, it helps but you know, it's it's no dumb thing. There are plenty of books in circulation, or tucked away on people's bookshelves in this country, that the book trade will never, you know, never have a chance to, to feast on. But in that case, you know, it would obviously mean an awful lot if if one could

Nick VinZant 30:56

best place to find them. Like, I think of garage sales or something, right? Like, are you just scouring every garage sale that you walked past? Or like,

Tom Ayling 31:07

I don't I don't mind a low success rate. But I going sort of door to door on garage sales is is probably casting the net too wide. today. Why don't I? Why don't I rephrase this. So rather than talking about me, let me talk about if someone wants to start collecting books, where should they go? And yeah, it's the easiest answer in the world. They should go to book shops. And they should talk to booksellers, about what interests them. And then booksellers will find things for you, because that's what they do. And they'll call you up and say, Hey, I know you're interested in this. Well, let me tell you about this amazing thing that I've just got in. That is by far the best way to to collect books. And in terms of where you know, where we look for books. It's frankly, everywhere. You know, we go to we go to house schools, we go to, you know, impressive private libraries and undistinguished private libraries. We go to auctions all over the world, we go to book fairs all over the world, we go to book shops all over the world. People bring books to us, we just we just don't stop.

Nick VinZant 32:11

This isn't another question that we got. But like, what is the one that stands out to you? Or like somebody just brought one in, like, I found this in my garage? Or like, Have you ever had situations like that, where somebody's like, Oh, my God, this person had this thing and didn't even know it.

Tom Ayling 32:31

We had it with a first edition of the hobbits last year. I mean, somebody knew knew they had it. But essentially, their grandmother was given it as a Christmas present in 1937. Because it was a book that had just come out in 1937. And so that's what she got for Christmas that year. And she'd read it once and put it on the bookshelf. And the book had survived various house moves and relocations, and going in and out of boxes is, as you know, life takes its twists and turns. And now, what would that be 85 years later, someone calls us up and says, Oh, I have this book of my grandmother's. It's called The Hobbit and I think it's first edition. And say we we drove over to their house and had a look at it. And sure enough, it was. And we have arguably a longer list of customers for a first edition of The Hobbit than almost any other book printed in the 20th century. It's certainly up there with our our most sought after book. And the the waiting list for one is a is a long one. So it was something we're incredibly excited to, to see and to and to manage to acquire on behalf of the customer of ours.

Nick VinZant 33:54

There's a potentially controversial one, how do you feel about people dog hearing pages?

Tom Ayling 33:59

I don't mind at all. I don't mind it at all. I thought you would. I thought that would anger. This is this is quiet. This is quite an interesting sort of misconception about about books. I mean, if somebody has a book in there, frankly, if someone has a book in their possession, they can do what they like with it. I mean, if someone comes comes into the shop reads 10 pages of one of my books, and then you know folds the corners to come back next week and finish off, then I might get a little bit upset. But certainly if it's just a book for personal possession, do what you like with it, because there was this kind of fetishism in Victorian book collecting that survived a long way into the 20th century, that books should be the sort of untouched objects, you know, to such an extent that in the in the Victorian period, the late Victorian Period, people would wash the pages of a book. So let's say that you had a A book which you know, an owner a couple 100 years before, had, you know, written annotations or marginalia in exactly the sort of things that are hugely valuable to scholars. Now the Victorians would would wash the pages to make it look kind of pristine and perfect and polished. So now I think people should leave marks of readership in books, if that's how they want to interact with books. And then the collectors and scholars and booksellers, you know, of 200 years into the future, can get an idea of what people in the 21st century did with their books, I think it's a valuable thing.

Nick VinZant 35:39

Um, most interesting stories surrounding a book Getting to you,

Tom Ayling 35:44

here's, here's one, I quite like this. So in 1987, there was a British expedition to the Antarctic, that is known as the Nimrod exibit expedition. And it was led by Sir Ernest Shackleton, who is famous for his exploits in the Antarctic. And the problem with exploring the Antarctic is you've got a long Antarctic winter, when there's no daylight at all, so you have to keep morale up. So what he decided to do was to bring a printing press on a ship to the South Pole. And they had a printing press there. And during the long winter, they made a book an entire book, printed, written, printed and bound in the Antarctic, and it was called the Aurora Australis. And it was the first book printed on the Antarctic continent. So all the paper had to come from London down there, the printing press came from London down there, they had to keep a candle under the ink so it wouldn't freeze in and in Antarctic temperatures. And it's a book of extraordinary beauty when especially when one considers the environment that it was made in. And they printed something between 70 and 90 copies of it, and it kept them entertained for a winter. And then the books came back to to London. And some were given away to patrons of the expedition. And others were sold in in book shops. And there was a copy of this book that sold from a bookshop called bumpers that had been signed by Ernest Shackleton, and heard spin sold and resold a couple times in the intervening period, before it ended up in the collection of a man called Steve Fossett, who was a famous explorer in his own right, who built up an extraordinary library of books. Before he he was particularly well known for exploring in balloons, and he died in a ballooning accident. And his book plate that still sits in that copy of the book is, is is a hot air balloon. And so when, you know, when his library was sold, we bought that for a customer of ours who at the time was building an extraordinary collection of books that to do with paler exploration. And it felt particularly appropriate that it had been through the hands of not just the great explorers and the heroic explorers of the Antarctic at the start of the 20th century, but also one of the sort of greatest and best known explorers of the second half of the 20th century on its way to us and then on its way to its, its current home.

Nick VinZant 38:41

Do a lot of those old books though, kind of when you get down to it have a story like that are there ever was a dislike this just sat on a shelf and John's bookstore, I found it one day, like is there always kind of an interesting story to a lot of

Tom Ayling 38:58

that often is, if you if you know where to look for it, I mean, in part of the part one of the talents of being a bookseller, is, you know, making the book interesting, not by making things up, but by doing the research on it. And often, anything that has been in the world for hundreds of years, has seen some shit. And you know, has has had interesting things happen to it. And may well have, you know, passed in the hands of interesting people. There are very, very few books that were just, you know, bought by some Jukin 1600 and have sat in his library have in his, you know, Memorial Library ever since. Most books are kind of scrappy, and they get out into the world and they pass through the hands of interesting facts and, you know, wherever there's that story to tell, it's always a joy to tell it.

Nick VinZant 39:51

This one just came in. Are there rare books that aren't old? What would make a book published recently A rare,

Tom Ayling 40:01

yes. Well, the same things that make a book that was published 200 years ago rare, you need a limited supply and an extraordinary high demand. And a great example of that is a book published in 1997. called Harry Potter and the Philosopher's Stone, which was written by a totally unknown author. Publish in extremely small numbers. The first edition was published in hardback and paperback, there were only 500, hardbacks printed. Now that's a small supply, even for a book that's only 25 years old. And the that initial scarcity, or apparent scarcity, combined with the extraordinary popularity of those books, has made first editions of Harry Potter and the Philosopher's Stone extremely valuable books. And I mean, I'm talking about copies selling for six figure sums.

Nick VinZant 41:04

How can only 500 copies of that book be made? Because that seems like nothing.

Tom Ayling 41:10

Well, at the time, Bloomsbury, who were the publishers who took it on what a relatively certainly compared to where they are now, a relatively small publishing house. One has to be economical, in the first print run of a book, see if it finds an audience, and then go big on a on a second print run, especially when you're talking about a debut novel with with no track record. So that's not an uncommon thing to happen, an author's first book will almost always be their rarest. And it's for that reason, you know, publishers being uncertain of its of its popularity. What what also adds, I suppose, to the rarity in that case, is that a large number of copies of the hardback will have gone straight to libraries, rather than to be sold in bookshops. Because that was an easy way of selling a significant proportion of your print room in hardback initially, because often people just buy the paperback because it's cheaper in it might come out on the same day, or it might come out a few months later. So So in all likelihood, that 500 then becomes say 250, or 300. And there are certainly that many people in the world who would want to own a first edition of it and be willing to pay, you know, a large sum of money for it. But I have to say that is very quickly that is a unique phenomenon. In modern publishing, you know, there are very, very few books published in the entire 20th century, that should have an equivalent value monetarily. So if you were one of the very lucky people who happen to buy a first edition of Harry Potter, when it first came out, then all power to you. But you know, there might not be an equivalent phenomenon in the next 100 years.

Nick VinZant 43:14

Is there any could have been stories that you have, like this book would have been very rare, very valuable, but it just had, I was missing a page or anything like that.

Tom Ayling 43:30

I mean, completeness is is hugely important to, to a book. So if it's missing a page that kind of falls at the first hurdle. So one of the first things that I'm looking at when I'm while certainly when we take a book in for stock is we do something called collating it, which is in simple terms, making sure all of its there. So we go through every single book, page by page to make sure it's complete. And then we note any condition issues that might appear throughout it, maybe there's a tear to page, you know, 90 or whatever. In terms of could have been stories, there was I'll tell you about one that we came across a few years ago. We were offered by email, a first edition of Animal Farm by George Orwell that was purported to be inscribed by George Orwell for a woman with whom he had an affair. So a very interesting association in the scope of all wells, all wells life and, and biography. Say we were very quick to say, we'd love to see it, can you bring it or send it to us and the book arrives? And I opened it and immediately said, that's not right. something was off about the signature and the inscription. This, this is a book that where it cracked, would be worth, you know, 10s of 1000s of pounds, without even thinking about it too hard. And we did some due diligence on it. Because initially, you get this, this, Malcolm Gladwell wrote a book called Blink about your sort of initial reaction to things and how often that sort of Blink instinctive reaction is the right one. But sometimes you have to do a bit of digging to find out why you think that and that's exactly what we did. I looked at it. And I thought, it's not right. But then you look closer. And the, to Elena, from George had actually been copied very, very closely from a letter that we had sold a few years before, that was addressed to Elena. And then at the end of the letter signed from George, and it was done in the exact same way, as the letter was. So when we put two and two side by side, it was clear that someone had with, you know, a relatively good hand, copied it. But then if you really look closely, and get it, you know, get it well photographed. And zoom all the way in as if you're looking at it under a microscope, you can see that the the way the ink gathers on the paper is unnatural. When you're signing your name, usually it's a fluid process, right? You if you're signing, you know a letter from neck, you just right neck, whereas you could see it the way the ink had gathered on this paper, it had been done really slowly and deliberately. So and when you go into that depths, you discover the what was a book, you were, you know, willing to write a check for an awful lot of money for is despoiled and worthless.

Nick VinZant 47:06

Was it actually a first edition? Could you tell if that's actually a bachelor's? Right?

Tom Ayling 47:09

Yeah, it was genuinely a first edition, which is a which is a you know, 567 1000 pound book on its own. So some fools, they've made a mistake.

Nick VinZant 47:28

Ah, so they basically instead of, they tried to double their money and then said they lost it. All right. And then now it's Yeah. But then can that book become if it turns out it's the master criminal of the world, the Moriarty of the whatever century we're in now, then is that book suddenly like,

Tom Ayling 47:49

it doesn't become it doesn't. I mean, it can become a curiosity. There was a famous bookseller called Thomas Wise, who was operating in the in the late 19th, early 20th century, who became a master forger of of books to the extent that someone can be and would, you know, run off prints of of pamphlets that people have thought will last forever and forge signatures and mixed books to gather to. To sort of fake up copies. And he was he was found out in a in a sort of very scholarly paper that was published. And those sorts of famous forgeries have a certain cachet, and is an interesting thing to collect. Because the history of forging things is an interesting history. And it's part of rightfully a part of book history. But it doesn't make it anything, like the real thing in terms of in terms of monetary value. And if we're talking about I mean, why it was interesting, because he was doing it with, with sort of entire objects, you know, like a whole pamphlet or something. If we're just talking about a sign signature, it just makes the book total nonstarter. It doesn't mean that someone went by it thinking it's the real thing.

Nick VinZant 49:22

Is there a holy grail there, like everybody is looking for this? We know it somewhere. If I find this, I will be the coolest person at the antiquarian book dealers convention.

Tom Ayling 49:37

There are a few such things. I can actually what I can tell you something that actually I'll tell you a real story about something that that happened recently, and it made someone the coolest person at the antiquarian booksellers convention. So in New York, every winter in Do I sort of in March or April, there's the New York antiquarian book fair. And I was a couple of weeks out before the fair, I saw an article pop up from the New York Times, saying that a, an American in London bookseller had between them acquired the final lost manuscript of Charlotte Bronte, who, who, when she was young, would produce these tiny little books, of poems and little stories and things. And these were sold at auction in the late 19th, early 20th century, and who truly been scattered to the four winds. And over the intervening 100 years, they have slowly made their way back to the Bronte parsonage Museum at the house where the Bronte sisters lived. But there was this one that everyone knew existed, because we can see in the auction catalog from from sort of 1914 1917 that it had been sold, but no one knew where it was. And then it appeared in a booth at the New York antiquarian book fair, this April. And that was a very, very cool thing to see in person. And particularly since there's a happy ending to the story, which is to say that the Bronte parsonage museum with the quite significant help of a fabulous organization here in the UK, called Friends of the national libraries, managed to acquire the book from them and return at home. So that sort of thing, and there are equivalent lost manuscripts for a whole series of authors. That would be wonderful to find writers like Jane Austen and say that it would be wonderful to to uncover

Nick VinZant 52:08

that's pretty much all the questions we got man, is there anything that we you think we missed? Or people want to know more? How can they find you? How can they find the shop all that stuff?

Tom Ayling 52:17

Okay, well, the shop I work for is called Yonkers read books. In Henley on Thames, we have an open shop, so anyone is welcome to come and visit. And we also have a website where we have all of our stock listed. That's yonkers.k.uk. And if you want to keep up with what I'm doing, then I'm on Tiktok, and Instagram, and my ad is Tom W. ailing.

Boredom Researcher James Danckert

Why do we get bored and what can we do about it? As a Boredom Researcher,Psychologist James Danckert is trying to answer those questions. We talk boredom, how to be more interesting, the secret to staying focused and what boredom is doing to your brain. Then, we countdown the Top 5 Boring Things.

James Danckert: 01:14ish

Pointless: 56:13ish

Top 5: 01:11:51ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.jamesdanckert.com (James Danckert Website)

https://twitter.com/jamesdanckert (James Danckert Twitter)

https://www.amazon.com/Out-My-Skull-Psychology-Boredom/dp/0674984676 (Out of My Skull - James Danckert Book

James Danckert: Boredom Researcher Interview

Nick VinZant 0:12

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, the science of boredom, and the most boring things,

James Danckert 0:22

boredom is this uncomfortable state of wanting, but failing to engage with the world. I don't like to make the judgment is boredom, good or bad? It's what we do with it that makes it good or bad, but the signal itself is useful. It's functional. And what do I mean by that? It's, it's a call to action. When we're bored. There is this tendency for some of us at least to engage in aggressive and harmful behaviors.

Nick VinZant 0:45

I want to thank you so much for joining us, if you get a chance to subscribe, leave us a rating or review. We really appreciate it, it helps out the show. And more than anything, we just like hearing from you. So our first guest studies boredom, why we get bored? Why some people get more bored than others? And what we can do about it? This is boredom researcher, James Danker. Why do we get bored?

James Danckert 1:15

There's lots of different reasons why we might get bored, right? The primary one that most people think about is monotony. If something's just unchanging over and over again, you know, that sort of monotony that repetition, that nothing's changing, that can be very boring. One of the things that a colleague of mine wine and Van Tilburg says to if we find things meaningless, right, so if what you're doing, you know, you feel like you're constrained because you have to do it, you can't get out of it. But you're just looking at it thinking this is pointless, this is just doesn't matter to me. And then I can't see how to make it matter to me, that will make the board as well. There are situations to where, you know, if you find yourself trying to have been challenged to do something, but it's just way outside of your capacities. Maybe before you started, you thought it wasn't going to be maybe you thought you'd be able to cope. But for whatever reason, it's just this is way too complex. You mentioned one of your podcasts with the particle physicist, you know, some of us might sit in a particle physicist lecture and think, Man, I thought this was going to be interesting, but I just can't keep up. That could get you're bored as well. So there's any number of sort of circumstances that will lead us to being bored, I think, monotony and meaning are the two heavy units on that front.

Nick VinZant 2:25

Does it matter? Like how, how engaging the activity is, right? Like I think of Okay, everybody knows that doing taxes can be boring, but like, can people get bored going skydiving, like, if you're just not interested, and you do it all the time? Like is somebody going to be like, alright, jumping out of this plane again.

James Danckert 2:45

I took a couple of jumps out of airplanes when I was a younger person, younger and silly a person and thought it was great fun and thought I might do more of it and ended up not for various sorts of reasons. I don't know if you can get bored jumping out of an airplane. But the first thing you asked was, you know, doesn't matter how engaging it is. And that's absolutely the thing that matters, right? If whatever it is that you're doing, if it's not engaging, you're going to find it boring. And when you bring up the example of someone like a skydiver? Well, typically those guys don't just sort of spend 20 years doing the same jump over and over again, they don't they challenge themselves, they might do team jumps, they might do jumps with 30 people to see what sort of figuration configurations they can do, they might go from jumping from planes to base jumping, always, in some sense, it feels a little bit like an addictive behavior, always upping the adrenaline for some of these people, not for all, but also just changing what the goal is and changing what it is that you're trying to achieve, right. Because I think regardless of what we do, whether it's taxes, or skydiving, if it's the same every time, then we're not challenging ourselves. That sort of brings me to an aspect of boredom. It's really critical. I think that when we're bored, it's sort of made pretty obvious to us that we're not being very effective agents, right, we're not exercising our agency, which is to say, we're not pursuing goals that we've chosen in the way that we want to pursue them. And so you know, you want to change it up. And that will be true for the skydiver as much as it is for the tax accountant.

Nick VinZant 4:15

So can we will ourselves out of this right? I think that anybody who has a job will can relate in the sense that there are things that you just have to do that you have no interest in doing right? Can we just will our way out of this, even if it's just something that I just don't care about this thing? It's gonna be

James Danckert 4:36

tough, right? I mean, I think sometimes that sort of puts the onus right back on the person, which is something that's interesting about boredom, because it really is in you. It's something that you're feeling you're feeling disengaged, you'll want something but you don't know what it is and you can't done or whether or not you're going to be able to satisfy with that sort of job circumstance that you mentioned. Sometimes you feel constrained, you're stuck. You really can't get out of that sort of circumstance. But what that question sparks in May is the old adage that people use many parents have used it on their kids, that only boring people get bored. So we're really sort of casting a moral judgment about being bored with So say, if you're bored, you have to fix it. And there's truth to that, that we do have to be the author of our own way out of boredom. But I think it's probably a little bit unfair to cast that moral judgment, because there are going to be circumstances where you can't just will yourself out of it, right? Those sorts of circumstances where we're constrained, you're stuck at a job that you have to finish this task. This is what you're getting paid for. You know, and there is a couple of I think that were Swedish, but I might be I might be wrong, or Danish authors that talk about bore out which at work, which is the sort of opposite of burnout, if you think, and, you know, these were people that were finding their jobs so miserable, because they were bored with them. And ultimately, it gets to the final sort of decision that you have to make, which is to say, All right, get a different job, right, do something else that does engage you, that is meaningful to you. And it does matter, too. But, but I wouldn't I be cautious about casting that sort of moral judgment too harshly that, you know, only boring people get bored. And it's, it's entirely up to you. I think there's something to be said for, you know, there are circumstances that are outside of our control, that are pretty good. Producers of boredom. You know, I mean, imagine working on an assembly line, you've got to stand there and do the thing that you have to do quality control the widgets that are going past you. So how much of that circumstance? Can you as an individual really be expected to change?

Nick VinZant 6:40

Do we need to be bored, though? Like, is there something in our brains that like, look, boredom? Is boredom, good? In a way?

James Danckert 6:49

That's a great question, and essentially says, you know, what's the purpose of being bored? And that's a question that we asked a lot of affective experiences, what's the purpose? What's the function of being sad or angry, or so on. And some of them seem more obvious than others. But boredom absolutely serves a purpose in our lives, it absolutely has a function that's worthwhile for us. So I don't like to make the judgment is boredom, good or bad? It's what we do with it, that makes it good or bad, but the signal itself is useful, it's functional. And what do I mean by that? It's, it's a call to action. So what boredom is telling us in that moment, when we feel it, it's saying, whatever you're doing right now, is not satisfying you. Maybe not meaningful enough, it's maybe not challenging enough, you need to find something else, you need to explore your environment for something else. And when you suggest that boredom serves a functional sort of purpose in our lives, you're also sort of hinting at the fact that it might indeed have an evolutionary history. If boredom is functional, then presumably it was selected for and if it was selected for evolution, then presumably, we can see it in other animals. And you can, so anyone that's owned a dog knows that dogs get bored, right? You come home, and you've got one of your shoes torn up while the dog was bored. And so we tore up your shoe, we didn't have any malice in it. But scientifically, we've also sort of demonstrated this. So Georgia Mason and Rebecca Miga, did a fantastic study with mink. And they house these mink in two different cages, really boring cages or interesting cages that had things that the mink could do. And at the end of two weeks of being in these different cages, then they showed them different sorts of objects, objects that the mink might normally like to approach, like a toothbrush, apparently, according to this research, mink, and toothbrushes are like cats and laser points, they just love him. And so then they show them objects that were neutral, just a bottle of water. And then they show them things that the animal would normally avoid, like the smell of a predator. And their logic was that if the animals in the bad cages in the boring cages, if they were depressed, or if they were sad, they might just fail to approach the things they normally liked. they'd leave the toothbrush alone, right? Or if they were apathetic, they wouldn't approach anything, they just become the couch potato and lay there. But if they were bored, they'd approach all kinds of things indiscriminately, even the stuff that they don't normally approach. And that's what they found, they found that the animals like, Give me something give me anything to to latch on to here. So yeah, boredom is evident in animals. And it has that evolutionary history to it. And it serves that function. It serves that purpose for us, it pushes us to act.

Nick VinZant 9:26

It kind of sounds like it lets us know what we don't like and then opens us up to trying new things.

James Danckert 9:32

Yeah, you can say it that way. I mean, I think one of the things that sort of frustrating a negative about boredom, when you're feeling it is that when you say it opens us up to new things. It doesn't do the hard work of figuring out what those new things will be that's on you, right? Boredom is not going to say, Oh, look, here's an opportunity. Boredom is just gonna say go find an opportunity. Right? So this is sort of classic. We need it. You know, anyone who's listening who has young children, you know, your child comes to you and they say I'm bored, right? And as any parent knows, then you said have say, Okay, well, why don't you go read a book? Or why don't you go play basketball with your brother? Or why don't you ride your bike and the kid says no to all of those options, they dismiss all of them at once. Because what they're saying is, I thought of all of those options too, and they just don't, I just don't think they're gonna do it for me. So you want something when you're bored, but you're just not sure what it is the quote, I love the most comes from Leo Tolstoy in Anna Karenina, where he describes on we as the desire for desires. So when you're bored, you really know you want something, but you just don't know what it is. So yes, it can open opportunities, but it can't solve itself for you.

Nick VinZant 10:36

Is there something physically happening in our brain, when we get bored, like, you could monitor the brain and like, Oh, I see this, that guy's bored, that girl is bored.

James Danckert 10:49

It's not quite as simple as that, in terms of you're picking up an individual signal that sort of says, that's definitely the signature of being bored. But and we're in the sort of nascent stages of that kind of research, there's a long way to go to try and figure out what the brain correlates are of being bored. But there are a couple of things that we do know. So one of the things about being bored is that you're often disengaged, you're not, you're struggling to focus your attention on the task at hand. And we've shown using EEG or electrical signals from the brain, that there are sort of specific signals that are normally associated with being able to focus attention. And those signals are diminished or lowered when we're bored. Right. So that sort of fits well with this story that when you're bored, you're not poking focusing attention well. And then we've also done some functional MRI. And in that we made use of what's known as a resting state scan. So when you put somebody in an MRI machine, and you just ask them to do nothing but sit there, you get a series of brain areas that are activated, a fairly commonly and this, this network of brain areas is known as the default mode network. And it's sort of activated for a range of different things that can be thought of as internal thought processes. So if you're daydreaming, if your mind wandering, if you're thinking about the past, or even if you're planning for something that you need to do in the future, these internal thoughts that you have these thoughts activate the default mode network. But when we put people in a magnet, and we made them bored, and we did this by having them watch a video of two guys hanging laundry for eight minutes, which, as you can imagine, is pretty boring. We saw activation in the default mode network. And so why that's interesting is because there is something out there in the world for you to attend to this movie. But the movie is so boring, it's so terrible, that you sort of switch off from the movie and go into those internal reveries that activate the default network. So as I say, there's a lot more to be done to try and understand the brain activity associated with being bored. But those are some of the things that we know already.

Nick VinZant 12:49

Is there any indication that I guess, well, you know, we met we talked about the idea of starting with the first question a little bit like, well, what he's bored of?

James Danckert 13:00

Yeah. So boredom is this uncomfortable state of wanting, but failing to engage with the world, you really want to be doing something that matters to you, that's meaningful to you. But you can't figure out what that thing might be. And so one of the things that's most commonly associated with people being bored, when you ask them, How do you feel is that they'll report being restless and agitated. And this is what differentiates boredom from something like apathy. If you're apathetic, you don't care. You don't really need to get up off the couch and do anything meaningful. And that's just not boredom, that's apathy. Whereas when you're bored, you feel uncomfortable, you want to be engaged, but you can't quite manage it, you can't quite figure out what that thing will be. And it is also so that's that, that sort of phenomenology, it feels bad, and you want to be engaged. From a cognitive point of view, it's typically a disengaged state, you're not focusing your attention very well. And from a sort of an existential point of view, it has a lot to do with meaning in your life, right. So when we're bored, we're looking around casting about, and thinking that most of the stuff that's available to us just doesn't seem that meaningful. And so those are the best ways I can sort of describe the experience for you.

Nick VinZant 14:14

How did you get into this?

James Danckert 14:17

Yeah, this sort of to

Nick VinZant 14:18

say, you know, what I want to you know, what I want to research is boredom.

James Danckert 14:22

Yeah, I didn't turn to my parents when I was eight and say, Hey, Mom, Dad, I really want to grow up to be a boredom researcher. There are two things that got me into boredom research. So the first one, and I think this is really common in psychologists, we tend to research what we're bad at. Right? So I experienced boredom a fair bit from my early 20s. I started sort of experiencing it a lot. And then you know, it's diminished now, as it does for most people in later years. But every time I experienced it, I hate it. I really dislike being bored. And so when I got into research and trying to understand the brain a little bit, you know, this felt like a topic that I could I could plumb the depths of and try and understand a little bit better. And the other reason is a little bit more personal. So when I was 19, my older brother had a car crash and suffered a severe traumatic brain injury as a consequence of that car crash. He recovered, and he recovered to the point where, you know, he was living independently and working and so on. But one of the things that he said after he got to that point of recovery is that he felt bored a lot, and a lot more than he did before his car crash. And so that suggested to me that that something organic had changed in his brain, something about the threshold for experiencing pleasure or being engaged, had been raised as a function of his brain injury, because the part of the brain that was damaged in him that is commonly damaged in people who have car accidents, is the orbital frontal cortex is just above your eyes. And that part of the brain is critical for representing value and reward. And so then I went to university and trained as a clinical neuropsychologist and I had the chance to sort of assess people who'd had similar brain injuries to my brother. And I would ask them in the time that we spent together, you know, are you more bored now than you were before your brain injury? And to a number they all said, Yes. And to me, they, it wasn't just that, they said, Yes, they almost leapt out of their seats, and thank God, yes, yes, I'm so bored, you know. And that said to me that, you know, this was an important part of their experience post brain damage, and no one had asked him about it. And no one had thought it was really worthwhile, they thought it was kind of trivial, but to them, it was not trivial. It was a big change, and a consequential change in their lives. So I don't do that clinical work anymore. But we have done some research showing that indeed, people who have had traumatic brain injuries do have higher levels of boredom. And so yeah, that those are the two things that got me interested in that, in this research.

Nick VinZant 16:46

Are certain people more than predisposed certain, like predisposed to becoming bored? Do people get? Does it vary from person to person, like how quickly they get bored? Yeah, so

James Danckert 16:59

we talk about trait boredom proneness. And so some people are high in boredom proneness, and some people are low in it. So there is a wide range of how often people feel it. And there are a range of sort of individual differences that we would talk about that make someone a little bit more prone to boredom, one of the common ones that we've researched a lot is the capacity for self control. And I want to be clear here about what we're sort of talking about. This is not what a lot of people think about in terms of sort of impulse control. So some of your listeners might be familiar with this marshmallow test, you know, you put a marshmallow in front of the kid, and you say, you can have that marshmallow now, or you can wait five minutes and have three, and most kids just stuffed their face with the marshmallow, right, because they don't show the impulse control to wait for the for the for the bigger reward. And there's all kinds of work, some are suggesting that there has long term consequences in their lives, because people who demonstrate lower levels of self control have poor outcomes for mental health and achievement, and so on. And what we find is the boredom prone people are highly border prone, also tend to have lower levels of self control. And so that's a really important individual difference. They tend to also there's sort of different ways in which humans pursue goals. And one of the distinctions that social psychologists will make is between what's sort of colloquially known as a JUST DO IT mode, people who get on with things, people just go from one goal to the next, and they very rapidly transition. And then I sort of do the right thing mode, people who prefer to sort of assess their options, and make sure that they make the choice, that's the best choice and then make sure not to make errors, and so on. And each one of us can adopt these models at different times. It's not as though you're one or the other, right. And each of those modes is good, under different circumstances, it's good sometimes to sort of weigh up your options and make sure you choose the right thing. And it's good sometimes to just get on with it. But what we find is that the bottom prone people tend to be those do the right thing, people that they tend to worry more about the options for action. So they tend then to fail to launch into action because they, they haven't sort of you know, they're not comfortable with the choices that are in front of them. So that's an individual difference in how people perceive goals that is important. There are there are a number of others as well, we find that people who are high in neuroticism, so they tend to have a lot of worry about life, they tend to be higher in boredom proneness as well. And there's even things that like people who are higher in what's known as covert narcissism. So covert narcissism is a person who sort of believes the world has failed to see their talents as failed to see how brilliant they are. And so they're sort of a bit bitter about it, but they're not the arrogant in your face narcissist. They just sort of a bit bitter about the fact that the world hasn't recognized their skills and talents yet, those people tend to also be high in boredom proneness. So those are the kinds of individual differences that we know about so far that are associated with being more likely to experience boredom.

Nick VinZant 20:00

Is it tied to just overall intelligence in any way?

James Danckert 20:04

It's so it's an interesting question that there's not a lot of research to suggest that it's tied to intelligence that more or less intelligent people are more or less likely to be bored. It does have an impact on achievement. So we find that people who are more bored and prone don't tend to do quite so well in school. But it's not a big difference. It's not as though a boredom prone person goes from an ace student to a D student. You know, it's more like a couple of points that are a loss, but sort of fairly consistently. So intelligence, you know, hasn't shown up as a prime factor in boredom. proneness.

Nick VinZant 20:38

Is there, like physical differences in people's brains were like, well, I guess we kind of talked about that already. Or correct me if I'm wrong, right, like a physical difference that this person is just going to be much more prone to boredom than something else. So while we already kind of talk about that,

James Danckert 20:55

well, what we talked about before was sort of functional changes, right? So I was talking about EEG electrical signals in the brain that show that when you're when we're bored, we were sort of not attending very well. And I talked about the default networks. And when we're bored, we tend to have this internal focus instead of focusing on the task in front of us as we should be. Those are functional changes in the brain, when you ask, are there structural differences? And is there something physically different, there's only one study that came out fairly recently, just about six months ago or so which was fascinating to me, where they looked at gray matter volume, so just the size of different parts of the brain. And they did find that highly boredom prone people had reduced gray matter, in some midline structures of the brain, the precuneus, and the posterior cingulate again, this is also big jargon for your listeners, but in the middle of the brain. And the precuneus is, you know, very important for focusing and sustaining attention. And so, it might not be that surprising that individuals who struggle to focus their attention, also struggle with boredom proneness, and that the brain structures necessary for focusing attention are not as the luminous as they are in people who don't have those same struggles. But you know, at the moment, one of the things that's happening in neuroscience is we need a lot larger numbers of people to look at these things and have confidence in these effects. So they ate I think, around 70 people in that study, we need more like 7000. And so we need to do these sort of human connectome kind of projects to confirm data of that kind,

Nick VinZant 22:23

the big questions that I had going into this, right, like, Okay, well, why do we get bored? And then how do we, how do we keep ourselves from getting bored?

James Danckert 22:32

That's the $64,000 question. And I get asked a lot. And the bottom line is that we don't have any really good data about this, you know, one of the trends over the past two decades, I think, is, you know, for people to sort of tout mindfulness training and mindfulness meditation as a kind of solution to everything. I'm highly skeptical of that. And I'm certainly skeptical of it for boredom. Because in order to engage in mindfulness meditation, you need to have your attention, focus on the meditation, whatever it is, whether it's, you know, whatever various kinds of mindfulness meditation styles there are. And so if you get bored, and prime person who struggles to focus their attention, and you say, I know what's going to fix it here, focus your attention, think it's probably not going to work. But we, but we just don't have the data yet. So we'd need to do those kinds of intervention studies, find people who are sort of chronically bored, and engage them with some sort of tricks and strategies or techniques and see whether or not that improved their boredom long term. So the kinds of things that I say, at the moment, when I get asked this question is that there's a sort of triumvirate of things that you can do. When you're in the moment of being bored. I'm not sure how well this helps the chronic bored person. But when you're in that moment, the first thing to do is to take a deep breath. So as I mentioned before, one of the most common things people report when they're bored is that they report feeling agitated, and restless. Well, it's pretty hard to figure out what you want to do next, or what you think would be a meaningful thing to engage with when you're restless when you're agitated when you're pacing around, right? So just to calm down, take a deep breath, and allow that restlessness to dissipate as a first step. The second two steps are really contemplative. And the first one would be to say, Well, why am I bored right now? What is it about the circumstance I'm in? And what that allows you to do is to perhaps reframe it to think about it differently. So you know, people who work on assembly lines are not always bored, because they can sometimes reframe the task. There's evidence that people on assembly lines will say that they tried to beat their personal best on the line every hour, while they've just turned a monotonous and potentially boring task into a personal challenge. And now it's not boring. And so if you find yourself in a moment of boredom, perhaps you can do the same thing. You can reframe the circumstance to be more meaningful to be more purposeful for you and now you won't be bored as much. And the third thing is that the other contemplative aspect of this seems to sort of spend some time considering what your goals are. Right? So boredom is showing us that in this moment, what we're doing is to us not very meaningful, well, what is meaningful to us? Right? We don't spend a lot of time in our lives thinking about that, considering, what are the goals that I have? Am I pursuing them? Well? And if not, can I pursue them better. And when I talk about goals like that, I want to be careful about sort of setting people up for, you know, unrealistic expectations. I'm not talking about grand goals. I'm not saying that, you know, every time you get bored, you should start to ponder why you haven't yet cured cancer, I'm thinking about any type of goal that's personally relevant to you. And they could be big and small. And it could be from anything from, you know, wanting to sort of foster better relationships with your family and friends, or wanting to get something small achieved in a hobby, doesn't really matter what the size or scope of the goal is, what matters is that it matters to you. So those would be the three things that I suggest people could try and do when they're when they're in the moment of being bored. And then the only other thing I suggest, and this, I think would work for kids. And well, I hope it would work for kids. And teenagers. As I say, I'll repeat, we don't have the data.

Although there's one paper I can talk about. One thing you could do preemptively is make a plan. So the one paper I'm thinking about comes from water, shoot and colleagues, and they looked at boredom in the pandemic, which you know, something people got really interested in all of a sudden, when we were shut down in our houses, it's like, Oh, my God, boredom is going to descend. So they did a study where they looked at how well people had coped in the pandemic, and whether or not they coped well with their boredom. And one of the things that stuck in my mind is that they found that if people had a plan to cope with their boredom, they coped better they did well, people without a plan, people hadn't thought ahead, did very poorly, and had, you know, poor outcomes because of it. So if you sit down with your children, your teenagers or if you do it for yourself, because you find that you're experiencing boredom, a lot sit down in a car moment and say, Well, what's my boredom plan, right? And that can be here's the top five things I might go to. And it might also be when those top five fail, here's the next thing I'm going to do, I'll go for a run, or I'll, or I'll tidy my closet or do something, right? It's the backup activity, when the top five things that you list in your boredom plan don't work, because there's no guarantee that they will. I often I like to say that, you know, my best boredom solution personally is like guitar, oh, turn to it whenever I'm bored, and just start playing around. And I might play songs that I know, or songs that I've written, or I might just tinker. And it's about 80% effective. So that means that 20% of the time, I go to it, and I'm still bored, didn't work for whatever reason. So I think you have to have that expectation that whatever you put together in your boredom plan, be ready for a backup to that plan, because your first five things might not work.

Nick VinZant 27:57

Okay, the I don't know if this will be necessarily helpful for the audience or not. But can we kind of self diagnose my boredom if we can. So like, and this is, this is something that kind of fascinates me and was the impetus about learning more about this is like, I love this podcast. I love the people that we talk to, I find it fascinating. But when I go to Edit, and kind of put everything together, there are times that I get so bored. And this is a slog, and I'm like, oh my god, I'm 10 minutes into this 50 minute interview. Oh, this is awful. I guess. I know, this is hard. But like, why would that happen? Even though I'm interested in it? I'm passionate about it. And still, my brain is like, Oh,

James Danckert 28:48

I think that that first the first thing I say about that is totally and utterly normalize it. Right. I've been involved with a few film documentaries, and quite surprised that in both instances, I was probably interviewed for a total of about eight hours, and it wound up it wouldn't have been more than about two minutes in the movie, right? So these are people who have done the eight hours of interviewing me, then they have to go back and do what you just said and edit that eight hours. And they edited it down to minutes, and then try and fit it in with the film where it sort of makes sense for them. That's a slog, right. And also, if I talk about my own work with science, you devise an experiment, you think about the task that you're going to do. It's exciting, you're working with your students, they go and they collect the data, they show you the data. That's the peak excitement point when they're showing you the data. Because now you you learn something new. And now you have to spend the next six months writing it up and convincing a journal to publish it and it might take more than six months. That's the trudge that that's a slow sort of drudgery. You've gone past the excitement phase, and you're into the phase. Well, now I have to do the slog, right. And I think that's just completely and utterly normal. And, and it's so when you say you know, I'm fully interested in it. You're interested in the here and now and it is interactive right now. Humans, we're social beasts, right? But when you get to the stuff of editing it, that's not as interactive. That's just you on your own. And it and you know what's ahead of you. And you've already had the conversation so you know what the conversation content is going to be like. But now you've got to trudge through it and cut it and paste it to make it the product you want it to be.

Nick VinZant 30:21

That makes sense. Is there like, I always think of the idea of like a runner, you know, you get the second wind, right? Can we push past our boredom? And then, you know, like, runners, for people who aren't familiar, you're running, you get tired, he's like, oh, I want to quit, I want to quit. And then you get a second win, and then you get revitalized. And you can keep going. If you're in a task, and you start to get bored with it, like, Does that happen with boredom, where you just you got to break through the wall, and then you're good to go?

James Danckert 30:48

Personally, I haven't experienced that myself. I think that if I get bored, what I need is a complete break of circumstance. But there may well be people out there listening that don't have exactly had that, you know, pushing through the wall using that runners analogy that you're talking about. It's interesting that you bring up the runners analogy. I mean, first of all, I've never seen anybody running on the streets, it looks happy. I don't understand why people do it. But But

Nick VinZant 31:10

I say that to my wife, every time I see somebody running like I don't run, because I've never seen someone who looked like they were enjoying it running.

James Danckert 31:18

Yeah. So clearly, the runners will tell you, they, they enjoyed the high of breaking through the wall, they enjoyed the high of finishing it and being through and at the end. But a colleague of mine, Vanya, Wolf, in Germany, he, he looks at this, you know, willpower is what he looks at, in terms of and boredom and self control, in terms of how to athletes push through this sort of stuff, right? Because if maybe we can learn some lessons about how athletes push through the pain barriers, but also for a runner and training, you know, repetition training in the gym or repetition training of skills for for other sorts of athletes, that repetition is monotonous and boring. How do the athletes push through it? So particularly professional athletes? So he's working on that sort of data? Now, I don't have anything great to report to you. But I suspect the answer will be that with some amount of willpower, whatever willpower is, you might be able to push through an episode of boredom. But personally, I think that the best way out of boredom is to just break the cycle. And so like I say, stay calm, do that contemplation, but maybe then just do a different task for five minutes, right? And you know, you talked about, I get distracted in the middle of a movie, and then I can't get back to the movie. But that sort of distraction, if it's intentional, might allow you to get back to your job with a little bit of renewed vigor or energy. But as I say, we haven't done the studies on this kind of stuff. This is all just my opinion.

Nick VinZant 32:38

You know, I think of always in terms of like opposites, and the only thing that I can compare it to that I've heard about is like the flow state or somebody, usually, it's like extreme athletes are just totally totally completely focused. Can we learn anything? Like does the opposite of boredom teach us anything about boredom?

James Danckert 32:58

Yeah, I think it does. But I think what I would say to you is that there are many opposites of boredom. And flow is only one. And flow is a fickle, fickle beast, I mean, any of your listeners who've experienced it, you know, the thing to contemplate about flow is, have you ever intentionally tried to make it happen? And I think that the answer to that is that it's very, very hard to do. Like you find yourself in flow almost accidentally, at times. And, you know, there are great feelings is very positive feeling. You feel like you're making progress on your goals, and you feel like you just performing beautifully, and the rest of the world has just dropped away and doesn't even need to exist. But it's hard to manufacture. Right? So but the good news is, it's not the only opposite of boredom, there are a heap of things. So being curious, is an opposite of boredom. Because you can't be bored. While you're curious. Same time, if you're curious about something, if you're inquisitive about something that you cannot be bored, at the same time, those two things are sort of antithetical to one another. Just being engaged, right? So you don't need the extreme state of flow. You know, if you've sat through a movie, and you didn't get distracted by your phone, while you're probably engaged by it, that's an opposite of boredom. But you didn't have to be in the flow state, you were just engaged by the movie. And there's any number of things that we can be engaged by. And I think another one that you can engage in meditation, as I talked about before, it's very hard to imagine being bored if you're successfully meditating. Right. And that brings me to the last one that I think it's the opposite of, of boredom that I think is a really interesting case study. And that is relaxation. Right? So when most of us go on holidays, we're not necessarily going gung ho at any particular task. We might be on the beach reading a pop novel of, you know, some detective novel or something that we don't care about. We won't remember once we finished. So we're not really doing anything particularly meaningful. We're not doing anything particularly challenging, and yet we're not bored. But we're sort of engaging in being relaxed Just write because we need that recharge time where we we've sought that recharge time. So there's two things then that I point out as opposites of boredom that I think are key and help us understand boredom a little bit better. So one is that the opposite of boredom in all its many forms is just being engaged. So if you're engaged with the world, either because you're curious or you're relaxing, or you're in flow, then you can't be bored. Right? So that is the sort of opposite of boredom. And the second thing is that it gets back to this notion, I think, of agency. So when you're the one that's in control, when you're the one choosing what you're doing now, I don't think it's I think it's very hard for me to imagine also being bored, right? So you're choosing to relax. You're choosing to meditate, you're choosing to be in Missouri, choosing to be in a flow state, but you're choosing to engage with whatever task is when you're demonstrating to yourself that you're the agent, you're the author of your actions. And in that state when you're successfully expressing your agency. I think it's very hard to be bored.

Nick VinZant 36:03

Are you ready for some harder slash listener submitted questions?

James Danckert 36:06

Fantastic. Yes.

Nick VinZant 36:08

What do you think about the saying only bored people are boring?

James Danckert 36:12

Yeah, the boring people get bored. It's a moral judgment. And I don't think it's right. What I think it says is that people who make that claim just deal with their boredom exceptionally well. So in the book that I wrote with my colleague, John Eastwood, out of my skull, we interviewed we had the good fortune, I had the good fortune of interviewing Chris Hadfield, who was the Canadian astronaut who ran the International Space Station in the 2010s. And Hetfield claims that only boring people get bored, and that he never gets bored. And then you have a conversation with him that goes on for a little while you find out that's not true, he gets bored. So he grew up on a farm in southwestern Ontario. And he describes, you know, plowing the fields, he said, he really enjoyed plowing the fields, you'd see this open field in front of you, and you plowed field behind you. So you could see your progress. And you could understand that, you know, you're achieving a goal and you're doing a good job. But what he really hated was this other job he had to do, which was known as, as harrowing and harrowing. I had no idea what this was, he's apparently plowing a field that's already been plowed. So you're breaking up big chunks of mud and making it into smaller chunks of mud. So in front of you as mud behind you is mud, you can't see your progress, and it's boring. And so he said that whenever he had to do that, he would challenge himself by trying to see how long he could hold his breath for. And I'm like, thinking in the back of my mind, if you want to insult the guy, but you're probably not the greatest idea to be doing something like that, while you have, you know, piloting heavy machinery. But that's alright. The point being that Chris Hadfield indeed gets bored, but when he does, he almost immediately find something to occupy his mind, that puts the boredom aside. And so I think that for the people who say only boring people get bored, what they're really saying is that, you know, when I get bored, I'm really quickly dealing with it. So why aren't you? And one of the things too, that we know from a recent study, again, from from a colleague of mine in the UK, one and Van Tilburg is that there's actually characteristics of boring people that are not about how often they get bored. We called people as being boring if they don't listen to us. So if people who are sort of a bit more narcissistic, and I mean, now the kind of grandiose, overt narcissistic, that commandeer every conversation, and never really listened to what you've got to say, I think of those people as being bores. And so it's just not true that people who experience boredom, boredom, unnecessarily boring themselves, it's just not the case.

Nick VinZant 38:41

Why are some people boring, though, right? Like, some people are just like, God, that person is boring. Is it? Is it them? Or is it me?

James Danckert 38:52

potentially an interaction, right? So that there are, you know, there's someone out there for all of us, right? So, yeah, we find humans with, we're able to sort of partner up and find social groups and make connections for in all sorts of different ways. And that's one of the great things about humanity, I guess. So, you know, people who you might consider ENCODE has been thoroughly boring. Hopefully, they still have a social network of some kind. The thing that that came out in that more recent study was that, yeah, people who just don't listen, you know, if you're in a conversation, and you don't engage the other person, we all want to feel like what we do matters. But if you're the only person talking, and you're the only one that's got anything that you think is relevant than everyone else's, has to sort of take a backseat. And that is not really the best way for social interactions to evolve. And so I think that's one of the main characteristics that makes makes us code other people as being boring.

Nick VinZant 39:47

Is there like, is this a mathematical formula in some way? And maybe this is a great analogy. Maybe this is a terrible analogy, but can you look at certain things and be like, Okay, that is going to be boring too. People, if you make a movie about this, and you put this in it, and you put that in and you put this in it, people are gonna get bored. Like, can you look at things and be like, that's boring? That's not,

James Danckert 40:12

not really because it's it is a kind of what makes something boring or not boring is a little bit like happiness, what makes you happy is sort of idiosyncratic to you, right? I can't sort of tell you, you know what, you should do this, because this makes me happy, I shouldn't do that, and hope that somehow that that's going to work for you. And if the same thing is true of boredom, whatever makes me happy, or whatever makes me bored is unique to me, you know, there's millions of people out there who are philatelists, that spent a lot of their time poring over stamps and looking at stamps, and they get great joy out of it. And many of us might look at that and say, I can't imagine anything more boring. Well, too bad. You don't have to. Because you know, that's that just means it's not for you. So I don't think there's anything that we can point to and say that that's an objectively boring thing.

Nick VinZant 40:57

What is people's reaction? When you tell them you're a boredom researcher,

James Danckert 41:00

I laugh is that the first thing people do is they laugh. I mean, if you go out to a party of, you know, get together with people, and you want to end a conversation, first thing you do is, you know, people say, Well, what are you doing? The first thing you do is you say, I'm a psychologist, that usually ends the conversation, because people are like, Oh, crap, he's, he's analyzing me now. And it's like, if they probe further, you can say, No, I'm not that kind of psychologist, I don't want to know about your relationship with your mother. But then, you know, another way that you can enter conversations, you can say, I'm a professor, and I Okay. And people sort of tend to think, Well, you're a snooty intellectual, and you won't want to talk to anybody who's not also a snooty intellectual, which is not true of most of my colleagues. But I think that's what some people assume. And then the last way to enter conversation fairly rapidly, but not as badly. So So what do you research? Boredom? People tend to laugh, because they think really, that just that doesn't even sound like a thing. Why is that a thing? And then, then you spend the next couple of minutes explaining to them why it's a thing and why it's important. It's consequential. And that's probably we should then talk about sports or something after that.

Nick VinZant 42:07

I guess that's one of the questions that we kind of had. And something that I was wondering is like, I know, there's not a way to like rank this in terms of a scale of one to 10. But how big of a problem is boredom for us? Yeah, like, is it an inconvenience? Or is like, No, this is a real problem for some people.

James Danckert 42:24

Yeah, I love this phrase that someone gave me a journalist actually gave me many years ago, now that she thought that boredom was just part of the furniture of life, you know, seems to be a trivial thing. And I think that people have treated it as a trivial thing as part of the furniture of life. But it's not It's not trivial at all. So it's, it's associated with chronic boredom. So boredom. proneness is associated with higher levels of poor mental health. So increased rates of depression and anxiety. It's associated with problems of addiction. So people who are highly bored and prone tend to be more at risk of alcohol and drug addiction. It's been associated with problem gambling. So people who express Problem Gambling certainly have, particularly people who are addicted to slot machines that will report that they're on there because they're bored. And yet, you know, being stuck on the same slot machine, which seems boring to me is not boring to them. I guess there's lots of bells and whistles on those machines. So it's associated with a lot of the ills of mental health. It's also associated with things that sort of from a societal perspective, we really wouldn't encourage. So there's a strong association between boredom and aggression. There were riots in the in the streets of London in 2011. And when people were interviewed, particularly young males were interviewed afterwards, they said, why did you join in? Why did you join in the looting, I said, it was the end of summer, and I was bored. And there are a number of not just anecdotal, but sort of experimental studies that will show that when we're bored, there is this tendency for some of us at least, to engage in aggressive and harmful behaviors. So it's not inconsequential. And we also know it's not inconsequential, from the point of view of two other domains that I think are worth pointing out. One is education, we know that if you're chronically bored, that you won't do as well in your education. And so it's incumbent upon us to try and make our education as least boring as we possibly can. And I think there are other occupations where boredom could be a real hazard. So if you think about any occupation that has a high requirement for vigilance, you really need to be paying close attention to your job, but it's also monotonous. So think air traffic control, or, you know, there was a disaster in Canada a number of years back in a place called LACMA Quantique, where train got off the rails and burst into flames and caused an enormous amount of damage. Potentially, the failure to to focus your attention in instances like that is the cause of those accidents. And if the job is monotonous, and unchanging, and not particularly meaningful, than I am sort of boring to the person doing that job, then we're at risk of those kinds of accidents happening more frequently. So yeah, it's I can't rank it. You're quite right. There's no rank that puts up there. It's not as bad as you know, some things, I'm sure. But it's also it is quite consequential.

Nick VinZant 45:09

Is there any kind of pattern to boredom in the sense that like, people are most bored at Tuesday at 3pm? Or is there any kind of pattern either throughout our days in the sense that like this time of year, this time of day, this day of the week, or throughout our lives, we're like, you're probably most bored between 10 and 20. Or actually, it's between these ages, is there any patterns to it,

James Danckert 45:37

there is a patent of the lifespan. That's this worth mentioning all of the other sort of domains that you talked about there, I'm not aware of any data that sort of really, you know, says it's mostly, you know, people talk about hump day during the week, you know, I don't think that people get more bored on Wednesdays than they do on any other day during the week. But, you know, maybe they do, I just don't know about data. But over a lifespan, boredom sort of tends to start rising in those early teenage years, we need a lot more data on this, but the data we do have says that it tends to rise, then it starts to sort of peak at age 17, or 18, and then starts to dip. And that's a really important point in our development, because around those late teenage years and the early 20s, that's the final stage of brain maturation. So you start to do what's called myelination, which is essentially this fatty coating that goes around your neurons, and AIDS transmission of information. And so that myelination of your frontal cortex that's happening between 17 and 22, you know, you're not really fully developed until those early 20s years. So around that time, when you're developing the frontal part of your brain that's really critical for self regulation, self control, gold pursued decision, decision making, and so on. Around that time, your boredom starts to drop, and it drops off into the, you know, 20s 30s, and 40s, and 50s. And, in part, some of that is going to be about responsibilities, you know, Who among us has the time to be bored when you're pursuing your career when you're raising your children when you're doing all these other sorts of things. And then it does show there are some instances now where we see a rise into the 60s and beyond. And one of the notions there about that rise at the later stage of our lifespan is that it's sort of strongly associated with loneliness. And so we talk about a social connectedness in that age range. And the people that have a good social network and good social connectedness tend not to be bored in their 60s 70s and beyond. But for those of us who find ourselves not as connected, then boredom can become a real problem.

Nick VinZant 47:34

What social media doing to us,

James Danckert 47:38

technology is ruining my brain. I love this question in some senses, because there's this notion that Socrates said that writing things down was going to ruin our brains, he was worried that if we wrote down all of our knowledge, that that would mean that our faculty for memory would just disappear. And the irony of that is, of course, that we wouldn't have even known that had played or not written down the things that Socrates said. So, you know, we have these sort of notions that every new technology, whether it's the pen and paper, or whether or not it's the internet, or whether or not social media, every new media is going to ruin our brain. So from the outset, I will say, No, it's not right, it's going to do amazing things for us. Right now you and I are on whatever this program is a zoom, you know, it's not zoom. But whatever that is, we're on this internet talking. You're, you're on one side of the continent, I'm on the other, and we can talk with each other about things we're interested in. That's flat out amazing, right? That's fantastic. My family's back in Australia. And in times gone past, I'd have to pen a letter, put it on a boat and wait six months before they are able to read it. Things are better with this new technology. And I think we we need to start from that place that the new technologies have done wonderful things for us. But it is also true to say that for some people, for a handful of people in evidence at the moment is about 4%, our attachment to our phones into social media can become problematic. So we actually talk about the phrase used is problematic smartphone use, and it has characteristics that are very much like addiction. So you continually ramp up your use of the phone or you continually ramp up how often you turn to social media. You feel anxious when you're not with your phone, or you're not on social media, those two characteristics very much the characteristics that you see in addictions to substances. And that work from John Alhaj. And colleagues and from people there's a couple of labs in China that are doing this work shows that boredom is a real driver of this that when we're bored, we turn to our phone because it's an easy occupation thing, right? It occupies your mind very quickly and very easily. It has the bells and whistles like a slot machine. And like advertising, social media has figured out the ways to capture our attention. And so we turn to it and it sort of like dissipates the boredom immediately. But it doesn't do a very good job long term, because we go down the rabbit hole of Twitter and we find that we've spent half an hour or god forbid longer, and then you get off and you think, Well, what did I just do for the last hour? Right? It's not particularly meaningful. And it's not particularly fostering the goals that we want to pursue, right. So I want to say fairly clearly, there's nothing wrong with tech, there's nothing wrong with not nothing wrong. It's we can use social media in positive ways. And we need to be vigilant individually and as a society as to the ways in which we might be misusing or abusing social media and technology more likely, more broadly. But in general, it allows us to do wonderful things.

Nick VinZant 50:35

Does boredom have anything to do with attention span?

James Danckert 50:40

Well, there's a claim that people want to make that our attention span over the past couple of decades has been gradually decreasing. And I don't know what sort of metrics people use to measure that, you know, I guess in the 50s, they used to do advertisements for products that went 50 minutes long, you know, watching an advertisement for a vacuum cleaner on TV and 1950s. That was like a program length. And now, you know, the world's shortest ad is less than a second or something like that. And that that sort of suggests that, yeah, we don't have the attention span that we used to. Again, I think that that's probably an overblown claim that, indeed, you know, we might, you know, in even in things like, the films that we watch, you know, I went back and watched one of my favorite films a while back The Deer Hunter. And, you know, that's a fairly powerful and dramatic movie, but the first half of it is about a Polish wedding. I mean, it's quite long, and it's quite slow. It's quite drawn out. It's quite beautiful, and quite, quite dramatic, but it wasn't. It's not, it's not John Wick, you know, it's not, it's not as fast and as, as, you know, changing from moment to moment as any of those kinds of movies, right. So there's, there's possibly a sense in which our tastes, our predilections for things show, that we prefer to have things move quickly. But I don't know that that really translates into our attention span is poor. When it comes to boredom, boredom is absolutely associated with poor focusing of attention and poor sustained attention. We know people who suffer from ADHD also have high levels of boredom. And so there's there's absolutely a very strong association between struggles with attention, and boredom. But I don't think that that means that as a society, writ large that we have a worse attention span than we used to.

Nick VinZant 52:29

That's pretty much all the questions I got man, is there anything you think that we missed or anything that like, oh, we should be talking about this or anything like that.

James Danckert 52:36

One thing I would say is that we know too, that boredom, proneness is associated with self esteem as well. So people who are high in boredom proneness, don't have very hot, they have lower self esteem. And one of the things about that we're in the process of investigating that further. There's a related concept of self efficacy, it's not quite the same as self esteem, self esteem is about I feel good about who I am. self efficacy is I believe, I can do this, right. I know, I've got the skills I'm capable. And I think that people who are boredom prone will have low self efficacy as well, that they won't feel like they're necessarily capable, to reach the goals that they might set for themselves. And I think if that happens early in life, there's going to be long term consequences. So a lack of a sense of self efficacy as a young person, you know, will carry through into your, into your life in negative ways. And so, you know, we always come up with the problem that these are correlations is individual difference traits, it's very hard to talk about cause. So you know, will, will it be the failure of self efficacy or elevated boredom that causes the problems later on? It's gonna be very, very hard to determine that without longitudinal studies. But But yeah, I do think early on, if you cope better with boredom, when you're a very young person, and into your teenage years, that will probably be associated with much more positive outcomes later.

Nick VinZant 53:59

So I mean, if people want to learn more about this, like, how can they what should they do? I know you've got a book out.

James Danckert 54:06

Yeah. So John Eastwood and I wrote a book that came out in 2020, in the middle of the start of the pandemic, I guess, and and that was out of my skull to psychology of boredom. So you can grab that and read that. We also do a blog on Psychology Today, that blog is called the engaged mind. And so we have we write about various aspects related to boredom.

Cigar Blender Nicholas Melillo

What goes in to making a great cigar? Follow Cigar Blender and Foundation Cigar founder Nicholas Melillo’s journey from the fields of Nicaragua to award-winning, handmade cigars. We talk how cigars are made, the secret to cigar blending and the future of the cigar industry. Then we unveil a new Candle of the Month and countdown the Top 5 School Supplies.

Nicholas Melillo: 02:09ish

Pointless: 52:43ish

Top 5 School Supplies: 01:17:20ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.instagram.com/nickragua (Nicholas Melillo Instagram)

https://twitter.com/nickragua (Nicholas Melillo Twitter)

http://www.foundationcigars.com/ (Foundation Cigars’ Website)

www.instagram.com/foundationcigars/ (Foundation Cigars’ Instagram)

www.facebook.com/Foundationcigars/ (Foundation Cigars’ Facebook)

twitter.com/FoundationCigar (Foundation Cigars’ Twitter)

Nicholas Melillo Interview: Cigar Blender and Foundation Cigars Founder

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode cigars, and school supplies,

Nicholas Melillo 0:20

it is a difficult process, what I do is totally handmade. So, if you make any mistakes, so you take different seed varieties, you take different land, you take different positioning of where the tobacco is located, that completely changes the flavor of the tobacco. So from there, you can get 1000s of different potential blend combinations, billionaires, blue collared workers, musicians, artists, all of these different types of people come to this one place that normally I don't think would ever spend time together.

Nick VinZant 1:02

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it. It helps out the show. And we just like hearing from people, Greg, I got your voicemail. I completely agree. That's something we're going to be talking about in upcoming episodes. And a special thanks to realness, for your review on Apple podcasts. It's really stuff like that, that keeps us going. So I have always been fascinated by how things are made. And how little changes in that process can completely change something. Our first guest has worked in the cigar industry for more than 20 years here in the United States in Central America, and has traveled all over the world. He specializes in blending together handmade cigars. This is cigar blender and founder of foundation cigars. Nicholas Malolo. So is it hard to make a cigar or is it hard to make a cigar? Well,

Nicholas Melillo 2:13

I would say both. It seems easy when you when you see the process, but it's very entailed. And there's a lot of nuance to it. And it is a difficult process. There's a lot of hands, it's totally what I do is totally handmade. So if you make any mistakes, they can cause many problems way down the line

Nick VinZant 2:39

is that when you look at like the quality of cigar, is it the ingredients going into it? Is it the way it's made?

Nicholas Melillo 2:47

It starts with really good black tobacco is what we call cigar tobacco. So we call cigar tobacco, black Dark Air Cured tobacco, which is very different from say what's used in cigarette, which is what we call flue cured or bright Burley's different types of tobacco. Those tobaccos are cured when they come out of the fields say within a week's time, where cigar tobacco is naturally fermented over years. So basically, what we're doing is controlled composting almost. So we take tobacco in hands in 7000 pound piles, and just the combination of moisture from the leaf and pressure from the weight of the pile triggers the fermentation process. So quality tobacco, there, there's a lot to that and that's the beginning of being able to have time and the resources to age tobacco properly. In and having really, you know, great a top tobacco that's, that's where it all starts with having a really good ultra premium cigar, this and then the next is the construction and the blend and how it's put together.

Nick VinZant 4:08

So cigar smoke is really different than you know, cigarette smoke. Is it different than pipe smoke like is it completely its own

Nicholas Melillo 4:17

thing? It is 100% its own thing so complete. You can't use cigarette grade tobaccos for cigar handmade cigars nor can you use pipe tobaccos for cigars so they're completely different seed varieties. They're grown in different regions completely different than handmade cigars. Now machine made cigars is a whole different thing. But I deal with again strictly handmade,

Nick VinZant 4:43

how long will it take you then to make one right from not not counting when the crop the crop is planted? Right but from like right after we start the process like how long is it going to take?

Nicholas Melillo 4:55

So after the tobacco comes from the fields It goes into fermentation, let's say that can range depending anywhere from one to three years, sometimes four years. And then it could age and Bails for another year. And then it's passed to the production floor. And then after the cigar is rolled, they usually cure I'm sorry, Agent human doors, down in where I'm at in Nicaragua for another 90 days before they're shipped. So you're talking three years, I would say on an average. And then how long will it take you to like and roll. So hand rolling, usually, you know, a day, we work in pairs in Nicaragua. So every country has a maybe a little different style, that they they used to roll cigars, they work in pairs, so someone punches where we call the filler leaves the inside of the cigar, and then a roller puts on the wrapper leaf. And usually a pair can make anywhere from 200 to 400 cigars a day.

Nick VinZant 6:05

Now does does the other stuff around the cigar matter? Or is it basically like look at tobacco is X percent of it. And the role itself is like, it just makes it look cool.

Nicholas Melillo 6:15

Tobacco, again, is the pillar, if you don't roll them properly, you're going to have a terrible user experience. So if the if the cigar doesn't draw properly, if it's too loose, it's going to burn too hot, it's going to affect the blend. Construction is crucial and having a good user experience. So over the years, I've seen companies go out of business because they've had major quality control problems that you can't go back to, you know, people are spending, you know, anywhere from five to 20 $30 a cigar people work hard. The last thing you want is when you're relaxing is to light up a cigar that doesn't draw that doesn't burn that doesn't taste properly. So the construction and quality control of actually rolling them. That's what I managed for 12 years. I started in Nicaragua in 2003, with one of the smallest cigar factories in in Nicaragua and I left in 2014. We were the largest handmade cigar factory in Nicaragua. So I was overseeing 105,000 Handmade cigars a day. And my main, my main role was quality control. Excuse me. Quality control was a crucial part of my everyday job.

Nick VinZant 7:35

How did you get started in like, what was the initial kind of draw for you?

Nicholas Melillo 7:39

So Connecticut people don't I'm from Connecticut. People don't realize that Connecticut grows some of the best cigar tobacco in the world. North of Hartford, Connecticut. There is a valley called the can Yeah, it's actually the Connecticut so Connecticut's relationship with Cuba pre 1959. Cuban Connecticut had a very old relationship in as you know, maybe many places in the United States had cigar factories. Here in Connecticut, there was a ton of cigar factories in the early 1900s. All of the cigars produced here use Cuban filler. So the inside of the cigar, and the outside was Connecticut wrapper. We were really known for the outside leaf, which is a whole different growing process. But Connecticut actually means in in Mohawk, Mohegan, I'm sorry, along the Great tidal river. So the Connecticut River is 406 miles long. It passes through four states. It starts on the border of New Hampshire, and Canada. It used to be a gigantic finger lake at the end of the last ice age. It was called Lake Hitchcock. It was gigantic. Eventually that lake eroded and broke and started funneling into the Long Island Sound. But it left 30,000 acres north of Harford is very sandy loam soil hill that was perfect for growing black, dark AIRCARE tobacco for cigars. So this goes back to the late 1600s. And before that, of course, the indigenous communities have used tobacco for you know, we think 5000 5000 years. So So Canet being from Connecticut, I grew up all my family smoked Connecticut cigars, my great grandfather's smoked cigars out of factories in New Haven, Connecticut. My grandfather's so when I was 18, I was the cigar guy. I just fell in love with cigars after sharing one with my grandfather. It was an amazing experience to be able to sit down you know, when you're 18 and have a cigar with your grandfather was sort of a coming of, of age, and like read We'd a high school and I used to go into the cigar shop called Calabash shop. And there was lines out the humidor, there was two women that ran that owned the shop. And this one particular day, I get all the way up to the cash register after waiting in line. And I said, Listen, I'd love to work for you guys. I knew every cigar in that humidor, I know the whole process. I would love to work for you guys. And I didn't hear from him for two months. And a week before I started university, they called me and that's how I got my start in the industry. So I started running the cigar shop while I was studying international business at that university.

Nick VinZant 10:40

They not like But starting your own company that right that was that. Like the always the goal, or was that just the opportunity was there and

Nicholas Melillo 10:49

I jumped out at so I you know, I run this, this cigar shop for all my universe for years. And I met this crazy guy from New York who starred in a cigar factory in Nicaragua. And we met in 98 and kept in touch over about a five year period. I left school and I I always just wanted to travel. So i i circumnavigated the globe, I went to Italy, I lived in Rome and worked with the Vatican, and then bought and around the world ticket and went through India, Southeast Asia. So this gentleman that I had met was on my email list. So I'm traveling all around the world, going to Nicaragua in the early 2000s wasn't really a thing. So I think he as he's getting my emails emerging from, you know, Southeast Asia, he said, Oh, I, you know, Nick will probably come live in Nicaragua. So he, he offered me a job to go work in, in Nicaragua in March of 2003. So I was traveling around the world for a year, I got back to the States for a month, and then moved down to Nicaragua. And, and had been down there the majority of my time over the past 1818 years. So I've helped this company. And then at one point, I said, you know, if, if I'm working this hard, I should probably start my own company. And it was tough to make that

Nick VinZant 12:23

decision. Is it a profitable business? I mean, obviously, it's a profitable business, right. But we'll be talking like, once you get going, this is easy money, or you got to scrape for everything that you got.

Nicholas Melillo 12:34

It's it's definitely not easy, man, we have a very interesting perception, because we're selling leisure and relaxation. So there's this outside perception that oh, man, that would be so cool to work with cigars. And that must be the greatest job ever, behind the sea scenes, it is a very difficult business and the money is good, but it takes a lot of money to get started. And a lot of you know, just think about three years of fermentation, you're sitting on money for three years before, and that distinguishes what makes a really ultra premium cigar. And not you can ferment tobacco much faster. And that's what's happening is a lot of people are, they don't have the money to sit on tobacco for three years. You know, but they can cure it really fast. Get it out in the product. But there's a tremendous difference in flavor. It's, it's almost like my grandmother's pasta sauce. I'm Italian, my family is Italian, it's the difference between pop and open a can of sauce, thrown it on the stove, cooking it and my grandmother, slow he eight hours a day. fresh ingredients and preserving once you start turning that heat up, you start losing a lot of the good goodness, the flavor to the elements. And once you do it fast, so it's slow and steady, which really preserves the natural oils and flavor. And it's the same with cigar tobacco.

Nick VinZant 14:09

This may be stereotyping a little bit right. But working in Nicaragua and Honduras in the early 2000s. I would imagine that came with some extra stuff besides just normal business

Nicholas Melillo 14:19

operations. Yeah, Chow. At first, it's really exciting. And you don't see the challenge. I was 24 and you're in a new place. You're you're in a new culture as time goes on. Things get a little bit more more challenging and culture and I'm in the north of Nicaragua. So I live in a place called esta Li, which is about two hours north of the capital. And it's pretty much a farming city town. And if you're a city person, it's a very difficult place to be after a while. But if it wasn't for the Nicaraguan People, I probably wouldn't be there till today. I mean, people welcomed me in and have treated me like a king and family. And they're very appreciative. You know, the north of Nicaragua, so many people are employed by the cigar industry, so many families from the cigar industry. And it makes a huge difference, because there's not many other options when it comes to jobs.

Nick VinZant 15:28

Did you ever have to kind of go around any criminal elements or am I being overly dramatic

Nicholas Melillo 15:34

here? Yeah, you're being a little overly dramatic. In movies, right. And most people do, you know, and I had that perception moving down there. Keeble, it's one of the safest countries in Central America. So I feel safer in Nicaragua than I do and in cities here in Connecticut,

Nick VinZant 15:58

what is it about that place? Like why is that special?

Nicholas Melillo 16:01

So you know, Castro confiscates most of the cigar factories and 5960. Most of the tobacco fields, so many Cuban families flee in the cigar world at which people don't realize many of the master blenders and master tobacconist, fully Cuba, looking for similar climates as certain growing regions in Cuba, Pinar del Rio, there's an area well, avato these are two very famous growing regions. So Nicaragua, is has the most active volcanoes in Central America. Okay, the Ring of Fire, Nicaragua actually means in narwhal, the local language, the land of lakes and volcanoes. So there's two very large lakes and the volcanic soil is just so rich. And I mean, you can just drop seeds, and things are growing. So in the early 60s, mid 60s, Cubans started bringing Cuban seed to Nicaragua. And they started getting incredible results, destroying the complexity of the leaf. If you see now with Cigar Aficionado, the top 25 cigars 16 of the top 25 were from Nicaragua this past year, and most people don't realize is again that many of the Cuban masters left Cuba, if you're a cigar smoker, you know, a lot of times Cubans are just known because you can't get

Nick VinZant 17:36

them. So like, okay, when I don't know anything about cigars, and I was born without a sense of smell. So my knowledge is never going to be very good. But like, what makes in your opinion, like what makes a good cigar? What should I be looking for?

Nicholas Melillo 17:55

So everybody has a different palette. This is the first thing is is what's the best cigar in the world, the one you enjoy the most. So we're really as cigar shops and tobacconist trying to find the right land for the right palette. So usually, someone that's newer to cigar smoking tobacco is a powerful plant, a very sacred, powerful plant. So you wouldn't give someone a blend that is very strong, or, you know, something that would be even, you know, rated high and Cigar Aficionado. If that's a stronger blend, usually a newer smoker is not going to enjoy something that's that's really strong. So you're looking for something milder. You know, really just looking for something that's not cheating the palate, that's not bitter. That's not, you know, overly strong. Balance is the key. Right? I blend cigars. That's the trick in creating a good cigar is is balance. And that takes just years of, of knowledge and know how and learning. You know how tobaccos work together. But you get you want to find the right cigar for the right, the right palette. So a lot of times people are just not educated or they don't get the right advice from maybe a cigar shop and they're given or they might get a cigar at a wedding. Or they might get one as a gift and then they leave it in their house. It's not humidified, they smoke it a month later it's dry. It's you know, it's it's disgusting. And then they smoke it and think that's what a cigar is. And that kind of deters a lot of people from smoking, smoking cigars, so it's all about finding the right cigar for the right consumer. I hope I answered.

Nick VinZant 19:55

Right like it can be kind of all like you have to find what's right for you like I he drink enough whiskey that like now I know like, Okay, I don't like that. I do like this. There you go. But at the beginning it was just kind of like, well, it's all over the place.

Nicholas Melillo 20:11

Right? Yeah, yeah, it's the same thing. Same thing with wine. Our palates are, are very interesting. It really is the nose, which is picking up a lot of the flavor. You know, our palate has four to 6000 flavor receptors on it. And we're really registering the five major flavors, or is it sweet, salty, bitter? Savory, like acid. Yeah, acidic. I think you're right. Yeah. That sour. That's it. That's it. That's only five. You know, real flavors. Really, your old factory has millions of receptors. So where are you getting the vanillas, the chocolates that that's actually coming from your olfactory. And that's why people getting COVID You know, a lot of times they're losing their sense of smell, you're really losing your sense of taste. Because if you lose your sense of smell, you're basically losing more than 50% of your taste. So that's really when you get into things and you see this with coffee or wine. really developing your your old factory is crucial in really learning tobacco to that kind of next stage. So we don't inhale cigars. But we do something called retro Hayling, which is basically where you're taking smoke and you're exhaling through your nose. And that's where you're kind of your, your, that's when you really start getting into the next kind of level of flavor. Understanding cigars.

Nick VinZant 21:49

Oh, I see. So you're like, but you're not your ex.

Nicholas Melillo 21:54

Yeah, it's just basically being funneled through the bag. It's never going into your lungs. Cigars are not intended to be inhaled into your lungs at all.

Nick VinZant 22:04

To most people smoke cigars the right way.

Nicholas Melillo 22:07

There's a lot of MIS education, I think about cigars. And we're really on a mission over the next five years is to really train people and consumers because it does. It does differentiate have, you know, people staying in our industry, we're such a small industry neck, you know, not many people smoke handmade cigars. It's a very small fraction of the population. And I think a lot of times it is because of education, that people don't stay in it because they they do have maybe a negative experience and they're not being shown properly. They're not being led, first of all to the right blend, you know, and then they're not really knowledgeable of how to cut it and light it properly, which all affects the blend in the taste of the cigar.

Nick VinZant 22:59

So when you blend a cigar, right, like are most cigars blended or is it basically just one crop of tobacco, like how do you blend it?

Nicholas Melillo 23:09

So I used generally for my blends for foundation cigars, I'm using filler. So the inside leaves are generally from Nicaragua. Nicaragua just has such rich, flavorful, tobacco. This is why it's it's becoming more and more well known within the handmade cigar, cigar world. So you take different seed varieties, you take different land, you take different positioning of where the tobacco is located, that completely changes the flavor of the tobacco. So from there, you can get 1000s of different potential blend combinations. Then you take the leaf that goes around the filler, which is underneath the wrapper is called the binder that's holding the filler together. That's usually from different countries. Connecticut, Ecuador, grows cigar tobacco, Honduras, the Dominican Republic, Sumatra, is known for growing cigar tobacco, Brazil, there's an area called Bahia in Brazil, which is one of the oldest tobacco growing regions. So from all these different options, you can create blends and all these tobaccos kind of work differently together. And it's it's really about understanding the different flavor profiles and being able to put those together properly. You know, it's I think the difference of having, I'm not I'm not the greatest cook, but if you give, you know certain great ingredients to make and a real chef, you're going to have two different you know, very drastically different results. So

Nick VinZant 25:03

now you did I think the question that I would have, you know, is like so when you when you go through a blend, like how many will you try out before like, Okay, this is the right one? Like, how long will it take you to get to that final product for that variety.

Nicholas Melillo 25:18

For me like now with just the experience that I've had, I've been able to develop my own techniques that I find work for what I'm looking to do. So generally, I'm developing, maybe seven to 10 at the most different blends. And then from those seven blends, I'm able to maybe make a little tweaks here and there, and then get what I'm looking for. So like the cigar I'm smoking right now, it's called all Mac, it's our homage to actually Mexican San Andreas tobacco, which is San Andreas is one of the oldest growing regions in the world. Also, it actually predates the Cuban scene. But this took me seven blends. So seven blends, and I had the range where I was at made a little tweak. What's happening before that, though, is where we call on smoking, what we call tabacky are those where I'm reviewing bales of tobacco. And I'm inspecting bales and rolling little cigars, and just smoking the bales to check for flavor. So I'll smoke individual components first. And then I'll end up bringing all those components together. If that makes sense. Yeah, it's

Nick VinZant 26:39

kind of like, if there was a line of I use whiskey or scotch or whatever. It's kind of like, take a little sip and like, okay, that one's this place. And maybe we'll go with that one. Can you? Can you pretty much eyeball it. Like, can you look at tobacco in its refined form or whatever? It'd be like, sweet salad. Can you look at it?

Nicholas Melillo 26:59

It depends on if I know who it's coming from. And I know who's growing it. The main test for me is the aroma. So the aroma and inspection of the aroma. Looking at it definitely you you're getting signs, but you need kind of the three major that the touch, the taste, and the visual is going to give you everything you need. So I would never really just go based on looks, although if it tobacco is green, you're going to know it's not cured properly. If it's too dark, sometimes it can get really black. That means it's been overly fermented. So it's almost like you burn it. So you can tell from that I can tell a lot from the vein structure. You're also when you're inspecting leaf for the outside of the cigar, it has to be visually perfect. So wrapper leaf on the outside leaf is much thinner, silkier. And it needs to be perfect color can't be any blemishes. It's the most expensive leaf in the blend, because it has to be almost perfect. And you're dealing with natural. Yeah, you're dealing with crops, you're dealing with, you know, a natural product, it's not being put together in a lab. And it's not a widget which I tell my customers a lot of times, you know, it's it's a very detailed process,

Nick VinZant 28:24

how different is it going to be like, I know these are hard to kind of quantify right? And I my brain thinks in math terms, which isn't really the best way. But like how different okay, you get this exact crop, same region, same guy grow in it, same people working at same, like how different can you expect things to be from year to

Nicholas Melillo 28:43

year? They can be very different man. I mean, we're growing right now in the Connecticut River Valley. Right. So north of here about where I'm where I'm at 40 minutes is, is harvest time, so it'll be up there Friday. Hard luckily this year, we've had a great year. With weather last year was the rainiest Connecticut and 50 years 20% of the crop made it through. Oh, so 20% and most farmers had to plow under the fields because they get insurance money. Otherwise there would be no industry up there. This year the crop is looking great. But you can see a beautiful crop in the fields. It goes then to the curing barns where it needs to go for another 7075 days. If you don't know what you're doing in the curing barn, or you're not paying attention that beautiful crop in the field field can go to crap overnight if you're not looking at it properly it's same thing then when it goes to yours and fermentation You know guys would see me in front of fermentation piles 7000 pound piles and oh man, that's the coolest job. It's a great there's nothing more stressful than having tobacco and fermentation because as it can be destroyed literally overnight if you're not paying attention, and it can then damage the flavor. And it can completely affect the blends that you're trying to come out with. So there's a lot that goes into it, you got to be on it all the time. Otherwise it can, it can go bad pretty quick. And then you're, you're out not only money and investment, but then the time you can't, you can't get back. So you can be carrying tobacco for two years. You have all that time and money. If it goes bad, and you don't have a backup, then you don't have production.

Nick VinZant 30:39

Mother Nature doesn't give you a second chance, does it?

Nicholas Melillo 30:42

It doesn't. It doesn't.

Nick VinZant 30:44

Brutal in its honesty. Right?

Nicholas Melillo 30:47

It really is. And that's why our industry, it does seem really simple from the outside. But when you're when you're in it, it's what seems simple is very detail oriented and complex.

Nick VinZant 31:03

Are you ready for some harder slash listener submitted questions? I would love it. Best place to smoke a cigar, front porch, bar, or other.

Nicholas Melillo 31:18

If I had to choose, I would say front porch. Yeah, you know, just for me, again, it depends on what kind of mood you're in. But front porch in a book, or some good company, that that's the place you know, I grew up, my father built a little little house, we called it it was one of these prefab sheds, ya know. So he ended up putting a little pellet stove in there, rug and a table. And that's where, you know, my grandfather, my brother, and I would would have a cigar. And that was happening. So I tend to lean on the more peaceful settings and environments. Although a cigar bar could be cool on a Friday night.

Nick VinZant 32:03

What's really better smoking the cigar or holding the cigar?

Nicholas Melillo 32:12

Smoking the cigar.

Nick VinZant 32:14

There's some Okay, I will admit to this. And I think one of our listeners call me out on this. I don't smoke cigars. But if I've had some edibles, which I really enjoy edibles, I like the feeling of holding a cigar. There's something about it that makes me feel kind of cool. Like what do you think it is about it?

Nicholas Melillo 32:35

That's a good question, man. I never really thought it at length. But it's, it's like almost something that you take your companion almost, you know, you don't feel whereas if you're just alone, and you got nothing, you're kinda like, you know, you got nothing. But a cigar is like, oh, man, this is cool. It's got a cool kind of perception. And I would say it's like your companion.

Nick VinZant 33:01

There's something just kind of cool about it. This this. This leads into another question, though. And maybe this is that this person is not trying to be offensive. I think they're actually asking this question. How can I make sure that I don't look? They use the word douchey holding a cigar, because I noticed looking at people smoking cigars, like some people can look kind of like oh, like they're sweaty all the time. That kind of douchey look, and some people can look like a person looks sweet. How do you how do you rate me write that? You look like a Cuban General. Okay, like that's an that's meant as a compliment, right? Like, you look like somebody who is naturally having a good time smoking a cigar, not like kind of the frat boy party. Cheap

Nicholas Melillo 33:52

cigars. And I think that's the difference is just your comfortability with it. And your confidence in it. You know, if you don't feel comfortable with it, or you're, you know, that comes across very easily.

Nick VinZant 34:09

Yeah, it's kind of like, are you smoking it because you enjoy it? Or are you smoking to look cool and the ones smoking? Cool? Yeah. douchey right. They lose it. You can't lose it. You gotta back it together.

Nicholas Melillo 34:23

No, I'm gonna say that's tough. Like, you can't you can't fake that. Yeah,

Nick VinZant 34:27

it's got to be genuine. If it's genuine, you can pull it off. Now. Okay, so where is the cigar business hours? Is it up? Down? Same as it ever was.

Nicholas Melillo 34:37

Let me tell you, man, since COVID It it it we've been in a mini boom. So I think people being home, allowed them more time to actually learn about cigars and maybe understand them more. And also because now people are working from home. So you We're not in an office all day. So we're you would have had maybe one cigar at the end of the day, or maybe on the weekend. Now people, especially in the summertime, you have your computer, you're in your back, backyard, you're on your porch, you're able to have a cigar while you're working. So it's been really amazing to see the industry strive. I mean, we're not growing in leaps and bounds, you know, that maybe we're up at I think about 3%. This quarter and overall imports of of handmade cigars into the United States.

Nick VinZant 35:34

Is there. Right, like, okay, there's the health concern question, right, that either wherever it is, in terms of whatever it is, right, but is there still? Is there a stigma around cigars? Do you feel like you guys are always kind of fighting that

Nicholas Melillo 35:51

we've been through some really serious battles with the FDA over the past two years, and we luckily, have been able to been carved out and not regulated like cigarettes and machine made cigars. So they've been coming at us, I've been fighting this via our trade organization, cigar rights of America, which I encourage any cigar smokers to join. And we've been really working hard and educating Washington that, first of all, kids don't smoke our products. This is not something where, you know, kids have 10 $20 of disposable income to smoke cigars. What has been increasing is machine made cigars that are being purchased in C stores, convenience stores, and gas stations, because of the legalization of cannabis, that market has exploded, you know, so, and those are generally 99 cent. They're generally homogenized what we call homogenized tobacco, which was actually developed in Connecticut 1955. It's basically tobacco dust, and paper that's made on these huge machines, and rolled out. And those are generally sold in gas stations and convenience stores. To give you an idea of the difference, you know, handmade cigars between Nicaragua, Honduras, and the Dominican, you're probably looking about 320 million units that are imported into the United States, which seems like a lot, but the machine made mark it is at about 15 billion units. So 15 billion, oh, say 300 300 million, so and then that's just machine made cigars, that doesn't include all the other tobacco products, cigarettes, you know, smokeless tobacco, so we are less than a fraction of a percent. When you look at the overall pie of tobacco products. So, you know, we've always argued that we're not selling to, to kids, this is not, you have to be ID D need to go into a cigar shop. And you're not, you know, there are health effects with everything. You know, drinking with, of course, smoking, but, you know, they're compared to something that's being inhaled into your lungs. It's complete, the FDA actually released studies that two to three cigars a week had zero or little health impacts. And, you know, it's, again, it all depends. My grandfather just passed away a couple of years ago, and he was 94. He smoked cigars since World War Two, you know. You know, it's not the greatest argument, but we know a lot of people that have smoked cigars. A lot of art. People argue that it's really a stress really was cigar smoking. Larry David and Seinfeld had a great piece on cars, cars and comedians getting coffee. Yeah. You know, I said, What is it about a cigar that and Larry David said, a cigar is is relaxing. It's this. You have time. A cigarette is? Your Yeah, yeah. I mean, it's it's a stress. It's a it's a habit. It's something so when you're smoking a cigar, it's it is time it's relaxation, which I think definitely has, you know, good, good benefits.

Nick VinZant 39:29

Since since you brought up a celebrity we'll go into this one celebrity who knows their stuff?

Nicholas Melillo 39:36

That's a great question. I mean, as far as cigars, some of your Michael Jordan's a big cigar smoker, although he's, I think a big Cuban fan. I think he's just starting now to, to a lot of people are starting to discover the world of Nicaraguan cigars. I would say he knows what he's doing. I think Larry David actually knows his cigars pretty well. i A friend of mine, D nice. He was from one of the first hip hop bands. He knows stuff really well, he's a, he's a famous DJ, there's a lot a lot of guys behind the scenes that really, really know their stuff. So guys that really get into it. Joe Rogan right now is really getting into it his I think he's come a long way over the past, like three years of what he's kind of learning and knowing about cigars.

Nick VinZant 40:35

Is that kind of your experience with people right? When they get once they get turned on to them? Like they go? It seems like something that people get into?

Nicholas Melillo 40:44

Yeah, it's because there's a lot to it. And I think once people have a picture of, of the world, it becomes very, the cigar world, it becomes very interesting. And the process, there's not many processes, you know, this process of handmade cigars is this almost the same that it's been for the past, you know, 200 years. So there's not many industries, I think that still exists that, you know, existed 200 years ago. And really, when you start getting into it, it's it is an amazing world to learn about the process. And then just to who you meet, from the cigar world, you know, working in a cigar store, you meet people that you wouldn't normally meet, or would converge in the same place. And the vehicle is cigars. So I would I would meet and still you'd meet billionaires, blue collared workers, musicians, artists, all of these different types of people come to this one place that normally I don't think would ever spend time together.

Nick VinZant 41:49

Like, is there a price point? That is the sweet spot? That you would say like, Oh, you don't have to spend this much. But you need to spend this much like, is there a price point where somebody either with your business or with others, they'd be like, That's it, you're gonna do pretty well right there.

Nicholas Melillo 42:05

So I would answer that in two part, I would say between nine and $15, you can get really amazing cigars, amazing cigars, top rated, amazing cigars. You could also get a really good cigar between five we make a cigar called Charter Oak, which is my homage to Connecticut, and Connecticut cigar World Charter Oak is the image of actually the symbol of Hartford, Connecticut. And we received the number one best value cigar from Cigar Aficionado. And so you can get a great cigar between five you're not going to get the depth and complexity that you're going to get in the range between nine to 15. But what you're getting is really good for the price point. So it would be more of a cigar that you would you know maybe if you're cutting the lawn, or you're kind of doing things and you don't have the time to really sit down and focus on something that would kind of be more than a cigar. You know for you but between nine and $15 man you're, you know, you're getting an amazing, you know, some of the best tobaccos in the world. I think a lot of the other price points a lot of times it's you know it is marketing. I'm coming out this November with the most expensive cigar that I've ever come out with but it's for a special reason. We're doing the 100th year anniversary of King Tut's discovery. This is a replica of a box that was discovered within King Tut's tomb. So I work yeah, I work with a company a place called high clear that Soloman isn't the school. We actually have the Yale Egyptologists work on all of the hieroglyphs, so they're legit. So I work with Highclere Castle in England, Highclere Castle is owned by Lord Carnarvon, whose great grandfather discovered King Tut's tomb with Howard Carter. He funded Howard Carter and was an amateur archaeologist. So I make a cigar it's the only cigar I make for someone else called Highclere Castle. And they tapped me to make 100 year anniversary of King Tut's cigar in November because his great grandfather smoked cigars, and with smoking cigars when the tomb was discovered. So this is going to be one of my most pricey projects, but there's a lot that goes into it.

Nick VinZant 44:41

How much? How much yourself?

Nicholas Melillo 44:43

30 30,000? Yeah, yeah, no, this is I mean, again, you know, for everyday smokers. You don't have to be spending a crazy amount of money.

Nick VinZant 44:59

That is is one of the questions right and I'm sure you knew we're gonna get this one it's like most expensive cigar you've ever smoked. And was it worth it?

Nicholas Melillo 45:07

The most most expensive one, what I would say was probably a Cuban from 1945. It was a hard to guess that a friend gave me that would probably be the most expensive cigar. It's really about the experience of having something that old what, as far as you know, the blend, a lot of times these older cigars is this misconception, conception that always older is better. And when it comes to aging cigars, and there's, it's not always the case. And a lot of times is that tobacco is it's a it's an alive living plant. With that much time it loses a lot of cellular structure. And a lot of its its flavor, or at least time. So it was good. It was very mild. But I don't know if I would, you know actively if I kind of access purchase, you know, cigars and and smoke those cigars if I was in the in the position to do so even if I had you know, money to spend on cigars are that expensive? How much

Nick VinZant 46:14

would that have been that? That's a good question. It's

Nicholas Melillo 46:18

probably probably in the $500 range from what three to $500 for one cigar.

Nick VinZant 46:25

Yeah, it's interesting. You know, we interviewed a guy who was a whiskey critic. And then I'll combining that interview in my mind with a documentary I watched about whisky and all those guys who like the master blenders, they're like, we like we drink stuff that's six years old. The older stuffs really not that. Not that great. Same.

Nicholas Melillo 46:43

You'll find that with cigar. You know? I've worked with mainly Cubans and it's the same way. You know, a lot of these tobacco guy they they chew on their cigars, you know, but a lot of that is Mystique a lot of it is is the rarity the supply and demand that's what really drives that's what the price is there's only X amount of boxes you know, it's the same with with the cigar I'm doing the King Tut cigar. There's only gonna be 700 boxes. You know, it's it's supply and demand a lot of times

Nick VinZant 47:17

this one this one might require some thought man, movie or TV show in which the person looked coolest holding a cigar like, oh, that

Nicholas Melillo 47:31

that was a cold Christmas. Yeah. Oh, you know what I would say? I would say Gene Hackman, Chris Chris Chrisman Chrisman tied with Denzel Washington. Is it Christmas?

Nick VinZant 47:45

It's either. I think it's crazy. Oh, crap. Once you try to say it you I can't say it crimson.

Nicholas Melillo 47:51

I know. Crimson. What does that even mean? I'll cheer

Nick VinZant 47:55

reddish. I guess I always thought it was a movie about That's Ryan. But again, kill crimson.

Nicholas Melillo 48:01

Have you seen it? No. It's a great movie. Oh, it's in a phenomenal movie. I just Crimson Tide. Gene Hackman,

Nick VinZant 48:09

I know what movie you're talking about. It's the it's submarines and shit. Correct. The reason that I haven't watched it is because there was a movie called Prince of Tides, which was a romantic comedy that I was like, I'm not watching anything about Thai see, right. Oh, yeah,

Nicholas Melillo 48:26

conceivable. There's a great scene at the beginning of the movie before the submerge. And it's Gene Hackman, Denzel Washington. As their I don't know what you call the lookout point. And they're just getting ready to submerge. And he's smoking a cigar and gives Denzel one. And there's this moment of silence. And he said, You didn't mess it up. You let the silence go. Gene Hackman, the dead zone most people would want to occupy the space and would chitchat and you just enjoyed the moment. And they're smoking. You smoking a cigar and he looks badass because he's comfortable. You can tell he's, he's a cigar smoker. And he's cool.

Nick VinZant 49:12

The only one I was thinking of when they mentioned it was in I can't remember if it's predator or Commando, but I think it's predator Arnold Schwarzenegger is like, like, you can see he's got it all the time. Like he had it down.

Nicholas Melillo 49:27

Arnold's a big cigar smoker? Yeah, he knows his stuff. Yeah, to

Nick VinZant 49:31

do it, right. Um, but again,

Nicholas Melillo 49:33

it's what you like to it's like when you know, no, you know, your stuff is what you like, who's to tell you what you should be enjoying and what you shouldn't be enjoying? I think he gets clicky a lot of times when you go into cigar shops, maybe, you know it gets like you know, the real hardcore guys, you know, think they they kind of know everything and it's really about again what you enjoy

Nick VinZant 49:59

that's all Questions that got me? Is there anything else you think people should know? Or what's kind of coming up for you? Where can people find you? Where can people get the cigars? All of that kind of stuff?

Nicholas Melillo 50:07

So WW foundation cigars.com I think I forgot to W but you guys know figure it out. Foundation cigars.com We have a great store locator. We don't sell directly to consumers. So we only sell via cigar shops throughout the country. So you can find on our website, a store locator for a shop near you. We're all over Instagram foundation cigars. I am under Nick. Our agua. That's my Ah, see Graham. I like it and I are like agua, we are actually gearing up to open up a brand new office on 100 acre tobacco farm in the Connecticut River Valley. So it's really going to become the forefront of foundation cigars, this connection between Connecticut and Nicaragua. So I hope to embark on educating a lot more people about the history of cigars and tobacco within the Connecticut River Valley because it's it's really a national treasure. It's the Napa Valley of of Connecticut. And I'm hoping we're gonna get into our new office. It's been a lot of delays here over the past few years with supply chain and COVID. So in September, we're looking forward to moving in and then hope hopefully next season we'll be able to have people come up and and eventually start tours to really educate people about the process. So I'd love to have you up at some time.

Nick VinZant 51:37

Yeah, man ever and not know that Connecticut was big into cigars. I would have never known that.

Nicholas Melillo 51:44

Yeah, they you know, most of the guys are farmers. So they really over the past 100 years didn't do a great job marketing at all. Yeah, too busy working. Work right too busy working. Yeah, a lot of farmers are not necessarily marketing inclined to, to marketing in general. And the state hasn't really done a great job because of course, tobacco politically, tobacco doesn't have any, you know, it's not positive for any politicians to kind of back. So we're, we're kind of taking the lead with some of my friends in the valley and new generations of of tobacco growers there to educate the world about the Connecticut River Valley.

Hollywood Accent Coach Audrey LeCrone

From “Nope” and “The Dirt”, to “Judas and the Black Messiah”, Hollywood Dialect Coach Audrey LeCrone helps actors perfect their accents and get the character right. We talk teaching actors accents, becoming a dialect coach and the best and worst movie accents. Then, we countdown the Top 5 Worst Words.

Audrey LeCrone: 02:15ish

Pointless: 42:50ish

Top 5: 01:02:00ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

http://aacamericanaccentcoaching.com (Audrey LeCrone Website)

https://www.instagram.com/americanaccentcoaching (Audrey LeCrone Instagram)

Interview with Audrey LeCrone: Hollywood Dialect Coach

0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, Hollywood accents, and worst words,

0:22

it's a very difficult job. Because you have to have a patient ear, like what I do is listen to one sentence over and over and over and over and over, break it down and then teach a celebrity who may or may or may not be in the mood to learn it. In Judas and the black Messiah, he's playing a a historical figure, who it was vital that we got it perfectly. So I was giving him notes after every take. This way, we're not just stereotyping. We're not making assumptions about the way other people speak. Because the way you speak is a pretty intimate personal thing.

0:58

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it, it helps out the show and more than anything, we really just like hearing from everyone. It's so interesting to hear what people think about the guests, we talk to the topics we discuss and the top fives. So if there's anything you want to say, we are all ears, leave us a comment on the app that you're listening to on social media, or we have a voicemail set up 316-519-7719. So our first guest has worked on major Hollywood movies from nope, Judas and the black Messiah, the dirt, the list just goes on and on. And what she does is teach actors how to sound more like the characters that they're playing. And she does that by teaching them specific accents. She specializes in different regional American accents, but she has taught people how to speak over 70 different accents. This is Hollywood dialect coach, Audrey LA. Crone, is this something that you set out to do? Or is this something that you kind of found yourself in?

2:19

It's kind of an amazing journey for each dialect coach, because there's no degree of a dialect coaching degree, there's, there's, you can't really study it, per se and a university or something. I was trained as an actor. And so I have an acting degree. And I was also an English tutor. So I would mostly teach. Adults are graduate students from other countries, ESL, so teach English as a second language. And I loved that. And I also loved acting, but acting wasn't paying the bills. So I started answering tutoring calls from doctors from other countries who weren't able to speak clearly enough for their patients to understand them. And so I was like, I think I could do this. And I did the whole fake it till you make it thing. So I read a bunch of books, tried out different things, and basically combined my acting experience with the tutoring with with teaching English. And so that I started out doing that maybe eight years ago,

3:27

is that the common path that other people in the industry would kind of find that this is a thing that they just found themselves in? Or is there like a dialect coaching school somewhere that most people go to?

3:41

A lot of dialect coaches are actors, actors, turn dialect coaches, and even if they're linguists, they have some sort of acting background, oftentimes, or maybe there's not, but everyone I know has some sort of basis in acting. Because it's not just linguistics. It's the study of how to put a voice in an accent how to embody it artistically.

4:06

So when you teach somebody something, like is it a muscle memory thing? Are you trying to No, put your tongue to the left side? Like is it how do you even teach somebody?

4:17

I teach with a variety of methods. Everyone learns differently. Some people do react really well with like, Okay, do this with your tongue. Other people do well with listening and repeating, imitating whoever voice model they they resonate with. Some others do well with imagery, like imagine a balloon sitting in your tongue, and we have all the space in the mouth.

4:42

That's what's so fascinating to me about it. Like I don't really think about the way that I speak or why I speak the way or what's even happening in my brain or my mouth. Is it a hard thing to teach people?

4:55

Let me ask you this. Can you do any other accents?

4:58

Governor done?

5:00

Yeah, have you ever put on a bad British accent?

5:03

I'm Yeah, I guess I've tried. I can't think of anything. That's what's weird. Like, if you hadn't asked me that question, I could probably do it. But as soon as I think about it, no idea what to do.

5:17

It's very, very difficult. So any actors that you see doing an accent and a movie, just know that their load of work has doubled? By doing an accent? It's incredible. Do you have

5:30

people like how long will it take? Right? Let's say, on average got somebody comes in, they want to do this, like how long does it take you to get somebody to be able to do it?

5:42

This is the million dollar question. Some everyone is different. Again, some people are parents, and they are the lucky ones. They're gifted a great year. And they won't take very long at all. Those are the people who you'll be like, Hey, do a British accent. Now they're suddenly talking like this. And they're like, I've never even heard a British accent. And I can do it. And it's like, wow, you you have a great ear. Those people will take a couple sessions, and they'll get it. Other people, normal people, anywhere from a month of yours. Yeah, I

6:17

would imagine it depends on it, right? Like some things are just a little bit different.

6:22

Especially if, if English is not your first language, and you're learning an American accent or whatever other accent in English, if English is your second or third or fourth language is going to take longer. Most actors

6:33

that have anything to do with the quality of the actor and the sense of like, Look, if they're a good actor, they're probably going to pick it up fast.

6:40

No, it's their ear. In some respects, it's just, you're good at some things, and you're not good at others. I mean, when you say good actor, that's also subjective. You know, some good actors are really good at transforming themselves, like Meryl Streep type, and we don't recognize her from one movie to the next. Other actors play the same person, every movie, and we'd love them.

7:07

So like, where do you? Where do you find that most people are genuinely struggling?

7:12

A lot of people can get the accent. But I think one of the hardest parts is learning how to go from make that jump from it being a technical thing, to it being embodied it being part of the character. So if you see someone doing a bad accent, or doing an accent, and it's like, oh, that I don't really believe that person doing that accent, then they haven't they haven't bridged that gap yet. They're, they're doing the accent. I don't know what accent I'm doing, but they're doing the accent. But they're not really. It hasn't become part of their character yet.

7:49

That makes sense. I guess I think about it in terms of like, you could teach someone how to shoot a basketball, but that doesn't mean they're gonna make it.

7:56

Or you could teach someone how to do some dance steps, but it may not be wonderful to watch them. They may not be an artful dancer.

8:05

Do you have people then like, Look, I know people who just you could show them stuff about dancing all their life, like do you have some people that like this? Just can't do it? Yeah. How many? Like what percentage would you say? It's like, look, it's just not happening?

8:21

Um, I am an optimist, and in every sense of the word, so I can't even my brain won't allow me to make a percentage. I'm not sure. I was like, yes, you can do it. I'm like the coach. It's like, I believe in you. We can get this it might take 10 years.

8:41

They're gonna get it. Yeah, well, I guess Okay, would it is that normal, unusual? Or, like unusual, but it does happen?

8:52

I guess that would be either. Won't be unusual. So it's

8:57

not. Not that not that I know what you mean, right? Like one out of 10 or two out of 10? Like, it doesn't happen a lot. But it does happen. Exactly. That definitely happens when somebody kind of starts like walking me through what the process would be like, you start with somebody. What do you guys kind of do?

9:14

Sure, absolutely. So first, I let's say let's say we're working together and we're going to change your accent and to something else. First, I would just have you imagine. Oh, actually, we're gonna think about the American accent the way you speak. Currently, you're you have like a general American accent right. Where are you from?

9:31

Kansas.

9:32

You're from Kansas. I'm from Kansas.

9:35

Are we about to be best friends? Where are you from in Kansas

9:38

near Salina?

9:40

I'm from Wichita. No way. Okay, now you got to say what book is okay for people who are listening to this like What the hell's going on here? It's a wizard of the oz reunion, which Utah and Salon are about an hour away? Yeah. So So I'm

9:55

from like, 20 minutes north of Salina in a town called Bennington, Kansas. Okay, and for everyone else who's listening, if you're from the south and you're going to Colorado, that's where you turn left. If you're from the north and you're going to Colorado, that's where you turn right? Okay.

10:13

So I grew up in 316 area code, are you 316 or 7785? changes my Oh, in that crazy.

10:23

This, this is amazing. You never meet Kansans say

10:28

stay in Kansas mostly? Most of the time, like, yeah, I have been told though at times, because I came from news and I would hear this, that I drag out my vows, it can sound southern. I don't know what that means. But okay, but like, if you were teaching me so to speak, or when are teaching somebody like, what are we

10:49

okay? Okay. So if I'm teaching you to just be aware of your voice, and maybe to change the way you're speaking, first of all, the way that you're speaking currently is with our perfect Kansas accent, obviously. But if you think of a balloon sitting on your tongue, okay. It carves out the space, and that puts the placement of your voice right in the middle. So if you were to make a thinking sound you would say probably right, how do you think? What's your sound? Take?

11:24

A bite to my mouth, it feels right.

11:30

Mm hmm. So we start with the imagination there and some awareness, some physical awareness.

11:37

i Oh, my God, like if you do it, though, like, right in the middle. If you move your tongue around, it does sound a little bit different, doesn't it?

11:46

Exactly. What if you had? What if you just brought some awareness into your lips? How would that change your sound?

11:52

Like,

11:53

I'm thinking, I don't think maybe round your lips a little bit or just tend to

11:57

hold my lips or like that tingly feeling like when you go to the dentist. And they like turn it you know what I'm talking about like that like sandpaper issue where you sit on your arm too long? Yeah. Ah, oh my god, I can feel it in my lips.

12:13

So that change of placement would be the first step to changing your accent. So if you wanted to speak with a French accent, let's say or we said British earlier, and I would think about my lips, tensing them slightly. And I would think about taking that middle placement and bringing it forward. So my would go.

12:38

I may be one of your students that could potentially just never get it.

12:42

Well, here's the thing. If you're afraid of failing, you won't get it on. It's true. If you're willing to make stupid sounds, and you're willing to just try. Great, you

12:53

can do I do. Okay, I put it in front of my mouth.

12:58

So think about it in the middle again, feel that middle. And now bring it forward. And maybe think about it on

13:12

the tight. And you feel like when I talk normally, like my tongue is very close to my top teeth. I don't know if that means anything or not. Feel like I got it right there.

13:26

There you go. And your tongue is also not going to have that carved out concave shape. But instead, it might be a little bit more forward. So even even, for instance, I've had a client before on a movie where she was British, and she was speaking in an American accent. But you could still you could still hear her forward placement. So you can kind of maybe hear how my voice has changed a bit. So it sounds less American. Maybe

14:02

it dies. A British person who's lived in time.

14:06

Yes, exactly. I'm speaking with my American accent. But with a British placement. I

14:12

always think of that line from Game of Thrones where the guy's like, oh, I recognize that accent. I've gotten rid of it. I recognize when people have tried to get rid of it too.

14:21

Let's try one that's very different from your own way of speaking. Let's try a British RP accent. Received Pronunciation that's like fancy British. So let's, let's say that you are going to speak with this British accent. Okay, we were going to try like an old school British accent. So if we think about our American being right in the middle of our mouth and we think about the British being all the way out here. So before we were talking about the lips, but What if it was here? Like, where my hand is all the way out in front of my mouth? Okay, so you're going to try something, and we're not going to be afraid to fail. It's okay to fail. So give me a British phrase. What have you heard?

15:23

cracking under pressure? All I can say is put the car in the car park.

15:32

Like the Boston Boston, that when people say, Oh no, they say the Harvard Yard.

15:39

I can't think of shrimp on the barbie cup of tea. That's Australia, New Zealand.

15:47

Say, would you like a cup of tea? Okay. Okay, so, try it thinking about all the way coming out all the way front. Would you like a cup of

16:00

would you like a cup of tea?

16:04

Cool. Okay, so right now you were like coming up here into your nose? Because you're afraid of doing it wrong. And you're trying to get it right the first time. But don't worry about it. Would you like a cup of tea? Yeah, now put your hand flat out in front of your face, and try and make the words hit that hand.

16:25

Would you like a cup of tea?

16:28

Cool. Now bring your resonance back down into your belly. Meaning we don't have to talk up here. But you can talk in your normal voice. Would you like a cup of tea? Fire? I don't know, try. Try it low again. Would you like would you like a cup of tea? There you go. That's better felt

16:53

like that was actually better. I'm just picturing my hand. But I tried to go like Barry White, like, Would you like a cup of tea?

17:03

There you go. See now from here, you've got the placement you've got, you've got the target where your voice is going. Now it's about playing around with it. Doing an accent is very, very tedious. So the more you can make it playful and fun, the better.

17:17

That's a lot like I have to think about that so hard. I don't understand how somebody could act and do that at the same time.

17:27

Yeah, now imagine having to do an emotional scene where your mother has died. And you have to have these real sad, heartbreaking emotions, and still be like, Oh, Mother, I'm so sad. Like, and not just think about the accent. Would you like a

17:47

cup of tea? That is tough. Because you're essentially like, how do I not be myself and not sound like myself at the same time?

18:00

But still have genuine emotions?

18:03

Yeah, I can see why people would struggle with that so much to really do that.

18:08

You can see why all the Oscar winners are doing accents.

18:11

Right? Right. Because you really kinda, it's a lot harder. Well, you are transforming that. I could see that be on one hand being very, very difficult. On the other hand, making it easier, because you're not being yourself anymore. You can actually be somebody completely different. So is the goal then to like get them to the point where they're not even? They're not even thinking about it? It's muscle memory.

18:35

Yes. And then sometimes, sometimes even then they'll slip into their own when they're not even realizing it. Yeah. So it's something that you just constantly have to be aware of. And that's why it is easier to have me on set as a security blanket to be like, Yeah, you got

18:52

it. Yeah. Somebody to kind of just reassure if for nothing else gonna be like, you got that one.

18:57

I tell people I have a patented thumbs up.

19:01

Where's the dialect coach? She's just sitting back there with their thumb off. I think she always

19:06

know you're gonna have a whole new.

19:07

She honestly do. Right? Like how difficult that is to kind of? Well, it's one thing I feel like I can do it when I don't think about it at all. But then as soon as you think about it, like how the hell do I do this?

19:21

Right? And so then if you have lines to say, or if you're not an actor, if you have a speech to make something like that, if you have your sales pitch to make, then you have to think about it.

19:33

Right where he's like, I can still pick it up. Do people Yeah, yeah. Now okay, is it kind of I think in terms of, you know, mathematical or physical or things like that, like is it is for most people is it generally the same like whatever accent Oh, you want to speak? German. Put your tongue to the left side. Everybody goes to the left side, like is everybody's kind of process exactly the same or do you have to like it experiment with people.

20:01

Oh, I definitely experiment. Yeah. For some people just this trick doesn't even work. So then

20:07

Okay. When? How does the kind of the process worked? Is the studio contact you? Do they usually kind of does it an individual actor usually contact you are how does this work?

20:20

It depends on my job is very random. So sometimes the studio will contact me, and I'll work with, I can work with actors remotely or on set. And then other times people will go through my website, and those often are non actors, as well. So I work with business professionals of all different industries. And then also, it'll just be word of mouth. So someone reached out to me today saying, Hey, I got your number from blah, blah, blah. Are you free?

20:50

When you get the private people like, are they just trying to be understood? Or do they feel like look, if I can sound more American, my career, my life, social life, whatever will change.

21:01

It depends. Sometimes it is that and so I always start our lessons with Listen, there's nothing wrong with the way you speak. Everyone has an accent, everyone has a way of speaking. And, and the accent that you have, whether it's American originalism of America or somewhere else, it represents the rich cultural heritage that you come from. It represents the beautiful language that is your first or second language. And that's something to be proud of. And that's something that's incredible and part of you. So I never say that we're, we're reducing an accent or taking something away, we may be adding an American accent. And then I always try to make it so that they can turn on and off an American accent or whichever accent like putting on a mask and taking it off. Can

21:45

people go back though? Like if they're on a movie set? If they've been practicing for a long time? Can they go back? Especially if it's a dramatic change?

21:54

Yeah, yeah. You can take it on and and or put it on and take it off. Now I I'm pretty adamant with that. Because actually, I kind of grew up with more of an accent. And so when I went to acting school in Oklahoma City, I got that sort of trained out of me. And so I can, I can go back to it a little bit. And I haven't spent the time honestly to analyze it and relearn it. But I can't naturally go back into my, my accent from growing up when I want to. Unless I'm drinking between us. I'm drinking.

22:35

Then it switches.

22:39

Then people are like, where are you from? Like, Midwest? The Plains. Great Plains.

22:43

Yeah, you can hear the Kansas when you get in there. But the Midwest is supposedly not the one that like I guess I always hear like, that's the one that doesn't have an accent. But I also interviewed a linguist one time who said no, Midwest does have an accent. It's just that the early famous broadcasters were all from the Midwest. So they thought that was how people spoke. Um, are you ready for some harder slash listener submitted questions? Yeah,

23:11

absolutely. Let's do it. The big

23:12

obvious one, right. Hardest accent to work with. And we're not we're not bagging on cultures or anything like that. But what country culture generally seems to have the hardest time transitioning to an American accent.

23:28

I think oftentimes, it's more of a question of exposure. So if I am, for instance, born in the UK, I'm going to grow up watching American TV and American movies, listening to American media all the time. So I'm more likely to be able to get an American accent easier, because I've heard it. If I've grown up in, in Bangkok, I may not have consumed so much American media, it may be more difficult. So I would say cultures or people who have less exposure to American accent all through growing up, it's going to be harder.

24:05

So it almost doesn't matter where they're from. It's just if they've heard it before, and kind of

24:11

Yes, yes. Because any any other answer that I'm thinking of right now. I'm thinking of exceptions, like oh, well, maybe I was like, well, maybe a Japanese accent. I'm like, No, I know someone who has a perfect American accent who lives in Japan. And then was like, oh, maybe a French accent? Nope. I can think of someone who has a perfect American accent. It lives in France. So no, it's exposure, and it's the person's ability. What's

24:35

the hardest way? Like, what's the hardest accent to teach someone? Like if you were going to teach them this one? What's kind of the hardest one like, oh, that's got a lot of intricacies to it.

24:47

I don't I also don't know if there's a hardest one because with any accent that I am teaching, I'm going to do a lot of research. And I'm going to really delve in deeply and see I'm going to try and think of it as something that I've never experienced before. Just so I don't have anything that's not covered, right? So I'm going to ask people about certain words or specific phrases, things like that. I'm going to listen to a bunch of different voice samples to make sure that my perceptions are correct. So I treat every accent as a difficult accent. Basically,

25:28

I can't I wish I was smarter. I could think of a better way to ask this question. But I'm not. So like, when you generally teach somebody the accent, are you kind of teaching them the real accent or like the stereotype of the accent? That the only thing that comes to mind right, immediately, right is like, I think of a poo from The Simpsons, which is like the stereotype of an accent is do you have to kind of make sure that you're not, you're teaching it like, like, well, that's what like, do you teach the stereotype or teach the real thing?

26:00

I think the industry standards have completely changed over the last few years. So 20 years ago, someone would be like, Yeah, I just teach like a general Indian accent. Now, it's 2022. Things are different. So there's a lot more cultural sensitivity to that. I teach specific regions, specific city areas, and specific personality types. So if I have an actor coming to me with trying to get an accent for a project, I'm going to have them work with me to figure out exactly who who works as a voice model, I like to have two or three voice models for them, so that they can have someone else other than me to model their, their character sound off of. And it's a real person. This way, we're not just stereotyping. We're not making assumptions about the way other people speak. Because the way you speak is a pretty intimate personal thing.

26:57

Like how specific then do you generally have to be like, Look, I want you to have a southern accent from the 1960s. No, that's a 1970s Southern accent, like, are they looking for that kind of specificity on things?

27:14

Sometimes, but I think it's whatever serves the story best. Sometimes it's nice to get that specific. So for instance, let's use let's use Judas in the black Messiah as an example. I coached most of the actors on that. And so, Daniel Kaluga, was playing Fred Hampton. FRED HAMPTON is a historical figure, he has this amazing booming voice and is from a specific neighborhood in Chicago. Now, I listened to so many hours of the real Fred Hampton. And sometimes his accent, and the way he speaks is so neighborhood specific that it's not digestible for the rest of the US. So we had to, we had to figure out exactly the spectrum between fact and fiction between how he actually speaks and then how, how we can form the accent to make the movie work.

28:13

It could be so neighborhood specific that nobody outside of it understands him. Right now, when you do like work on a movie like that, are you on the sad? Are you just Yeah, but

28:23

that when I was on set, then how much do they like? How,

28:26

how much? Are you working with them? Is it like after every scene, you come up? And like, Hey, you should do to do that?

28:31

Oh, it depends. It depends. So for instance, I worked on nope to I don't know, it's in theaters right now. Daniel has more of a general American accent versus such a specific sound. In Judas in the black Messiah. He's playing a a historical figure, who it was vital that we got it perfectly. So I was giving him notes after every take. I was really tough on him. And he and I work on the same same wavelength. So I was like, Yeah, we're gonna be perfect. And he's like, great. Okay, we got this on. Nope, his character doesn't speak as much. And it's more of a general American. Well, it's a it's a California accent. Again, we did get very, very specific. But I didn't have to give him as many notes because it wasn't as hard. And if he did some things that were not exactly the way we planned it out. It was okay.

29:25

When you do something like that, is that because I don't want to use the word struggling, right? That doesn't seem to be the right word in that case, but like, do people need that much like you've got to work on this all the time, or you're going to lose it?

29:38

Sometimes I think, again, it comes down to that gift of the ear. If you're able to slip in and out of the accent easily then yeah, you can do that. If if actors are on set, it definitely behooves them to have someone there as a security blanket who's got their back, because even if they're not able to get it, I can Tell the script supervisor like hey, this, this person didn't get it this take this take this take, but they did get it this take.

30:07

That makes sense, right? Like, they just messed it up. But they can't do it as opposed to like,

30:11

Hey, you got Yeah, we made VoiceOver on writing like

30:15

he they're just they can't say the word juxtaposition. It's not. It's not happening, um, film. Now you don't have to say person unless you want to get. But see when I say people, like we'll take all the gossip that you want to give us. But what film would you say had the best accent like, oh, they did really well. Overall film or a person? Because it's best I think people like complement. Which one do you think was like, they really messed up the accents in that one? Like? Like dialect coaches or eyes are twitching over this movie?

30:50

Um,

30:52

that's that's the, the answer, but I don't want to give it to you.

30:57

Yes, that's correct. I, I'll just keep it very personal. In Judas in the black Messiah. I did those accents. And they were great. Daniel won the Oscar for it. For other ones, you know, you be the judge a lot of times does it? Does it take you out of the story? Does the accent take you out of the story? And again, it's art. So it's subjective. So my answer doesn't necessarily have to be the end all be all. Also, because I'm not going to share my answers. I'm because I'm a nice wholesome candidate. We've got manners. That's

31:33

been like, but there are some film. Okay, let me ask you, maybe you can answer it this way. For dialect coaches like yourself? Do most movies get it? Right? Or do most movies annoy you?

31:46

Um, most movies, if there's an accent, I'm watching the accent. And it takes me out of the movie, just because that's my job. A lot of them are not annoying. But I'm I'm interested in seeing how the actor is using the accent. And a lot of times, it's it's lovely. A lot of times it does work. And I'm amazed at someone's work. And I look up the dialect coach afterwards. I'm like, Oh, that's great. They did such nice things.

32:15

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, Hollywood accents, and worst words,

Audrey LeCrone 0:22

it's a very difficult job. Because you have to have a patient ear, like what I do is listen to one sentence over and over and over and over and over, break it down and then teach a celebrity who may or may or may not be in the mood to learn it. In Judas and the black Messiah, he's playing a a historical figure, who it was vital that we got it perfectly. So I was giving him notes after every take. This way, we're not just stereotyping. We're not making assumptions about the way other people speak. Because the way you speak is a pretty intimate personal thing.

Nick VinZant 0:58

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it, it helps out the show and more than anything, we really just like hearing from everyone. It's so interesting to hear what people think about the guests, we talk to the topics we discuss and the top fives. So if there's anything you want to say, we are all ears, leave us a comment on the app that you're listening to on social media, or we have a voicemail set up 316-519-7719. So our first guest has worked on major Hollywood movies from nope, Judas and the black Messiah, the dirt, the list just goes on and on. And what she does is teach actors how to sound more like the characters that they're playing. And she does that by teaching them specific accents. She specializes in different regional American accents, but she has taught people how to speak over 70 different accents. This is Hollywood dialect coach, Audrey LA. Crone, is this something that you set out to do? Or is this something that you kind of found yourself in?

Audrey LeCrone 2:19

It's kind of an amazing journey for each dialect coach, because there's no degree of a dialect coaching degree, there's, there's, you can't really study it, per se and a university or something. I was trained as an actor. And so I have an acting degree. And I was also an English tutor. So I would mostly teach. Adults are graduate students from other countries, ESL, so teach English as a second language. And I loved that. And I also loved acting, but acting wasn't paying the bills. So I started answering tutoring calls from doctors from other countries who weren't able to speak clearly enough for their patients to understand them. And so I was like, I think I could do this. And I did the whole fake it till you make it thing. So I read a bunch of books, tried out different things, and basically combined my acting experience with the tutoring with with teaching English. And so that I started out doing that maybe eight years ago,

Nick VinZant 3:27

is that the common path that other people in the industry would kind of find that this is a thing that they just found themselves in? Or is there like a dialect coaching school somewhere that most people go to?

Audrey LeCrone 3:41

A lot of dialect coaches are actors, actors, turn dialect coaches, and even if they're linguists, they have some sort of acting background, oftentimes, or maybe there's not, but everyone I know has some sort of basis in acting. Because it's not just linguistics. It's the study of how to put a voice in an accent how to embody it artistically.

Nick VinZant 4:06

So when you teach somebody something, like is it a muscle memory thing? Are you trying to No, put your tongue to the left side? Like is it how do you even teach somebody?

Audrey LeCrone 4:17

I teach with a variety of methods. Everyone learns differently. Some people do react really well with like, Okay, do this with your tongue. Other people do well with listening and repeating, imitating whoever voice model they they resonate with. Some others do well with imagery, like imagine a balloon sitting in your tongue, and we have all the space in the mouth.

Nick VinZant 4:42

That's what's so fascinating to me about it. Like I don't really think about the way that I speak or why I speak the way or what's even happening in my brain or my mouth. Is it a hard thing to teach people?

Audrey LeCrone 4:55

Let me ask you this. Can you do any other accents?

Nick VinZant 4:58

Governor done?

Audrey LeCrone 5:00

Yeah, have you ever put on a bad British accent?

Nick VinZant 5:03

I'm Yeah, I guess I've tried. I can't think of anything. That's what's weird. Like, if you hadn't asked me that question, I could probably do it. But as soon as I think about it, no idea what to do.

Audrey LeCrone 5:17

It's very, very difficult. So any actors that you see doing an accent and a movie, just know that their load of work has doubled? By doing an accent? It's incredible. Do you have

Nick VinZant 5:30

people like how long will it take? Right? Let's say, on average got somebody comes in, they want to do this, like how long does it take you to get somebody to be able to do it?

Audrey LeCrone 5:42

This is the million dollar question. Some everyone is different. Again, some people are parents, and they are the lucky ones. They're gifted a great year. And they won't take very long at all. Those are the people who you'll be like, Hey, do a British accent. Now they're suddenly talking like this. And they're like, I've never even heard a British accent. And I can do it. And it's like, wow, you you have a great ear. Those people will take a couple sessions, and they'll get it. Other people, normal people, anywhere from a month of yours. Yeah, I

Nick VinZant 6:17

would imagine it depends on it, right? Like some things are just a little bit different.

Audrey LeCrone 6:22

Especially if, if English is not your first language, and you're learning an American accent or whatever other accent in English, if English is your second or third or fourth language is going to take longer. Most actors

Nick VinZant 6:33

that have anything to do with the quality of the actor and the sense of like, Look, if they're a good actor, they're probably going to pick it up fast.

Audrey LeCrone 6:40

No, it's their ear. In some respects, it's just, you're good at some things, and you're not good at others. I mean, when you say good actor, that's also subjective. You know, some good actors are really good at transforming themselves, like Meryl Streep type, and we don't recognize her from one movie to the next. Other actors play the same person, every movie, and we'd love them.

Nick VinZant 7:07

So like, where do you? Where do you find that most people are genuinely struggling?

Audrey LeCrone 7:12

A lot of people can get the accent. But I think one of the hardest parts is learning how to go from make that jump from it being a technical thing, to it being embodied it being part of the character. So if you see someone doing a bad accent, or doing an accent, and it's like, oh, that I don't really believe that person doing that accent, then they haven't they haven't bridged that gap yet. They're, they're doing the accent. I don't know what accent I'm doing, but they're doing the accent. But they're not really. It hasn't become part of their character yet.

Nick VinZant 7:49

That makes sense. I guess I think about it in terms of like, you could teach someone how to shoot a basketball, but that doesn't mean they're gonna make it.

Audrey LeCrone 7:56

Or you could teach someone how to do some dance steps, but it may not be wonderful to watch them. They may not be an artful dancer.

Nick VinZant 8:05

Do you have people then like, Look, I know people who just you could show them stuff about dancing all their life, like do you have some people that like this? Just can't do it? Yeah. How many? Like what percentage would you say? It's like, look, it's just not happening?

Audrey LeCrone 8:21

Um, I am an optimist, and in every sense of the word, so I can't even my brain won't allow me to make a percentage. I'm not sure. I was like, yes, you can do it. I'm like the coach. It's like, I believe in you. We can get this it might take 10 years.

Nick VinZant 8:41

They're gonna get it. Yeah, well, I guess Okay, would it is that normal, unusual? Or, like unusual, but it does happen?

Audrey LeCrone 8:52

I guess that would be either. Won't be unusual. So it's

Nick VinZant 8:57

not. Not that not that I know what you mean, right? Like one out of 10 or two out of 10? Like, it doesn't happen a lot. But it does happen. Exactly. That definitely happens when somebody kind of starts like walking me through what the process would be like, you start with somebody. What do you guys kind of do?

Audrey LeCrone 9:14

Sure, absolutely. So first, I let's say let's say we're working together and we're going to change your accent and to something else. First, I would just have you imagine. Oh, actually, we're gonna think about the American accent the way you speak. Currently, you're you have like a general American accent right. Where are you from?

Nick VinZant 9:31

Kansas.

Audrey LeCrone 9:32

You're from Kansas. I'm from Kansas.

Nick VinZant 9:35

Are we about to be best friends? Where are you from in Kansas

Audrey LeCrone 9:38

near Salina?

Nick VinZant 9:40

I'm from Wichita. No way. Okay, now you got to say what book is okay for people who are listening to this like What the hell's going on here? It's a wizard of the oz reunion, which Utah and Salon are about an hour away? Yeah. So So I'm

Audrey LeCrone 9:55

from like, 20 minutes north of Salina in a town called Bennington, Kansas. Okay, and for everyone else who's listening, if you're from the south and you're going to Colorado, that's where you turn left. If you're from the north and you're going to Colorado, that's where you turn right? Okay.

Nick VinZant 10:13

So I grew up in 316 area code, are you 316 or 7785? changes my Oh, in that crazy.

Audrey LeCrone 10:23

This, this is amazing. You never meet Kansans say

Nick VinZant 10:28

stay in Kansas mostly? Most of the time, like, yeah, I have been told though at times, because I came from news and I would hear this, that I drag out my vows, it can sound southern. I don't know what that means. But okay, but like, if you were teaching me so to speak, or when are teaching somebody like, what are we

Audrey LeCrone 10:49

okay? Okay. So if I'm teaching you to just be aware of your voice, and maybe to change the way you're speaking, first of all, the way that you're speaking currently is with our perfect Kansas accent, obviously. But if you think of a balloon sitting on your tongue, okay. It carves out the space, and that puts the placement of your voice right in the middle. So if you were to make a thinking sound you would say probably right, how do you think? What's your sound? Take?

Nick VinZant 11:24

A bite to my mouth, it feels right.

Audrey LeCrone 11:30

Mm hmm. So we start with the imagination there and some awareness, some physical awareness.

Nick VinZant 11:37

i Oh, my God, like if you do it, though, like, right in the middle. If you move your tongue around, it does sound a little bit different, doesn't it?

Audrey LeCrone 11:46

Exactly. What if you had? What if you just brought some awareness into your lips? How would that change your sound?

Nick VinZant 11:52

Like,

Audrey LeCrone 11:53

I'm thinking, I don't think maybe round your lips a little bit or just tend to

Nick VinZant 11:57

hold my lips or like that tingly feeling like when you go to the dentist. And they like turn it you know what I'm talking about like that like sandpaper issue where you sit on your arm too long? Yeah. Ah, oh my god, I can feel it in my lips.

Audrey LeCrone 12:13

So that change of placement would be the first step to changing your accent. So if you wanted to speak with a French accent, let's say or we said British earlier, and I would think about my lips, tensing them slightly. And I would think about taking that middle placement and bringing it forward. So my would go.

Nick VinZant 12:38

I may be one of your students that could potentially just never get it.

Audrey LeCrone 12:42

Well, here's the thing. If you're afraid of failing, you won't get it on. It's true. If you're willing to make stupid sounds, and you're willing to just try. Great, you

Nick VinZant 12:53

can do I do. Okay, I put it in front of my mouth.

Audrey LeCrone 12:58

So think about it in the middle again, feel that middle. And now bring it forward. And maybe think about it on

Nick VinZant 13:12

the tight. And you feel like when I talk normally, like my tongue is very close to my top teeth. I don't know if that means anything or not. Feel like I got it right there.

Audrey LeCrone 13:26

There you go. And your tongue is also not going to have that carved out concave shape. But instead, it might be a little bit more forward. So even even, for instance, I've had a client before on a movie where she was British, and she was speaking in an American accent. But you could still you could still hear her forward placement. So you can kind of maybe hear how my voice has changed a bit. So it sounds less American. Maybe

Nick VinZant 14:02

it dies. A British person who's lived in time.

Audrey LeCrone 14:06

Yes, exactly. I'm speaking with my American accent. But with a British placement. I

Nick VinZant 14:12

always think of that line from Game of Thrones where the guy's like, oh, I recognize that accent. I've gotten rid of it. I recognize when people have tried to get rid of it too.

Audrey LeCrone 14:21

Let's try one that's very different from your own way of speaking. Let's try a British RP accent. Received Pronunciation that's like fancy British. So let's, let's say that you are going to speak with this British accent. Okay, we were going to try like an old school British accent. So if we think about our American being right in the middle of our mouth and we think about the British being all the way out here. So before we were talking about the lips, but What if it was here? Like, where my hand is all the way out in front of my mouth? Okay, so you're going to try something, and we're not going to be afraid to fail. It's okay to fail. So give me a British phrase. What have you heard?

Nick VinZant 15:23

cracking under pressure? All I can say is put the car in the car park.

Audrey LeCrone 15:32

Like the Boston Boston, that when people say, Oh no, they say the Harvard Yard.

Nick VinZant 15:39

I can't think of shrimp on the barbie cup of tea. That's Australia, New Zealand.

Audrey LeCrone 15:47

Say, would you like a cup of tea? Okay. Okay, so, try it thinking about all the way coming out all the way front. Would you like a cup of

Nick VinZant 16:00

would you like a cup of tea?

Audrey LeCrone 16:04

Cool. Okay, so right now you were like coming up here into your nose? Because you're afraid of doing it wrong. And you're trying to get it right the first time. But don't worry about it. Would you like a cup of tea? Yeah, now put your hand flat out in front of your face, and try and make the words hit that hand.

Nick VinZant 16:25

Would you like a cup of tea?

Audrey LeCrone 16:28

Cool. Now bring your resonance back down into your belly. Meaning we don't have to talk up here. But you can talk in your normal voice. Would you like a cup of tea? Fire? I don't know, try. Try it low again. Would you like would you like a cup of tea? There you go. That's better felt

Nick VinZant 16:53

like that was actually better. I'm just picturing my hand. But I tried to go like Barry White, like, Would you like a cup of tea?

Audrey LeCrone 17:03

There you go. See now from here, you've got the placement you've got, you've got the target where your voice is going. Now it's about playing around with it. Doing an accent is very, very tedious. So the more you can make it playful and fun, the better.

Nick VinZant 17:17

That's a lot like I have to think about that so hard. I don't understand how somebody could act and do that at the same time.

Audrey LeCrone 17:27

Yeah, now imagine having to do an emotional scene where your mother has died. And you have to have these real sad, heartbreaking emotions, and still be like, Oh, Mother, I'm so sad. Like, and not just think about the accent. Would you like a

Nick VinZant 17:47

cup of tea? That is tough. Because you're essentially like, how do I not be myself and not sound like myself at the same time?

Audrey LeCrone 18:00

But still have genuine emotions?

Nick VinZant 18:03

Yeah, I can see why people would struggle with that so much to really do that.

Audrey LeCrone 18:08

You can see why all the Oscar winners are doing accents.

Nick VinZant 18:11

Right? Right. Because you really kinda, it's a lot harder. Well, you are transforming that. I could see that be on one hand being very, very difficult. On the other hand, making it easier, because you're not being yourself anymore. You can actually be somebody completely different. So is the goal then to like get them to the point where they're not even? They're not even thinking about it? It's muscle memory.

Audrey LeCrone 18:35

Yes. And then sometimes, sometimes even then they'll slip into their own when they're not even realizing it. Yeah. So it's something that you just constantly have to be aware of. And that's why it is easier to have me on set as a security blanket to be like, Yeah, you got

Nick VinZant 18:52

it. Yeah. Somebody to kind of just reassure if for nothing else gonna be like, you got that one.

Audrey LeCrone 18:57

I tell people I have a patented thumbs up.

Nick VinZant 19:01

Where's the dialect coach? She's just sitting back there with their thumb off. I think she always

Audrey LeCrone 19:06

know you're gonna have a whole new.

Nick VinZant 19:07

She honestly do. Right? Like how difficult that is to kind of? Well, it's one thing I feel like I can do it when I don't think about it at all. But then as soon as you think about it, like how the hell do I do this?

Audrey LeCrone 19:21

Right? And so then if you have lines to say, or if you're not an actor, if you have a speech to make something like that, if you have your sales pitch to make, then you have to think about it.

Nick VinZant 19:33

Right where he's like, I can still pick it up. Do people Yeah, yeah. Now okay, is it kind of I think in terms of, you know, mathematical or physical or things like that, like is it is for most people is it generally the same like whatever accent Oh, you want to speak? German. Put your tongue to the left side. Everybody goes to the left side, like is everybody's kind of process exactly the same or do you have to like it experiment with people.

Audrey LeCrone 20:01

Oh, I definitely experiment. Yeah. For some people just this trick doesn't even work. So then

Nick VinZant 20:07

Okay. When? How does the kind of the process worked? Is the studio contact you? Do they usually kind of does it an individual actor usually contact you are how does this work?

Audrey LeCrone 20:20

It depends on my job is very random. So sometimes the studio will contact me, and I'll work with, I can work with actors remotely or on set. And then other times people will go through my website, and those often are non actors, as well. So I work with business professionals of all different industries. And then also, it'll just be word of mouth. So someone reached out to me today saying, Hey, I got your number from blah, blah, blah. Are you free?

Nick VinZant 20:50

When you get the private people like, are they just trying to be understood? Or do they feel like look, if I can sound more American, my career, my life, social life, whatever will change.

Audrey LeCrone 21:01

It depends. Sometimes it is that and so I always start our lessons with Listen, there's nothing wrong with the way you speak. Everyone has an accent, everyone has a way of speaking. And, and the accent that you have, whether it's American originalism of America or somewhere else, it represents the rich cultural heritage that you come from. It represents the beautiful language that is your first or second language. And that's something to be proud of. And that's something that's incredible and part of you. So I never say that we're, we're reducing an accent or taking something away, we may be adding an American accent. And then I always try to make it so that they can turn on and off an American accent or whichever accent like putting on a mask and taking it off. Can

Nick VinZant 21:45

people go back though? Like if they're on a movie set? If they've been practicing for a long time? Can they go back? Especially if it's a dramatic change?

Audrey LeCrone 21:54

Yeah, yeah. You can take it on and and or put it on and take it off. Now I I'm pretty adamant with that. Because actually, I kind of grew up with more of an accent. And so when I went to acting school in Oklahoma City, I got that sort of trained out of me. And so I can, I can go back to it a little bit. And I haven't spent the time honestly to analyze it and relearn it. But I can't naturally go back into my, my accent from growing up when I want to. Unless I'm drinking between us. I'm drinking.

Nick VinZant 22:35

Then it switches.

Audrey LeCrone 22:39

Then people are like, where are you from? Like, Midwest? The Plains. Great Plains.

Nick VinZant 22:43

Yeah, you can hear the Kansas when you get in there. But the Midwest is supposedly not the one that like I guess I always hear like, that's the one that doesn't have an accent. But I also interviewed a linguist one time who said no, Midwest does have an accent. It's just that the early famous broadcasters were all from the Midwest. So they thought that was how people spoke. Um, are you ready for some harder slash listener submitted questions? Yeah,

Audrey LeCrone 23:11

absolutely. Let's do it. The big

Nick VinZant 23:12

obvious one, right. Hardest accent to work with. And we're not we're not bagging on cultures or anything like that. But what country culture generally seems to have the hardest time transitioning to an American accent.

Audrey LeCrone 23:28

I think oftentimes, it's more of a question of exposure. So if I am, for instance, born in the UK, I'm going to grow up watching American TV and American movies, listening to American media all the time. So I'm more likely to be able to get an American accent easier, because I've heard it. If I've grown up in, in Bangkok, I may not have consumed so much American media, it may be more difficult. So I would say cultures or people who have less exposure to American accent all through growing up, it's going to be harder.

Nick VinZant 24:05

So it almost doesn't matter where they're from. It's just if they've heard it before, and kind of

Audrey LeCrone 24:11

Yes, yes. Because any any other answer that I'm thinking of right now. I'm thinking of exceptions, like oh, well, maybe I was like, well, maybe a Japanese accent. I'm like, No, I know someone who has a perfect American accent who lives in Japan. And then was like, oh, maybe a French accent? Nope. I can think of someone who has a perfect American accent. It lives in France. So no, it's exposure, and it's the person's ability. What's

Nick VinZant 24:35

the hardest way? Like, what's the hardest accent to teach someone? Like if you were going to teach them this one? What's kind of the hardest one like, oh, that's got a lot of intricacies to it.

Audrey LeCrone 24:47

I don't I also don't know if there's a hardest one because with any accent that I am teaching, I'm going to do a lot of research. And I'm going to really delve in deeply and see I'm going to try and think of it as something that I've never experienced before. Just so I don't have anything that's not covered, right? So I'm going to ask people about certain words or specific phrases, things like that. I'm going to listen to a bunch of different voice samples to make sure that my perceptions are correct. So I treat every accent as a difficult accent. Basically,

Nick VinZant 25:28

I can't I wish I was smarter. I could think of a better way to ask this question. But I'm not. So like, when you generally teach somebody the accent, are you kind of teaching them the real accent or like the stereotype of the accent? That the only thing that comes to mind right, immediately, right is like, I think of a poo from The Simpsons, which is like the stereotype of an accent is do you have to kind of make sure that you're not, you're teaching it like, like, well, that's what like, do you teach the stereotype or teach the real thing?

Audrey LeCrone 26:00

I think the industry standards have completely changed over the last few years. So 20 years ago, someone would be like, Yeah, I just teach like a general Indian accent. Now, it's 2022. Things are different. So there's a lot more cultural sensitivity to that. I teach specific regions, specific city areas, and specific personality types. So if I have an actor coming to me with trying to get an accent for a project, I'm going to have them work with me to figure out exactly who who works as a voice model, I like to have two or three voice models for them, so that they can have someone else other than me to model their, their character sound off of. And it's a real person. This way, we're not just stereotyping. We're not making assumptions about the way other people speak. Because the way you speak is a pretty intimate personal thing.

Nick VinZant 26:57

Like how specific then do you generally have to be like, Look, I want you to have a southern accent from the 1960s. No, that's a 1970s Southern accent, like, are they looking for that kind of specificity on things?

Audrey LeCrone 27:14

Sometimes, but I think it's whatever serves the story best. Sometimes it's nice to get that specific. So for instance, let's use let's use Judas in the black Messiah as an example. I coached most of the actors on that. And so, Daniel Kaluga, was playing Fred Hampton. FRED HAMPTON is a historical figure, he has this amazing booming voice and is from a specific neighborhood in Chicago. Now, I listened to so many hours of the real Fred Hampton. And sometimes his accent, and the way he speaks is so neighborhood specific that it's not digestible for the rest of the US. So we had to, we had to figure out exactly the spectrum between fact and fiction between how he actually speaks and then how, how we can form the accent to make the movie work.

Nick VinZant 28:13

It could be so neighborhood specific that nobody outside of it understands him. Right now, when you do like work on a movie like that, are you on the sad? Are you just Yeah, but

Audrey LeCrone 28:23

that when I was on set, then how much do they like? How,

Nick VinZant 28:26

how much? Are you working with them? Is it like after every scene, you come up? And like, Hey, you should do to do that?

Audrey LeCrone 28:31

Oh, it depends. It depends. So for instance, I worked on nope to I don't know, it's in theaters right now. Daniel has more of a general American accent versus such a specific sound. In Judas in the black Messiah. He's playing a a historical figure, who it was vital that we got it perfectly. So I was giving him notes after every take. I was really tough on him. And he and I work on the same same wavelength. So I was like, Yeah, we're gonna be perfect. And he's like, great. Okay, we got this on. Nope, his character doesn't speak as much. And it's more of a general American. Well, it's a it's a California accent. Again, we did get very, very specific. But I didn't have to give him as many notes because it wasn't as hard. And if he did some things that were not exactly the way we planned it out. It was okay.

Nick VinZant 29:25

When you do something like that, is that because I don't want to use the word struggling, right? That doesn't seem to be the right word in that case, but like, do people need that much like you've got to work on this all the time, or you're going to lose it?

Audrey LeCrone 29:38

Sometimes I think, again, it comes down to that gift of the ear. If you're able to slip in and out of the accent easily then yeah, you can do that. If if actors are on set, it definitely behooves them to have someone there as a security blanket who's got their back, because even if they're not able to get it, I can Tell the script supervisor like hey, this, this person didn't get it this take this take this take, but they did get it this take.

Nick VinZant 30:07

That makes sense, right? Like, they just messed it up. But they can't do it as opposed to like,

Audrey LeCrone 30:11

Hey, you got Yeah, we made VoiceOver on writing like

Nick VinZant 30:15

he they're just they can't say the word juxtaposition. It's not. It's not happening, um, film. Now you don't have to say person unless you want to get. But see when I say people, like we'll take all the gossip that you want to give us. But what film would you say had the best accent like, oh, they did really well. Overall film or a person? Because it's best I think people like complement. Which one do you think was like, they really messed up the accents in that one? Like? Like dialect coaches or eyes are twitching over this movie?

Audrey LeCrone 30:50

Um,

Nick VinZant 30:52

that's that's the, the answer, but I don't want to give it to you.

Audrey LeCrone 30:57

Yes, that's correct. I, I'll just keep it very personal. In Judas in the black Messiah. I did those accents. And they were great. Daniel won the Oscar for it. For other ones, you know, you be the judge a lot of times does it? Does it take you out of the story? Does the accent take you out of the story? And again, it's art. So it's subjective. So my answer doesn't necessarily have to be the end all be all. Also, because I'm not going to share my answers. I'm because I'm a nice wholesome candidate. We've got manners. That's

Nick VinZant 31:33

been like, but there are some film. Okay, let me ask you, maybe you can answer it this way. For dialect coaches like yourself? Do most movies get it? Right? Or do most movies annoy you?

Audrey LeCrone 31:46

Um, most movies, if there's an accent, I'm watching the accent. And it takes me out of the movie, just because that's my job. A lot of them are not annoying. But I'm I'm interested in seeing how the actor is using the accent. And a lot of times, it's it's lovely. A lot of times it does work. And I'm amazed at someone's work. And I look up the dialect coach afterwards. I'm like, Oh, that's great. They did such nice things.

Nick VinZant 32:15

Are there a lot of dialect coaches are there like, there aren't,

Audrey LeCrone 32:19

there aren't and sometimes they're not gonna be listed after in the credits as well. There are probably more now than there used to be there used to be like this core group of dialect coaches there the the OGs. And I was not part of that, unfortunately. But they they worked on every single movie. Now, there's more of us.

Nick VinZant 32:41

Is that because this is more popular, or this more people have kind of figured out like, oh, I can do this. Like, maybe more needed and maybe both are doing it.

Audrey LeCrone 32:53

Yeah, exactly. Exactly. I think again, with it being 2022. There is more cultural sensitivity. And so when a character is written to be from a certain place, they are going to probably invest in a dialect coach,

Nick VinZant 33:04

how many? Oh, how many different dialects? Have you taught people?

Audrey LeCrone 33:10

Oh, I don't know. That's a great question. I don't know. Because my method is doing more research. I don't make a list of like, I teach this accident. This accent did this accent. i If anyone comes to me and says, Hey, can we learn this accent? I say? Maybe yes, possibly. But tell me more about what exactly you're wanting to do. And if you have any ideas about the dialect already are like voice models

Nick VinZant 33:39

favorite film you've ever worked on? Or

Audrey LeCrone 33:43

Nope. When I did Nope. That was not the most challenging film. But I had my own trailer in the desert with my own bathroom. And Daniel didn't have that many lines. So I was honestly I was like hanging out in my AC trailer by myself.

Nick VinZant 34:01

Just surfing the internet.

Audrey LeCrone 34:04

It was awesome. won't have the time the Internet didn't work. So it was like all right, what am I going to do with this? This is like, life. Catch. Yeah, it was it came at a particularly hard time in my life. It was such a gift from the universe. I just had time to read and digest big life issues. It was it was beautiful.

Nick VinZant 34:27

Now is this is this financially rewarding? The way that I usually ask people this is like are you closer to ramen noodles or mansions?

Audrey LeCrone 34:36

Huh? No, I don't have ramen noodles. No. So yes, it is financially rewarding. It may not be mansion inducing, but it's a very comfortable lifestyle and comfortable living.

Nick VinZant 34:54

Like I figured you'd be doing kind of well, but it sounds like you might be doing better than I thought. Ah, is that because there's just not that many people are like, No, this pays if you could do it.

Audrey LeCrone 35:05

Um, it's a specialty position. It's a, it's a very difficult job. Because you have to have a patient ear, like what I do is listen to one sentence over and over and over and over and over, break it down and then teach a celebrity who may not may or may not be in the mood to learn it. So it requires a great sensitivity to the subject matter and to the subject you're teaching.

Nick VinZant 35:32

How close to they get in the sense of like, I guess I'll Can I speak dramatically? Because I can't like find the right word. So like, How can I ask this question without potentially pissing somebody off? Right? Forgive me for the choice of words. Like, are you nitpicky? Or like, no, that's really not good enough? Like, look, I know you're trying to get to 100%. But this is only 99. Are you like, alright, you know, you got 40% of the way there. It's close enough.

Audrey LeCrone 36:00

I don't think that was really dramatic or offensive the way you asked that question to be honest. Good job. It depends on the client. So some people don't care that much. And some people do. I'm going to I mean, I'm not performing it. So I'm not in control. I will help them the best, am I the best of my ability, but if it's also impeding their ability to act, or if they're not an actor to run a meeting or something, then yeah, don't lose your job over it. It's, if they're an actor, we can redo it and voiceover like, do your acting job. Make sure it looks good, because it is a visual art form. And we can redo it later. We've done lots of voiceover some movies are completely voiceover. I've always

Nick VinZant 36:56

been fascinated by that. You can almost kind of tell a little bit like, oh, I can kind of tell not completely. Yeah, I'm actor you didn't know was it actually America? Like, oh, because I can think of some people were, for example. The guy from the wire, Dominic West, no idea that he was British. Is there anybody that jumps out at you like, Oh, why didn't they were gay. Like, I didn't even know that they weren't.

Audrey LeCrone 37:24

The last one. The last one was not an actor. And I didn't know Drake was Canadian. And I know Canadian Canadians don't really have that much of an accent difference. That's just what comes to mind. Did you know Drake was Canadian?

Nick VinZant 37:38

Get him out of here. Do you know Ryan Reynolds was Canadian, Canadian. I feel like it doesn't count. Right?

Audrey LeCrone 37:46

As American it is. But that was that's the first thing that

Nick VinZant 37:49

comes to unless they say like a or a boot. Then I Canadian is basically the United States. That's really all the questions that I have. Is there anything that you think that we masters like your Sunday night like, Ooh, you should know this about Hollywood dialect coaches.

Audrey LeCrone 38:07

I don't know. I really love what I do. It's it's such a cool job, I would imagine and also to listen to help people speak. It's amazing. It's I feel very, very fortunate.

Nick VinZant 38:22

It is fascinating, right? Like we have all of these differences in the cadence, patterns, the words, everything.

Audrey LeCrone 38:32

It's something to celebrate. And I think also in this world where everything is becoming a little bit more homogenous, just because we all have access to the same media. I think it's something to celebrate the different way we speak. And I live in New Orleans now the I was at the courthouse this morning for something and I went through the little metal detector and they were like spell your last name I was like LEC RT o n e and the sheriff was like you're not from here you have an accent Where are you from? And I was like, God that's awesome.

Nick VinZant 39:07

You notice it right away with people don't you can really notice quickly. Yeah, well,

Audrey LeCrone 39:12

because here it's all I was in Chalmette, Louisiana, which has a very specific yet accent they call it but to them, it's not an accent. That's the way they speak. So me as a northerner I come in, and they're like, Well, you're not from around here. You speak really? Clearly. Not not clearly to them. It's it's an accent.

Nick VinZant 39:30

Oh, I missed this one. What is your personal favorite accent?

Audrey LeCrone 39:34

Oh, probably some of them in Louisiana. In Louisiana here southern Louisiana. There's like a different accent every 10 miles. And it is so fun to listen to people speak.

Nick VinZant 39:46

That's true. It's, it's incredible. What's your least favorite accent?

Audrey LeCrone 39:52

As as a dialect coach when I listened to an accent I listened so intently that you almost start to fall in love with it. What ever it is so even if you have a perception beforehand of like, I don't really like this. By the end of listening to it, you're like, Wow, I love the way they're like, oh, oh, instead of Oh. So I'm, again kind of bright eyed, bushy tailed. I'm like, Oh, I love this. If someone if the subject matter is gross, or bad or ugly, then I think the tendency is to not like that accent. Right? So if that's true, there's a Southerner saying something racist and awful. You're like, oh, I don't like that. But it's more the content. You're not liking not the accent. That's

Nick VinZant 40:37

true. I guess if somebody asked me I feel like my least and most favorite are both Boston like, like, I like it, and I don't like it.

Audrey LeCrone 40:46

Yeah, what don't you like about it, though?

Nick VinZant 40:50

He that's, I don't know. It depends on the movie. It's weird. Like, I've liked the accent.

Audrey LeCrone 40:57

You know, like, because it's a bad guy playing with that's exactly

Nick VinZant 41:01

what it is. Actually, I can think of exactly what it is. I don't like one of the actors who played a Boston character. And I do like another actor that played the Boston character. And I like hearing him speak it but not hearing the other guy speaking. It's totally person. It's just the person.

Audrey LeCrone 41:16

Yeah, and that's why this accent work is so. So personal. And that's why I think it's really important to get it right. Because you are representing a whole city or a whole culture.

Nick VinZant 41:30

How can people get a hold of you? All that kind of stuff.

Audrey LeCrone 41:35

Call my mom. So I have a website. You can follow me on Instagram at American accent coaching. And then my website is AAC American accent coaching.

Transhumanist Zoltan Istvan

Can we become more than human? Transhumanist Zoltan Istvan is trying to take Transhumanism mainstream. As a thought leader, futurist, and presidential candidate, he believes we will soon be incorporating new technologies into our bodies. And that we need to start preparing now. We talk Transhumanism, robotic advancements, uploading our consciousness to the cloud and immortality. Then, we countdown the Top 5 Fictional Robots.

Zoltan Istvan: 02:22ish

Pointless: 32:34ish

Top 5: 50:52

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

http://www.zoltanistvan.com (Zoltan’s Website)

https://www.amazon.com/Zoltan-Istvan/e/B00ARY87WC/ref=dp_byline_cont_book_1 (Zoltan Istvan Books)

https://twitter.com/zoltan_istvan (Zoltan Istvan Twitter)

https://www.instagram.com/zoltan_istvan (Zoltan Istvan Instagram)

Zoltan Istvan Interview

Nick VinZant 0:10

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, transhumanism, and fictional robots,

Zoltan Istvan 0:19

humanism is always taking the human being experience to the next level through technology, we anything from exoskeleton suits to random plans, you know, you're probably looking at in the next 10 to 15 years, being able to upload large chunks of your brain into a kind of a consciousness of some sort in the cloud. This is where a lot of the stuff gets really fuzzy. And it's, you know, we're all in the Wild West, nobody knows where the laws are gonna end up. I mean, I did death, the version of death is definitely going to change. As we get into the future.

Nick VinZant 0:55

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it, it helps out the show. And we just like to hear from you. So leave us a comment on the app you're listening to, or leave us a voicemail at 316-519-7719. So our first guest is a leader in the transhumanist movement. He is a published author who has wrote extensively on transhumanism. He's a futurist, and he's also ran for political office, both governor of California and President of the United States. And he believes that transhumanism will go mainstream this decade, as we continue to bring about new technologies that could make us more than just human. This is transhumanist, Zoltan Eastmont, real quick, I have to apologize, I did something to parts of the audio in this interview, that make it sound computerized, and I just could not figure out how to fix it. So please bear with me, because I think the things that Zoltan talks about are very interesting. And definitely something that I think that we have to think about moving forward. The word transhumanism, like what does that mean to you really what it

Zoltan Istvan 2:27

is now there is tension. This is a social movement of many millions of people around the world that want to use science and technology to radically modified human body and modify the human mind. We anything from exoskeleton suits to random plans, even things like driverless cars or, you know, robots inside your house. But Transhumanism is always taking the human being experience to the next level through technology.

Nick VinZant 2:52

I guess the question that jumps out immediately, right, like if we're modifying and changing ourselves, our bodies? Are we fundamentally changing who we are? Or is this kind of just the next step in our evolution?

Zoltan Istvan 3:05

Well, that's a tough question. I mean, people are always worried and humans are going to become some kind of cyborg entity be so different, but I don't think we're gonna lose our inherent values. I think the thing you and I value right now said, Well, you know, we're kind to one another, to care about each other. You know, we haven't best each other's best interests involved, I think a lot of mutual ethics and morals will probably pass on, no matter what type of things the human being becomes the next 100 or 1000 years, or whatever it is. So even if I put a bunch of chip implants in my brain, and I have a cyborg, synthetic, hardened prosthetic leg, I don't think that's going to fundamentally change me much. Maybe when I upload my mind into, for example, in artificial intelligence, that will become something substantially different, but even then, I still think I'm gonna retain my core values, because I don't want to lose those. So even if transhumanism does changes, I don't think we lose a lot of what it means to be a human being.

Nick VinZant 4:04

How close are we to this? Right? Like we, you know, the thing that I think of, I'm a Star Wars person, so I think of like Luke losing his hand and he gets the robotic hand. I feel like people would be okay with that. But how close are we to the idea of like, I'm going to upload my consciousness into the cloud, like, where are we in that kind of possession of this making becoming a reality?

Zoltan Istvan 4:30

Sure, well, you know, about seven or eight years ago, they had the first telepathy between the person and France in India where they said hello to each other through the minds using brainwave reading headsets. Today, you can basically read a novel using this type of brainwave interface technology. So I mean, it's completely like just gone through the roof and how fast it's increasing. So if you take that trajectory of science, you know, technology out, you know, you're probably looking at in the next Next 10 to 15 years being able to upload large chunks of your brain into a kind of consciousness of some sort in the cloud, at least one that mimics us very closely. But is that actually you? I think that's still 30 to 50 years away to we're able to just have like a perfect identical version of ourselves.

Nick VinZant 5:21

Are we ready for that, though?

Zoltan Istvan 5:23

Well, I mean, that's the that's, that's the million dollar question. And the answer is probably no. You know, I'm currently a graduate student at University of Oxford. And a lot of the ethicists are in the philosophy department, or worrying about these issues. Most people don't think we are because technology has increased so much faster than morality than the development of morality. It's so much faster. Also, in terms of politics. This is why your, you know, presidential candidates and debates, they never talked about artificial intelligence, they never talked about genetic evidence, they never talked about radically against the human being, because it's just too wild. cost them votes. But the reality is, in Silicon Valley, this is all they do. All they taught us where the biggest companies in the world are, where all the money is. So yes, we're not we're probably not ready for a lot of this stuff. But because capitalism works the way it does, it's probably going to come. So the big question is really, what can we do. And, you know, we just need more emphasis to get involved and more politicians to really speak their mind, try to come up with regulatory or regulatory framework for a lot of these wild and, you know, absolutely insane ideas that are out there that are going to happen in the next 10 to 20 years.

Nick VinZant 6:30

I hope this doesn't come off as rude or offensive or anything like that. But I'll just be direct to kind of get the point across in my mind, right, like 1020 years ago, if you came forward, and I was hearing this and be like, This guy, what are you talking about? Now? I'm like, Whoa, we got to start. We got to figure this out. Is there any worry in your mind that like, by the time we finally do this, it's too late?

Zoltan Istvan 6:55

Well, to be honest, you the big worry is not about whether we do is too late, the biggest worry is who doesn't first, because in the last 10 years, I've seen China take the lead in a lot of these technologies. And one of the reasons is because China is a secular nation, they don't have that kind of a Judeo Christian framework that would, for example, stop them from doing genetic editing, or stop them from trying to create a cyborg person with an AI mind these kinds of things, they don't have those same kinds of cultural baggage that the United States and in other Western countries have. And so the question isn't, in my mind is like, Should we do the question is, who doesn't first and who does it first, who's actually gonna leave the world and the way forward, so we have to be very, you know, even Vladimir Putin has said, from Russia that, you know, a whoever controls AI is going to end up controlling the world, the last thing we want is him to think like that and control an AI. We have to get our politicians to pick up this ball. Whether we like these radical technologies like genetic editing and artificial intelligence, we better be the first ones to created first once the leader Florida in the world, because it's much better at democracy leads than let's say, a totalitarian government like China.

Nick VinZant 8:07

You talked about this a little bit the idea of religion getting into it, right. And that's a big that is that is a thing in the United States to put it lightly, right? Like, how can we adjust the idea that love No, but God created us this way? You're messing with this. You're messing with him?

Zoltan Istvan 8:26

Yeah, no, you know, as I've traveled across the country, talking to people about technology and transhumanism systemically, it really is defined along lines religion, most people think most Christians think the body is a temple created by God. And that temple is not to be messed with. Whereas transhumanists believe that we can overcome death. We can have godlike characteristics, new technology, we can overcome these things, like somewhere in between is everyone else, you know, who's like, well, and we, like, you know, modern medicine. And we, if we lose an arm, for example, fighting in a war in Afghanistan, we'd like that person to have a robotic arm so that they can play again again, or hold their wife or grab a beer or whatever, whatever it is. So somewhere in between, we have to find the middle ground. What I tried to tell people is that you know, Jesus was going around the world healing people healing the sick, making blind. See, these are very transhumanist traits. I mean, transhumanist is leading the charge to overcome blindness. Hence, transhumanism has already 100% Overcome deafness, because we have cochlear implants, if people want to have that. So, you know, if you look at it, from a medical sector perspective, helping disabled people, senior citizens, then I think a lot of Christians will accept transhumanism as the proper method forward, but you just have to be careful to beat out the godlike stuff as soon as you start talking about God like stuff and becoming enhance, you know, like beings that you know, then I think a lot of people get scared. So I tend to try to tone it down a little bit less than trying to cause a ruckus to get more and more people interested in the movement because in the end of the day, we're just interested in people's health and their ability to live the best life you Sometimes that best life is going to be filled with technology,

Nick VinZant 10:02

this may be kind of pie in the sky stuff, right? But does this get really complicated in the sense that look, the Supreme Court has said that corporations are people. If I've got a robotic left arm, is that a person? Does it have rights that aren't that are different from mine? Who owns that arm? Do I own the arm? Does the corporation who owned who made the arm owned the arm? Like how does? How's that? How's that going

Zoltan Istvan 10:32

to work? Yeah. And in an emergency, who controls that are right? Well, the government have some kind of override, you know, thing, and you're just about to, like, do something, you know, I mean, yeah, this is this is, that's why I said it again, and again, to young people going into the world with professions that I say go into cybersecurity, because whatever happens, technology is increasing. And we're gonna need more and more autonomy from people that control this technology. But I think, you know, it'll probably be like your iPhone, where you own the phone to some extent, you have all the privileges over whatever technology is, and, you know, you can utilize it in that way. But that there are a lot of people that are already having implants put inside their body and whatnot. And, yes, they own the actual implant, but they don't own the technology, that technology can then be upgraded, while it's in your body, just through Wi Fi signals, whatnot. And this becomes a, you know, a very challenging scenario, privacy, ownership. And, you know, the New World, I guess, I think, as long as we maintain our sense of ownership, self ownership, I think we're going to be fine, we're just going to insist that the technology we put inside ourselves actually belongs to us. But that becomes a little tricky, because now you have you know, for example, Alexa will record a conversation of a husband and wife and then use that in a divorce court or something that's, you know, wild, this is where a lot of the stuff gets really fuzzy. And it's, you know, we're all in the Wild West, nobody knows where the laws are gonna end up. I wrote about East where a woman claimed that she was raped in virtual reality, and that the rate was a real rate in terms of legal justice for that person whose story happened Australia, brand new ideas that no court has has any laws in the books for so we're writing history, as you know, that's happened to you in many ways,

Nick VinZant 12:21

when we kind of get into this right. Like, how, how can we balance the fairness aspect of it in the rich people are going to have the bionic implants and the lower income people? Well, you got nothing sorry, man. Right? Like, how do you kind of balance the societal inequities of all of that, as we get going, where some people have this and other people? You don't?

Zoltan Istvan 12:48

Yeah, I mean, that's one of my primary concerns. And I just hope, I'm not going to end up being an advocate for some transhumanist movement that really leaves the world a giant dystopia. You know, in 50 years. You know, I'm a big supporter of something called a universal basic income and for, for the very reason that I just think, if you need to create a floor for people to at least have enough to eat and shelter and the kinds of in health care and things like that. But outside of that, I think it's really up to a lot of the very rich people to billionaires, as a government, to try to make sure that the technology is spread evenly across the time. The good thing though, is that like a cell phone, cell phone technology, over time does become increasingly very cheap. And even, you know, in the muscle note, villages, Africa, people have cell phones, what they still don't have no sleep water, or enough food. So I'm hopeful that technology will, the transhumanist technology will make its way through every level of society. That doesn't mean though, that we're going to have equality and doesn't mean we're going to have a good, just fair society that requires people, billionaires, government regulation, people making solid hard decisions that may take some money off the top line, but really helped out even the class to society. So we're in a better place.

Nick VinZant 14:03

Where's the kind of like we're based in the United States and most of our audiences in the United States, we have listeners all over the place, where to kind of countries and areas like where do they rank in terms of, alright, they've got the best scientific development, they've got the best societal like who's kind of at the forefront of this? And where does like the US rank and kind of it?

Zoltan Istvan 14:26

Well, ground zero for transhumanism this technology is still Silicon Valley. It's no question that they're leading the charge. And but I would say China is catching up very quickly and fast. That's, you know, definitely like a national declaration to develop AI by 2030. And they may end up surpassing us. We've been going back and forth on who has the fastest supercomputer every year like they take us over and we take them over. On another hand. There's a lot of weird stuff happening like a lot of biotechnology companies are no longer doing their experiments the United States because the The process is like eight to 10 years to get a drug through the pipeline. So what they do is they'll go down to Honduras, and those El Salvador there go to somewhere in Eastern Europe, and they'll do the trials, which will take half or a quarter of the time. And then those companies will essentially move here, but still have the drugs come out. These are radical drugs, your cancer or whatever it is, whatever. So that's happened to so it's not even really, you know, way that we're humans are trying to start a company centrally located, a lot of times it's they go for the environment, business environment, that stimulus to that, and, and then try to utilize that. So that see the best place to develop companies.

Nick VinZant 15:40

Right? We've talked a lot about the kind of the benefits of this, I guess, like what are the what do you when you look at it like, man, we've really got to make sure this doesn't happen.

Zoltan Istvan 15:52

The benefits are numerous. Created, humans will make people live longer if you bring more prosperity to their lives. And science and technology have a really great history. If you look back hundreds of years, like we just don't die from cavities anymore. People used to die all the time from an infection from a catalyst. So technology's really good history of making people live better, longer and with more prosperity. And so we believe transhumanism will continue in that vein, therefore, it shouldn't be supported. The question, though, is some of these technologies are so radical, like artificial intelligence, controlling nuclear weapons, for example, or genetic editing, where you can genetically edit yourself to have a smarter brain than your neighbor? Is that fair? You know, especially if you can afford him. He can't, you know. So these are some of the more fundamental questions I think ethicist philosophers and transhumanist have to address before they sort of happen. But I think that's that's the big dilemma, right now happening in the world to figure that all out.

Nick VinZant 16:52

Are you ready for some harder slash listener submitted questions? Yes, of course, the your vision of the future, right, like when you look at what you think the future can be, how far away do you think that we are from that right now?

Zoltan Istvan 17:08

Well, you know, it really changes, I think, I tend to think of it in terms of 10 to 15 years, and then 30 to 50, and 100 years, so 10 to 15 years, we got some big progress happening on the horizon with life extension. That means 3d Bible printing Oregon's artificial artist, genetic editing therapy, so that we don't get, you can't get HIV, or maybe even make us we can't get monkey pox, things like that. So I think that's the 1015 year window, where we develop a lot of things to make us live better. But that's not very exciting, I think what really gets exciting is when you start talking about uploading your consciousness, something, like I mentioned are probably 20 to 40 years away, we will start experimenting with that people start trying to do that stuff, but it gets really wild, get to the 100 year window, because then you're in a virtual avatars and living machines, maybe you're often facing multiple selves, you know, like, it's not just don't think yourself, just upload yourself and then your machines, actually do your human body on the surface still be here. And when you upload yourself, you may not just upload one version himself, you may have 100 copies, maybe 100 Gold fans running around doing his thing. And so and that becomes like what's your family and with all these little mini nice, but you know, the shrimp skinless world is really bizarre when we start taking it out that many years because AI and consciousness expansion, your brain is probably going to have, you know, 1000 or 5000 times more intelligence than we have now, maybe a million times and progressing at a much quicker rate than before. If you think what's happening with technology now, just imagine how a Moore's law is gonna apply in 30 or 40 years when technology is still doubling. So I think we're all at some point have to put an implant around brainwave headsets that connect us to all the machines around us, just for convenience sake, but I think you know, there always probably been a human leftover somewhere on planet Earth. But if you don't embrace technology, there's no question you're gonna get left behind. And, and I think finally, on a final note, the the 30 to 50 year future also involves getting off planet you see people like Elon Musk and Jeff Bezos pushing the space companies. We're just at the very beginning of this, we want to create bodies that are able to withstand pressures outside first system, environmental system so that we can go off planet and not just outside our solar insider sources, but really into the galaxies. See if there's other life out there, see if anything else is worth, humanity decided to kind of ponder. So I think getting off when it's going to be another huge transformative session. One

Nick VinZant 19:37

of the things that I've always seen about is like the idea of kind of being immortal and for me, personally, I guess I'll ask this from a person, like I don't really want to be immortal. Do you think that we could really handle that the idea of living forever?

Zoltan Istvan 19:51

I also am afraid of immortality. I'm not sure. I want to have the ability to overcome death and the specter of death is a huge negative influence in my life. But I also want to retain the freedom to end my life by one. And maybe you feel like it's not just there's even trenchless technologies like cryonics out there where you could be brought back to life, even today at some other point in the future for developing science. And then you choose to live 10 more years and say, This isn't for me, and I want to go back to sleep. I mean, I think death aversion of death is definitely going to change. As we get into the future, we may like wake up every 100 years, just check in and then decide it's not for us. And some people may decide to like say, Look, we never bring me back, I never resurrect here completely take away, so I'm just ashes like that. But honestly, with 3d printing technology, and the different scanning of your brain, we can already start to see and memories. So if you can start doing that you can 3d print out anything, including an exact replica of yourself. And you may say, oh, it's not me, but that you won't know that it will still 100% think it's you. And so you get into this weird, you know, like, Hollywood time machine, you kinda, I guess movie scape where no one's really sure what is real and who you are. But the reality is, you probably gonna want to live and experience it, even if you don't want to live forever. So I like the idea of living as long as possible. But I also like the idea of having the possibility to say no to living forever. Again, I'm not sure that's possible, given the way that we're gonna have the scanning technologies and ability to 3d bio printer ourselves, there may be happy to do not resurrect clauses in our will, here in the next 50 or 100 years, because everybody will be able to be brought back to life, at least as they were upon their moment of death, just because we've had down to the atomic level with every single memory and brain component and blood vessel Western body.

Nick VinZant 21:43

I don't like the idea of living forever, but I do like the idea of like being able to check in every 100 years, like that would be pretty cool. Then I'd be worried about somebody, like accidentally deleting the server one day or something like that, um, 2020 fours come in, man, you're gonna you're gonna go for it again.

Zoltan Istvan 22:03

So do you know I'm currently a graduate student at University of Oxford, I think that I finished that degree. Before I run for office. Again, it's given me a lot of insight into the academic world giving me more credibility to being there. So I doubt I'm gonna run in 2024. You know, I am watching politics. So I'm watching the forward party, wondering if maybe there's going to be some type of Candidacy possibilities there. What Andrew Yang has done. I'm not really this moment, siding with any single party at the moment, because I'm more of a science candidate. But it is possible I would run again in 2028. And I, in fact, that caught me almost certainly will. I just kind of feel like I should take care of my graduate studies first, and take a break and run a couple campaigns. They all did pretty well. But sometimes it's best to the natural resources, gain a little bit more popularity in your field, and then try to try to strike. What do you think of like,

Nick VinZant 23:00

look, I feel like one of the early ventures into this and correct me if I'm wrong. I don't really know that much about this stuff. But I feel like one of the early Ventures is kind of the metaverse and that seems to have flopped pretty hard, at least right now. Do you think that? Is that a sign that this idea as a whole is not viable? Or just that we're not ready? Or just that we don't like Facebook? I guess, what do you kind of think about the whole Metaverse idea?

Zoltan Istvan 23:28

Well, well, to begin with, I think, you know, if we associate with Facebook, we're not going to like Facebook is in my opinion on the decline just because of management issues. And just because of perception. You know, I do think virtual reality goes huge promise. So I think another problem, virtual reality kind of being tied into the crypto and blockchain market, and whatnot. And look, that's fine. That's very interesting stuff. But a lot of that hasn't actually had any practical value. I just recently gave a speech. So in second and second license, a group called spatial and it was great. And about 100 people showed up. And I was invited to this event. And I thought, Wow, that's a lot easier than having to fly to Europe to give a 30 minute talk and doing so I see a huge future in the virtual world, just because the convenience say it, but they haven't made it enough where I really experienced it even remotely the same as the physical world. So until they do that, maybe that'll be happening to suits for you know, you really put on full gear and it's not just the goggles, I don't know exactly what it is that's going to make or maybe it's going to be some kind of, you know, little beam that shows up in the world virtual world and measures all your movements, and that will conserve immersion, you're starting to feel like you're immersed. I've done some virtual reality stuff like jumping off buildings, and you know, that actually feel incredibly real. So if they can do that, then I think the metaverse will take off, but right now I feel it's just a little too geeky. And it doesn't feel that real to me. So I might the real world still but you They're getting better every year at doing that. And hopefully, Metaverse will not really be a Facebook Association, but just become a, you know, a Technology Association through all these other companies, and then I think we'll be more inclined to adapt, but it has had a little bit of a shaky start. But you know, a lot of these technologies that she starts, and then all sudden, they they finally figure out, I interviewed

Nick VinZant 25:25

an Ice Climber one time, and he was the thing that he said is like, everybody thinks you're an idiot until they don't. And that's usually a sign that you're kind of on the right track, right? Like he said, if everybody thought I was crazy, then it's probably going to be worth me doing it.

Zoltan Istvan 25:41

No, no, and this was happening all over. You know, like, 10 years ago, I started really promoting transhumanism. A lot of people were like, Oh my gosh, guys, and it's mine. And now that AI and all these other things, like for example, universities, reanimating pigs raised with electro, they're recreating consciousness that on brain math looks basically identical to the real consciousness of a living pig brain. So all sudden, we have another way, for example, to overcome death, potentially. And these are real experiments that are already taking place. If you had told somebody that just 15 years ago, they would have thought that was possible, then that was wacko. And you know, something crazy. So it's always seems crazy. But you give them something 1020 30 years and really catches up and all sudden, lo and behold, you know, we're in the transhuman stage.

Nick VinZant 26:26

I'll be completely honest, when we first started this podcast four years ago, we interviewed a guy who was a futurist, and he talked about transhumanism, and I left being like, this guy is kind of crazy. And now I feel like Man, we better figure this out pretty fast. Because it's, it's common quick, right?

Zoltan Istvan 26:44

Yeah, no, let me just tell you like the philosophy department at University of Oxford, you know, if you'd have said 20 years or less, we will, they will be debating artificial intelligence all day long, and the ethics of it, that would have seemed completely insane to the oldest philosophy department in the world. And yet now today, I can tell you, the ethics of artificial intelligence are like literally on the tip of everyone's tongue there because they realize, if you want to make a difference in the world, to philosophy, the world of where humanity is doing it, this is where your expertise is needed. And there are massive change, structural changes like that happening all around the world, in all different types of universities, nonprofits, governments, as people start grappling with the fact that well, technology is really the driver of work of the world, and also culture as well as the military. So whoever's not in control of that whoever's not dealing directly with that is really missing the boat and will be left behind.

Nick VinZant 27:39

Yeah, I interviewed a guy one time who was I think he was a military general, he's like, You got two choices, get on the tank, or get run over by the tank.

Zoltan Istvan 27:47

That's that's your point. Yeah.

Nick VinZant 27:49

Last thing, man, like if you were to kind of look at movies, TV shows, video games, all kinds of what like, what vision of which one? Would you say like, Oh, I think they got it, right. Like, that's probably what it would really be like.

Zoltan Istvan 28:07

Hmm, you know, first off, I'm a huge fan of the matrix. And I do think that there's a very strong chance with my network, we will come to a premise where you actually to live inside virtual worlds, hopefully not powered by machines, I think actually, something very similar to start track is probably the most likely where we will eventually have getting to capabilities to create all sorts of creatures, those creatures will span out around the universe. And and then, you know, humans, who probably cyborgs and interact machines may actually go around the world and interact with them and have adventures and whatnot. It's not that different than Star Wars. But I think you have to ask me, What's one of the most interesting movies out there right now. It's the movie her. And her is the story of an AI that develops, but this time, it doesn't want to hang out with human beings and ultimately leaves. And that's a very humbling, I think, thought it could easily happen to people, even if we have minds that are sort of side over how chipping plants try to connect with AI. Artificial Intelligence is in here in 20 3040 years, and they just say, you know, we're going to lead you and go to the singularity, we're just not interested in your human race. It's almost like something us looking at ants, you don't really take much of a care of ants because we just don't consider their brains worth, you know, focusing on excessive urine and personal air. But I think at some point AI become so smart and may not care about our little three pounds of meat that we carry on our shoulders. It's just not sophisticated enough for them, and they will also leave us behind. So I think that will be an Earth is an excellent example of how technology could be very humbling for humanity. And

Nick VinZant 29:48

that's pretty much all the questions that I have. Is there anything else that you think that we missed? Or, you know, people want to get involved want to learn more? What what should they do?

Zoltan Istvan 29:57

Well, the one thing is, there was a documentary in March. LD or bus that Amazon Prime has ticked up that was made on my ts 16 presidential campaign but it's really a movie about came out recently in 2020, about transhumanism as a whole. And I go around in a giant bus. And this everybody of all these pants, who is across the country, exploring their personalities and trying to figure out, you know, where the world's gonna go. So you have a chance to go to Amazon Prime and a lot of other places to hang out and watch mortality or bias. And other than that, here's your chance. He was on Facebook, despite my not liking Facebook very much as a ton of groups, blog, Twitter groups as well. Now our Twitter followers on transhumanism or just Googling, you'll find a lot of stuff. I have a ton of books out there eight books trade, seamless wager, and whatever it is, you can read, some might work but immortality and bustle the documentary, it's just an hour and a half. It's a really fun way to explore transhumanism because we had a giant bus that was shaped like a coffin, then we drove all across the country. And that's how we campaign for a transfer list during one of my presidential campaigns.


Shadow Artist Boom Shadow Ace (Philip Galit)

With just his hands and a flashlight, Shadow Artist Boom Shadow Ace creates unforgettable art. We talk Shadow Art, sudden viral fame and how he uses popular songs to create moving shadows. Then, we countdown the Top 5 Worst Vegetables.

Boom Shadow Ace: 02:19ish

Pointless: 24:25ish

Top 5: 49:11ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.tiktok.com/@boomshadowace (Boom Shadow Ace TikTok)

https://www.instagram.com/boomshadowace (Boom Shadow Ace Instagram)

Interview with Boom Shadow Ace (Philip Galit)

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode shadows, and some bad vegetables.

Boom Shadow Ace (Philip Galit) 0:20

So I started when I was a kid, because we don't have electricity or electric power in our house. So it became my entertainment. It's just like, boom, that's where my name is boom shadow is, the idea is like always hitting me boom. And then I just make it just make the shadow. Even if it's on the left on the right. It's about knowing your angles, knowing where you put your hands in the shadows in the light to project the perfection.

Nick VinZant 0:49

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it, it helps out the show. But more than anything else. We just like hearing from people. It's been fascinating to read the comments, here your guests suggestion topics that you want us to discuss. I think the show is just so much better, when we have more feedback and more people involved. So if you have a comment or anything like that, we're on social media, you can leave a comment in the app that you're listening to. And we also have a voicemail set up 316-519-7719. I know that's not an easy number to remember. But it's in the episode description just in case. So our first guest creates incredible art and has become incredibly popular, using nothing but his hands and a light source. This is Shadow artist, Philip Gilead, better known on social media as boom, Shadow ace, one quick technical thing. We recorded this episode while Philip was in the Philippines. So the connection is a little bit spotty. We did the best that we could. Phillip did an amazing job. There's just a few places where it ducks in and out a little bit. How did you start doing this?

Boom Shadow Ace (Philip Galit) 2:20

So I started when I was a kid because we don't have electricity or electric power in our house. So it became my entertainment. Since I was a kid. We're very poor. We don't have appliances or television to enjoy when we don't have phones. So it's kind of my kind of my comfort.

Nick VinZant 2:40

Did you really enjoy it? Or was it like, this is kind of the only thing that I have to do?

Boom Shadow Ace (Philip Galit) 2:47

I kind of enjoyed it, because it's actually our playtime with my cousins with my siblings. Yeah, actually enjoyable.

Nick VinZant 2:56

Were you good at it? Like did people say like, Wow, you are naturally talented did this? Or did you just practice and practice and practice?

Boom Shadow Ace (Philip Galit) 3:05

I did practice and practice. And here in our country. And in my neighborhood, I was actually not that appreciated by my talent. Because, you know, sometimes they said, it's actually easy to do. But yeah, I just keep practicing and practicing and searching for other stuff, all the music to do the trending songs and get the top trending songs in social media to do something like kind of different from the other shadow artists or the shadow art that we are doing when we're kids. They're so they I prove them wrong, that it's actually really good. And it's actually amazing to do this kind of shadow art.

Nick VinZant 3:46

You've kind of talked about this, right? Like, do you consider this to be kind of an art form?

Boom Shadow Ace (Philip Galit) 3:54

Yes, it is. It's it's actually hard to do. Because we need to have, you know, the brains, we need to have the idea. You have to be smart. If you want to engage and the people to encourage watch you like you need to be intelligent.

Nick VinZant 4:14

You know, like, I feel like everybody's done this, right? Like make the bunny on the wall, right? How do you kind of come up with all of the different ways to do it? Because I can think of about three things that I could make, right? Like I can do the bird and the bunny. But you've got like a menagerie of things. Like how did you come up with all of them?

Boom Shadow Ace (Philip Galit) 4:41

I actually don't know how I did it. I just ended up I'm just imagining and thinking what to do since I am actually looking always for the trending musics and songs in social media. Just a story my first To dance, they do occasionally have shadows the Gangnam style of sigh, because you know, it's actually very viral. It's a phenomenal song. And I made that just, you know, just listening to the beat of the music and, you know, making my fingers move to through it feeling the music, and then it's just like, boom. That's why my name is boom shadow is this, the idea is like, always hitting me boom. And then I just make it just make the shadow.

Nick VinZant 5:33

I guess what's the more difficult part? Right? Like, your brain getting your fingers to move or your fingers keeping up with your brain? If that makes any sense, right? Like, I guess the idea that I'm saying like, is it harder to come up with the idea? Or is it harder to make the idea happen?

Boom Shadow Ace (Philip Galit) 5:52

The most difficult part is thinking, because it's actually hurts my brain thinking of what to do. And you know, since since many of the people are like, looking for that and expecting more expecting great things for the cerrado. I'm actually, you know, thinking about is it, is it okay. Is it like, is it enough to, to amaze the people? So,

Nick VinZant 6:21

you know, we look at it tick tock, you have 2 million followers roughly. When did you kind of start posting when did that really get going?

Boom Shadow Ace (Philip Galit) 6:33

Okay, so I just posted video, my first video on like, the shadow hand video, with a trending song here in the Philippines, entitled pirate party. It's like about a butterfly. And it's actually very popular here, really popular in the Philippines that saw and then just like, I'm laying in my bed, and then scrolling on Tik Tok, like watching things watching random things on Tik Tok. And I was like, Should I try to do like, my talent here and ticked up, and then I just tried to do it. As when it's last February, this February 2022. I just started February 2022. And after a month, I get a million followers because of that review.

Nick VinZant 7:24

i What was that like? Right? Like, going from nothing. And then all of a sudden, boom, basically.

Boom Shadow Ace (Philip Galit) 7:33

There was actually shocking, cuz, you know, I just, I just made a video that night. And then I just, like, put it there. And I was just like, nothing to me. Like, it's just, you know, I just try. I don't expect things from it, I will just try to do this thing. And then in the morning, when I woke up and opened my Tiktok applications, it got this or 100,000 parts already 100,000 likes already, I was shocked and got a million views in just a short amount of time. And it's like, I was shocked like, oh my god is this like really, really good. I just, I just did it last night, then M was six expecting anything like this. So it was really sharp. I tell my mom and my dad to look at my tech talk to my cousin's like, the mighty just like boom in just in just 12 hours. And I was like, it was really amazing.

Nick VinZant 8:37

As has it kind of changed things for you, right? Like, can you make a living off of this?

Boom Shadow Ace (Philip Galit) 8:43

It's it's actually the reason why I graduated in college performing this kind of why like, is

Nick VinZant 8:51

this the plan for you kind of moving forward like I will my career so to speak, is going to do this are you going to kind of do it on the side or what's kind of your

Boom Shadow Ace (Philip Galit) 9:03

and then I tried to join Asia's Got Talent Season Three days 2019 And I got the Golden Buzzer and I became a grand finalist and a fourth runner of the show. And then after that many doors opened many opportunities open and I was invited to different countries like China Indonesia, Malaysia, other countries to perform but pandemic happens so it's top my dreams just stopped because of pandemic has is actually prohibited to do like events and mass. Since my career stop. I just you know, stay in our house and open a small business a cake business or pastry business. I actually also did decorate cakes,

Nick VinZant 9:56

you know that there's obviously nothing you can do about it right like the pandemic affected people. but all over the place, but what was? Was that crashing in any way that right, this dream of yours is happening? And then it just stopped?

Boom Shadow Ace (Philip Galit) 10:09

Yes, it is actually crashing since the pandemic started, all of my flights were canceled. That is the reason why I earn money. And it's difficult for us because our savings get fewer and fewer. And

Nick VinZant 10:31

it's so tough, right? I guess, how do you even do it? You just got, like a light and your hands? And that's it? Or like, what do you how do you do it,

Boom Shadow Ace (Philip Galit) 10:39

I'm just doing those things in our kitchen. So I just using a flashlight, and put it on the counter of our kitchen and doing the stuff on the wall. It's not in a studio, it's that on a big place, or like in air conditioned place that I am making the biggest bet in our kitchen.

Nick VinZant 11:00

So for one of your videos that you make, like how long will it take you to do it? How many tries before you kind of get it? Right?

Boom Shadow Ace (Philip Galit) 11:09

What's that process? So I actually, you know, practice it for a little while. Because if I have the idea, in my mind, I actually just do it in just a one, just just one take. And since my hands are like, you know, I do that kind of thing for for about five to seven years. And it's like it's it has its own life. It's like, I'm just putting my hand on the on the light. And it moves by itself. It's just

Nick VinZant 11:44

muscle memory at this point, right? Like, you just know how to do it. Are you like, obviously, this has become very popular for you. But when you look at it yourself compared to other people who do it like, Are you and all humbleness aside, like are you better at it than other people or to kind of just the world intersect so that you became popular for doing it? Like what other people who do it look at you and see like, oh, man, he's good.

Boom Shadow Ace (Philip Galit) 12:14

Actually, I'm not you know, I will not say that I am the best one who did this shadow art because I actually have, you know, have an idol in doing this in YouTube. Like, I actually admire him for doing like, amazing forms of shadow art. On YouTube. I always watch his videos on YouTube. But I think my edge to them is that I know my audience like it's, it's a generation of trending songs and music. Like, you know, everybody wants to enjoy. Everybody wants to have fun. And I think that is what I am giving to them. And that is my edge for other sins. Other shadow artists just do some kind of animals, like jungles for us, like the sad stories, and then I change that change that thing. And I think that is my advantage to them. I know my audience. I know this generation.

Nick VinZant 13:23

Has anybody ever, you know, look like I'm imagining my dad. And maybe it's a different culture, different upbringing, whatever. But like I'm imagining my dad being like, what are you doing John? Go get a job. Right? Did anybody ever tried to dissuade you from this and be like, he's doing his shadow puppets again? Or is shadow right? Did anybody ever say like, Come on, man. Do something else.

Boom Shadow Ace (Philip Galit) 13:52

Actually, that is actually the point that I am lucky with because my parents is very supportive parents. i They are my assistants actually my mom and my dad. We went to different countries. I went to different countries with my mom and my dad because they are my assistants like my father is holding the flashlights and my mom is handing me the props that I need to use. And it's actually like you know, I've always seen that shadow is or boom shadow is not only me, but boom shadow. This is my whole family because they are all very supportive. Like I'm doing this for a living. And I'm helping a lot of my cousins right now my cousins and my parents to pay some bills and it's actually paying the bills like my our electric bill and pay our electric bills. And then I'm giving like money to my my cousin so are you know, taking up college courses. I am very happy because they are always there for me. That's why I am paying for and giving them back. What are the good thing? Give them?

Nick VinZant 15:04

Are you ready for some harder slash listener submitted questions? Yes. Are you right or left handed? Does that matter?

Boom Shadow Ace (Philip Galit) 15:13

Actually, I'm a right handed person. But it's not. It doesn't matter because it's actually not your hands. But it's also, you know, knowing your angles. Even if it's on the left on the right, it's about knowing your angles, knowing where you put your hands in the shadows in the light to project the perfect shadow that

Nick VinZant 15:40

so it's not just like how you're moving your fingers and hands around. It's the distance from the light that you are. Yes. I never thought of it that way. Like, D is there anything unique about your hands or fingers? Like you've got the perfect length, your fingers are longer shorter or something about your hands that like, he's got an advantage, right? Like if

Boom Shadow Ace (Philip Galit) 16:07

my hands are like, it's more flexible, like doing stuff like? Yeah, I can't do that. It's just like, my hands are fast.

Nick VinZant 16:20

Oh, God, they are fast. Yeah.

Boom Shadow Ace (Philip Galit) 16:24

And actually, it's, it's actually small. I think it's small for me. Yeah,

Nick VinZant 16:29

but your hands you can be looking at him like there. They seem to be much, much more dexterous than my hands. I feel like like, I can't move my fingers around the way that you can. Hmm. does this translate then to any other? Like, your penmanship is perfect. I don't know that. Is there anything else that you've ever noticed in your life that you'd be like, Wow, I'm really good at this because of my shadow art.

Boom Shadow Ace (Philip Galit) 16:55

I am, before I became a shadow artist is actually you know, an artist, like, like painting. Like I actually love painting. And if there's like a, a thing that you can do with your hands, I actually exempt from some of it. Like I play the guitar. I actually play the piano. I actually decorate cakes that I told you. It's all about you know, when it's when you're talking about art, like painting, doing paper mache is doing pots, I actually know how to do because I think my hands is it's more it's made for art. Hardest

Nick VinZant 17:39

shape to make easiest shape to make.

Boom Shadow Ace (Philip Galit) 17:44

Okay, so the hardest shape to make, I guess was the person's face. Like, you know, you need to consider and think that it needs to be like, like, human life. Like, you have to put the nose, the mouth, how it talks, how it open its mouth. And actually, we don't we also also need to know the different kinds of hairstyles of hair of head accessories, like the hats, the hairs. And I think the easiest one is, you know the bird because every everything can Yeah,

Nick VinZant 18:29

I can do, right like the bird everybody can do the bird. Do you find yourself just walking around making shadow art in random places? Like you see your shadow everywhere, like do you ever just find yourself like walking down the street making shadow art

Boom Shadow Ace (Philip Galit) 18:48

not because I actually have this I actually have this very low self confidence. And when I was out when I was walking down the street, I actually don't like to talk to other people. Because I actually shy I'm a shy person I have a very low self confidence. That's why I think this kind of talent this shadow art talent came to me because you know, my face is not seen it it's I'm actually comfortable with it. If my image is not seen by the people because you know, like I told you I am not really confident with how I look. And I actually don't you know do this thing outside just here inside their house because I'm actually shy and they know I have doubts myself that even I did that outside here in our town. They will not be amazed by it. And so you know it hurts for me as an artist because all I want to, to feel what's to fit to be appreciated by them.

Nick VinZant 20:06

If you were gonna, like, teach me how to do something, what would be something that you could teach me how to do?

Boom Shadow Ace (Philip Galit) 20:12

What do you like?

Nick VinZant 20:16

I like mountains, how can I make a mountain? Like just like this? How would I make a mountain?

Boom Shadow Ace (Philip Galit) 20:23

No images like this? Can you see this? This one? Yeah. Oh, yeah, you just need to put it since we're talking always about the distance and the angle of your hands on the lie. So you just need this one to be the closest one in the light, so it will look big. And the other one, this one, just put it in front of it. And not too close to eight. So it will have like, dimensions, like they're small mountains. And they just mean

Nick VinZant 21:02

I guess you know, when I think of you doing it, I'm just imagining like, like the flashlights here. And you're just right like that. I never thought of the depth, the depth aspects of it, and how that would change.

Boom Shadow Ace (Philip Galit) 21:15

As actually many of the men of many people actually are, especially here in our county town, saying that it's, it's easy to do, but they don't know different factors you have to consider in making it like, you have to know the depth, you have to know the angle, you have to get the right light to do the thing, the right lenses for your light for your light source. And then the props, the distance of the props to your hand. It's actually not that easy to do. But, you know,

Nick VinZant 21:51

yeah, I could absolutely see that, right, like watching some of those things and be like, I could do that. And then you try to do it like, oh, it's like a golf swing, right? Like anybody can swing a golf club. But to do it well, like, Oh, that's a whole nother that's a lot more complicated than you think it is. Um, that's pretty much all the questions I got, man, what's kind of coming up next for you? Where can people find you that kind of stuff.

Boom Shadow Ace (Philip Galit) 22:18

Okay, so they can follow me in my, especially my tic tock account. Don't shy the A's and also, in my Instagram account, same name at boom, Shadow ace, and I am actually making some commissioned videos now for music videos of different people. Yes, I'm actually earning after being, you know, being invited out with the grills the grill song, like doing the deer and you know, that kind of shadow stuff many of indoor men have, like companies and no artists, rappers contacted me. And you know, I made a lot of videos for them. And it's actually really great, because they are really generous.

CERN Particle Physicist Dr. James Beacham

As a Particle Physicist working at the Large Hadron Collider at CERN, Dr. James Beacham is trying to unlock the secrets of the Universe. We talk Dark Matter, Dark Energy, how the Universe started, how the Universe will end, time travel, the Multiverse, Magic Numbers and why everything might be made of math. Then, we countdown the Top 5 Space Things.

Dr. James Beacham: 02:19ish

Pointless: 59:51ish

Top 5: 01:17:45ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.tiktok.com/@jbbeacham (James Beacham TikTok)

https://jbbeacham.com (Dr. Beacham’s Website)

Particle Physicist Dr. James Beacham

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, particle physics and space stuff,

Dr. James Beacham 0:19

than what my research is all about, is really trying to understand the basic building blocks of reality. What are the basic building blocks of the universe, your body is mostly composed of empty space, you have about a billion particles of something called dark matter flowing through your body every second. And so that's kind of like, if you ask the question, what was before the Big Bang, we don't really know how to formulate an answer to that right now. But we do have a, you know, we have there is an idea that is out there that we could be one universe in a possible, possibly infinite number of multiverse, or sorry, universes in a multiverse sort of landscape, if you will. Maybe mathematics is the actual underpinnings of everything around us in existence, maybe our universe is secretly made of math,

Nick VinZant 1:07

I want to thank you so much for joining us, if you get a chance, subscribe, leave us a rating or a review, we really appreciate it, it really helps support the show. So our first guest is trying to unlock the secrets of the universe. He's a particle physicist, working on the Large Hadron Collider at CERN, I'm not going to pretend to understand the ins and outs of the lot of a lot of the things that we talk about. But he does a fantastic job of not only kind of diving into the details, that if you're really interested in know about particle physics, there's a side of it for you. But for people like me, he does a fantastic job of summing up what this all means. And for me, it really changed the way that I look at the world around us. And I left with a new appreciation of the universe. Because some of this stuff is just mind blowingly cool. This is particle physicist, James Beecham. What are you guys doing over there? I know what you're doing. I don't know what you're doing. So yeah,

Dr. James Beacham 2:23

so we're doing a lot of things. But at the end of the day, what CERN does, and what our research here is, what my research is all about, is really trying to understand the basic building blocks of reality, what are the basic building blocks of the universe, and the way that those building blocks interact? So, for example, you know, we, it you know, we have this enormous you. So CERN to be clear, is is a host, it's a physics laboratory, right. It's an enormous physics Particle Physics Laboratory. And it was founded in the late 50s, early 60s, by a bunch of scientists that were determined to have a Physics Institute that was specifically designed to investigate the fundamental physics of the universe, specifically for non militaristic purposes. So to try to have you know, Europe and the world heal after World War Two, this entire thing, this enormous endeavor. At the end of the day, I just like to remind people that it all all this research, if it seems very arcane, and weird, and like, it, just kind of like I can never understand this fully. At the end of the day, all of what we're doing comes down to a sliced bagel, I adapt, adopt a New Yorker, so in New York could take a bagel and cut the bagel in half, and then cut the half and half, how far can you go? Eventually you get to a molecule, right? Well, we know that a molecule exists. So then you ask, Can I cut a molecule? Yeah, we know that a molecule is made up of atoms, you know, for example, water is h2o, two hydrogen atoms and one oxygen atom stuck together. So then you ask, Can I cut an atom? Yeah, it turns out that an atom, like I said, has a nucleus in the middle, and some electron particles swarming around in the cloud, then you ask the question, Can I cut an electron? As far as we know the answer right now is No, there's nothing inside of an electron. Then you ask? Can I cut the nucleus? Yes, of course. The nucleus is made up of protons and neutrons stuck together. Can I cut a proton? It turns out yes, there's stuff inside of a proton. There's three little particles called quarks held together by other particles called gluons. I didn't call them glue on some Joker did back in the day, but whatever. The so these individual particles called quarks, then you ask can I cut a quark? The answer as far as we know right now is no as far as we know, an electron is a tiny individual zero volume point of stuff. That doesn't make any sense like how can something have zero volume, but still have things like mass and energy and charge and spin all these kinds of quantities? Turns out this is possible with the kind of weird rules of quantum mechanics we can talk about quantum mechanics if you want, but you know, this is so turns out that when you add when you ask a seemingly simple question like that, how small can I cut anything very childlike? Quite origin? Turns out, you're secretly asking a much more profound question to begin with, which is what was holding anything together to begin with? Right? So this the, you know, the nucleus and the electron, they're not just held together by magic, right? So this it ends up that particles interact with other particles, these tiny individual uncuttable things via forces of nature. And as far as we know, right now, the ones that we've discovered, there are 17 different species of individual uncuttable particles in the universe. And basically, everything around you that you see is composed of these. So that's what we do here at the Large Hadron Collider, we do that kind of at CERN in general. But specifically at the Large Hadron Collider, we're trying to understand what are the basic fundamental building blocks of the universe. You know, the things that make up everyone around everything around us. But so the 17, this kind of List of 17 known species of different particles, and they have names, things that you might have heard in papers or on the news like the electron, okay, you know, the electron, you're swarming with electrons, you've heard of the photon, this is the particle of light, you've heard of quarks, like I just said, there's things called muons. There's things like tau particles, Z particles, w plus minus these kinds of things. But we have a list of what the known particles are. However, we know for a fact that this cannot be the full and complete picture of the entire universe. This the 17 species of particles that I just described, they basically account for all the stuff around you and me. And so we kind of you know, as humans, we get kind of hubris stick, you know, in fact, back in the day, it's like, yeah, we're the center of everything. You know, the Earth isn't the center of the universe, it's everything's about us, it's like, well, No way, man. So in fact, these particles are only account tech can only account for about 5% of all the stuff that we know is in the universe, the 95% of this stuff is stuck into other forms that we currently don't know what they are. So we give them the name, dark, dark energy, dark matter, you have about a billion particles of something called dark matter flowing through your body every second, it's been going on your entire life, it never touches you, it's always there, we have no idea what part of what kind of particle this is, I talked about forces, there's only four known forces that we know of. And three of them are the ones that we care about in particle collisions. Because the fourth one gravity doesn't even rate when I in the Large Hadron Collider, we collide protons, too little protons come together, hopefully, they get close enough to collide. And when they collide, you can calculate the different types of way that they can interact. And in fact, that collision doesn't mean that we're smacking them into each other and stuff flies out of the proton, that's not what happens. In fact, we want them to get close enough so that the particles inside the protons can start to feel each other. And they can start to interact by themselves. So for Imagine we take two quarks out of these protons and they collide. So then that's what happens with a little delta. So we can calculate the types of forces that will that will participate potentially, in this collision. And gravity does not even rate the gravitational force between two protons is basically nothing escapes you. It doesn't even matter. So this is a big open question. We don't actually know why gravity is so weak compared to the other forces of nature, it spits a huge open question. That's, again, we can get into the details of your why it's really quite fascinating. That's one of the questions that's consumed me since I was a child, and, you know, 10s of 1000s of my colleagues as well, and this large hadron collider. For those that don't know, it's a 27 kilometers circular tunnel here on the border of France and Switzerland, about 100 meters underground. And in this tunnel, 100 meters underground, we use superconducting magnets. Some of you may have you may have seen these, these photos online of these big blue tubes that say CERN on the side of them. These are these are casings that contain superconducting magnets inside them. And we use the superconductor we have to keep these superconducting magnets colder than outer space. And we use these to accelerate protons again, you're mostly made of protons and neutrons and electrons, we take protons, and we accelerate them to almost the speed of light 99.999999% of the speed of light, it kind of sounded like I was glitching there, but I was not 99.99999% at the speed of light. And then we once they get to that speed and the highest energy that humans have ever used in the collider experiment, then at four, there's two different beams that are going in opposite directions around the ring. And at four points on that ring. We bend the beams together, cross the streams, we bend the beams together, and then those beams those protons start to collide. And the place where you where you collide these protons, you better build an enormous detector because quantum field theory magic, okay, it's not actually magic. Quantum Field Theory magic is going to happen. And for example, by by big I mean enormous. So the one that I work on is called Atlas is six storeys high, 46 meters long. It's like an enormous soda can tipped on his side. The reason why we have to build something huge like that is because when you collide protons at such high energies and speeds, you're briefly Reek we are briefly recreating the conditions of the universe as they were just a fraction of a second after the Big Bang 13 point 8 billion years ago, because understanding what was happening back then, which we don't currently understand. Understanding what was happening back then will help us explain the universe we see now

Nick VinZant 9:59

you know, When I hear about stuff like this, the thing that always gets me is like, How can this be real? How can this be so small? How can the universe be really this big? I just can't even imagine it.

Dr. James Beacham 10:10

Yeah, it's pretty weird. I completely agree with you. And obviously, that comes from at least I don't know, obviously. But for me, this these kinds of urges, they come from the fact that you and I, as humans, honestly, we evolved for a very long time, with a really, really rare set of conditions that the universe does not overwhelmingly does not have in it, right. So for example, like you and I, as a species, we evolved in a very friendly planet for this kind of a thing with, you know, just the right distance from a star so that the sun has the energy coming toward it was just enough to be able to like heat it in just the right way at the right time. So that then it sort of developed this atmosphere, and just the right conditions with the temperatures and things so that the water and that you'd have that kind of primordial soup, where different types of chemicals came together, and just the right way over a very long time periods, to eventually evolve to this thing that we know is life, and then evolved to you and I. So we existed, we evolved within a very, very fuzzy, friendly range of conditions that the universe overwhelmingly is not like. So these kinds of these kinds of urges that we have where it's like this can't this doesn't make any sense. It comes from the fact that you and I don't didn't evolve in that, that either of those ranges, either the range of the very small, or on the realm with a very, very large.

Nick VinZant 11:31

So if we figure out this dark matter, right, that 95% of the universe, or the number that you said, if we figure that out, then what changes,

Dr. James Beacham 11:39

what would change is hopefully it would deepen our understanding of what the universe is made of, at the end of the day. That's like a big open question for science that it seems obvious we'd have to solve, right? If I tell you, yeah, we are very good at you know, as physicists as astronomers at taking a sort of like budget stuff budget of the universe. And we can say that 5% of the universe is stuck into stuff, that's you and me, we call this baryonic matter doesn't matter. Don't Don't worry about the note name, but it's just stuff that you and I, you know, potatoes and Beyonce are made out of, you know, these things are this is baryonic matter, we know that about 25% of the universe, give or take is dark matter. And the rest of the universe is that thing called dark energy. If we find out what dark matter is, in principle, we will answer that question what, you know, to know what at least 25% of the universe is made of, however, it's entirely possible, what if that, what if we don't understand gravity correctly, maybe there's something else we need to understand, right? So if, for example, we look for dark matter, particles, and all the possible ways that we can think of it so we talk to our theorists, friends, and they give us 10 new ways that we hadn't thought of to do an experiment for dark matter. And we all those are ruled out, then maybe we have to go back to the drawing board and say, hmm, maybe we have to change Einstein a bit, maybe we have to actually change our understanding of gravity, maybe, for you and I, gravity is one thing here on Earth, but maybe on galactic scales, as gravity gets farther away from the center of a galaxy, maybe you have to modify things. And in fact, one of my colleagues from from the Netherlands, he hasn't even wilder idea that gravity is not actually a force, it's an emergent premise, if I can get it right, an emergent property of spacetime due to the fact that the fundamental building blocks of the universe are not quantum particles and fields, but in fact, are informational qubits that create a kind of pressure. So that even goes beyond me. So if you're like, I didn't understand that. I don't understand that either. So this is my friend, Eric. And he has a really great theory about this. But this is just just to say, like, you know, we if we understand if we discover what dark matter is that will allow us to better understand at least 25% of the universe, how can we haven't figured it out yet. That's a tough one. Because we don't have a good suggestion, a theoretical hint, or some kind of like really good suggestion as to where like an arrow pointing, you should do an experiment here. And you should find a discovery. And that's super weird, because we have kind of had these all the time in the past for physics. And that's why right now in physics is a very, is a very exciting time to be a physicist because we have huge open questions. And we're kind of running out of this sort of theoretical hints as to what kind of an experiment we should design to either discover the thing or rule out the one thing that could be I'll give you an example of what I mean. So this particle we discovered back in 2012, here at the Large Hadron Collider is called the Higgs boson sometimes in the press it's referred to as the God particle. None of us like that name because it you know, God honestly, since daily deities are kind of in okay, we can disagree with deities to be there and to a lot of physicists, their human inventions and it kind of does a sort of disservice to this particle as to how awesome it is. So, the but this particle we discovered this, the existence of this particle was predicted way back in the 60s and in fact it turned out that it was there waiting for us discover all along. But we had never built a large enough experiment to discover it. So that's the same way with future, you know, future discoveries. So like the dark matter, the reason why we can't just say, oh, let's go and discover where Dark Matter should be, is that dark matter is a concept. It's a, it's a phenomenon that we observe. But we don't have any idea number one, if it is a particle, but if it is a particle, we don't know what the mass of this thing should be. So it's basically impossible for us to say, oh, we should build this experiment. And we should, you know, either it's there, or we rule it out and have to go back to the drawing board. And the mass of this dark matter could be over an enormous range. So that's why it's both scary. And also kind of, you know, wonderful to be a physicist at this moment. Because we have huge open questions. And we're really out of like, the big theoretical hints, like the flashlights, it's like, go over there. And that's where your discovery is. We don't have those anymore, you know, is it Dark Matters flowing through you all the time, and it's never touched you. So that means that dark matter either never interacts with you and I type matter? Or if it does, it operates via some new force of nature, that is so so so, so, so so weak, that it almost never happens.

Nick VinZant 16:12

I guess the thing that I kind of don't understand about it is it seems to be like, we can't find it, but it's everywhere. It's very rare, but it always happens.

Dr. James Beacham 16:20

Well, the way I would put it is that it never actually interacts with you at all. Think of it this way, your body is mostly composed of empty space. This is a weird thing to think about. Because like you look at your hand, you're like, No, yeah, like James, what that what

Nick VinZant 16:34

you're talking about the seasonal thing. Right, right.

Dr. James Beacham 16:37

Yeah, it's like, look, I can punch my hand, I'm very solid, right? Okay, that's great. But in fact, if I look at your body, if I look at what you're made of, so for example, your body is overwhelmingly made of four elements, we've got hydrogen, we've got carbon, we've got oxygen, we've got nitrogen, basically, like 99 point, something percent of your body is made up of these four elements. But then you ask the question, what is a hydrogen atom? Do you remember what a hydrogen atom is from from chemistry?

Nick VinZant 17:07

It's made of hydrogen. It's okay. If I noticed a list of hydrogen hydrogen atom.

Dr. James Beacham 17:13

No, that's cool. But it's you know, it's a thing you can think of it in your head, right? If you want to, it's like your body is made up of these like atoms. And maybe these atoms are sort of spherical in a way, right? Think of a bunch of balls that are stuck together in a way. And so your body at a very, very small scale, all these balls are kind of like bumped into each other, and some are overlapping a little bit. And that's what you're made of. That's what an atom is. But an atom of hydrogen. My job as a particle physicist, is to say, okay, the atom of hydrogen is not actually like a little ball. Let's look inside this thing, maybe this stuff inside. And it turns out there is stuff inside of a hydrogen atom, a hydrogen atom is made up of a little nucleus in the middle, which in fact, only has one proton. And then it has it has a cloud that's composed of an electron, one single electron particle that's moving so fast around it, that it makes it kind of cloud of electrons ish stuff, which gives it the the the impression, it gives it the effect of be behaving like a sphere. Does that make sense? Like

Nick VinZant 18:10

it's spinning around so fast that like, I'm imagining my finger trying to poke into it, but it's spinning around so fast that I, I'm always hitting the electron no matter what. Exactly.

Dr. James Beacham 18:20

Yeah, exactly. It's always a zoom, zooming around like that. It recreates a kind of a cloud and, and, you know, for physics terms, that has a particular force attached to it. But yeah, but from a distance you like, you know, not a super far distance with like, oh, yeah, that's a sphere of the hydrogen atom with one electron moving super, super fast, that creates a kind of shell around it, right? So that's what you should have in your head. But it we know that inside that thing, that it's composed of one single particle in the middle called a proton, and then there's one particle zooming around at a very high speed called an electron. Okay? But what if I were able to and I could do this, you know, if I'm a physicist, I can stop time, and I stopped the electron, and the proton is sitting there in the middle. So then if I do that, I can then measure what the size of these these individual particles are, right? Again, because what we see is a phenomenon is an effect due to the fact the electrons spinning around so fast. What if I stopped the electron and I have the proton in the middle? Then I asked, okay, how big are these things? How how much stuff is there actually in a hydrogen atom? So if, if a proton in the middle, so the effect the electron, as far as we know, has zero size, zero volume, it's like a little point of something that point and of nothingness that can still carry things like charge and spin and mass and things like that. The proton actually has a size. So for example, if my if a proton in the middle of a hydrogen atom, and the distance between these two things, the proton and the electron is actually so huge that it kind of like it's, it's really hard for me to even like wrap my head around it, and I'm a physicist. So if the proton in the middle of a hydrogen atom were the size of my fist And then the most likely place, you'd find the electron particle going around, it would be something like two and a half kilometers away. That's an I don't know how to translate that into miles. But like two and a half kilometers, that's a large amount of space away, and in between my fist and the electron is nothing, it's empty space. There's nothing inside there.

Nick VinZant 20:24

And then if you go in all directions, that's an incredible amount of space, right? Like in every

Dr. James Beacham 20:30

think about that. So think about if your body is overwhelmingly made of hydrogen, nitrogen, carbon and oxygen, and those other ones are similar in size to the you know, the size is about the same. A hydrogen atom, if your body is made up of a huge number of hydrogen atoms, the hydrogen atom is fact is one proton, that's the size of my fist, and then electron that is two and a half kilometers away. And in between is nothing. It's empty space. So your body is overwhelmingly empty space, the electrons are zooming around at such a rate that it gives this effect of you being solid, but you're not actually solid.

Nick VinZant 21:07

So is there any chance that I could someday just walk through a wall, then?

Dr. James Beacham 21:11

Yes, there is. I don't want to get into the details here. But it actually doesn't have so much to do with the empty space part of you. It has something to do with quantum mechanics. And if if you know if some of you want to dig into quantum physics on your own, there is a probability that if I were leaning against a wall, and I leaned against the wall for long enough, all of my particles, but could spontaneously tunnel through the wall and appear on the other side of the wall. But this, the time that I would have to lean against the wall to make this happen to eventually allow this to happen is something like I forget the number like maybe 10 to the power 35 years, I'm not probably not going to live that long, especially given the fact that the universe is cold. Currently, the age of the universe is currently only 10 to the power 10 years. So the reason I said this, the reason I said this is to answer your question is that your body is overwhelmingly like this empty space. So we know for a fact that there are particles moving through your body all the time, that also we know for a fact they exist. And they also don't interact with you at all, like I said, you actually have every second you have about one particle called a muon going through your head. And this is coming down from and the muon is the kind of a more massive cousin of the electronic and your body is swarming with electron particles, if keep everything the same about the electron, but increase its mass of it, and this particle called a muon. And we know that these are raining down on us all the time from the upper atmosphere, they don't harm you, they don't touch you, they've zoomed through your body, they zoom through your body as if you're not even there, because they almost never interact with your particles. And because they just go through this empty space. And it's not even a problem for them. They're going to the same rate as the electrons, so there's no reason for them to ever bump into like

Nick VinZant 22:49

zipping right through me. Hmm, wow.

Dr. James Beacham 22:52

Yeah. And if you hold if you hold up your thumb, every second, you have about 65 billion particles called neutrinos coming from the sun and going through your thumb, every second 65 billions from the sun through your thumb. So when you think of it that way, it's actually makes a lot more sense that there could be something like dark matter that we just don't currently know what it is. That's also zooming through your body all the time. And it just never touches you at all.

Nick VinZant 23:20

Are you ready? For some harder slash listener submitted questions?

Dr. James Beacham 23:23

Please, please bring it on. When you run a

Nick VinZant 23:25

test? Do you feel it? Does it have a smell? Does it have a sound? Like what's it like being there during one of these tests? Or is it just like, there's one happening in the other room right now? And I wouldn't even know.

Dr. James Beacham 23:37

Well, it's an interesting, it's a very fascinating facility, because CERN is a host laboratory. And there's a large number of projects going on everywhere all at once. And the largest one, the most prominent one is this one called the Large Hadron Collider, right? Because it's very huge, just the largest experiment in human history, a 27 kilometer or 17 mile circular tunnel, you know, under 100 meters underground, that has something, you know, 10s of 1000s of people working on it around the globe, a lot of them are based here, but other ones are based all over the globe, or universities all over the globe working on this research. But on the campus of CERN, which is also quite large. There's a bunch of other experiments going on at all times. So if you ask the question, what you know what happens when we're doing a test if number one, what experiment you're talking about the Large Hadron Collider, that one is always happening 100 meters underground, so you don't hear or see or smell anything. So if you're talking about what happens, what would it be like to experience the Large Hadron Collider colliding protons, you would not be able to get close to the collision when it happened, because there's no possible way for you to be underground. When the collision happens. There's going to be a little bit of radiation whenever you have, whenever you accelerate charged particles like protons to very high speeds and energies and smash them together. Inevitably, this ends up with some things that we think of as radiation. It's not dangerous to humans because it dissipates very quickly after you turn off the machine. But there is some radiation which means that you can be downstairs 100 meters underground, when the collisions are happening, is there a

Nick VinZant 25:04

chance you'll blow up the world? This is

Dr. James Beacham 25:06

a very good question. And the answer is very obvious. The answer is very, very simple. No, there's no chance. So he discovered

Nick VinZant 25:14

dark matter, and then all of a sudden it blows up the world.

Dr. James Beacham 25:17

That's never gonna happen. Think about it. If we discovered dark matter, Nick, that just gives us information about the universe. Like there's still nothing you could do with dark matter. Think about it. Like, we know that dark matter is all around us all the time. Like I can't say if I suddenly know what it is. I can't like collect it and do stuff with it. It's still, what am I going to collect it with? My hands? That's been going through my hands my entire life. I can't touch it. I can't do anything with it. So there's no way if we discovered dark matter, there's no way for us to make like dark buildings out of dark matter. That's not why we do the research we do. We don't do it. Because we're looking for profit or for products or for things. We're strictly curious about the universe full stop. That is awesome in and of itself. And so no, there's no possible way for us to blow up the the earth. And I'll give you a very concrete reason. If you're not satisfied with the, you know, with the answer, trust me, bro. I will give you a reason as to why this is. So when I say the Large Hadron Collider is it currently we're colliding protons at the highest energies that humans have ever used in the collider experiment, maybe that sounds very dangerous or daunting. But the key phrase is that one in the middle by humans, so this highest energy by humans, is you know, we say 13 point 6 trillion electron volts. And we're like very proud of our proton collisions at these high energies. But we're actually no match for nature itself. So above your head just now, for example, there are way higher energy collisions going on in the universe all the time. In fact, some of them very, very close to you right now. So what I mean is that if you go up into the upper atmosphere right now of our Earth, if you go up in the upper atmosphere, the upper atmosphere is constantly being bombarded by cosmic ray particles from far away in the universe, like protons, in fact, that are coming from weird sources far away other galaxies, others, you know, other sources, and they've been traveling for a very long time, and eventually get to the earth. And they're coming in at very, very high speeds and energies, and they're smacking into the atoms in the upper atmosphere. And these are also collisions, these are high energy collisions. So these particles are coming in smacking into the upper atmosphere. And these, as that smacking happens, there's a bunch of sort of a cascade of, of collisions that happens, and a bunch of low energy particles come down, for example, these muons that I said, you have about a one muon going through your head every second. This is sort of this muon rain, that is a result of cosmic ray, high energy particles smacking into the upper atmosphere from outer space. And these collision energies are way higher, it can be way higher than that we use those we use of the Large Hadron Collider. So it's sometimes 1000s of times the energy that we use with the Large Hadron Collider. So if you're worried that this energy, when I say high energy, that some kind of dangerous thing, it's only danger, it's only high for humans, and the universe has way, you know, we're no match for mother nature, she has much more interesting things going on much higher energy the weekend. So it's totally safe.

Nick VinZant 28:09

How does the universe end? Do we freeze to death or burn to death?

Dr. James Beacham 28:13

Whew. That's a very good question. I would probably answer in two different ways. So if you mean, how is the universe itself going to end? Number one, we don't know the answer. We have some good candidates. And it seems likely that our universe, the one thing we do know right now about our universe is that it's expanding, which means that everything in all directions is moving away from everything else. And the farther you get away from us, things are moving away from us at much higher speed and at very, very high speeds, very fast speeds. And so we know that everything in the universe is moving apart from each other, everything is expanding. And as far as we know, right now, this is going to continue. And in fact, it's going to speed up indefinitely. So we know right now, as far as we understand, the universe will continue to expand forever. And so the short answer to this question is that likely our universe will continue to continue to expand indefinitely, and eventually some far, far, far, far future, you know, not even like, we can't even wrap our brains around it, you know, 10 to the power 60 years tend to the power 100 years 10 to the power 10 to the power 1000 years, something like that, eventually, somewhere along this timeline, everything in the universe will eventually decay. So you know, if you feel bad about you know, for example, getting old, it's like, oh, my buddies, you know, deteriorate is like, Don't worry, everything in the universe is going to eventually decay, not just your body, not just planets and stars, but individual protons themselves will eventually just gave birth, and they'll turn into like just kind of raw energy. And eventually the universe would be completely dominated by black holes, and the blood and again, black holes don't care about us at all. These black holes will sit there for a very long time until eventually, even black holes will evaporate. They will give up all their stuff, and there'll be nothing in the universe. It will just be kind of a is a fuzz soup of kind of energy. And eventually it will reach the what we refer to, it seems that it will eventually reach what we refer to as a kind of a heat death, meaning the sort of meaning that the universe will attain a state of nearly maximum entropy, you don't need to know anything about is basically a state of disorder, basically completely disordered, chaotic universe, and nearly absolute zero temperature, which means that nothing can ever happen ever again in the universe, ever. And it will stay that way, probably for eternity. So that's as far as we know, now, the universe will probably end in this kind of like, cold death, it'll just sit there indefinitely. I see look on your face, you want to ask a question or something?

Nick VinZant 30:41

I guess? Well, then how did it? Right let's let's let's go into the let's go into the big question that everybody always wonders, right. So then how did it get here?

Dr. James Beacham 30:51

Yeah, we we do we do know a lot about that, in fact, that's one of the one of the great successes of modern science, right is the fact that we do know, a very large amount of the history of the universe with a few kind of key gaps along the way that we're filling in now, from when the universe was, you know, currently, our universes is about 13 point 8 billion years old. So if you run this in a way, and we know that it's expanding, right, we know that everything's expanding in all directions. So if you just take like the YouTube slider of the universe and slide it backwards, right, as you go backwards, everything has to go get smaller and smaller, and eventually go all the way back closer and closer to something known as t equals zero, the beginning of the universe, everything had to have at some point had to have been packed into a tiny, dense little point, that then started to expand. And we can go in that we actually know quite well about our universe from now, way, way, way back to when the universe was about, I guess, 10 to the power minus, I don't know, minus 15 seconds old 10 to the power of power minus 20 seconds old, something like that. So if you have 0.000, the 25 zeros and then a one, that number of seconds, old, up to 13 point 8 billion years. That's pretty good. There's of course, there's just a lot of gaps in there that we're still trying to understand, like, how did particular types of stars evolve? Like, what kind of black holes were made at the beginning of the universe, all this kind of thing. But that's pretty remarkable, right? So we can go back to like, 10 to the power minus 15 seconds and kind of know what was happening. But that's not enough for us, right? As physicists, we're like, Okay, well, what would before that, what happened before 10 to the power minus 15. That's basically what we do. When you build enormous machines like the Large Hadron Collider, what you're doing is you're built when you build a larger machine of higher energy, you're actually looking farther back in time. So as you go to a higher energy machine, you can, you're not satisfied with 10 to the minus 15 seconds, you want to see what happened 10 to the minus 20 seconds, 10 to the minus 30 seconds, you know, this kind of a thing. So so we know quite well, the way the universe was behaving way back toward the moment of the so called Big Bang, you know, the words that we use to refer to the way the universe started, started to expand and then kind of slowed down its expansion and then sped up the expansion we know quite well, the way this happened. However, if you didn't ask the question, which I think is kind of what you're asking, what was before that,

Nick VinZant 33:09

like, where did all this stuff come from? Right?

Dr. James Beacham 33:13

Where did it all come from? Exactly? That's a huge open question. That is an open question for science. We do not have an answer for that we have a lot of really fascinating kind of edge of knowledge, speculation about what you know, where this kind of universe could have come from. Because at the end of the day, it's also related to, it's related to a question that I think about a lot. And a lot of my colleagues think about a lot. It's weird, because our universe is not just expanding. It's not just enormous and empty, and wonderful and curious, inducing, curiosity inducing, and just like kind of gobsmackingly cool. And always, it's also super weird. Because our universe is kind of filled with magic numbers. What I mean is that there are constants of nature that are just kind of numbers that are put there that we measure that we have no particular way to explain why those numbers are what they are. So I'll give you an example the electron, you remember, you know, learning about electricity and physics, like you know, you have charged like an electron has a particular charge to it, right? And this particular electron charge is the measure of how strong the electromagnetic force pulls on this thing. But why is that number the way it is? We don't know why that number is the way it is it just add that it's just as it's nice that it is because it's really good that our universe is here, right? But why is that number the way there's another one that's like the called the gravitational constant. And this may be something you've never heard of. But in our equations for gravity, there's always this G factor, which is something we just measure. It's like, it's nothing that comes from a theory, nothing that comes from like a clear understanding of the universe. Like Eureka. I'm a theoretical scientist and I write down a mathematical way. This predicts of the universe is just this number there that we measure, and it's always there. It basically measures the strength, the sort of broad global way with which gravity interacts. things interact via gravity. It's just a number. It's always the same. So why is that number the way it is? There's no, there's no explanation. There's no mechanism. And physicists, we love mechanisms. That's what we're looking for. It's like, it's not enough, the physicist says, the person for whom that's just the way it is, is never a satisfying answer. Also, this, we haven't talked about it. But the reason your particles like electrons, the reason they have the property known as mass, is that everywhere in the universe everywhere is permeated with this thing called the Higgs field. And the Higgs field is more or less like an invisible jelly that permeates all of space everywhere, you don't feel it, but your individual particles do. And as they move through the universe, a little bit of their energy is stuck into a point it's kind of dragged by this jelly like an electron, as it moves through this jelly, a little bit of as dragged, it's kind of like, you know, firing a bullet into a vat of molasses, it's going to slow down a little bit, you know, so a little bit of his stuck into this point, we measure his mass, but it doesn't and and the extent to which this particle is dragged a little bit by the jelly, and it gets some mass is set by a particular number known as the Higgs vacuum expectation value, you don't need to know the details of that just, it's trust me, trust me, it's a number that we can measure. And it's just, it doesn't have to be that number. But it is that number of and it but it's really good that that number is the way it is. Because if it was something different, our universe would not be here, the way it is right now, like atoms would never have formed. And you and I would not be here to have this conversation. So it's good that our universe is filled with these magic numbers. But why are these numbers the way they are? It's really dissatisfying to a lot of physicists, because we have no mechanism to explain why these numbers that are they are and it's really, it's really dissatisfying to say, well, maybe that's just the way it is, because it does, it's not satisfying, right? It's like that's, that's not good for physicists. So, some people are like, Okay, what if there's nothing to say it kind of makes, you know, the sort of like, the weird ones amongst us think it's like, well, maybe our universe is very special, maybe something was kind of a rain specially just for us, right? And then it sounds very kind of like weird and sort of like woowoo, in a way. But some of us instead start to think, okay, maybe the reason, we have these particular numbers, these magic numbers in our universe, maybe the reason is that our universe is actually nothing special. And in fact, these numbers could be something on a very large range of values, in fact, a nearly infinite range of values of that number. And in fact, all of these other values, in fact, do exist as the correct values in other universes in a multiverse. And so when I say multiverse, we're not talking about like Marvel movies, we're not talking about superheroes, we're talking about the fact that our universe, when it started, way back at the moment of the Big Bang, it was something tiny, and it started to kind of like expand in this sort of light in all directions, right? Maybe, and it has all these really nice properties, the electron charge, the Higgs vacuum expectation value, the gravitational constant, these values were just right, to allow, you know, stuff to form and then atoms to form and then you know, life to evolve, and for you and I to have this wonderful conversation. But there could be an almost infinite number of other universes in a kind of landscape of universes in a multiverse that also started to pop up next to ours at the same time, but these other universes took on nearly all the other values, right? Took on nearly all the other values of these possible magic numbers. And in most of the those other universes, the values were wrong, so that nothing ever happened, they started to expand, and maybe they everything was wrong. And so they collapsed immediately, or they started to expand, and they're particles in them, but the particles didn't have mass. And so an atom is never formed. And they're just completely chaotic, empty spaces for you know, for basically eternity. So that means that statistically, at least one of these had to be like ours, right? And so that's kind of like, if you ask the question, what was before the Big Bang? We don't really know how to formulate an answer to that right now. But we do have a, you know, we have there is an idea that is out there that we could be one universe and a possible, possibly infinite number of multiverse, sorry, universes in a multiverse sort of landscape, if you will, that these other universes could have also kind of bubbled into universes at the same time where you know, it's hard to define what time is and this concept, but that's kind of an end run around the question what was before the Big Bang? We don't know as before the Big Bang, but if our Big Bang came from this kind of like multiverse landscape, that in principle could provide a mechanism as to why our universe is the way it is right now. All that being said, we have no way to test this hypothesis. If I say, Well, maybe the universe is in a multiverse. I have no way to test this

Nick VinZant 39:54

without getting into necessarily like the religious aspect of things. Is there a plan in case we accidentally prove or disprove that a god exists? Like, is there a plan on paper somewhere where like, hey, what if we prove this or disprove it? Like, what are we going to do?

Dr. James Beacham 40:14

Yeah, that's a good question. And it's also a question that has absolutely nothing to do with particle physics. And I don't mean that in a in a rude way. I mean, I'm, I don't mean that in a rude way at all, I just mean that the, the particular set of thoughts and feelings and sensations and psychological, you know, phenomena and emotions that go into this kind of realm of and also political and social, this realm of things referred to as religion. That's a totally and completely different set and separate thing than what we do in physics.

Nick VinZant 40:53

So this is this is a this is a safe space here. What is your most outlandish theory? Like, oh, I can't share this with my physicist, buddies. Yet?

Dr. James Beacham 41:06

Most physicists were totally obsessed with outlandish theories, we we are trying desperately to find answers to these questions that have been sometimes open questions for like 100 years, like, you know, almost 100 years, you know, for example, one of the big open questions and sciences, how do gravity and quantum mechanics work together, you don't really know the need to know the details of those words. But essentially, we have, in physics, we have these two fantastically good theoretical models that have that are, that describe our universe really, really well, we have one that's called general relativity. And this was by Einstein. And this is the this describes how this is a set of mathematics that really, really, really accurately describes how gravity works on very large scales, that we have a completely separate set of mathematics known as quantum physics. And this, this governs the world of the very, very small particles, like the things that I work on. And each of these by itself, these models, these theories, each of these, by itself ranks among the most impressive intellectual achievements of humankind. But there's a huge problem, because when we do try to kind of naively combine these two, hoping for a more kind of fundamental theory of the universe, everything goes crazy and breaks, we get like nonsense answers like infinite energy, I don't even know what that means. Or like, probability is greater than 100%. Like, what does it mean to have a probability greater than 100%? Like, that doesn't make sense. Like, it's a 200%, there's a 200% chance that it's going to rain today. What? No, that doesn't make any sense, right? I know, when that when this happens, this is the universe's way of telling us that we need to think harder, right? So this is, you know, and so as physicists, we love new ideas. You know, we love new, scientifically based ideas. So I really wouldn't say there's anything kind of outlandish. However, there is one theory that's not mine, that I find fascinating from a kind of philosophical and also scientific perspective. But it's also one that I currently,

I would have no problem with talking with my physicist colleagues that, you know, appears, you know, at beers and burgers, but it's also one that like, I can't really even wrap my mind around, even as a physicist, and so that's why I think I'm kind of drawn to it, because it's also it's almost kind of like, it's really hard to like, understand what the hell it means. I guess this is what it is. So a colleague of mine, Max Tegmark, he came up with an idea a few years ago, Max had this idea is like, Okay, so the weird thing about are you another weird thing about our universe? From a kind of philosophical perspective? Like I just kind of said earlier, like, we have like these magic numbers in our universe, why are these numbers the way they are? Senate score is almost like metaphysical, right? It's sort of like woowoo, man, it's like philosophically, like, why is our universe the way it is, man, you can also think about it in the sense that, from a mathematical perspective, our universe seems to follow certain kinds of mathematics really, really, really well. And for those of you that haven't taken a math class for a long time, Matthew probably means like two plus two equals four, or like, you know, taking a derivative of something and like, you're like, Ah, this is too much. I totally sympathize with that. But math, in fact, is super, super more wonderful and complicated once it gets wonderful when you get to the more complicated stuff, because math is really about the relationships, complicated relationships amongst things and the way that different types of quantities work together. And you can in fact, write down particular types of mathematics, like a mathematician can write down at a large number of possible ways that math could behave specifically in the context of physics. So for example, like I said, very beginning of our conversation, everything around you that you interact with is made up of 17 different species, separate species of kinds of particles and the way those interact. And in fact, I can write down a mathematical set of equations that are based upon some pretty straightforward math that you know, things like group theory and you know, Lagrangian theory and CAC. Kill isn't all these differential equations, it's pretty straightforward. Once you get into it, I can write down a theory that describes all this stuff really, really, really well, like almost shockingly well. And it's a but it's also a kind of a weird theory, you don't need to know the details. But for example, the gauge group of our universe of the standard model is something called su three cross su one cross cross, sorry, su three cross su two cross u one, u two, the none of the details of that, except for the fact that it doesn't have to be that. Why is it? Why why is it su three? Why can't it be su five? Why can't it be su can? Why can't there be something else on the front of that? For some reason, our universe chose this one particular gauge group, and it went and ran with it. It's like, why is that that way? Also, why does our universe governed by these statistical distributions? So well, like everyone listen to this, if I were to take your average resting heart rate and put them on a little chart, I would take your heart rate, it would make a little kind of Gaussian bell curve, like a normal distribution, right? This is just the way our universe uses statistics all the time. statistical distributions, we call these, if you stand on a street corner, the rate with which cars will pass, you will follow some kind of thing all that plus on distribution. Again, you don't need to know the details. But just to know that our universe loves statistical distributions, and I defy you to hear a nerdier statement sent today. But what this means, when you start thinking about this from a kind of philosophical perspective, like, wait a minute, I thought that math was just this kind of thing that humans invented, to better understand the universe around us, right, which is, like magical and mystical. And all of this, you know, majestic is all its glory. Like it's math is our sort of like human, you know, shortcut to better understand like a language right away, like we invented languages, to better communicate, we invented mathematics to better understand, you know, and describe the universe around us. And it's good, the math of good, but it's never perfect, right? It's never a little bit. It turns out that in physics, it's almost perfect. And that's super weird, because Why did our universe choose this particular set of math to use, but as a mathematician, the mathematician can write down a huge number of other possible mathematical structures or equations that are our universe doesn't seem to us at all. Like, why is that? So it starts to make us think that maybe humans did not invent mathematics. Maybe humans discovered mathematics. Maybe mathematics is the actual underpinnings of everything around us in existence, maybe our universe is secretly made of math, secretly, fundamentally made of math, behind the scenes, if you're able to, I don't even know what behind the scenes means. But for example, if you were to look outside of the universe, or like on the multiverse, or you were to look down at the very, very smallest possible thing smaller than we could ever possibly we could ever possibly look, maybe the fundamental structures of the universe are mathematical. And so math is the very basic nature of our universe. I don't fully understand what this means, honestly. But I think it's fascinating because I started to think about it like, it starts to make my brain break. And I like this in a good way. I like it, when somebody comes up with an idea that sort of starts to make my brain break in a good way, because it stretches me out of my comfort zone, I like to, I like to be stretched out of my comfort zone. So this is one, this is one, this is possible candidate for the answer to the question. It's a kind of theory that's very speculative. And not even no one really fully understands what it means. And I'm not convinced that Max does either, and I don't think he does. But this is a fascinating concept that I think is worth considering. Because in the past, you know, thinking about things like this have sometimes led to really profound insights in the future, you know, about the universe. You know, for example, back in before 1915, when Einstein came up with this general theory of relativity, which is a profoundly different way of thinking about gravity than the way it was before, no one could have come up with that, like ex nihilo. It's like, it's like this would come from nowhere. Einstein had to think very deeply about the fundamental underpinnings of everything around us. And it's like, after a long time, it's like, it's like the emoji with the hand like, this is like Einstein was like this for a long time. It's like, and eventually, oh, wait a minute. What if gravity is not actually a force where like, the moon is attracting the earth? What if instead, gravity is a phenomenon that arises, because the presence of a certain amount of stuff within a certain volume of space creates a kind of sink hole in the fabric of space itself? Maybe space is not nothingness. Maybe space is not empty. Maybe space has a kind of fabric to it. And so when stuff is in there, it's sort of warping the fabric of space like a sinkhole, and as the moon is attracted to Earth, what it means is that it's constantly falling toward the earth in this sort of vortex Because in space, like that's mind blowing, no one could have come up with that, you know, to begin with. And if you kind of had that idea to begin with, you wouldn't even know how to formulate it. But I suppose it was those who was the person who's like, you really need to think profoundly about the very, very deep fundamental underpinnings of everything. And once you do that, eventually, sometimes the new profound insight will will come along.

Nick VinZant 50:22

So is it I'm guessing that a part of that potential theory that's not worked out, right, yet would be like, well, how can the universe be made up of something that doesn't physically exist?

Dr. James Beacham 50:32

Well, that's exactly you're asking a really key philosophical question here. What does it mean for something to physically exist? You know, because here's the thing, I totally agree with you, I don't know what it means for math to physically exist. But the kind of connection you can make is, like I said earlier, our universe seems to use certain mathematical structures that can that is a mathematician doing their her job would be able to write on a blackboard a very large number of possibilities. Our universe chose this one. Why did it not choose any of the others? Okay, whatever, we chose this one, that's fine. So does that mean that our universe has a kind of possible set of an infinite number of possible mathematical structures that are being instantiated by universes like ours? And again, it's kind of related to multiverse theory in a way. But again, I don't know what it means for for math to physically exist. But it is a hypothesis that I think is worth thinking about.

Nick VinZant 51:27

Are we going to go back in time? Can we go back in time? Is that going to happen?

Dr. James Beacham 51:32

Short answer, probably not. Time travel? Well, okay. First of all, if somebody asks, can't will we ever travel through time? The question is, yes, and you're doing it right now you're traveling through time, at a rate of one second per second. So we're all traveling through time. And indeed, we are. However, if you want to do some other kinds of travel to a time where you're, for example, you know, traveling at one year per second, then that's something that we have to work on. It seems right now, with the kind of theoretical limitations that we have within, you know, special relativity and general relativity, these kinds of things, we, it seems likely that we'll probably never be able to do backwards time travel, I'm happy to be proven wrong. But the short answer is that we might be able to, at some point, be able to travel into the future far future. But traveling backward in time seems to be less likely. And there's a lot of reasons for that one of them is mathematical. Again, at the end of the day, we have this thing, we have these mathematical rules that are part of relativity, it seems as though it's probably not likely for us to have so called closed timelike curves. I mean, I'd be happy to prove or be proven wrong. But we don't have any evidence that that's really possible forward time travel could be possible, but backward might be impossible.

Nick VinZant 52:45

Why would backward be? Not possible, but forward be possible? Like what's the,

Dr. James Beacham 52:51

it has to do with a kind of technicality of the equations that we use to describe so called relativity, this thing called relativity, basically, when you have objects that are moving at very, very high speeds, or at speeds that are beyond what light can do, there are certain limitations to what they can do. And in the equations of relativity, you can, you can come up with trajectories that certain people that objects like us physical objects, certain trajectories that we could even in principle take. I don't think I've been describing this very well. But you can think of it in the sense that moving forward into space, there's a lot more possibilities that we have, because the future is not really you know, we haven't lived the future yet. Because the past has a particular has a particular set of strictures on it that have already existed, it's harder for us to find a kind of physical way that you could ever go backwards in time. There's, it's a, I don't think I'm answering this very well. But it takes a much longer discussion. I

Nick VinZant 53:47

think I kind of get it right, we can go forward because we don't know what the path is. But we can't go backward because we can't go backward on a specific path.

Dr. James Beacham 53:56

It's a rough way of thinking about it. It's a rough way of thinking about it. Yes. However, another reason to answer another way that I won't answer your question is that it also seems that if you can find closed timelike curves, which means if you could find a way to travel backwards in time, it might take such extreme gravitational conditions, such as those that are only found in the middle of a black hole, that it would probably just rip your body apart, and you might not be able to survive the trip. So even if you were to find some kind of backwards time travel thing, you might not survive the trip at all. Again, this is all speculation at the moment, because we've never been able to see it. There's other reasons to think that backward time travel might not be possible, because you might ask the question, if backward time travel is possible, why haven't people from the future visited us yet? Why is this never happened? Why have they never you know, and people this has been done a few times in the past people like scientists or speculative fiction fans, they're like, let's have a party. Let's just announce it's like, we're all going to be at this one place at one time. And we'll just advertise the universe, both in the future in the past in the future, especially Meet us here is a safe space meet us to say hello, aliens from the future whoever future humans meet us there if if future if backwards time travel is possible, if we discover this in the future, and just meet us here, and no one showed up. So it's this is kind of a logical way of thinking that probably backwards time travel is possible. It is not possible.

Nick VinZant 55:19

That's pretty much all the questions that we have. I mean, is there anything else that you think we missed? Or anything like, Oh, she know about this? Or did we kind of cover?

Dr. James Beacham 55:28

You know, we could go on for hours about all these topics and more, I just, you know, I think that for me, you know, the main thing to keep in mind, when we think about these concepts, who's going to in a conversation like this, we've touched upon a lot of different things, right? Both sort of like, boots on the ground Science here at CERN, the Large Hadron Collider turning back on and world record of the highest energy ever, you know, and, and then we got into philosophy and we talked a little bit about religion and these kinds of things. At the end of the day, all of this stuff to me, you know, the human endeavors that we have, you know, doing science, big science, like the Large Hadron Collider, smaller science, like chemistry, you know, your chemistry professor will do like, you know, tabletop experiments, you know, exploring the universe. All of these things, especially in a moment like this, especially in a moment of extreme, you know, stress and strife and hardship, you know, like large scale war has literally returned, you know, large scale war work waged by a fascist has returned to Europe for the first time in almost 80 years, like a pandemic that's, you know, killed so many of our loved ones, it's like, really a really a bad time. And in moments like this, I like to keep in mind that science, you know, like, big projects, like the Large Hadron Collider, that are mounted solely because our universe, our species is curious about the universe. There's no reason for this research. Other than just curiosity, we want to know how the universe works better. These projects demonstrate that. So 1000s of people come here from around the globe, to strictly work on, on curiosity for the universe strictly because, you know, for the sake of peace, right, the things that connect us, as humans are much, much stronger than the things that are put in place to separate us. You know, I'll give you a physics example. I said earlier that an individual electron right is sometimes you can think of it as a little point of something like a little particle like a BB moving through space. But in fact, if you think about it from a more fundamental way, it's kind of a little wavy packet of vibration that's moving through space. Turns out that that's not actually the most fundamental way to think about an electron, and therefore about all the particles that make up you. Turns out, if you look at the math just right, we've talked about math, if you look at the math just right, it turns out that the much more fundamental and accurate way to think about an electron moving through space, is that it's not a chunk of something moving through space, but in fact, is the little vibration in a field that permeates all of space everywhere, all the time. And this little thing is a vibration in this field, imagine you're playing with a cat on your bed, you're playing with your cat on your bed, and you take your sheet and you spread, you stretch the bed sheet tight, and you put your finger and make a little tent and the sheet and you move this tent around, and your cat chases this thing, right. That's actually what a particle is, is the much more if you took the sheet away you put your finger up cat wouldn't care about that is because it's gonna lick himself and go back to sleep. But if the fact that there's a sheet there makes it so the thing exists is possible to exist, and this electron moves around. Turns out, that's the much more fundamental way to think about our universe and everything in existence. And therefore what that means is that you and I, and everyone listening to us, everyone in existence, we are all collections of particles, that are excitations in the exact same quantum fields that permeate all the universe, we are all connected at a much deeper, much more fundamental way than any of the ways that other people try to separate us. So I like to keep this kind of a thinking thing in mind. And I just want to say I do I mean, I have my own problems. And the world is really frustrated and you know, terrifying sometimes even to me, I like to keep this in mind. And I like to hope to try to inspire other people. To keep this in mind. When you know, next time you get short with someone or you start to make a judgment on someone or make you know, some kind of biased, you know, viewpoint, just catch yourself and realize that we are all part of the same universe. And in fact, I'm really glad that you're all in this universe with me.

Cosmetic Chemist Valerie George

Look younger, regrow hair, eliminate wrinkles, have perfect skin and hair: cosmetic companies make a lot of claims. But do you know what’s really in the products you put on your body. Cosmetic Chemist Valerie George knows what cosmetic products work and which ones don’t. We talk the best skin and hair products, balding, toxic cosmetics, ingredients to look for and the real secret to looking younger. Then, we countdown the Top 5 Band Names and unveil and new Candle of the Month.

Valeria George: 01:44ish

Pointless: 41.50ish

Top 5: 1:00:11ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Show voicemail)

https://www.instagram.com/cosmetic_chemist/?hl=en (Valerie George Instagram)

https://www.instagram.com/thebeautybrains2018/?hl=en (Beauty Brains Podcast)

http://www.simplyformulas.com (Valerie’s Formula Company - Simply Formulas)

http://www.simply-ingredients.com (Valerie’s Ingredient Company - Simply Ingredients)

Interview with Cosmetic Chemist Valerie George

Nick VinZant 0:00

Hi welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode chemistry and ban? Well, I

Valerie George 0:18

think a lot of ingredients are used for marketing fluff. If brands just say, what's the newest hottest ingredient, let's get that in the product. Many years ago, they had formulas that contained an ingredient that under certain conditions converted to formaldehyde. If we invested the amount of research that goes into other areas for hair growth, I think we'd find something, you know, people are suspecting, you know, that things may help hair to grow back. Really, the only way to turn back time on your skin or to really look younger is,

Nick VinZant 0:55

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. So our first guest is a chemist who specializes in creating formulas for the things that we put on our skin and our hair. And it's really interesting to hear, from a scientific perspective perspective, what works, what doesn't, and what is just marketing. And even if you're somebody who doesn't use these products, I think it's really interesting to learn just how the beauty industry really works, how these different things can affect the body. And for men. Why we haven't figured out how to cure baldness yet. This is cosmetic chemist Valerie George, basically like as a cosmetic chemist, what are you doing?

Valerie George 1:47

Well, I can be doing a lot of things. It depends what my family thinks I do. And then why I actually do in the lab, probably two different things. But for the most part, I am working on a lab bench with cosmetic ingredients. And I'm creating formulas for brands to sell to consumers.

Nick VinZant 2:06

You're using ingredients like what are the ingredients, I don't even know like really what I'm putting on my own bought body honestly.

Valerie George 2:15

Yeah, it's a bunch of different stuff. It could be natural ingredients like oils, or butters or gums, which help thicken formulas, it could be an emulsifier that helps oil and water come together because like Italian dressing, you know, which likes to separate. And then you have to shake it before you use it. The same thing would happen to a cosmetic product unless you emulsify it like creamy Italian dressing. So we may be putting emulsifiers in, we're using preservatives, we're using silicones. We're using petrochemical derived materials that maybe help skin stay moist, or help up product be more pleasing when you apply it. So instead of it being really dry and dragging it might be really slippy and lubricating feeling. So it's a bunch of different stuff. And I think there's probably at least 25,000 ingredients on the market that someone can choose from.

Nick VinZant 3:04

So that's the thing, right? Like you hear 25,000 different products, which for me is like Good lord. Like how much of this stuff this works? How much of this stuff is like, well, we could sell it because it's got a pretty picture on it.

Valerie George 3:20

Yeah, well, I think a lot of ingredients are used for marketing fluff, if if I have to be honest, a lot of them do really great things. A lot of them have great research behind them. But I think a lot of brands just say what's the newest hottest ingredient? Let's get that in a product. And let's talk about it. I think a little bit of that is changing because consumers are smarter. And they're saying well, how much did you put in and then the you know, the brand is being forced to disclose that. But as a chemist, I would say probably a lot of it is, you know, doing the things like it's helping form the structure of the product, it's helping the product feel good when you apply it, it's helping the product, do what it's supposed to do. And then a lot of the other stuff is just marketing fluff, I would say.

Nick VinZant 4:05

So I guess from your if I'm understanding correctly, so I can theory from a chemistry point like this should do something.

Valerie George 4:13

It's either doing something for the formula, or doing something for the consumer when they apply the product. And in theory, you know, when used a certain way, in a formula or used a certain percentage, it could be doing something maybe sometimes it's doing nothing and it's strictly marketing fluff.

Nick VinZant 4:31

Is there anything that you would say like, oh, people should not be doing that, like from a chemistry perspective. Like look, maybe we shouldn't put acid on our bodies.

Valerie George 4:41

I think acids actually a really great example. I think a lot of consumers over exfoliate their skin because you think oh let me get all this dead skin off of my face. Do you do you exfoliate?

Nick VinZant 4:51

I don't know. Okay, well,

Valerie George 4:54

I guess I'm probably not. You probably don't Okay.

Nick VinZant 4:58

My wife has some kind of scrub thing that I put, it's black, it feels like sandpaper, and I wash my face with it. So,

Valerie George 5:06

okay, great. So you're exfoliating with physical exfoliant, but a lot of exfoliants use chemicals to exfoliate the skin because a physical exfoliant is only going to go over the skin surface and physically sandpaper, all the dead skin off of your face, which is great. But to really get all these dead skin cells off, you need to use chemicals to help loosen them. And then you can physically exfoliate. So the chemical exfoliant are usually acids, they're at a very low pH. And people want tons of acids in their skincare products. But it can be really harsh on skin, and then they're exfoliating every single day. So they're over exfoliating their skin, which is making their skin barrier compromised, which is leading to unhealthy skin. So it's kind of doing, you know, the opposite of what they wanted to do. But I would say Yeah, our consumers are over exfoliating, and in general just putting too much stuff on their face at all times.

Nick VinZant 6:04

Is that always been the case? Or has that gotten like a lot worse, like now we're really doing that too much.

Valerie George 6:11

I think it's probably being overdone too much. Because I'm sure people are seeing things on social media and saying, Oh, I have to try this or that or, you know, with a popularity of K beauty. You know, the skin that you see in the imagery of K beauty products is really beautiful. It's like glass, it's so smooth. And now there's dolphin skin, like who wouldn't want skin as smooth and glossy as a dolphin? Right. But I think it's giving an unrealistic expectation of what can be achieved for most people. And so people are over applying these products to try to achieve those looks, I would say people have always used products, right. But I think the over application, or misuse or using ingredients that are too high, too much of the time, I would say that's probably more recent,

Nick VinZant 7:01

when you come up with like a new formula, are you designing the best formula first? And then figuring out like if this is going to work on people? Or do you kind of like alright, well, what's going to be safe for people and then figure out how to do it,

Valerie George 7:16

I think it's probably a bit of both. And everyone has a different approach to doing it. So I'm a minimalist formulator, which means I don't use anything I don't need to use. And I start from that approach first. So I will write down everything that has to go into a certain formula. So for example, if you say, Valerie, I need a hair conditioner for this hair type, and I need it to do these things. I say what has to go in a hair conditioner? Like what's the bare minimum? And this is more thinking about the formula and less for the consumer. So I'll write down all the things that like, okay, a conditioner needs water, it needs oil, it needs an emulsifier it needs a preservative. And then I'll start to say, Okay, but what about the consumer now? So then I'll start to add in the things that I think would benefit and give the performance that a consumer is looking for. And all the while I'm like, How do I keep this within the regulatory limits? So it's safe to use the whole time. Some people have a more is more approach. And they'll just like dump everything they can from the get go in the first in the first pot.

Nick VinZant 8:26

How regulated? Is it? Like? Are the regulations pretty good? Or is it kind of like supplements where basically there is no, no real regulation?

Valerie George 8:34

Well, I think people have a perception that the United States, which would include Canada, they follow a lot of the same regulations as the US is not regulated in terms of cosmetics, and that in the EU, which is much safer. But I think that's an improper way of looking at it. Cosmetics legally are required to be safe to be on the market. That's the regulation and you get there by two ways. Whatever you say is in the bottle has to be in the bottle. And you have to guarantee that it does what it says it does. And that it's safe for the consumer to use. That's the law. So how you get to the safety part is up to the brand to decide. And it's on the responsibility of the brand or the manufacturer to do all the safety testing and make sure it's safe to go to market. In the EU. They actually give you a framework of how you do the safety steps to make sure the product is safe. So the outcome is the same in both geographies if you're doing the work to get there. The other thing that I will say is colorants are actually more regulated in the United States than anywhere else in the world. They actually check every shipment every package of color that comes into the US like a dye for a product or even food coloring. They inspect every shipment and we have a huge risk tryptic colorings list that many other geographies don't have? Is there a reason for that? I think colorants can be dangerous. And they can have impurities. So maybe it's that

Nick VinZant 10:09

when we look at kind of the human body and things like that, like, are we pretty fragile are pretty durable when it comes to what we can kind of put on ourselves,

Valerie George 10:18

I think we're pretty durable. I really think that especially with cosmetics, I mean, a cosmetic is something that is supposed to beautify or cleanse the skin, it's not supposed to cause any physiological changes within your body, that would be considered a drug. That's the definition in most places. And so I think from from that perspective, if it's truly a cosmetic product, you know, I think we're, we're pretty durable, I think there's a lot of other stuff, people should be worried about, like pollution particulate in the air that we're breathing in, or maybe things that we're eating,

Nick VinZant 10:55

um, when you kind of look at different products and different formulas, is, everybody's different. But is everybody really different? Like this works for this person? And it doesn't work for this person? Or is it like it works, or it doesn't work? And maybe it works a little bit better? Or a little bit work? But it's really kind of, we're all kind of the same? Are we all really different?

Valerie George 11:16

That's a great question. I would say it depends on the product and what it's intended to do. So I think most products, whether they're for you, or not for you really depends on the aesthetics. So I have, I used to have really dry skin, now I have combination skin, but when my skin was really dry, it would be appropriate for me to put on really heavy, thick products that were super occlusive because my dry skin needed them and could handle them. Someone who has really oily skin would say, well, that product doesn't work for me, because my skin is very oily, I'm prone to breakouts. And this product would just give me give me more breakouts right. But from if we looked at an actual functionality of the product, let's say the product was designed to combat redness from a functionality perspective, it would still likely cause or combat redness on my skin, which is dry, and your skin, which is oily, it would still do that. But the perception would be this product soft for me because it's occlusive and heavy. I would say a majority of the products try to target as many skin types as possible. And I think consumers are not necessarily great judges of whether or not a product makes a difference or not. I think too when they speak they like it or not. I think they're you know, that's just a general Do I like it or not? Does my skin feel good? When I wear it? Do I like how my skin looks? I don't know that they can actually say, Oh, yes, I see my skin is more firmer or more elastic. I think there's a reason those things have to be validated clinically, for the most part. A lot of products work for most consumers, I would say.

Nick VinZant 13:05

I don't know if this is necessarily your area. Right. But if they do, like clinical trials or whatever the right word should be. I don't know if it's clinical trials. Like, is that stuff usually pretty sound right? Or is it kind of the old Homer Simpson quote of 60? You know, 60 statistics can prove anything. 60% of people know that right? Like, are the clinical trials really sound? Are they like, look, this is funded by x company. And so of course they get this result.

Valerie George 13:33

That's very interesting. I mean, claims testing can be sound and solid A lot of the time. Anytime you see a claim, it's important to say, Okay, well, what did they evaluate it against? Because I think claims testing works, but, you know, marketing manipulates it in some kind of way. Does that answer your question? It's a little Homer Simpson, because marketing twists and contorts it and says, Wow, this is really sensational. But then the test data are just facts. It's how you how you spin it,

Nick VinZant 14:05

right? It's kind of like numbers can prove anything. If you want them to prove something, right, you can find a way to make this work.

Valerie George 14:12

You can design the study to make it work. Yeah.

Nick VinZant 14:16

Is there a like, is there a part of the body or an aspect of the body that like, this part is a lot harder in the sense that like, look, anybody can do this for the hand, but wait till you get to lips wait till you get to hair like what's the difficult part of it?

Valerie George 14:33

You know, so I was on the skin side before I've dabbled in color cosmetics and you know, just personally I didn't like them. And then hair I really loved hair because it's so instantaneous like your hair either looks good, or it doesn't when you apply a product to it, whereas skin I think is like a longer term payoff. You're like wow, I hope in 20 years this eye cream I pay $200 for is making a difference. You just have to like hope for that you'll never really know right now And then I've hired people who suffer me hair is really easy. It's something that comes naturally to me. Whereas I've hired chemists who say, Oh, yeah, I can make a shampoo, I can make a conditioner. And then they come into my hair lab. And they're like, Wow, this is really hard. And you know, they didn't think it would be that challenging to create a styling product or conditioner that worked for most hair types or a specific hair type. Conversely, I've had people leave my lab from hair. And they've had like, a really good training and hair, then they go to skin and they're like, Oh, my God, what do I do? I have no idea what to do. You know, they're just like, paralyzed. I found that. Anytime I try to talk to people about hair color chemistry, if I have a challenge, or I'm looking for an ingredient, I'll say, oh, it's for hair color project, and then they clam up, because they're like, Wow, that's so hard. And I'm like, okay, pretend I never use the word hair color. What advice would you give me? And all of a sudden, they're fine. So I think a lot of it's in the mind, I think a lot of it's, you know, if you know, the subject matter, and you have good critical thinking skills, you're gonna do just fine in any sub sect. But you know, for me, like nails would be hard, because that's really like a polymers and coatings, chemistry, right? So just depends,

Nick VinZant 16:20

like, where along the lines of evolution, are we kind of with this? Are we just getting started? Or are we more towards the like, we kind of figured out everything we can pretty much do and the rest is going to be marketing spin at this point. Like if one was just beginning, and we are at the end, like, where do you think we would be,

Valerie George 16:39

you know, for skin, I think we're starting to, you know, we know a lot about skin, its physiology, what's happening inside the skin mechanisms that work with different ingredients, there's, I feel like we're pretty good there, there's probably a lot more research to be had. But, you know, if we stopped doing research today, I think we'd be in a pretty good spot from a consumer perspective. One area of skin that's a bit of a hot topic in cosmetic chemistry is the microbiome. And the microbiome speaks to the natural bacteria and other micro organisms, yeast that live on our skin, were covered in these micro organisms, and they live in a certain balance with each other. And there's a school of thought that when this balance gets out of balance, that's when different skin conditions may arise. Or it may lead to an increase in underarm odor, or something like that. So that's a really hot and heavy area of research within skincare that I think we've just, you know, put our little fingernail into, we're not even like, we haven't even put our foot into it yet. But there's cosmetic chemists who will say that that's not a real thing, or, you know, they're really skeptical on whether it adds value or not. So that's an area where I would say we don't know anything in the scope of things. And we need to learn a whole lot more. When it comes to hair. Hair is very interesting, because it really had its golden age of research in the 60s. And after that hair research really slow down until perm chemistry in the 80s. That really slowed down after people stopped getting firms in the 90s. And so I think people thought, oh, hair is biologically dead. We've learned everything we absolutely, absolutely need to know about hair, and it slowed down a bit. But now there's been a resurgence in hair research. Because since the 1960s, or 70s, we have new instrumentation, we have new knowledge, new ways of looking at things. And so people are going back and looking at hair and saying, Wow, there's actually a ton of stuff we didn't even know. And you know, they're making lots of interesting discoveries.

Nick VinZant 18:39

I feel like I can speak for all men in some regards. And that as long as my hair is Yeah, I don't care. Like don't don't go Jinx there. Yeah, just don't even look at it. Like, look at my hair. Don't you guys, come on.

Valerie George 18:55

You bring up such an excellent point. Because I would say in hair growth. If we invested the amount of research that goes into other areas for hair growth, I think we'd find something I think for hair growth, like, yeah, Minoxidil is around. But other than that, you know, people are suspecting, you know, that things may help hair to grow back. The mechanisms are complicated, but I think if we could put more resources there, we may come up with some viable options.

Nick VinZant 19:24

How are we not doing? Yeah, like, I feel like men would pay a lot of money. I mean, I know some guys Yeah. Whoa.

Valerie George 19:31

I mean, companies are researching, but they're not putting the same funds towards that as they are as maybe, you know, novel therapies for treating disease. I think, you know, hair loss is kind of lower on the totem pole when it comes to cancer research and probably rightfully so. Right. But I think if you if we did throw a lot of money at it, I think there's a lot of stuff that we could learn.

Nick VinZant 19:54

Are you ready for some harder slash listener submitted questions?

Valerie George 19:58

harder questions? Oh, I Don't know what works. There is no miracle product for anti aging. A lot of people will say, What can I use to turn back time for the wrinkles on my skin? And the answer is nothing, probably not even plastic surgery. But you can use sunscreen sunscreen is the best anti aging product because it prevents the wrinkles from forming or reduces them the propensity of their formation before it even starts. So if you can wear sunscreen every day, no matter what, reapply, and do that diligently and you should see some really good results as you progress through your years versus someone who's unprotected.

Nick VinZant 20:40

Does the SPF stuff matter? Right Do I need is 15 different than like I've seen SPF I feel like 500 out there. Right Is that is that different?

Valerie George 20:50

Yeah, I would say the most important thing is to wear a sunscreen that you you like I mean SPF 15 is a good minimum to wear. The sunscreen should be broad spectrum because the broad spectrum raise the UV in suns sun rays. There's two types UVA and UVB. UVA causes aging. Loose loosely and skin cancer and UVB causes burning and possibly also skin cancer. So you need something that covers both of those. So you'll know it covers both. If it says broad spectrum, that's the most important thing. And the second is that you've liked the texture of it so that you actually wear it and are willing to put on have it on because you could have an SPF 100 And it's broad spectrum guaranteed to prevent you from aging. But if it is cakey and greasy on your skin and burns your eyeballs, you're not going to want to wear it right so I think the SPF factor is important. Probably more important broadspectrum a texture you love

Nick VinZant 21:56

since you are a haircare expert, what is harder shampoo? What's harder shampoo, conditioner or shampoo and conditioner?

Valerie George 22:05

Oh, I would say a two in one.

Nick VinZant 22:07

I feel like that's a rip off.

Valerie George 22:08

You're kind of getting like an okay shampoo, and like an okay conditioner. But you're getting one bottle. Whereas you could have like a really good shampoo and a really good conditioner. But you have to buy two bottles for your hair, which is short. Do you use conditioner? Yes. When one might be fine, because you have like shorter hair? You know?

Nick VinZant 22:27

I do? Well, my wife has I use what my wife provides. And I will say, okay, it is better. My husband's

Valerie George 22:34

the same. Yeah. Right. Yeah, it is.

Nick VinZant 22:37

But it is but but yeah. Before then I was always a shampoo and conditioner, man. And now my hair is like who it is a little bit nicer. I have to say that.

Valerie George 22:47

It is yeah. A two in one though from a formulation perspective is hard because it's two conflicting chemistries. Typically, cleansers have a negatively charged cleansing agents in them. They're called an ionic and conditioners have positively charged can ionic materials in them and opposites attract, right just like a magnet. And like Paula Abdul said, so the negative and the positive will attract to each other. And that's not supposed to happen in the bottle. Right? That's incompatible. So the trick with a two in one is how can you prevent negative cleansing things from positive conditioning things from competing with each other? And complexing?

Nick VinZant 23:29

If people are coloring their hair, they kind of ruining it?

Valerie George 23:33

Yes.

Nick VinZant 23:35

Oh, that's not good. Yeah.

Valerie George 23:38

No, no, it's really damaging because earlier I mentioned hair is biologically dead, right? But it's I say chemically alive. I'm waiting for other people to quote me and then like, put my name like after the quote here is by biologically dead but chemically alive. And so with hair color, lightener, perms, straighteners, all that kind of stuff. You're changing the chemistry of the hair, and not in a good way. And that leads to hair being damaged and you can't actually repair that damage once it's done.

Nick VinZant 24:07

No, my wife is gray to beautiful woman gray at 23. And she said like the amount of haircare products that have been in and out of this house?

Valerie George 24:19

Who Yeah, the best you can do is mask the damage that hair color does, that's the best you can do. And that's what a really good conditioner. And a gentle cleanser will help with

Nick VinZant 24:29

like, I guess kind of on a philosophical sense, right? Like, are we are we destroying people with this? Right? Like, you can look better you can change it. Like are we creating kind of a monster in ourselves with all of this?

Valerie George 24:46

Yeah, yeah. And you know, the grass is always greener. If I had really fine soft silky hair, I'd probably be like, Wow, I wish my hair was wavy and curly, which it is now. Alright, so I think you know part of it is You know, as humans, it's our nature to always want to aspire to to be something different or be something better or to fit the image of what we think that looks like. And I don't think it'll ever change beauty products or not. I just think that that's part of who we are

Nick VinZant 25:18

is you know, when you see somebody or that looks like their hair is like this, their faces like this, their skin is like this. Is it ever the product? Or is it really like, it's their genetics, it's who they are. And the product maybe helps a little.

Valerie George 25:33

I think a lot of it is genetics. Lifestyle is also a big one I mentioned at least for skin. Proper, some protection, staying out of the sun is key, not smoking is key smoking degrades collagen, you know, diet helps, at least making sure you're not nutritionally deficient. So then you could take your supplements, right? I think those are like probably the biggest factors and how our skin looks. And then a really tiny portion of it is product. And I almost even don't want to say that hesitated a little bit. Because really, the only way to turn back time on your skin or to really look younger is plastic surgery, or some type of more invasive dermatological procedures like lasers or resurfacing or injections or Botox or, and fillers, I think that's really, procedures are the only way you're going to get the most bang for your buck a cream is probably not going to do that.

Nick VinZant 26:34

If you put a number on it, like a person who looks like this, whatever that this is, what percentage of it is because of the product that they were using, like 10% 1% 20, thank you.

Valerie George 26:49

I would say part of me wants to say like 10 or less, but then I will say there is power in having a beauty routine, because a lot of people will say my skin is sold. I have a friend, we were in Vegas a couple weeks ago for an ingredient trade show. And she was like, my skin is so dry. And I looked at her and she literally has like lizard snake skin all over her face. And she's like, I think I need to go to the doctor and get like, you know, this invasive chemical peel done. And I was like you exfoliate your skin at all? And she was like, No, and I'm like, why don't you start there. And you know, your snake skin is gonna fall off your face. And it's little things like that we're just having a little small routine, it kind of doesn't matter what the product is. I think that's the biggest benefit that you're gonna see with your skin. Are you you know, washing your face with a gentle cleanser in the morning and in the evening? Are you moisturizing are using SPF. And I think if you can do those things cleanse SPF moisturize, you're gonna see a huge exfoliate, you're gonna see a huge improvement in your skin alone. So that's why I would say maybe like 10 to 15% as product. Maybe 20

Nick VinZant 28:07

Is there a price point where I can get something that's good enough, right? Like, I'm not buying the $9 gallon jug of moisturizer. But I'm also not buying the $5,000 whatever, like, is there a price point we like look, that'll get you there,

Valerie George 28:24

I would say it's tough because I'm a sucker for all kinds of products. And, you know, I'll see products that I know are insanely priced, and I still want to buy them because I have some shred of hope they're going to provide benefit to my skin. It's awful. And I just know deep down it's not true. So I would probably say there are a lot of great products you can get at the drugstore that are just as good as ones that you can get in the premier beauty stores like Ulta and Sephora. So don't feel the need to go out of your budget to get something again focus on the routine and make sure you have a gentle cleanser for your skin. And exfoliator a moisturizer and SPF and just right there you should be okay even with you know products if you choose to get them at CVS or Walmart or whatever the mainstream stuff that's under 20 bucks on the haircare side. For me, I don't like to spend a lot of money on shampoo, because I think, you know a lot of companies are using the same technologies and it's, you know, a little more economic. So I would say probably skimp on the shampoo and really invest in a really good conditioner. That would me be my recommendation and I would probably say are really good conditioners should cost somewhere between 20 and 40 bucks

Nick VinZant 29:48

when you look at like the the ingredients in different products, right? Like is it that different between brands for the same thing like or is it they use a and b and this company uses BNA or is it like, well, this this one's different? Yeah,

Valerie George 30:03

I mean, it depends, like if there were comparable textures, they're probably using a lot of the same stuff. I would say it's a little different with a company like L'Oreal who actively patents combinations of ingredients, or different use method methods for ingredients. So one example is, they have a vitamin C serum, from a brand they purchase called SkinCeuticals. And it's a vitamin C, E and ferulic. Serum. And this serum is like, over $100 for like a little itty bitty bottle. So insane. And people were like, is it worth the money, and it's worth the money if you see a difference in your skin. The problem with Vitamin C is that it's not stable. And so L'Oreal has done a lot of work to write, I think this was actually done under the SkinCeuticals brand. But they did the work to say that okay, well, we know that vitamin E helps stabilize vitamin C ascorbic acid, it's okay stable. But if we add folic acid into the picture, it's ultra stable. And so the consumer is actually getting stable vitamin C delivered to the skin. So in a case like that, I would say L'Oreal is doing something different. I mean, everyone uses folic acid. Everyone uses ascorbic acid, which is vitamin C, and everyone's using vitamin D. But it's like the combination and how they put it together. That's different. And a consumer probably doesn't know these things. Unless they say Why can't I find a dupe for it? And you know, they have to Shell out the money for this $125 Serum. But on the formulator side, you know, I can see those types of things. But I would say for the most part, we're all kind of using the same materials.

Nick VinZant 31:43

Is there been a product? Or is there anything that like, look, this is gonna kill you five years early, but damn, you'll look good. Like, has there ever is there anything that's been developed? Like, oh, this vitamin K beasts? riboflavin? Six, you're gonna look great. You're gonna die 10 years earlier? Like, has there ever been anything like, gosh,

Valerie George 32:08

this is so awful. But are you aware of a product called Brazilian blowout?

Nick VinZant 32:19

My wife does it.

Valerie George 32:21

Okay, well, their stuff now is fine. Allegedly. Okay, their stuff now is fine. But many years ago, they had formulas that contained an ingredient that under certain conditions converted to formaldehyde, which is, you know, can be considered toxic and carcinogenic. So, they didn't have formaldehyde in the products, they had ingredients that converted to formaldehyde under under the right conditions, and it was helping smooth and straighten the hair. I did this treatment many times. I loved the way my hair looked. I mean, with my scalp crossed over and fall off over the course of a week. And I couldn't go out in public. Yes, but after that, I felt like a supermodel with my hair being so straight and shiny. I never had to blow dry it. It was awesome. And I knew it probably wasn't very healthy. To use or have done especially like if I'm wearing a respirator and the stylus doing my hair is wearing a respirator, it's like probably not ideal for anyone. And in fact, a lot of people have claimed to be injured by that product. So I would say that is one. And it's a reason why those formulas are actually restricted now, so they had to reformulate their product and all that kind of stuff.

Nick VinZant 33:44

This is a more philosophical question, right? But like, at what point do you think that people would stop in the sense that all right, this product is going to make you look great, but five years takes off your life? 10 years? 1520?

Valerie George 33:58

I would say people would start hair loss. I think a hair loss product, someone would say yeah, I'll take five years off my life if I had a full head of hair the whole time. Don't you?

Nick VinZant 34:09

Yeah, I could go. I could go 10 I could see people saying 10 Right, because, right, obviously the difference. Do you know

Valerie George 34:19

how long you're gonna live? That's, I mean, it's like, Hey, I'm gonna live to 100 Sure, I take 20 off to live to 80 and live Yeah, really good the whole time. Right. But the trick is, you don't know. So if you're 58 you only get to live to 53. Is that five years worth it?

Nick VinZant 34:38

Yeah, now, if you like the difference between 30 and 25, like, oh, the percentages, right. falling

Valerie George 34:44

a little bit. I'll wear a hat.

Nick VinZant 34:48

I think most people would would be okay with 10% of their lives.

Valerie George 34:52

Maybe to have a forehead. Yeah.

Nick VinZant 34:55

For anything that would make them look like great. I could go as high as 20 percent like I bet. I bet people would go 20. That's crazy. Wow. And I think people wouldn't even question it to some degree. Um, what do you think of beauty influencers? And that can be as general or as specific as you want that question to be? Right. Like, what do you think about that people who are

Valerie George 35:20

I think beauty influencers can be great because a lot of them go beyond beauty. And also I would say are more like lifestyle, beauty influencers, or maybe they've evolved that way. And I think it's really incredible because they create these communities have diehard fans, who are willing to support them through thick and thin no matter what, and I have a couple of friends who are beauty influencers, and there are people who, they, this influencer has changed this person's life for the better, or they've helped them get through a bout of depression, or help them through a really challenging life situation, or they keep this person going. And that is pretty cool. And that's actually what attracts me to the beauty industry, especially hair is, if you you know, sometimes I think I can't believe I left like real research to come work in the beauty industry. But then I think, you know, I'm helping create safe products that really changed the way people feel about themselves. And that's pretty powerful. Because when you have a good hair day, you feel unstoppable. Like you can go out and do anything you put your mind to when your hair is looking its best. And that feels really good. And so beauty influencers can also be really influential in in that type of way, and helping people feel empowered. I think beauty influencers cannot be great when they spread misinformation, a lot of them, you know, think they know a lot of stuff about products or chemistry or how the industry from my side is regulated. And it's not the case. And they say a lot of things that aren't true. They'll say an ingredient is known to do this. And it's like, well, not not really that's not how it works. So I think they can do a lot of damage in that respect as well.

Nick VinZant 37:09

Is there one thing that you would say that's recently, right, like we're recording this basically the beginning of August 2022? That you would say, oh, no, no, we can't. Either that that's not safe or that like that doesn't work? Right? Like, stopped? Yeah, people?

Valerie George 37:28

Well, you know, I tried to stay off social media a little bit. So I can't think of anything like to currently but you know, something that always kicks up every now and again, is people are telling other people to avoid products with preservatives or preservatives are dangerous. And I just get so frustrated, because what's more dangerous is having a gram negative bacteria growing in a product, and then you become really sick and blind or you die. So to me, the risk of being exposed to a preservative that's proven to be safe, is way better than having micro organisms growing in your product. Right. Another thing I've seen lately, actually is, there are apps that are out there. And you can scan a product with your phone, and it will tell you if the product is toxic or not toxic. And so these influencers are going to Target and Walmart and Sephora, and they're scanning pictures and giving like Oh, thumbs up, this one's good or down, you know, thumbs down, this one's bad. And I don't like that, because those apps aren't really based on based on grounded scientific information. They're typically not run by toxicologists. And in just looking at a product on the shelf, you don't know enough about the formula, or what safety testing was done to determine if a product is safe or not like that's what toxicologists are for. So I don't like those because they'll walk up to a product by you know, maybe Procter and Gamble and say, Oh, this is toxic or bad for your hair, don't use it. And then like, well, actually out of any company in the world, they probably did the most safety testing for this product. And I would bet that it's safe for use, like they wouldn't put an unsafe product on the market. So I think that is something I wish people would stop doing is posting these videos of products and saying they're toxic off of an app that who knows who made

Nick VinZant 39:15

it, that's what I've always felt like is missing and kind of the influence or like generation is not in generation but that influence or places like the context isn't there, right? Because I can go to WebMD Yeah, I can go to WebMD and my headache is anything from a headache to signs that I've got cancer Ebola virus, right like the context of understanding what it is. For formulas now you've How long have you been making your own?

Valerie George 39:42

Just since March of this year, I actually just branched out for corporate America and opened my own company simply formulas where? Yeah, I just create formulas for different brands and work on different projects. I also have another company called simply ingredients where I sell my favorite ingredients that I've ever come I'm across to people like you at home, so that you can make your own products. I have fun recipes on my website that simply dash ingredients.com. And, in general, I just love beauty. I love science, I love talking about it, we could probably have an eight hour episode if you wanted. But I just love talking about beauty in general. So you can find me online as a science communicator, and really just kind of a avid proponent for transparency in the industry. And I have my own podcast with a co host called the beauty brains,

Nick VinZant 40:32

you know, for your formulas, when you know we talk about that, right? Like what's kind of different about yours than other ones that people might necessarily see.

Valerie George 40:44

Yeah, so there are a lot of chemists or companies that will make formulas. I'm the only company independent formulation company focusing on hair and hair color formulas. But what's I think is so special about what I do is that I used to be Executive Vice President of r&d, a very large haircare brand. And in addition to running r&d, I oversaw regulatory quality, packaging, and then manufacturing in the last year that I was there. So I have a lot of experience just outside of being in a baker that I think is a big point of difference for me.



Paramotor Pilot Chucky Wright

With nothing more than a small seat, a fan engine and a kite, Paramotor Pilot Chucky Wright has soared higher than anyone in history. We talk becoming a paramotor pilot, the joy of flight and his next big adventure. Then, we countdown the Top 5 Fictional Birds.

Chucky Wright: 02:27ish

Pointless: 30:24ish

Top 5: 49:38ish

nickvinzant@gmail.com (Show Email)

316-530-7719 (Contact the Show)

https://www.youtube.com/c/ChuckyWright (Chucky Wright YouTube)

https://www.instagram.com/superchuckcw (Chucky Wright Instagram)

Interview with Paramotor Pilot Chucky Wright

NASCAR Spotter Tab Boyd

Perched high above the crowd with a radio and pair of binoculars, NASCAR Spotter Tab Boyd has been the eyes and ears for some of racing’s biggest names. We go behind the scenes of NASCAR, explore the life of a spotter, talk track fights and reveal what racing teams really think of certain tracks. Then, we sound out a special Top 5 Countdown.

Tab Boyd: 02:14ish

Pointless: 42:23ish

Top 5: 59:53

nickvinzant@gmail.com

https://www.tiktok.com/@tab_boyd (Tab Boyd TikTok)

https://twitter.com/Spotter_Tab (Tab Boyd Twitter)

https://www.instagram.com/thetabboyd (Tab Boyd Instagram)

Interview with NASCAR Spotter Tab Boyd

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, the eyes and ears of racing, and the best sounds.

Tab Boyd 0:21

Once you're up on the roof, and you're the one with a radio and you're the one with a button and a restart happens, you're like, holy moly, these cars are going fast. I started whenever I was in high school, sweeping floors cleaning up shop, my mom worked out a deal to get the bus driver to drop me off at a race shop that was not far from our house, three wide and two whites on us for wide, the entire day, bumper to bumper. And if you can slip and move, and it's like a high speed game of chess, and you're just you're planning moves miles ahead of whenever it actually happens.

Nick VinZant 1:00

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review, we really appreciate it really helps us out. I know I've been saying this for a while. But next week, we are going to be launching the new voicemail system or trying to make the show a lot more interactive. So we're gonna have all of those details for you. I'm really excited about it. I hope it works. And looking forward to making you guys a much bigger part of the show. So our first guest is perched high above the crowd with a pair of binoculars and a radio. He is the eyes and ears for some of NASCAR's biggest names. And he has this fascinating insight into the drivers, the tracks and what NASCAR is really like. Even if you don't really like racing, it's just it's so interesting to hear how all of this really works. And the ins and outs of what goes in two racing cars at 200 plus miles an hour. This is NASCAR spotter, tab boy. So what is what is a NASCAR spotter? What are you doing?

Tab Boyd 2:19

I have to admit it is a really good job. It's a very unique position, we stand on the top of the control tower, which is usually above the grandstands of the racetrack, we have two way radios that were able to talk to the driver and the crew, mainly the crew chief. But we have direct communication with the NASCAR driver during the race. So our main objective is to keep them safe, keep the car safe, and help them navigate their traffic. But there's tons of other responsibilities that we have during the race. So we are the liaison between the NASCAR officials and telling them messages whether it's a penalty or position on the track things of that nature. So during the race, we have to be on it from the drop of the green to the drop of the checker, whether it's green flag, caution flag or red flag, there's so much information being processed that we have to pass along and look for. So it's a cool deal.

Nick VinZant 3:20

Why would a driver need this I guess, with these race cars,

Tab Boyd 3:23

they're closed cockpit. So these cars with all the safety equipment that the drivers have, they're in a very confined seat. They have head risks that really hold their head straight in case of an accident. They have a full face helmet. So the cockpit is very tight knit and you will be claustrophobic if that sort of thing bothers you. But they're able to see straight in front of them. And they have a mirror just like a streetcar that shows what's going on behind them. Other than that they have no view of what's going on. So if just put in, like if you were going down the interstate, and you weren't able to turn your head to look right or left if he had somebody sitting beside you that was able to look all around and say okay, you can merge to the right now you just turn over and go to the right. So that's what we're doing through the radio, we're giving them what's going on around them. If somebody is faster or slower, what they're doing is either helping them or hurting them as far as lanes because the tracks are several lanes wide. So we're looking for so many things like how aggressive they are entering the corner, meaning speed, like some places are over 200 miles an hour entering the corner. So if they can back up the entry to go a little slower in and by slower, I mean just a few miles per hour so that the tires grip better to have a better speed through the center. So we're looking at all this stuff.

Nick VinZant 4:52

Okay, I don't know anything about NASCAR. So, but to me listening to this, it's like I kind of feel like you're driving the car.

Tab Boyd 5:00

Oh, that's it, it's the next best thing. That's for sure. You're so involved in what's going on you, you have the strategy part of it. And it's super intense.

Nick VinZant 5:12

I know you're doing a lot of different things. But if you had to, say a primary focus, are you primarily washing your driver? Or are you primarily watching the other cars around your driver,

Tab Boyd 5:22

there's very little focus on your car, actually. So you, we always have binoculars, even if it's a short track, you have them in your hand, in case there's a bump up or car damage, you can quickly look at what's going on. And that's also to clear them, like if they're in a tight battle, and they need to squeeze up to the wall, you're telling them whether they're clear or not. And a lot of times, they can see in their mirror that these guys are good. Now we're talking about the best 40 drivers in the country, and some sun would say the world, but you are just helping them guide through the day. They, they know what's going on most of the time, but there's that little percentage where they might be in a battle and you can help them slip up into a hole that they need to be in to then gain speed for the next lap. So yeah, it's it's sheer intensity.

Nick VinZant 6:19

You fill out a job application. Just get down there one day, or how'd you get this,

Tab Boyd 6:24

I was thinking about this the other day, how very lucky I am. So this is my 25th year traveling on a NASCAR race team. I started whenever I was in high school, sweeping floors cleaning up shop, I would, I would get the bus driver, my mom worked out a deal to get the bus driver to drop me off at a race shop that was not far from our house. So I literally would get off the bus and go clean up a race shop after school. And that's just what I did. You know, we a lot of people play sports or do other things. But I grew up with my dad racing short tracks my entire childhood. So it wasn't new to me, you know, I've been around race cars for ever, I was at the racetrack when I was two weeks old. So I've become very lucky to be able to be around it and get to know so many people in the sport. And I've never actually filled out a true blue job application. You know, it's you get to know people you make connections, the I would say it's a lot like a baseball or football team, where people know the set of skills that this player has, and they want you on their team or you might fit in to a certain mode of of the driver. You know, an aggressive driver needs someone that's calm on the radio, or a calm driver need somebody that's aggressive on the radio. So there's so many things that play into the success of the racecar so I've been very lucky to be able to progress and stay into the sport as long as I have.

Nick VinZant 8:03

Can you say like okay, my driver one because of the spotter or they lost because of the spotter. Ricky Stenhouse Jr. He would have won. But that tab Boyd guys, I told him to break when he should have gas.

Tab Boyd 8:17

There are some tracks that we race that say Daytona Talladega that we consider super speedways. And as a spotter, we really love those racetracks because we feel that we have more of an input of what's going on with the car, and how to navigate through the traffic then we do the other places, because the draft is so much into play. There are three wide and two whites on those four wide, the entire day, bumper to bumper. And if you can slip and move and it's like a high speed game of chess. And you're just you're planning moves miles ahead of whenever it actually happens. Yes, you there are a couple of tracks throughout the year that you could definitely be the one who helps win. But there's a saying that that's been around a long time, you're not going to help them win very often, but you're sure can make them lose.

Nick VinZant 9:18

That makes a lot of sense. Right? Like you you can mess it up. Absolutely. Yeah. Is that fair? Or is that just the part of the job? Well,

Tab Boyd 9:26

that's part of the job. I mean, we understand how much is at stake. I mean, each one of us were lucky enough that maybe 40 people in the world good to make a living doing what we do. And you are responsible for millions 10s of millions of dollars worth of equipment. And so you have to be sharp. Whenever the green flag drops you have to be on it focused what's going on because you have the the race team, you have an organization that might have 500 people People working in it every day of every week. And all their work goes to the racetrack, and you're responsible for it. And so it's you and the driver out there. And then they have the pitstops, or the pit crews got to be fast, and they have to do their job. It's a lot of responsibility. But I don't get nervous before races anymore. It's almost excitement because you know, the preparation that you have. And we talk a lot about different situations. So you're, you're building up to the moment of the race. So nothing's a surprise that you could say. But having said that, you've got to be ready for anything. Because every single race has its own personality, there can be a day where man the race is going to click, there's no cautions. And then they're like, just for instance, we ran a race it Nashville had two lightning delays, we had a rainstorm go through, and it ended at almost midnight. So you have to be ready for any situation.

Nick VinZant 11:03

When you're talking to the drivers, like, go left, go right? Watch 21 Are you more like longer form? Alright, so two laps from now you're gonna want to be able to drift over, like how does the conversation usually go?

Tab Boyd 11:17

on restarts? That's whenever is the most critical timing, I think, because you have a lot going on a lot of information going at a short amount of time. So the lingo is quick, it's either clear or not clear, you have one outside, inside that means to the right or left. And they know exactly what you're talking about. Because they know where they're at on the track. If you say outside, they know that someone's to their right, and they can't use the whole racetrack. So having said that, there's a lot of quick lingo on a restart, because everybody that's the most critical time jockeying for position and putting yourself to where you need to be for a long haul. So you're going hard as you can trying to get every edge and then you all of a sudden have to go into a mode where, okay, we have to make these tires last 50 laps, we can't dig up our car, we can't hit the wall, we can't do this or do that we have to stay out of trouble. So you automatically start racing the stopwatch start rate us as a race the clock. And that means focus on a bath lap time. And pacing yourself basically because if you go too hard for a short amount of time, you're gonna wear tires out, go slower, heat everything up, if you can just be consistent. Most of the time, that's better in the long haul. So there's a there's a lot of strategy to

Nick VinZant 12:44

putting all kinds of humbleness aside, like what makes you good at Well,

Tab Boyd 12:48

whenever I was younger, I raised short tracks quite a bit. I built built my own cars. I'm a fabricator by trade. So learn how to weld cut, build, mainly the whole race car. So I respect the process that it takes to build these things. Because they are works of art, these these race cars are so nice whenever they hit the ground of the racetrack before the race weekend starts. And they're truly works of art. And I think the respect that I have for the fabricators and the mechanics and the engineering, that all goes into building the car. And then having a little bit of experience behind the wheel. I never went to a high level drive. It's like locals Saturday night short track racing. But I know what it's like for the car to be loose. I know what it's like for the car to be tight not handle well of experience, the brakes not working properly, or the steering being heavy in your hand. Lots of little situations that you're only going to know what it's like by fit by doing it. So that helps a ton. Being able to relate to what the driver is feeling. So that you're not just saying, Oh man, you need to go faster. Why can't you do this? Or why can't you do that? Because they're in the car. It is super hot in those cars. When the car's not handling properly, they are hard to draw even when they're handling good. They're hard to drive. So it's, I think that I understand what the driver is going through and the process that it takes for the cars to get there. And try to apply that and and make a good day out of

Nick VinZant 14:31

what happens more often does the driver generally Is he just going to agree and be like, Okay, I'm doing that, or is it kind of a back and forth like no, you're not seeing what I'm doing?

Tab Boyd 14:41

It's a there's a it could go either way there so there's different series a spot in the truck series, they extended the series and the cup series and NASCAR so different levels of experience for the drivers as well as the The experience of the team you know, some teams are small some teams are powerhouses, some teams have 100 engineers working, some teams have five engineers working. So you have to let all that mesh together. And a lot of that is the preparation of during the week communicating with your team, understanding what the track is like that we're going to like, for instance, this weekend, we're going to a road course that has 15 or 16 turns. So it's going to be very, very unique weekend. So we know what we're getting into. We know what to look for we, we try not to be harsh on each other, but there are times a tempers flare, and it's mainly not at each other. But sometimes it is like if a if a car is not him handling to their liking, and they can't understand why we can't fix it. And you have to be the liaison and say, hey, it's it's alright, let's make the best of today and get through it. Because you're always gonna be racing next week in

Nick VinZant 16:01

here, just yell at a driver, like, you're not right, or is that gonna like that like UFC? Oh, like, you can't just do that?

Tab Boyd 16:11

Yeah. It gets a little sensitive every now and then

Nick VinZant 16:15

you got to massage it a little bit

Tab Boyd 16:17

like, Absolutely.

Nick VinZant 16:18

gone a little faster in that.

Tab Boyd 16:23

Yeah, there's so many times that how you say something is definitely and I learn a learn every weekend, something different, something new. Whenever I was younger, I was pretty hot headed. And and I don't know what reputation is all that stuff? Because I do what I think is right. And a lot of people do I respect people that get mad about it, because they want it and they want to do well. So if somebody gets crashed or somebody does something, they shouldn't do them. And they just oh, well, well, that kind of, I want somebody that's aggressive about it. You know,

Nick VinZant 17:06

we usually don't go into this this early, but a lot of the questions are good ones. So are you ready for some harder slash listener submitted questions? Let's

Tab Boyd 17:14

do it. Let's fire away.

Nick VinZant 17:16

I don't want to start with this one. Oh, boy, I'm gonna start with this one. So you have to basically be paying attention for what like four hours, five hours just non stop, right? Yes.

Tab Boyd 17:27

Oh, yeah. What if you have to pee? You just pee on yourself? Are you?

Honestly, there are little opportunities that you're able to go like if there's a stage break. If there is a red flag, a lot of times when there's a red flag, like when the lightning pop just the other other day at the last race. You see, everybody immediately headed down the stairs to hit the restroom, because you never miss an opportunity. But honestly, most of the time, you're really really hot. And you're sweating, because we're on the top of the grandstands when there's no shade. You are sweating a ton. And you are literally so busy. And so focused, you don't realize that you have to go until after the race.

Nick VinZant 18:25

Are you mainly watching what's happening or anticipating what's going to happen?

Tab Boyd 18:30

That's a good question. Because different racetracks have different personalities, I like to say, a short track, you can, you can start to see trouble brewing at some of these places. Like if, if a driver does get angry at another driver at say, Martinsville or Richmond, there's probably going to be payback. So you are aware that there's going to be a bump or somebody putting somebody in a bad position to slow their speed down so they can get in front of them. But you can start to see trouble brewing at different places like Daytona or Talladega that we we talked about because people try to fit into a spot that might not be there or forced their way. And a lot of times trouble starts brewing when it's time to pit under green flag. And everybody's trying to get to the bottom to get the pit road and then trouble brews there. So yeah, that's a good question. You, you have to anticipate, if you see people starting to bunch up and momentum being lost, people start to get desperate to get back going. And that's when trouble starts brewing.

Nick VinZant 19:38

It's kind of like I have two boys, right? A five and a three. And you can you can see I'm like okay.

Tab Boyd 19:43

Yeah,

Nick VinZant 19:44

we got about five more minutes.

Tab Boyd 19:46

Here we go. Absolutely.

Nick VinZant 19:49

Now this person says And correct me if I'm wrong, but there's that spotters. We'll get into it.

Tab Boyd 19:54

Every now and then. Every now and then. Yeah. So we we have to get along this journey. Stan, because we are literally elbow to elbow every weekend. So we all know each other really well. And, you know, I've gotten to the point where if you do get into it, it's over with whenever the race is over, you know, and a lot of times, a lot of times you're relaying messages from a driver to another driver, and you understand where they're coming from. So, yeah, every now and then people will, we'll get into it, and there'll be a quick argument, but it don't last long. Because you gotta get back to your task, you know, so it's like, Hey, man, screw you gotta get back to work.

Nick VinZant 20:41

Right? It's kind of like I don't have time for this. But if you're all if you're also close together, right? Like couldn't do you then just listen to the spotter like, Oh, this guy's ahead of me. And his spotter just said he's got to do this. Like, are you listening to the

Tab Boyd 20:53

any other? No, I don't I don't listen to any other people. Because there's so much going on. You sure don't want to miss anything that you're responsible for listening to another driver. Some people can and and, and do but I don't I focus on what we have to do, and worry about keeping our car in position to do well.

Nick VinZant 21:17

Now, will you guys ever kind of work? Then there's teams in NASCAR, right? Yes. What do you guys work with other spotters? Like hey?

Tab Boyd 21:25

Absolutely. Yeah, so there's a lot of communication on the roof during the race. Like with teammate so the team I work for we're a single car organization. However, we have a Chevrolet so you always want to play well with other Chevrolet's, because all in all, we're like a umbrella teammate. You want to see your Chevrolet people do well, Chevrolet, the execs of Chevrolet want to beat the Fords and, and then the Fords want to be the toy, everybody wants to beat each other. So you try to do your part into helping a fellow teammate or a Chevrolet in my, my essence, do well. And the same with the four guys. And same as the Toyota guys. So you want to be there's times where you don't care about anybody, and you're trying to jockey for position. But whenever we get to a track like Daytona and Talladega, and I know I keep bringing it up. But that's how big of a deal it is to be in a tight knit group for pure speed because more cars together being disciplined, front bumper to bumper and not trying to pass each other is faster than people side by side and jockeying for position. So that's whenever being discipline really helps. And that's whenever we all communicate. So if you're on the roof during these races, the cars we going 200 miles an hour, but we will be standing next to each other saying, hey, our car is not handling, right? We might be tight, where you had to turn the steering wheel more to make the car turn. So that scrubs speed, right. So if that cars up front, again, more air downforce, it'll turn better. So they might swap spots to help the handling of that car. Or if a car is running hot, they will need to peak out so that more air gets into the grill. Because whenever they're tucked in behind each other, there's less air coming into the radiator, cooling the car. So there's 1000s of scenarios that make a world of difference. And we're communicating that and we're talking with each other.

Nick VinZant 23:40

Is that cheating? Or is that that's how it is. This is what how the sport is.

Tab Boyd 23:46

That's how it is because what goes around comes around, you know, if say, say there's a piece of paper, like a piece of paper like this, a hot dog rapper comes up to the grill and jams it up. Well, less air is coming in car will get hot. Well, there's a strategy to being able to get that off your grill. If you work with the person in front of you, and say, Hey, we have something on our grill. If a car goes and literally touches the other, the paper will come off. And so we'll communicate that say, Hey, we have and we can do it quickly say hey, we have trash on regret, we need to get it off and they'll say they'll communicate it to their drivers like yep, okay, so he'll stay still, instead of trying to block or move. They'll do that they can do that under green. And you never if you weren't listening, you never know that's what was going on. But there's a lot of that because you might need that somewhere down the road from them. And they'll say Hey, you two months ago he didn't let me do it. I'm not gonna help him out and they'll go on but but they will remember if they did do it. So yeah, let him hook him up.

Nick VinZant 24:57

But it's never like hey, it's my it's my kids birthday. How about you? Oh

Unknown Speaker 25:01

no

Nick VinZant 25:02

no Bly racetrack with the best food

Tab Boyd 25:04

Oh like like at the racetrack or the city let's do both on other roads so I would say cities that have the best food what Las Vegas have awesome restaurants downtown Kansas City I always love to go to because of the barbecue and the same can be said for Texas I just love the like even Fort Worth Austin in Kansas City there's a my favorite places and Daytona of course with the seafood they have some great places. Now racetracks to be honest with you, I don't eat and a lot of the concession stands because we're so busy during the day I usually make a peanut butter and jelly sandwich and take it with me to the roof. And that's what I have.

Nick VinZant 25:52

He's can't go wrong peanut butter and jelly

Tab Boyd 25:54

is foolproof because you don't you don't want to go eat jalapeno cheddar brought for race. There you gotta you gotta have some that's bulletproof.

Nick VinZant 26:09

Your favorite track favorite and least favorite not that they're bad. Just that like oh, this is my personal favorite and my personal like oh I struggle with that track.

Tab Boyd 26:19

So I have two that are side by side for my favorite. I love Martinsville and Bristol. The no whenever I say Bristol, I like the night race and August that we have. So as on the concrete. The atmosphere is electric. The place is just so cool at night. Martinsville on like because it's a short track. So same sizes bristle but Bristol's really high banked and mega fast paced, the labs are 15 Second laps every 15 seconds, we're running laps, so it's fast paced, a lot going on. Martinsville is flat, and it's shaped like a paperclip. So the speeds are nowhere near as high. However, the guys can be banging lean on each other and be very physical while driving. And it makes it super exciting for the fans, I think because they can they can be so close to each other and lean and touch without wrecking each other. So it turns into a pretty good race. The track I think that is most difficult is Pocono because it is a huge racetrack that is two and a half miles long, shaped like a triangle. And then is very hard to see the cars like from where we stand. Turn one is so far away. The cars look like ants when they turn off in the corner. And then they have a tremendous straightaway that they go down. And then there's another corner. It's just hard to see. And the speeds are super fast. So you want to keep the car and driver safe. But you can't see very well. That's the hard part. And other tracks like a Watkins Glen, the track we're going to this weekend is Road America. I feel uneasy being the main spotter because I can't see the car all the way around. So those are the things that make it uneasy for me. Whenever even though we'll bring in some people to help. I like to be able to see our car and know that it's in a position to be safe or be able to see the passes and whatnot because these tracks the road courses are out in the out in the woods, basically. I mean what's Yeah, The Road America is a state park, I think. And they're racing in between the trees, and it's so hard to see. So that's a chance gotta be

Nick VinZant 28:52

tough. Yeah. Oh, yeah. So then you just haven't another like you're just kind of waiting for the car to come back into view and you trust in the other? Yeah. Like, okay, I hope he's

Tab Boyd 29:02

right. Exactly. And you're literally listening to the radio broadcast to hear what's going on.

Nick VinZant 29:09

Um, I don't know if you can answer these or not. You may have to be diplomatic. Or maybe you don't I don't know. Other than your other than your current driver. Yeah. Who did like who did people look at and like, oh, that they probably the best driver.

Tab Boyd 29:23

Man. Everybody that starts these races are very good drivers that they have won races elsewhere. They're champions and other divisions. There. They're very fast. And so you have all the guys that are top tier. And if you I've always said if, if you're working on a team, or if you're a race fan, you should walk as close to the fence as they'll let you get and see how fast these cars go. It is unbelievable. I mean, I've been doing it my whole life and when the portunity Every now and then we're able to walk down to the fence and just see and feel the speed. It you can't hardly describe it is unbelievable. So even the guy that's running dead last is very, very fast. So it's hard to put that into perspective, because you're like, oh, man, this guy, or this team is they're running 30th? Well, they're still very competitive. There might be, there might be four tenths of a second between the fastest guy on the planet. And, and that car, which is a blink of an eye, you know, I mean, yeah, so it's so hard to, to describe how good everybody is. Because if you slip just a little, you can fall all the way the rear. So yeah, there are so many that are good, that it's hard for everybody and have a top tier ride, I guess you could say, and have the the people the power the the sponsors behind them.

Nick VinZant 31:08

No, it's kind of just like, right, like, everybody's pretty much equal. But then when you put in other things like the car, well, he takes up a bit. Spot, it only takes up a little bit more. Right. Yeah.

Tab Boyd 31:18

Yeah, it's all situation and you do have rookies that are are learning. So I think the that you could also split up the experience level of somebody like Kyle Busch, Joey legato, those guys are remarkably good. And you have kurt busch, you know, Kyle's brother, he, he, he is a champion, you know, and he wins races a lot. And so the list would go on from the top to the bottom of how good these guys are. But everything's got a lineup, you know, the opportunity of the day, you might you might dominate and win a race one week, well, then the next week, you might, the best you can do is 15th. It's so hard to do. So there's a lot of respect to be had for people that are up front every week, because it is difficult, no matter no matter how good your car is, no matter how good your pit crew or the engineers are. Everything still has to go good. And it never hurts to have a little bit of luck.

Nick VinZant 32:22

What is your favorite experience at the track?

Tab Boyd 32:25

Well, man, I would say victory lane. That's the that's the ultimate goal for everybody. And there are some days where you might run the top 10. And you could say 10th place was a good day. Or you could say fourth place was a good day. But a few years ago, I had an opportunity to win the Daytona 500 With legato so I was spotted in 2015. That was a really cool opportunity because you don't realize how big that race is, until you win it and see everything that happens after it's a it's a pretty big deal. And that you can still say like, I mean, we're sitting here years and years after and, and we brought it up and winning a couple of night races at Bristol. And some of the cool things about my part is whenever you get a driver who has won their first race, so there are several drivers that I've spotted their first ever NASCAR win. And that's huge on I guess the list of accomplishments because as a career changer for you, whenever you win your first race and and you remain closer to some than others, but you've always been on that car whenever that happens. So those are cool things that happen at the track that little moments that you you. You don't ever want to take for granted, but they're hard to come by.

Nick VinZant 33:54

How much money do you make?

Tab Boyd 33:59

That's a hard question.

Nick VinZant 34:01

That's a hard question. Right? But this is like, I'll end on this one. But basically if somebody wants want to be the next you like what should they do like that? They I want to be a NASCAR spotter. Like what advice would you give to

Tab Boyd 34:15

Yeah, so first of all the money thing? Is it ever enough you know, I mean, no matter what happens is, but I can say that I personally and everybody that does it has a great opportunity to make a good living. So you're definitely comfortable and that the travel is fun, seeing the people's fun and I think the things that that I like most about the sport is the friendships because it's like a traveling circus whenever we're all most of us live in North Carolina where there's a few people there we have a spotter lives in Maine we have one lives in Idaho. A couple live in Tennessee and We all come together in the weekend. Like, I have a gentleman that lives like one mile down the road. That is one of my best buddies. And I have to go to California to scene. Because we're always, we're always gone so much. But uh, so I think the friendships are worth more than the money because you it's the connections you make, and everybody looks out for each other. And you do you want to beat each other to death sometimes during the day, but then if you ever need anything, you're there for each other. I feel so yeah, they Sorry, what was the second part of the question? The

Nick VinZant 35:37

Oh, if somebody wants to be the neck, oh,

Tab Boyd 35:39

boy, man. So this is, this is my 16th year spotting in the cup series in NASCAR. The first few years I was actually on a pit crew changing tires. So I've been on that side of the fence also doing pit stops. So man, I would say that if you want to if you have been in racing, and you want to to be the next, a mega company spotter, go to a short track, start meeting people hit find everybody at a short track, no matter if it's dirt, asphalt. Everybody needs help find somebody if you see a car that you liked the loads cool and, and walk up to a meet and say hey, man, I want to I want to come on the weekends and help. And you can start learning about the car learning the rules of the track and and you start meeting people that will then boost up like, Oh, this guy is gonna go to run an Arca race. And so you can maybe go help them and, and just step up the ladder. So, man that it's been a lifetime of learning. It's so hard for someone that because so many people think what we do is cool because it is pretty cool what we do. But once you're up on the roof, and you're the one with a radio and you're the one with a button and restore happens, you're like, holy moly, these guards are going fast. So it's a lot of responsibility. And I would say start from the bottom. Because that way when you get there, if you did get to the top,

Nick VinZant 37:20

you're reading favorite NASCAR movie. NASCAR movie. You know, there has to be days of thought. Yeah, right.

Tab Boyd 37:32

The good. I mean, Talladega Nights is funny. Don't get me wrong. I'll watch it. Because it's hilarious. But yeah, these are thunders Very good.

Nick VinZant 37:43

Do you think though, that the pit crew guy got too much credit in Days of Thunder, and they should have given more credit to the spotter.

Tab Boyd 37:54

But back then they had spotters, but they didn't have near the responsibility, I think that we had today. I think that the role has progressed quite a bit. And I like that.

Nick VinZant 38:10

What do you think? Do you think it's going to change fundamentally again? Or do you think if I guess pretty much what it's going to be? Well, like this This job is it's not like they're going to invent some new technology. It's gonna have a robot up there.

Tab Boyd 38:21

Yeah. So they've kind of been dipping into that they have these really nice like a 4k rear view mirror that that they as a camera. And whenever they're at the speedway's will run this mirror. But I don't think that that will replace what we do, then I think there will always need to be a human element. Because there's too much on the line to just rely on technology. What if some shorts out and then you have nothing. And so I think that they would want the team to have some sort of responsibility for what happens on the track. But as far as everything changing, this new style car we have this year in the cup series has been a mega challenge it because it's totally different than what any of the drivers have ever raised is different than what we've ever spotted. And to me, they look different on the track. The ride height looks different to me. They have little ports under the tire that make the car look different in the corner. So I was just saying we had a meeting earlier today. And we're talking about how the car looked. And I'm like, what they were talking about how the car fell. And I'm like, it's hard for me to see the car bounce the way that you're describing because the cars are different. The tires are low profile, the wheels are bigger, the back of the car is a lot shorter. So our visual is totally different than it used to be. So it's a challenge We're learning every race about something new that the car might go faster with and, and things that we're seeing, like the traditional race lines like high on the straightaway and diving to the bottom of the corner. There's a lot of places that they can change lanes and keep more momentum and be fast. And it just looks strange to us. But we're watching the stopwatch like, man, it don't look don't look normal. But if it's fast, keep doing it.

Nick VinZant 40:30

I did want to ask, so you started doing the 62nd at the track thing?

Tab Boyd 40:34

Yeah. Yeah. How

Nick VinZant 40:35

did you get that? Like, when did you start doing that? Started was a reason for

Tab Boyd 40:39

us started doing that. Because I have my my son is seven years old. And he's starting to understand why dad's gone most of the weekends of his young life. So I started making these videos like he said, Hey, Dan, what do you like when he was about five years old? He said, What what did you do this weekend? And I started listening. I was like, Hold on, I have a couple pictures. So I would go through and show him pictures and describe it. Well, it turned into like, you know, I won't do little video clips. And so I downloaded a video editing app and I made a like a 62nd videos and this is what I did this week. And I started showing him well. A couple of people saw it and then I put it on Twitter or Facebook, but I put it on Tik Tok. And it is really taken off. I think it's taken off. I mean, I don't have that many followers. But it's fun to see the interaction with people. So I started out showing my son what to do on the weekends. And then I just started doing it every week for for the fans.


Financial Crime Investigator Suzanne Lynch

Organized Crime, Corrupt Corporations, Rogue Nations, follow the money and you never know where it might lead. Financial Crime Investigator and Educator Suzanne Lynch has been following the money for more than 20 years. We talk fraudulent businesses, multi-level marketing scams, money laundering and how to protect your identity and bank account. Then we countdown the Top 5 Life Experiences.

Suzanne Lynch: 02:50ish

Pointless: 32:09ish

Top 5: 48:39ish

nickvinzant@gmail.com (Show email)

Interview with Suzanne Lynch: Financial Crime Investigator and Educator

Pickleball Pro Ben Johns

Pickleball is the fastest growing sport in the world. And Ben Johns is the sport's best player. He's ranked number one in nearly every category. We talk Pickleball tips, training secrets, being the best in the world, growing the sport and getting hit by wiffleballs. Then, we unveil a new Candle of the Month and countdown the Top 5 Hardest Foods to Eat.

Ben Johns: 02:00ish

Pointless: 31:35ish

Top 5: 46:14ish

nickvinzant@gmail.com (Show email)

https://www.instagram.com/benjohns_pb (Ben Johns Instagram)

https://www.facebook.com/benjohns.pb (Ben Johns Facebook)

https://www.pickleballgetaways.com/ (Pickleball Getaways)

https://joolausa.com/pickleball/ (Joola Pickelball Paddles)

Interview with Ben Johns: Professional Pickleball Player

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode pickleball and difficult foods

Ben Johns 0:20

Pickleball is very much strategic choosing what to hit the correct shot at the right time is almost entirely what sports about, is it hard to be number one, I think it's a little bit hard in that you're always being pursued, like you don't really have affordance to go as a participation sport as the number of people that play it has a scary amount of potential. So imagine that bounces in there and you're at the other kitchen line. So I'm making contact with the ball 10 feet away from you, and I'm hitting it 50 miles an hour at you. I mean, in baseball, that's equivalent to a 300 mile per hour fastball.

Nick VinZant 0:54

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review, we really appreciate it, it really helps us out. So when we first started talking about this, I thought it was going to be a pipe dream that like oh, yeah, we might do it. But no, it looks like we're actually going to be able to set up an interactive voicemail system that will let you guys the listeners be a much bigger part of this show. And we'll probably be doing that Fingers crossed. No, we're gonna do it by the end of this month, meaning July. So our first guest is the best player at a sport that is just skyrocketing in popularity. And when I say the best, he has been ranked number one in the world, in singles, doubles, mixed doubles. You name it, he's pretty much the best in the world. And the best ever add it right now. This is professional pickleball player, Ben John's. So have have I not been paying attention? Or did pickleball suddenly become really popular?

Ben Johns 2:07

Yeah, that's exactly how it went, I'd say. Back in 2019 2018, it started to see definitely a lot of growth. And but people still hadn't really heard of it. And then suddenly, between 2020 and 2021, it kind of became the cool thing to do. It's just kind of a sport for everybody. So yeah, it really has taken over a lot of people.

Nick VinZant 2:27

So I mean, when I have thought of it before, and this is probably just because I have relatives who live there. But like I thought of it as like, alright, this is the 67 year old retirees in Arizona who are doing this. But is it everybody really like? Is it younger people or is it just kind of getting more popular amongst a certain crowd?

Ben Johns 2:44

It caught on with older people first because it has something very attractive. And that's the it's very easy to begin to play. Even if you know you're mobilities limited or whatever. So when people kind of gravitated to it in that sense, it's also pretty social, which they seem to like it at that age. But then people kind of start to realize, hey, this isn't just for for old people, it's actually just a ball for anybody to play. And the same things apply to the old people. It's like you don't need to be athletic and play. Even though you can also be super athletic and have a really good time with it. As far as who plays it. Now, in some cities, I see it as kind of the one of the cool hipster things to do almost like, Oh, you don't play pickleball yet? What are you doing? Definitely kind of a young meetup thing just just for fun.

Nick VinZant 3:27

Is this going to be you know, the trend sport for a little while? Or do you think that this is going to continue to keep going?

Ben Johns 3:33

You know? That's a good question. You know, I feel like a lot of people that play it, because of how they're addicted to it, or how enthusiastic they are about it. They're very bullish on it, or they're optimistic. And from my point of view, I'd say, you never really can tell that with anything like this. Like, there's just too many factors that go into it, you can't predict stuff. But what I will say is, I've been around a lot of sports for a while since I was a kid. And I've never really seen a sport like pickleball as far as how people really get addicted to it one like they just don't want to stop playing. And also just that it covers such a wide demographic of people. So I think it has that going for it and other things fall into place correctly, then it could continue to do very

Nick VinZant 4:20

well. So did you get in before the before the craze or did you get swept up in it?

Ben Johns 4:25

Yeah, so I started really, it's beginning of growth, in my opinion, and that was early 2016. And that was kind of marked by some first initial big professional tournaments. So the very first US Open offer pickleball was held in early 2016. And that was my first tournament. So I got into the competitive scene right when it was growing, and I'd say gotten bigger with the public like where everyone is more aware of it more like 2020 Basically,

Nick VinZant 4:56

from what I buy my you know, three second Google Search You're basically the best player ever. Number one, singles, doubles. Right against pets, like every single type of pickleball competition, your number one.

Ben Johns 5:10

Yeah. So how we distinguish it is we play doubles, singles and mixed doubles satisfying. Girl guy doubles, basically. So there's three divisions. And yeah, I've been top ranked in all three of them for about about three years now, which is kind of the longest it's been. But I mean, what I will say is, it's very hard to say like, best ever, when you know, the sport itself as a professional sport is so young. So in a very short span, I may be the best. But that would be surprising to maintain that for a very long time to the future.

Nick VinZant 5:46

That's what I was wondering about it, like the pros who are in it, the pros who are like yourself, like the people who are really good. Whenever you have a young sport, are they really? Are they still going to be really good? 10 years from now? Right? Like I think of like George Mikan, who was a fantastic basketball player, but would he be in the NBA now? You know what I mean? So do you think that, like, are the pros now? Where is the sport? And since like, oh, they'd still be good later? Or is it such in its infancy that like, man, if you're just pretty good? You're going to be a pro question.

Ben Johns 6:22

Yeah, it's definitely very unpredictable. How I think of it now is there was kind of a that not really a turning point, but an inflection point in pickleball, where it started to rise very rapidly in terms level. And I'd say five years ago, compared to now is going to be more dramatic than five years into the future. It doesn't grow, you know, linearly or anything close. It's more a grows and jumps. The do I think the players will still be drastically different in five to 10 years. Absolutely. And I think players that are getting out can adapt to those times. Yes. But just like any sport, I think the further on you get, the better the players get. That's just the natural course the sports, people figure them out, they get better, they get more athletic, all those things. And I'd say right now Pickleball is the best players are generally the ones that are adapting the most quickly. Why are

Nick VinZant 7:18

you good at it? Like, is there something physical and that like you are the perfect size for a pickleball? Player? You've got the fastest? Like, what about you makes you good at it?

Ben Johns 7:30

Yeah, so right now, pretty much all the really good professional players are former tennis players, they're former D one tennis players, we have former professional tennis players like they were very good tennis players. And that's the background that helps a lot. I had not that high of a tennis background, but considerably high, along with a considerably high table tennis background. And that's another good background score for it. So the blend of the two definitely helped in terms of just a lot of the skills and not many people have that blend of a high level of those two sports, where most are operating on one. So two definitely helps me a lot. And then the other thing is kind of before when I said it's it's about experimentation. To be at the top, you need to keep getting better because everybody is. So you're really kind of experimenting and figuring out new things and learning from other really good players at the same time. Maintaining what you do have

Nick VinZant 8:25

to get bored being number one. Is it harder to be like is it harder to be? Is it harder to get to being number one or is it harder to stay number one

Ben Johns 8:39

another good question. Yeah, it's a little bit of both. You know, a lot of people say or at least something I like to say it's pressure is a privilege and it's definitely a privilege to be where I am I definitely enjoyed a lot and it's fun to strive and still try to get better and all that is a hard to be number one. I think it's a little bit hard in net, you're always being pursued like you don't really have upwards to go. That's also a little bit of mindset, you know, there's certainly still goals you can pursue and there's certainly still a lot of improvement to be made as a player. So it's not really necessarily lack of motivation, but it's can be a difficult spot to be in at times because there's a lot expected of you at all times.

Nick VinZant 9:20

You're getting everybody's best day all the time. Yeah, hi,

Ben Johns 9:24

I have a target. I have a target on my back

Nick VinZant 9:28

is like how is it different from other Racquet Sports right and I can think of like tennis, badminton. Ping pong racquet ball, like how is it different from those are

Ben Johns 9:40

pretty much everyone that plays thinks it's a blend of some of those and it is it's totally a blend of racquet sports. So for instance like size, it's the same size court as a badminton court, but the net is lower than badminton and obviously using different equipment. A wiffle ball is the ball that we use. So that bounces a lot lower than a tennis ball, you can't impart as much spin on it. The paddle is it doesn't have strings. So the paddle is more like a table tennis paddle than it is a tennis racket. And it's in between the legs of the TOC. It's a blend of that right there. And those three are the biggest blend. I think any of the other racquet sports I barely know like squash, racquetball paddle all those they have walls that you play off of. And we don't have that in pickleball. So I'd say it's most similar to badminton, table tennis and tennis,

Nick VinZant 10:29

what's the best part of the game to be good at, like serving, returning, if somebody was going to be good at this aspect, like, oh, the guy who's good at this is going to be really good.

Ben Johns 10:41

So it's actually it's a cool sport in that in contrast, something like tennis at a very high level, at least, the surf doesn't matter. We surf below our waist underhand, basically. So it's not a very big impact, like tennis is, you know, it's a huge impact of your surf. It's also difficult for players that are just learning the game. So it's kind of a detriment to the sport, in my opinion. So think about doesn't have that, as far as your question goes. Pickleball is very much strategic, which is another reason people like it a lot. It doesn't really matter how good of an athlete you are, like, it definitely helps don't get me wrong, like coordination and coordination, you have to have some of that, obviously. But the point is a somebody that is a worst athlete than you can easily be by doing the right things strategically. And that comes back to shot selection, just choosing what to hit the correct shot at the right time, is almost entirely with sports about plus a little bit of conversion, of course. And people find that frustrating, you know, like tennis players that are very good will lose two people to play pickleball, even though they look like complete non athletes, and it's frustrating, and you want to keep playing in order to get better, because you don't understand why you're not good. So you can put up, you know, an NBA or NFL athlete, and they feel like they should be good on the court. And they're just not, not yet at least. So that's why I think they like playing it a lot. And that's why it's very interesting. That's also why it's a big sport, among other professional athletes. There's a lot of NFL NBA players that play that I know, and quite quite a few other random people.

Nick VinZant 12:10

So it's an athletic sport that you don't actually have to be athletic to play.

Ben Johns 12:15

Exactly. You can be as athletic as you want, there's some moves you can make in it that are very athletic, but you don't have to be in order to be good.

Nick VinZant 12:23

So then, is it? Is it strategy? Are you beating somebody with the strategy? Like, I'm gonna go left corner, work in left corner and then go right corner? Or is it like placement? Like you got to be able to hit the ball? Right to this low case? both?

Ben Johns 12:38

It's both it's definitely both. Yeah, absolutely. If you choose the right shot, you're gonna find your placement is naturally a lot better, because you chose the right shot. So it's kind of they go hand in hand, for sure. And there's some people that can, you know, get over those obstacles with pure athleticism. And it's just that disparity between the two, how much one affects the other, it's a lot less high in pickleball than it is in most other sports. For instance, you can now athlete so many in basketball a lot easier than you can our athletes. And

Nick VinZant 13:09

that makes sense, right? Because I played like sports against my dad when I was a teenager. And like basketball, well, I just had to jump. But in racquetball, like, he would just work me by like, I'm gonna put it in this corner, and there's not a damn thing you can do about it. Like financially, is pickleball at the place right now where like, you can be a pro pickleball player and just be a pro pickleball player.

Ben Johns 13:34

Yeah, so that's, that's been definitely a very recent thing. In the past two to three years, it's become a lot more viable to that. So myself along with, I'd say, I don't know. 10 other guys 10 other girls are at the top enough to make, you know, a decent wage to very decent with nothing but playing pickleball. So yeah, I mean, that's what I do. And that's what some other people do. But it's obviously not as big of a player pool as say tennis. We have the top 200 players doing just fine.

Nick VinZant 14:01

And we talk in five figures, six people hitting sevens.

Ben Johns 14:07

Yeah, so that would be more like massively based on where you're ranked. And it's really just a handful of players. They're getting paid well. Your your mid to very top players can be making six and the top of the top could be making seven

Nick VinZant 14:23

now. And it's a sport you can play for a long time. Right? Could like somebody be like, old man, Ben John's coming in. He's 55 and still working people.

Ben Johns 14:35

Yes and no. So right now, the best older player when we consider older is the number two player in doubles. And he's 44 which is he's an extreme outlier. There's not really almost anybody else like him. Almost all the other pros are below 35. That he's he's very good at especially for his age. So right now you can see that a little bit and the more players that come in, the less we're seeing it so I'd say within probably five years, you're not really gonna see anybody really competing at a high level over 35 Unless they're just absolute freaks like, you have Djokovic, and Nadal and Federer. And

Nick VinZant 15:11

if you're going to be athletic in this sport, is it better to be like strength power, your top two

Ben Johns 15:17

or agility just moving quickly and covering a lot of cord in a very quick way. And quick hands. So hands speed helps a lot. And that's not really something you train as much as you have. Which just doesn't really increase that much via training.

Nick VinZant 15:34

Now, are you big for pickleball? Player? Wikipedia said six one is that that's about the size you want to be, are the best people smaller, bigger.

Ben Johns 15:44

Because we don't have a huge sample size of players, you know, there's a lot of other skills that go into it. So you can't really say this is the best height. And I mean, you came into it in tennis yet. But it definitely ranges from I'd say the majority are between five, nine and six, four. To me, I'd say height helps. So I think you kind of want to be optimally anywhere between six and six, four,

Nick VinZant 16:11

we'll go into this a little bit earlier than we usually do. Are you ready for some harder slash listener submitted questions? Sure. Let's go for it. Would pickleball be a cooler sport, if it wasn't called pickleball?

Ben Johns 16:24

I think it would be a lot easier to convince people to play the sport if it wasn't such a silly name. But the reality is there's too much based around and out to ever change that now. So it's stuck with that name. But yes, it would be I wouldn't say necessarily cooler, but it would be a lot easier to get people on board more quickly.

Nick VinZant 16:42

Is it better to have a really good forehand or a really good backhand?

Ben Johns 16:47

Yeah, definitely varies player to player, but you can do more with your forehand. Generally, it just generates more power, it's got more reach. So if you can take one or the other healthy and good for him,

Nick VinZant 16:56

everybody's probably got a good forehand. But are there a lot of people who really have a good backhand?

Ben Johns 17:02

I would say yeah, you're right in that there's more players for the good forehand and a good backhand but it's not that desperate, like as disparate as you think there's definitely some some very good backends out there. Yeah, largely depends on the player just because how the paddle mechanics work. It's there's not a huge disparity between one and the other.

Nick VinZant 17:20

Now, do you put spin on it? Are you just you're hitting it back?

Ben Johns 17:23

Yeah, yeah. So there's there's definitely all kinds of spins, side spin topspin, backspin slice rolls, there's their spin at all times, it doesn't look like table tennis because there's a limit to the friction you can have on a on a pickleball paddle. So like table tennis, they use advanced rubbers to grip the ball like severely. That's why the ball ends like it does. We have a limit on on the basically the grip on the paddle so it doesn't grip the ball nearly as much as tennis strings or confidents battle. So there's a lot less of a spin influence, but it's still very important.

Nick VinZant 17:53

Does it have a ceiling though, in your opinion? Right? Like I understand that, yes. Pickleball can get bigger. Clearly, clearly people enjoy it. But can it be? Right? Like is the goal of pickleball? Like, we're going to take over and push hockey out the way? Or do you think that it's always going to be maybe like the biggest of the secondary kind of sports?

Ben Johns 18:16

Yeah, so I mean, it depends on you know, what, how you tear sports, you know, how big can something get? I'd say personally, this is just my opinion, and it could be completely wrong. Because nobody can really and Hispanic sports gonna continue to grow. But I would say it is not going to be a spectator sport like your your NFL is your NBAs MLBs as your tier ones. It's not even gonna be a spectator sport like your tier twos, like hockey here, or whatever. It's good for spectating. But it's not amazing. It's not like, it's not as big of a chord as tennis, you can't have a stadium as big and make it look as good. So I think there's a bit of an issue mechanically with the sport there. However, I'd say, as a participation sport as the number of people that play it has a scary amount of potential like it's as playable as any sport.

Nick VinZant 19:06

No, that makes sense, right? Like, just because of the logistics of it. You can't fill an arena of people watching a pickleball. But if you sell it to TV, well, what does it matter? Like TV is kind of where most of the money is made anyway. Sure. Yeah.

Ben Johns 19:19

I mean, it can still it can still do well. Yeah, it can still be well, like tennis does, it would be a smaller court. So probably a little bit of a smaller stadium. So that's where I'd see it peaking, right, like say a little bit below tennis, in terms of viewership, but in terms of participation, I would expect it to exceed tennis.

Nick VinZant 19:35

So how does your older brother feel about you being better than him?

Ben Johns 19:42

So my brother, six years older than me, he played professional tennis, and we played every sport together basically growing up, and he was always better because he was older. But I got into pickleball before him two years before him and once he was done with professional tennis, I Got into play pickleball and basically from the start once he decided, hey actually want to be really good at this and play, play the sport. We basically trained him and crafted him into a player. That would be my my doubles partner. So we always had the goal of playing doubles together as soon as he decided to get good. So no, he doesn't mind me being better than him because he's got the best partner you could ask for, I guess.

Nick VinZant 20:24

But you know how brothers are man? I got brothers and sisters. There's a little bit like, I'm happy for Ben. I'm gonna beat Ben. Yeah, no, definitely.

Ben Johns 20:38

He's played me many times before and likely is mostly on the same side of the net these days. But he has never been I'm sure he would like to

Nick VinZant 20:46

favorite place to play.

Ben Johns 20:48

I'll give you a variety answers here. So I'd say my favorite place, location venue, tournament wise is San Clemente California. PGA tour runs a tournament there, that's just gorgeous location, really well run the crowds. Amazing. So that's like my favorite tournament to play, especially locations. Great. So for the business, I mentioned, we're taking them on trips we played in Ecuador, and that probably had the best view I've ever seen while playing it was just silly. And let's see, played in Hawaii. And that was pretty, very nice, too. As far as general location, it wasn't the view is just like the whole environment. So those are my three,

Nick VinZant 21:31

who's who's kind of in your rear view, like, who's the player who's coming up? And like, Oh, I gotta watch this person, because they could they could take the title. Yeah,

Ben Johns 21:41

I wouldn't say there's a define one person, especially because we have multiple divisions. So there's, there's different people that are good at different things, mixed doubles, doubles, singles. So I don't really have a specific person in mind. And honestly, I'd be more wary of the people I don't I'm not yet aware of than anybody specific now. Because we get new players all the time that are super talented and want to play. And there's only there's only more than coming, right? So I have a vision in my mind of what the ultimate athlete for pickleball would be. And that's the guy I'm wary of not not who we currently have.

Nick VinZant 22:16

I think this this audit this question is like from a 12 year old, I think, does it hurt when you get hit with the pickleball?

Ben Johns 22:24

That's a legitimate question. That's very legitimate. It stinks. That's about it. There's a strategy and double sometimes we actually do try to hit each other in the body. Because you're so close to each other that it works out that way. And that's not against etiquette. That's just part of the game as long as you are aiming for the face. So yeah, It'll sting a little bit on the body might leave a little bit of a mark for a day. You won't want to be getting hit in the face, though. Yeah. How?

Nick VinZant 22:52

How fast? Like, has anybody ever like clocked it? Like how fast are you guys hitting the ball?

Ben Johns 22:57

Yeah, so usually, groundstrokes will be going maximum probably 50. And overhead is more in the 70 to 80 range

Nick VinZant 23:08

with a wiffle ball.

Ben Johns 23:10

Yeah, with a level ball pops off quick. It makes some powerful stuff. So yeah, I know, I've been clocked on overheads, but at like 70. And I'm sure some people can do it harder than I can. And yet, the biggest thing is not so much the speed is how close you are with your kitchen, the kitchen. The kitchen is the non volley zone. You're 14 feet away from each other minus however long your wingspan is. So that ball can be on you in a hurry.

Nick VinZant 23:35

Oh, there's an area light is the kitchen. It's right next to the net. You can't volley in that area.

Ben Johns 23:40

Yes, yes, exactly. So there's the net. And on each side, there's a seven foot area where you can't hit the ball out of the air while you're in there. So imagine that bounces in there and you're at the other kitchen line. So I'm making contact with the ball 10 feet away from you. And I'm hitting it 50 miles an hour at you. I mean, in baseball, that's equivalent to 300 mile an hour fastball.

Nick VinZant 24:01

That's damn, is that the kind of reflexes where like you're not even thinking it's just straight up reaction.

Ben Johns 24:09

Yeah, it's mostly reactions. But that is an extreme case. Like most people are not trying to tag you in the body from that close anyway. And if I didn't if I hit it, right, and if you didn't move before you saw me, like as soon as you saw me start the swing, like you tried to move as soon as I hit the ball, you have no prayer video, it won't happen. You're just you're gonna sit there and take it. But more normally it's traveling slower than that when you're getting volleys and you're able to react but it is it's reactions. You aren't really thinking that much.

Nick VinZant 24:38

Does being a professional pickleball player help you? And I think you know what they're talking about. I do.

Ben Johns 24:52

Yeah, that's that's a great question. I actually thought you were gonna ask that one before you said it. As soon as I saw your face today. I know what he's gonna ask. Right. So I was actually in School University of Maryland, the past five years. I graduated in May. And a lot of people would ask me like DD Use this. Is this like a pickup line at college at school? And it's not all right. I've never even tried to use it. I don't know how it would work, because I would just never bring that up. Just like Excuse me, miss. I don't know if you notice. I play pickleball this sport you've never heard of, and I'm really good. So yeah, I've never brought that up. So it doesn't help. I mean, maybe I'm sure it helps some people if you spin it the right way. I just have not tried.

Nick VinZant 25:37

What's the best pickleball trash talk? You're gonna trash talk to somebody? What do you what do you come in with?

Ben Johns 25:43

I'm known to be pretty silent on court. So I can't tell you that I have that much that are the guys that do. My personal favorite is more like rejection. So they say they try to attack you and you just hit a stiff counter. It's a clean winner off of their attack. Like it's a rebuttal like, you might get a finger a finger wag, like like a matumbo. And just like no, no, no can do that. Not over here.

Nick VinZant 26:09

I just the total shutdown.

Ben Johns 26:14

Yeah, my favorite guy that talks trash. One of his best slides, just something like, You can't do that. If you attack me, it's a winner. And then he's just like, can't do that. No, no, no.

Nick VinZant 26:28

That's crushing, right? There's nothing better than like giving somebody your best shot. And then you just nothing happens. You

Ben Johns 26:34

just like, that's the thing right there. Right? It's not about hitting a winner. It's about rejecting their winner and just turning them down to say, no, not over here.

Nick VinZant 26:42

You know, obviously, is there a huge difference in the paddles? Like, what are you looking for in a paddle? Yeah. So

Ben Johns 26:48

I mean, originally, the sport started out with wooden paddles. So it got a lot more advanced from there, let's say so yeah, these paddles reach prices up to like tennis rackets. Now they're like in the two hundreds sometimes at the very advanced pro level. So my sponsors here, you'll their former Table Tennis Company, and they got into pickleball recently because they saw the growth. So yeah, they're, they make some pretty advanced stuff. And obviously I endorsed them. So they're, they're the best guys. But yeah, there's lots of paddles out there. There's lots of technology for spin power, other stuff, different dimensions, it's all kind of up to you with what you want to play with based on the player you are.

Nick VinZant 27:26

You use a yellow pad or like, what is it? What are you looking for when you get one? Right? Like, oh, I want one that's like, what do you look

Ben Johns 27:33

for? Yeah, so I actually designed it with them. And just give it to me, like I actually decided with them. So it's a carbon fiber surface, which carbon fiber is the best surface material we use, because it grips the ball well, which you can of course spin with. And it's very stiff, not so stiff, we lose a lot of power. It's so that good power, but stiff enough to where when you miss it it like not in the sweet spot and on the center. It's not a super bad miss it so it's forgiving, basically. So it's forgiving. It's gotten in pop and it's got good spin. That's that's the basic, three things that you really

Nick VinZant 28:05

want. So, you know, we were talking kind of before we started recording, but you know, this business is pickleball. Really, it's that big that you can run a tour company like how does this work with with this, I found that amazing that like,

Ben Johns 28:20

yeah, it's one of my favorite things like within pickleball. It's such a, it was just an interesting hole in the market for us. So me. And a friend of mine started a business a couple years back, called up pickleball getaways. And we basically just take people on all inclusive vacations, either to resorts or touring around the country, with pickleball. So it turns out that because people get addicted to pickleball, they want to go on vacations, but they don't want to stop playing pickleball while they're doing it. So as I'm doing this interview, I'm actually in Croatia for a tour. I just finished one in Portugal, and that's a renewal of my summer. So we got 32 clients, each one Portugal here, previous week, 10 days, 10 days here in Croatia with a new 32. And I'm going back to Portugal for another 32 Because we feel the first one so easily. So yeah, basically, it's just we play pickleball in the morning with some instruction. And then we toured the country in the afternoon to evening, and some different hotels slash resorts. So it's kind of an upper scale, all inclusive vacation with the whole

Nick VinZant 29:21

Is there a country that's like, oh, man, they love them some pickleball

Ben Johns 29:27

Yeah, that's that's funny, because a lot of people actually ask, the only part you didn't really touch on is the international aspect, like is pickleball big elsewhere? And the answer is actually no, not at all that us is by far the biggest pickleball like they're fanatical about it. But they've never even heard of it and other places in the world like where we are. There's no pickleball players, there's no pickleball courts. So we have to use like temporary nets and temporary lines and stuff like that. And that's why like nobody else is doing anything. It's hard to do. You need the right surface you need to bring equipment set up the courts. So that's kind of why we're the only ones

Nick VinZant 29:58

or people in other countries that Look at it like, what are those guys doing?

Ben Johns 30:02

They're just walked by. And there's a couple days ago, I was laughing because in the space of like an hour, I bet like five people walked by, and we're just sitting with their cameras like, what are they doing? Like? These are just I mean, are they dumb Americans? Is this a made up game? Dude, should I know about this? They were obviously just absolutely confused by what was going on.

Nick VinZant 30:24

That's pretty much all the questions I got, man. What's kind of coming up next for you? How can people kind of keep in touch with you? Yeah, so

Ben Johns 30:30

I got a packed schedule, usually about 20 tournaments a year, I got this vacation business, I got various other things. But I pretty much go almost entirely through Instagram, so And John's underscore PB and so people stay in touch. And I can update my tournaments there. And whatever else I'm up to. So it can really be anything at any given time of the year.

Nick VinZant 30:50

Cool. When is pickleball season? Like, when's the tournaments and all that stuff? I would think it was in the summer. Yeah. Last season. This

Ben Johns 30:57

is kind of year round. We don't like we have a pro tour. And they haven't really figured out yet how they want the season to go. There's not really a huge downtime. So my biggest downtime has been in the summer, actually. So I missed one tournament to be over here in Europe. But in June, July, we only had one tournament scheduled, whereas August onwards, I'll be playing two to three every month.

Nick VinZant 31:18

I want to thank Ben so much for joining us. If you want to connect with him. We have linked to him on our social media sites. We're Profoundly Pointless on Twitter, tick tock and Instagram. And we've also included his information in the episode description. Okay, now let's bring in John Shaw and get to the pointless part of the show. When's the last time somebody gave you a good talking to like, sets you straight in life?

Unknown Speaker 31:46

It's been a while I don't remember the last time I was given like a good talking to I do listen to a an inspirational speaker, you know, like on YouTube from time to time. That's the last time I remember thinking to myself, like, this guy's talking at me like he's talking to me.

Nick VinZant 32:06

The last time you got to good talking to you. What was it about

Unknown Speaker 32:09

probably, in my early 20s, with my father when he was and this is the last one I really remember. And basically, basically, he was just telling me, I mean, I was going out a lot, probably four to five times a week and just getting hammered drunk every time. And he kind of just pulled me aside as I was going to head out and just was like, listen, you're not being very smart right now. And fat drunk and stupid is no way to go through life. And I'll never forget, it wasn't really a talking to but that one sentence. I've just never forgotten it.

Nick VinZant 32:42

Do you feel like you learned anything? No, I

Unknown Speaker 32:44

actually think it's worse. No. Yeah, I mean, looking back on it. I was I was reckless. I was young, blah, blah, blah. You know, he probably didn't present it to the right way. Probably could have been a little nicer, a little more calmer about it. But you know, I still remember it. Obviously.

Nick VinZant 33:04

I got one this weekend, who got to talking to you from the white. She was looking at me and she's like, Listen, I'm gonna tell you this right now. You're getting fat.

Unknown Speaker 33:15

You guys are so brutal. Man. You're so brutal over and then came

Nick VinZant 33:18

straight out? Well, well, the thing is, is that the night before I had had, like, look, we were we were engaging in edibles and alcohol. And I was like, I think we need to give each other more talking to us, right? Like we got to hold each other accountable about stuff that we want to do, because we made these lists about stuff that we want to do and like, You got to hold me accountable. And then the next day, she's like, you're getting fat.

Unknown Speaker 33:42

So is this one of those moments where the night before you were you were just bullshitting and then the next morning, she was like, you're getting fat and your eyebrows are stupid, and your fingernails are too long?

Nick VinZant 33:55

No, it was just like, you gotta been constructed criticism, right? And you got to come at people and she was like, you're getting fat. Your gut is getting a little bit out of hand. Like I can see it too much. And it's not acceptable. And I was like, okay, still stings as an adult. Yeah. Especially when you need when you need it. You're like, Ah, fuck, man.

Unknown Speaker 34:14

I well, I mean, for a guy always a buck 50 I think your wife should come see somebody that's 300 pounds and say that, but, man, I'm sorry. I you know, I've never felt bad for you. I kind of feel bad for you right now.

Nick VinZant 34:29

Yeah, but I needed it. Right? Like it was good for me. So I'm 180 pounds, but I don't carry weight. Well, like I'm somebody that if I get a little bit out of control, like Oh, my body magnifies whatever shape that I'm in.

Unknown Speaker 34:46

She might have been a little overboard them and that can really mess somebody up when you call somebody just outwardly fat or tell them they're,

Nick VinZant 34:53

they're kinda that's not what she said. That's what I heard. Right? Like, I'm not one of those people. Like it doesn't matter. Have you massaged the language a little bit? I know what you really say it.

Unknown Speaker 35:03

It took me it took me until about six months ago to realize that I probably should not have worn shoes medium clothes the in my entire life. I tried on a shirt that was, you know, a couple sizes too big. And I was like, Man, this is actually quite comfortable. So, anyways, it's

Nick VinZant 35:20

you can't go down that road though, man because I do that with pants. And the next thing you know, you're rockin like 40 fives and you look ridiculous. Like you. You can't go down the comfort road too early in life. Because there's no common back once you start going down that comfort road. I gotta

Unknown Speaker 35:38

tell you, I I'm in a wedding coming up this weekend. Actually, and, you know, dress pants are always, you know, four to six inches bigger usually? Oh, no, I don't actually well, because because they do the actual waist right? They do it like above your, your your belly fat, like kind of just south of your belly button. And when I when I said a

Nick VinZant 36:03

minute, wait a minute, are you hitching them up? Are you pushing them down? Like which direction are you already going? And you're going to be an old man because there's either going where people have their pants to high or they're starting to push them down a little bit where like, Look, I know that your belt buckle is just about half an inch above where your private parts are. You're not fooling anybody with that.

Unknown Speaker 36:24

Well are you doing I mean, I usually wear my I'm gonna wear my my jeans on my waist, right? But for dress pants, for some reason, they always measure me probably where they measure every man on your actual waist, which is just south of your belly button there. But every time I see it, it just reminds me that I am not a small man.

Nick VinZant 36:48

Okay, you ready for shout outs?

Unknown Speaker 36:51

What's going on? What is it? 36 I've

Nick VinZant 36:59

lost. I've lost track. Everybody's just waiting for it to stop.

Unknown Speaker 37:02

I don't think so. No one's really complained. At least not to me. All right, Cameron bars appreciate you Ronald Miranda. Austin Rogers, Mildred Toray Phil minor. Below era Bochy, Sean Kelly and Shawn Masterson to Sean's back to back there. Lucas Vega and Clint Wim sedie. Come on down.

Nick VinZant 37:28

Are the most other Shawn spelled the same way? Are they spelled differently? They are they're

Unknown Speaker 37:32

both spelled s e a n which is what caught my eye.

Nick VinZant 37:37

I always think of Shawn sh a wn is the main spelling of Shawn that I think of.

Unknown Speaker 37:42

Yeah, I would agree with that. And then s Haun is also a subset.

Nick VinZant 37:49

Oh, I don't know if I was gonna rank my Shawn spelling's I would go sh a wn s EAN and then sh. Au N.

Unknown Speaker 37:58

Yeah, I agree with you on that top three.

Nick VinZant 38:01

Okay. All right. It's your it's your time to shine my excited are you how much you've been thinking about it for a month? I guarantee he's been thinking about it. I gotta tell you

Unknown Speaker 38:10

it's so weird because now when I like order candles, I think about ordering them obviously. But with the thought of bringing them up possibly on this podcast, so this one's This one's pretty basic.

Nick VinZant 38:23

Can we introduce it? Are you just gonna for people who don't know what's going on like, Oh, you gotta get theme music or sorry

Unknown Speaker 38:28

I just get so excited man this is Alright it's

Nick VinZant 38:30

time for candle of the month with the outlaw candle connoisseur himself.

Unknown Speaker 38:36

What's your candle? I can't even intro it and keep a can't believe it's a serious thing. I can't either but it's kind of taken off alright so just rising Lee Yeah, so this one there's a sale going on right now head over to Bath and Bodyworks I purchased two of these because I'm I'm just a fan. Smelt this at a friend's house Believe it or not. But it is passion fruit in banana flour to three week candle like I said it's on sale. I don't know if it's gonna be on sale throughout the week, but you can get it right now half off. Bath and Bodyworks they have a lot of other great sense to but I'll I'll just stop at that one. But there's there's tons of Grayson's out there.

Nick VinZant 39:18

So if you smelled it at a friend's house, did you then ask them what kind of candle that is?

Unknown Speaker 39:23

Oh god. Yeah, I I mean, I was I was like, the awkward hover too. I'm like, this is you know that, like no one's around me. You know? Finally someone comes over and they're like, oh, what what do you what? What you're doing in a separate room just smelling the candle. I'm like, I love candles. Tell me about this candle. So

Nick VinZant 39:43

wait a minute. You just went into the room all by yourself and somebody's house smelling candles?

Unknown Speaker 39:49

Well I've no i We know them. It's not like it's you know, it's not like I was invited.

Nick VinZant 39:53

Oh, wait a minute, who's the main friend who's the first friend? Are you the friend with the guy or is your wife more the friend with the girl

Unknown Speaker 40:00

My wife is friends with the with the girl. However, like we know the family, it's not like it's not like, she's friends with the girl or the woman and I'm just there, you know? Like it's like I'm just there kind of randomly.

Nick VinZant 40:13

Does this person have a man? Significant Other in their life?

Unknown Speaker 40:17

Yes, but But he was not at the time.

Nick VinZant 40:21

So you're in another so you're the only guy there at the party. I want to know her. You're going through why isn't it weird? You're going through another woman's house who your wife is friends with? Your smell and things in the room and stuff? She probably thinks you're looking at her underwear. No, man, we're

Unknown Speaker 40:38

just kids just come in from the outside. I walked in the house. I got the sense. I gotta smell like oh, let me let me you know, maybe the candle is right around the corner. So I I walked down the hallway, kind of into a family room area. There's the candle wasn't like a wait a minute, like I was sniffing the underwear drawer.

Nick VinZant 40:58

But yeah, how many rooms away? Are you from the rest of the group? Are you in the room directly adjacent to the rest of the group? Are you two rooms past where everybody is?

Unknown Speaker 41:09

I mean, two, they were in the kitchen, which is like at the other end of the hallway. So technically, I was like five rooms away.

Nick VinZant 41:16

Yeah, you're snooping in the house. Looking for since

Unknown Speaker 41:19

I was that they went to take the kids to get a snack. I told them I was going to take our kids you know, stuff to the living room. And as I was walking in the living room was following the scent. And that's that's how it happened.

Nick VinZant 41:35

Did you go past the living room to get to the room?

Unknown Speaker 41:38

No if the candle was in the living room. Okay. Anyways, getting back to the candle the month it's packed. Once again, passion fruit and banana flour. It's a three wick candle from Bath and Bodyworks check it out. You won't be disappointed. Alright, let's see here. I've got a couple of bangers for you. What's more overrated waterslides or roller coasters?

Nick VinZant 42:05

Oh, roller roller coasters. Probably I think at least now in my life where I've hit an age where like, somebody explained this to me one time like something in your body in your inner ear starts to change and like you have a hard time with roller coasters and like getting dizzy much easier as you get older. And now I can't I can't even think of a roller coaster like I start to be like

Unknown Speaker 42:30

I haven't been on a roller coaster. It's gonna be 10 years next year. That's the last time I was on a roller coaster. It's been a while. So

Nick VinZant 42:36

it's probably been about the same for me. But I would say roller coasters are generally no a waterslide actually, is the more overrated because if you've been on one waterslide, you've basically been on all water slides.

Unknown Speaker 42:50

Yeah, water slides are, are very overrated. And they're just not. You know, you wait in a line on a hot summer day. You finally get up there, you get on it, and it's over. And it's not even though half the time you have to do most of the work, right? I mean, it's not. It's not a lot of fun.

Nick VinZant 43:06

No, it's very hard to get a good water slide. Like, oh, yeah, that yeah, that's a water slide. I've been on one before.

Unknown Speaker 43:14

Let's see, or would you rather know the exact date and time and you're gonna die, or just live life and when it happens, it happens.

Nick VinZant 43:23

Oh, just when it happens, it happens. Right? Because I think that even if you know the exact date and time that you're gonna die, that doesn't necessarily mean it's the exact date and time that you're going to be critically injured, or have your life changed forever. So like, All right, okay, cool. I'm not gonna die until Tuesday at nine o'clock. Well, that doesn't mean you're not gonna be critically injured Monday mornings.

Unknown Speaker 43:45

That's okay. You know what I was not thinking about the whole, you know, right. But

Nick VinZant 43:51

that's like one of those things that like you wish, like on a monkey palm or a genie, or whatever they call it. It's like a bad wish. And they're like, Well, I told you, you'd never die. But you're going to be a vegetable until for all of eternity.

Unknown Speaker 44:06

Let's see here. Once again, the world's pretty depressing, but when this episode comes out, it will obviously Fourth of July here in America will have passed. So I wanted to know, did you end up buying any fireworks? Did you Did you do anything to fun for the holiday?

Nick VinZant 44:22

I did. I bought the little popper fireworks that you can get like just about any single place that you just throw down in the middle of the room. Right? Like $2 You can't hurt anybody and I decided I was gonna bust those out during bath time, which was a mistake.

Unknown Speaker 44:38

Oh, man, talking about scaring the proverbial crap out of somebody.

Nick VinZant 44:44

Yeah, apparently if you throw 10 of them into a room while two children ages five and three are bathing and not expecting it. It's a slightly traumatizing experience in a small space. So maybe that was a poor decision making.

Unknown Speaker 44:56

Yeah, that's a decision. Yeah. That's not a good thing but I'm proud of I kind of want to give you a high five for that because that's a good dad move right there. Right? No

Nick VinZant 45:06

solid solid dabbing but bad parenting.

Unknown Speaker 45:09

Yeah, I could give you a talking too, but I'm not going to because I accidentally sprayed my kid in the face with a hose on on. You know, the hose nozzle was on Jet the other day and she walked right into it. So I can't really say anything.

Nick VinZant 45:25

I peed on my son's head once.

Unknown Speaker 45:29

I think I've heard rumblings of the story. But if you want to tell the floor is yours.

Nick VinZant 45:35

We were outside riding bikes and I went in into like the back of an area to pee outside, like all guys go and pee outside and he rode his bike up to me crashed his bike and fell directly into the stream. Like before I could stop like I look. Hey, and then he just crashed right into it.

Unknown Speaker 45:52

So did you keep going or did you stop immediately?

Nick VinZant 45:57

Well, I stopped immediately. I mean, he's my son. Like, I'm not not gonna just pee on mo dude's head but Well, I did laugh and he,

Unknown Speaker 46:05

you know, peed on my wife's face once. But, you know, that is what it is.

Nick VinZant 46:10

Let's just have no explanation and move into our top five. Let's do it. Okay, so our top five is top five hardest foods to eat. True. Number five.

Unknown Speaker 46:18

Spaghetti.

Nick VinZant 46:21

Are you serious?

Unknown Speaker 46:22

Yeah. Really? I mean, really? It could be any any any, like, pot, like, pasta, loaded with sauce type of thing. But yeah, it's, it's very delicate and very difficult to eat, especially spaghetti specifically because, you know, how do you roll it up? How to, you know, how do you get it on the fork, etc, etc. It's too, too much thinking to eat.

Nick VinZant 46:42

My number five is also spaghetti but not because it's necessarily hard to eat, but it's hard to eat without making a mess on yourself. Okay, that's really what's difficult. Like my list is based on things that you can eat in public and not look like you're some kind of bear going through a trash can.

Unknown Speaker 46:59

Well, that's, that's where you, my friend are mistaken. Because I look like a bear. And every time I'm in public, people think I'm just eating out of a trashcan. Once you number four ice cream cones, just they're just a pain in the ass. And no matter no matter how, how delicate, you are eating the cone, you're always going to bite it in the wrong place. And then you're going to have a couple of, you know, leaks or the ice cream is gonna start melting. It's just, it's difficult, man. It's not it's not fun. Half the time.

Nick VinZant 47:30

When I see a man eating ice cream out of a cup. I see a man who has given up on life. Like, I don't care. You as a man need to struggle through the cone. I don't care how big it is. How what the problem is, you as a man have to struggle through the act. My number four is a mango. Oh, just a pain in the ass.

Unknown Speaker 47:53

You know, I was gonna put on a pomegranate but I put that in my honorable mention. Mangoes a close second to me. But yeah, they're both pain in the ass things to eat,

Nick VinZant 48:04

and then difficult to eat. Alright, let's number three

Unknown Speaker 48:06

oysters. Okay, once again, it's a lot of work for very little reward. But yet, if I have the opportunity, I'm going to eat some oysters. So

Nick VinZant 48:15

we'll get let's let's, let's get to this later, because I have that a little bit higher in my list. My number three is wings. Okay, pain in the ass. And you can see a lot of people who don't eat wings. Well, you look at most wings. And there's a good amount of meat that's left there on that plate.

Unknown Speaker 48:32

I you know, kind of how we started the podcast. things, you know, talking to us I got to talking to is that when I was in college by a guy about how to properly eat chicken wings, and I've never forgotten it, and I still do it to this day. What's the proper way you have to create you have to crack I don't know what each bone is called. So I'm probably going to confuse people but you have to crack it at the top. And then you basically break it off into two bones. And then you can just suck the meat off each bone.

Nick VinZant 49:01

I usually struggle with like the top part of the chicken wing, right? Where there's usually like too much stuff on the drumstick. Like I could have done a better job there. But if it's the actual wing, I can clean that up pretty well. Okay, is it your number two are my number two my

Unknown Speaker 49:14

number two and it's the only time I've ever been eating where I've thrown an entire plate of food into a harbor. And it's because of crab legs.

Nick VinZant 49:24

Mm hmm. You threw it away.

Unknown Speaker 49:28

I was so frustrated because the party that I was with the people that I was with. Everyone kind of started making fun of me because and I'm not even sure I can properly describe it to you how to how to crack crab legs over the podcast, but I can tell you that from being ridiculed, and just pure embarrassment. And we were right next it was in Boston naturally. We were right next to the water. I just I dumped the whole thing into the water and just walked away. I was so upset and embarrassed and And it shouldn't be my number one, but I don't eat crab very often. Or crab legs. So that's why it's number two.

Nick VinZant 50:07

You handled that. Well. I did not how much? How much did you pay for it? I feel like I wouldn't do that only because I paid a lot

Unknown Speaker 50:14

of money. Oh, it was like $30 Yeah, it's probably 2030 bucks. I mean, it was a decent amount and there was fries and everything with it. And I kept the beer I walked away with the beer, but I dumped the food.

Nick VinZant 50:26

Once you get rid of the fries,

Unknown Speaker 50:29

I you know, I was I was on a different kind of stay. I'm sure the fish ate well, I'm sure they very well that that night, they're in the harbor.

Nick VinZant 50:34

My number two is corn on the cob slash popcorn. Because it's not necessarily hard to eat, but you get some of that stuff stuck in your teeth. Even flossing sometimes won't get it out. You get popcorn in the wrong spot in your teeth. And you've almost feel like you gotta go to the dentist to get that out.

Unknown Speaker 50:54

I mean, I can't argue with that. I've had moments eating popcorn where the kernel gets stuck in the back. And like the more times you bite down or put pressure on it, you can still feel it getting jammed deeper and deeper into the tooth. So yeah, you know, that's a good thought, actually. Yeah, too.

Nick VinZant 51:13

I've had some ones with popcorn where I've like flossed and still is in there and you've got to get like the little pick thing that they give you and you only keep for like a week after you go to the dentist to get it out for sure. Yeah. Cournot it's deadly. What's your number one?

Unknown Speaker 51:31

So, I'm gonna preface this I wanted to put sushi. But then I realized that sushi is a me problem, because I don't I'm not very good with chopsticks.

Nick VinZant 51:41

Well, you can just use your hands. Sure if you

Unknown Speaker 51:45

could also go the Neanderthal route as well. So my number one

Nick VinZant 51:49

you are going to tell you're going to tell me that if you're eating sushi at your house, you're using your chopsticks. You're not picking it up with your hand.

Unknown Speaker 51:57

I'm not no I'm using the chopsticks or I resort to a fork.

Nick VinZant 52:04

By yourself eating sushi in your house. You're not it's not going to pick it up with your fingers.

Unknown Speaker 52:08

No.

Nick VinZant 52:10

Why?

Unknown Speaker 52:12

I don't know. Because some I mean, a lot of times there's sauce on the top or there's, you know, it's I don't know, I guess I don't really have a reason I just I just I you know, I tried to fit in with the culture. I try to use chopsticks and I'm unsuccessful most times.

Nick VinZant 52:26

Okay, all right. No, I get that sometimes you can't let it win.

Unknown Speaker 52:29

So, my number one our hardshell tacos.

Nick VinZant 52:35

Interesting.

Unknown Speaker 52:39

Once again, it's kind of like the ice cream cone thing to me is, you know, no matter how you bite into a hardshell taco, you're gonna fuck it up. Because either the taco is gonna break entirely, or, or the fillings are gonna fall out. It's just it's so frustrating and difficult to eat.

Nick VinZant 52:57

I guess I don't really have very many hardshell tacos. I'm more of a softshell taco guy. So maybe that's why I haven't had much difficulty. My number one is seafood. And I'm including in that basically all seafood like you talked about like crab legs, lobster, mussels, oysters, all that stuff that is basically way more of a hassle to eat than it actually is enjoyable. Like the work to reward effort the return on investment it's just not there for me for any kind of seafood like that. It's not worth it.

Unknown Speaker 53:29

It isn't worth it. But it kind of is but it got to be in the right mood or I'm dumping you in the harbor just it's the way it is.

Nick VinZant 53:39

Even shrimp like it's just too much effort all the time. Like ah I got all this stuff I got to deal with pain in the ass. What's the one you're honorable mention?

Unknown Speaker 53:52

Let's see. Well I mean I talked about sushi what else here I think that's I think that's pretty much it for me. Chicken Wings also but yeah, I don't either. I guess well and some of the fruits I guess the pomegranates the mangoes but not a whole lot.

Nick VinZant 54:10

The only one that I could think of that we didn't really talk about well actually two nachos can be problematic especially if you're in a group and you don't exactly know who should be and how much and peanut butter peanut butter can get you in a little bit of trouble. I don't understand have water. Well, I mean you can get stuck in your throat a little bit peanut butter can be difficult.

Unknown Speaker 54:37

I don't really get the peanut butter the nachos. Even if you're not with a party they can get to be a little difficult just because of you know they get messy or if you're drunk or you have a Super Bowl party and make a bunch of uncooked pizzas and then serve them to people can turn out to be kind of nasty.

Nick VinZant 54:57

Ah, okay, that's gonna go ahead and do We're for this episode of Profoundly Pointless. I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. We really appreciate it. It really does help us out. And we're going to be I don't know how it's going to work exactly. But we're going to, we're going to debut this voicemail system this month. And I just I can't wait. I can't wait to start hearing from people. Because, listen, we appreciate the comments. We love interacting with you guys on social media, but I think making it much, much more a part of the show is something that that I think will be really cool. I'm looking forward to. So hope you join us and let us know what you think are some of the hardest foods to eat.

Transcribed by https://otter.ai


Pyrotechnician Steve Yoss

From Burning Man to the Golden Gate Bridge to July 4th celebrations all across America, Pyrotechnician Steve Yoss has worked on some of the biggest fireworks shows in the world. We talk becoming a pyrotechnician, how fireworks are made, staying safe and the future of fireworks. Then, we countdown the Top 5 Fireworks.

Steve Yoss: 01:47ish

Pointless: 36:26ish

Top 5: 54:46ish

nickvinzant@gmail.com (Show email)

https://www.youtube.com/user/PyroSpectaculars (PyroSpectaculars YouTube Channel)

https://twitter.com/pyrospectacular (Pyrospectacular Twitter)

https://www.pyrospec.com/ (PyroSpectacular Website)

https://podcasts.apple.com/us/podcast/cpe-today/id1549603293 (CPE Today Podcast - Steve’s Podcast)

http://www.cpetoday.com (CPE Today - Steve Yoss’ Website)

Interview with Steve Yoss of PyroSpectaculars

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode fireworks and fireworks,

Steve Yoss 0:19

what I really love about pyrotechnics is immediacy of it, you get to witness this one little thing. And then if you're not there, it's gone. You know, we use different chemicals to be able to create the different effects that we want it to be, you know, so like, we have different effects that'll make crackle we have different effects that will make it bright and yellow, and you make those by hand. It's important to note every firework every firework out there, everything is made by hand. For me, there's like certain memories, you know, that are very like, like stuck in my head that I can remember, they were like, Oh my God, you know, like that was like, for that time in place, like the coolest thing ever. And

Nick VinZant 0:54

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or a review, we really appreciate it really helps us out. We are trying to make this show much more interactive. So starting in July, probably towards the end of July, we're going to be setting up a voicemail so that we can hear more from you. So our first guest is a pyro technician who has worked on some of the biggest shows out there. Everything from Golden Gate Bridge celebrations, Macy's parades Burning Man, you name it, he's done it. And what I found so interesting is there's how I thought being a pyro technician worked and how I thought that fireworks were made. And then there's how it's really done. This is Pyro technician, Steve Vyas. I think everybody has heard of a pyro technician. But I don't really know what a pyro technician is doing. Like I know, but I don't really know,

Steve Yoss 1:56

you know, I would say is a professional who is qualified and is properly trained on the safe execution of doing fireworks displays. And there are a lot of different probably nuances with respect to that particular term. And for myself, you know, I'm coming from the professional display community, you know, so I, when I'm working with pyrotechnics, I'm doing it in the context of a public display for Fourth of July show or birthday party or something like that. And to me that particular word, it means somebody who is is gone through the proper training and has the proper qualifications to be able to execute a show safely.

Nick VinZant 2:34

So how much training will go into it,

Steve Yoss 2:37

being a pirate technician, you know, who has a license. And it's important to note that like, my license comes from, in my case, the state of California from the Office of the State Fire Marshal, it's a license just like any other profession, whether you're a CPA, which I also am or lawyer or medical doctor, you know, you're you're getting a license from the state that shows and demonstrates that you have gone through the proper training and have the proper background to be able to do this. And in my particular case, it's a lifelong thing. I grew up in the profession, my dad, well, not a licensed pirate technician has been in the community for pretty much his life, which means it's the entirety of my life, I grew up doing this. And then when I turned 18, that's when I really kind of started shooting shows that at least during the state, California has, at minimum age to be able to handle pyrotechnics. And for the first several years, it was just apprenticing. It's just basically learning from other people. And I would say that it is very much a tradition that's been handed down 1000s of years really kind of going back to the invention of black powder today, from person to person, whether it be the safe and presentation of a show, or you know, where I actually do is we actually make fireworks to you know, beyond the actual fourth of July's shows. You know, there's a whole community which I'm a part of, where we're still practicing the traditional art of making Pyro the different methods and manners of wiring a show or the different methods and manners of rolling stars to make the different effects that you really learn. You know, there's so much it's just like baking in that particular way where you know, you really can't learn it until you do it. And with anybody who's may be interested in going out and becoming a pirate technician, I would encourage you to kind of learn from somebody who who has been in the industry and who has had those years of experience because there's so much you'll pick up from somebody else. Now beyond that, to get your license. There are specific requirements at every state. And again, I'm here in the state of California. So our requirements are going to be different than Nevada, which are going to be different than Washington or elsewhere. But there's a huge component of it. That's the experience that you pick up from other Pireaus. Working on shows then there's a written test and exam there's a training program that you have to go through. Then there's background checks and other things like that, but and I would encourage our listeners to review their state fire marshal guidelines on what's required but I would tell you just go out and do it, you know, and find a pyro and just start swinging a hammer and start building the show and actually just start learning from somebody. That's the best way of getting started.

Nick VinZant 5:09

So it's a real kind of training thing. It's not like I'm CPR certified. But I took a two hour course. And I couldn't do CPR. Right, like, sure. If someone's life depended on it. It's a, it's a real like, oh, no, you really got to know what you're doing. Yeah, no,

Steve Yoss 5:27

it really is.

Nick VinZant 5:28

No, what's difficult about it? Is it putting together the show? Is it the safety aspect, like what's the difficult part about being a pyro technician,

Steve Yoss 5:39

you know, when you're a crew member, you know, it's often working with the pyro itself, it's a very physically demanding job. You know, we'd like to say it's firework, you know, because it is work, it's a lot of fun. I mean, for many of us, myself included, it's an, it's an ancillary thing to our lives in the sense that it's not my my full time gig, it's something I do many times throughout the year. So it's the way that I earn my living. But it's still work. You know, like, I tell people, like I take vacation from my normal job to go do physical manual labor in the sun, every fourth of July and throughout the year, and I love it, I wouldn't have it any other way. But when you're a crew member, it's often the physical labor side of this, the equipment we're working with the mortars themselves are very heavy, you could be working with anything from stuff that weighs, you know, a couple of pounds to hundreds of pounds, you know, a 10 inch mortar, which is the steel gun has a side in wall, probably about a quarter inch of cold rolled steel, in a sanded mortar box can weigh 1000 pounds easily, you know, and you're working often, you know, with really heavy things, moving them around, to get them into the position that you want them to be. And it's a physically demanding job.

Nick VinZant 6:48

The mortar is the thing shooting off the fireworks Correct.

Steve Yoss 6:52

Think of it as the two okay, you know, so you have the mortar and you have the shell. And so the shell was the firework itself, we call it product in the industry, the product of the show. And then the mortar is what we shoot it out of, in a term mortar is a very generic term, it's used in the military to use obviously, in our profession, it just, it's it's the it's the tube that ultimately the firework will leave from. When a firework goes off, you know, we have fireworks seated at the bottom of the mortar. And when we light it, it produces a ton of gas, like a tremendous amount of gas. And that creates a concussion at the bottom of the water that ultimately projects the shell out of the mortar itself up into the sky. And we know roughly, you know, that size based off of the diameter of that shell, how big it'll go, meaning how wide it'll shoot, how high it'll go in the air, how long it'll take to get to the apex. And all of that's determined by the firework itself and ultimately the mortar you use.

Nick VinZant 7:45

So are they pretty standard in the sense that like, look, this is a math calculation at the end of the day. And if we put this much in at this, it is going to do exactly this? Or can they be unprinted us on predict unpredictable,

Steve Yoss 7:59

the stuff that we're shooting that we use for public displays, you know, and I'll point out like our company pirate spectaculars, by Souza, we shoot the annual New Year's Eve show at the Space Needle. You know, every year, we've been doing it for many, many years at this point. Everything on that that show is tested, everything on that show is professional grade, everything on that show has been cleared to be used on that. And we know 100% We have safety procedures. And we also have testing procedures, that when we receive product that we will put this product through evaluations to ensure it is something that is reliable, that's going to be the fact that we're going forward and ultimately safe for the public. But we know I mean, I apart from this apart from the public display aspect of this, you know, when you're making a firework itself, it's not 100% formula, it's it's art and science, but we roughly know, you know, if I do this, and this and this, it's gonna yield something that'll look something like this. Now, just like a baker baking a cake, I mean, you can, you know, have some variations on that. But for the most part, we know roughly what it's going to be. And what I would tell you the rough calculations, this isn't perfect, but the rough is that for about every inch of diameter of shell, and typically you'll start off with the smallest shells are going to be about three inches and those are our finale shells. And for our we use those a lot in finales and we also use them throughout everywhere but three inches above the standard, smallest size that most of the time we're working with for Ariel and they obviously can change going all the way up to the largest standard production sizes 12 inch, but I will point out they can go much bigger than that much bigger. But roughly for about every inch of caliber. It's roughly about 100 feet of burst, meaning it'll go 100 feet wide. It'll go 100 feet in the air and it'll take a second to get there. So roughly, let's say like an eight inch shell which would be a fairly large Fourth of July production shell that we would use that will roughly go about 800 feet wide. It'll take Eat second state pecs and we'll go back to you 100 feet in the air roughly.

Nick VinZant 10:03

That actually works out very well right? So if you got a one inch shell, it's gonna go 100 feet wide. It's gonna take one second to blow up is blow up the right yeah, that's not perfect is blow up the right word or the pyrotechnicians, I goo. You don't say blow? detonate, or yeah, we've

Steve Yoss 10:18

we've, well, yeah, we have we have different technical terms like a detonation would mean that the shell blows up in the mortar itself. That's, that's what we refer to as a demo, or detonation. That's something obviously you don't want. But no, we would just say that it shoots you know, and then it'll burst in the sky. You know, preppers would probably be the term I would use most, most succinctly.

Nick VinZant 10:41

So in my mind, right, like, are these basically just big black cats in the sense that like, alright, this this is basically just an upscaled version of the fireworks stuff that you buy at the tent? Or is this a fundamentally different thing?

Steve Yoss 10:55

Yeah, great question. So with respect to the Pyro, that we're shooting the we have two major classifications, three technically, but really in production, there's there's two major classifications and actually comes to the Department of Transportation, we have 1.3. And we have 1.4. And 1.3 is aerial pyrotechnics, which is non consumer. These are, these are I want to point out, they're not high explosives or normal, explosive devices. It's not like C four, it's not like det cord or something like that. These are artistic effects. And it's important to know that our fireworks are art. And what we're calling for isn't necessarily a blast, but what that blast produces beautiful colors, sound effects, things of this nature, and those fireworks are designed for that. But aerial fireworks, which is the 1.3, which is the stuff we're typically dealing with here. You know, your consumers should ever handle those. I'm not going to say that they're unsafe, but they do require particular training and safety, awareness to be able to work correctly. And they also require in almost all instances of mortar, which again, most consumers are not going to have, but these shells are I mean, they're fundamentally different in terms of how they operate and they're typically single single thing like you might end up getting a fountain or a cake or something like that from a consumer grade that might have lots of different effects in it. Our effects are single purpose you know, so it's like a you know, let's say five inch red Dahlia or it might be you know, three inch red white blue piani but it does one thing and one thing only

Nick VinZant 12:28

like now you make some of the fireworks yourself. Does that I guess how do you make a firework is it really just like breaking a cake like all right, you take what's what's the thing that's blowing up? Like what are you using? Is it gunpowder? I haven't I don't have any idea.

Steve Yoss 12:45

Black Powder. You so with respect to making fireworks? I want to make it very clear in the context of a fourth of July show like well, I'll be shooting next week. There are no handmade pyrotechnic devices that like I'm physically or personally making all this stuff is is professional grade. All of this stuff is made in very strict production, quality environments, you know, to ensure the safety, accuracy and reliability of the devices. I'm a member of several different organizations, but the two most notable would be pyrotechnics guild, international PGI, which is our international association of let's just call it fireworks enthusiast. And then I'm also a member of the Western pyrotechnic Association WPA. And we host a convention at both organizations where members will come together over a common love of fireworks. And throughout those events, there'll be many opportunities to manufacture your own Pyro and it could be learning how to make, you know, wheels pinwheels, it could be learning how to make you know, you know, different types of aerial effects. You learn how to make all that stuff at those types of events under a environment where you're working with people who know what they're doing that have the proper safety considerations all taken care of, and you learn from one person to the other from master to student. And often with a pyro, you know, you have some pyrotechnic composition, as we call it, or comp, and it could be anything. You know, we use different chemicals to be able to create the different effects that we want it to be, you know, so like, we have different effects that'll make crackle we have different effects that will make it bright and yellow, or bright and blue. You mix different chemicals together to ultimately get the effect that you're going for. And it's the process of kind of pulling it all together, that you will ultimately create what are called stars and stars are those pyrotechnic effects that have been rolled in certain chemicals they end up as kind of if you can imagine little balls and those ends up like pixels in the sky. You know, like when you're looking at fireworks, and you see the individual lights coming down. Those are those are what we call stars, and you make those by hand. It's important to note every firework every firework out there, everything is made by hand. It doesn't matter. If it's made by myself, or it's made by a manufacturing facility, everything is made by hand. There is no real kind of like mass manufacturing of this and somebody's hands ultimately made every effect that you've ever seen. And the difference is when you make it for yourself, you know, you can, you could really put the attention to detail into the shells to get the exact effect, the symmetry, the color, or the orientation, you know, that you're kind of going for. And you know, what's beautiful about PGI, and with winter blast, but the WPA, you'll see, I mean, almost everything at those events are made by hand, they're made by the members that are there, and you'll see stuff that you won't see anywhere else, because that one shell might have taken that person three days or even longer to make, wow, it takes that long. Oh, it could take way longer than that, you know, I have a good friend. His name is Jim Whitman, that He's also a member of all of this, he's a current record holder for pretty much every large caliber firework you've ever seen. And he'll often work on a single shell for months to to get that one perfect shell that goes off. And he's done shows all over the world. Often with very large pyro. And by large, I mean, like, in the 1000s of pounds per shell. And like, I think the biggest one he's done at this first, this point is like 60 inches, so like five feet in diameter, you know, and he could work on that show for months to make that happen.

Nick VinZant 16:24

Do you have to be super careful while you're making it like the one wrong move and the house is gone? Or is it pretty much like look, just don't have a fire next to it, you're gonna be fine.

Steve Yoss 16:34

We have tables of distances that we have to follow. So if you're doing this, this and this, you need x number of feet between structures. They're strict criteria and guidelines about what that manufacturing space has to have. Certainly no flame period, you know, but the other big thing that we have to think about is static electricity, you know, what's the atmospheric pressure? You know, because certain things, for example, create atmospheric pressure, which is going to create more static lightning, you know, as a huge consideration. You know, I would tell you, anytime you're manufacturing the least for myself, the first thing I'm thinking about is egress, you know, if something happens, how can I get away from here? This is absolutely not something you want to do. Just in your house or your backyard, you need to have a dedicated space to be able to do this correctly.

Nick VinZant 17:16

Are there a lot of Pyro technicians? Or is it hard to find people

Steve Yoss 17:20

in the state of California, in terms of licensed operators, there's a list that's maintained by the state. And last time I looked at it, you know, there were several 100 People with different licenses, it's important to note, there's not just one license, there's several different licenses you can have that have one license or the other. So it's only a couple 100 people here, at least in the state of California, which is one of the largest markets for pyro.

Nick VinZant 17:43

Now when when it's time when it's go time, right? Like if somebody's sitting there like, all right, like the match, or is it basically computerized at this point,

Steve Yoss 17:51

there are three ways of being able to shoot Pyro you can physically go out and light it, which many people still do. But then really with our company and other companies in the in the industry, they really kind of started to advocate for the safe presentation of this where instead of lighting it by hand, where you're putting yourself physically near the fireworks itself, you can shoot these things electronically. Where essentially, you can put a firing system, sometimes you know hundreds of feet away or even further, and then be able to shoot it remotely. In the case of something detrimental happening, you're not putting that specific operator in physical risk. And currently, for our company with very few exceptions, almost everything is shot electronically in that way. Now, in a 21st century, we shoot things digitally. And for our many of our shows, now we're shooting them electronically, but they're being computer shot. And that really kind of allowed us to be able to do things with much tighter choreography, where we can choreograph the effects and the time that those effects go up in the sky to be able to produce firework shows that are cued specifically to music. And so when you see, you know, again, like the 1812 overture, and you hear the cannon fire going, you know that cannon fire occurring is occurring at the same time we're shooting Pyro in the air, and it's perfectly synced up. It's not that you can't do that with electronic firing, which is a manual process where the pyro literally shoots each shell, but they're doing it remotely. The computer is just going to do it with such accuracy that really kind of separates, I would say the the ability to be able to choreograph these shows to a much tighter timeline. That

Nick VinZant 19:29

makes sense, right? Like I can still do math in my head if I need to, but it's just easier to have a calculator right here and do this. Yeah, yeah. Um, absolutely. Are you ready for some harder slash listener submitted questions? Yep, sure. What is your favorite firework? What is your least favorite firework?

Steve Yoss 19:46

Great question. For me firework is about art, you know, and really what I look for in a great firework and I mean it. There's so many different types of effects that are out there that you can consider off For me, what I really want to look for is is just the quality of the shell itself. So I look for symmetry you know, is it balanced is the left look like the right is top look like the bottom, you know is it laid out correctly in the shell, I look for color, vibrance, you know, I really like beautiful, vibrant colors, I look for effects stuff I've never seen before like chase sequences where a firework for example, they can call it we call it ghosting, where we'll roll the shells in one color, let it dry and then we'll roll them in another color and as a firework burns, it can change colors for example, from blue to red, you know those and sometimes it will actually chase around the firework itself, you know, where it'll kind of vibrant, brights flashing, which is kind of cool. I look for you know, kind of unusual shapes, you know, we've got these jellyfish shells that kind of like be exactly the jellyfish, you know, things of this nature or, you know, certain, certain odd shapes, you know, certainly the stars, the boxes, the hearts, those are always kind of fun to see and do. And from a manufacturing perspective, they're very challenging to create, and make. So that's the kind of stuff I really look for. I've been again around Pyro my whole life and just your standard just burst in the air, you know, those are obviously fun, and they're, they're great. But I'm to the point now, where it's really about the art and about creating stuff that that hasn't been seen before, or stuff that's very unusual, or very unique. The stuff I don't like. What I don't like I would say is probably just unnecessarily loud things you know, and often in our community, how big can you make it how big of a boom, you can make it? Sometimes you'll hear the term and the community thump junkies, you know that people that just want to hear a big boom, it'd be a big flash. That's cool. You know, it's cool once or twice, but frankly, you know, it's kind of a waste of pyrotechnic composition, when you can make something a little bit more flashy and a little bit more

Nick VinZant 21:56

brilliant, hardest color to make easiest color to make.

Steve Yoss 22:00

I'm not gonna probably be able to answer this as succinctly as probably people who are more apt for manufacturing that could. With respect to colors, though, I've often heard that getting a really good blue is difficult. And I think one of the easier colors to make is red, because there's several different ways I think you can get to red,

Nick VinZant 22:19

who is the Michael Jordan of pyrotechnicians. And if it's you, say it's you, but who is like, oh,

Steve Yoss 22:25

there's several people. But if I had to just pick one out of it, and I've had the pleasure of knowing this person my whole life both personally, as a family friend, and then also professionally working with him. I have to go with our company's president CEO Jim Souza, James Sousa, he's the full package. He's an absolute, brilliant businessman and a creative genius in so many respects. He designs a lot of the shows, you know, and he just has such really good taste and what makes a great firework show. If you've ever seen the Fourth of July at Macy's on NBC, that's his work

Nick VinZant 23:00

what show to pyrotechnicians like yourself like what did they consider to be like, This is the show like oh, that's, that's where it's at man.

Steve Yoss 23:11

From a production perspective. What I really enjoy is bringing that happiness and joy to the crowd. You know, you can't watch a firework show not smile, you can't watch a firework show and not not pointing Ooh, and ah, and that for me, I've told people you know, when we shoot that firework show for that 10 minutes, you know, I'm Mick Jagger, I'm Paul McCartney. I'm the guy who actually gets to bring that happiness to people and then I get to fade and go back into my normal life which is wonderful. Now beyond that, though, to answer the other part of your question is a pyro what I really get excited for again, are going to be these these membership driven organizations, the WPA and PGI because often at those events, and at winter blasts for the WPA, or the PGI conference, that sense of being able to see that kind of one off like it's so very, very awesome. Because you know, that firework I mean, it's not like a piece of art that's going to Hagen museum that will be there forever. It's every time they make it, it'll be a little bit different. I'll never be the same effect twice and you get to witness this one little thing. And then if you're not there, it's gone. What I really love about pyrotechnics is immediacy of it you know, if you're not there, you missed it. And a firework will never do justice on a video recording or picture you might look okay but like the what you'll see when you're actually there at these membership events, where your buddy made that effect I think, to me is ruin one of the things I really enjoy.

Nick VinZant 24:40

Have you ever been injured?

Steve Yoss 24:43

Thankfully, no. But I will point out I've also got years of experience and safety and training. And I'm very very conscious of the safety side of this. I'll tell you again growing up in this and shooting Pyro with my dad most of my life. I remember something he told me Very, very, very young and I've never forgot it. There are no second chances,

Nick VinZant 25:04

biggest firework you've ever sat off. Most fireworks you've ever set off.

Steve Yoss 25:11

In terms of size of fireworks, I routinely shoot large diameter shells, my fourth of July show which is for the city of Lake Elsinore here in Southern California, our show features three inch to 10 inch. So a 10 inch firework is largest routinely I work with in one of a handful of those shells on our show. And I've been part of shows that have had larger shells, 16 inch shells, 20 inch shells, 20 twos 20 fours, but those aren't ones that I've myself physically worked with, but I've been there and then when they go off, man, they are something to be seen. And it's important to know, with respect to shells were working in cubic space, and the difference between like a tenon and 12 inches almost 50%, you know, in terms of cubic volume, it's bigger. So as these kind of go up in diameter, they don't just it's not a linear thing we get like, exponentially bigger in terms of in all possible ways in terms of burst in terms of effects in terms of everything cost, you know, for that matter as well. Now, in terms of most number of fireworks, my fourth of July show on the for the city of Lake Elsinore, that'll end up having about 400 queues. So a queue is like you hit it and something happens. And so we'll end up having 400 queues and one queue can end up having multiple shots associated with doubles, or triples or things of this nature. And I've worked on bigger shows than that. The Macy sports show, for example, in New York, each barge has 1000s and 1000s of fireworks on each one. And there's like six barges for that show for you

Nick VinZant 26:43

what show that you've worked on because you've worked on some big ones that you look back and be like, yeah, that was it. Like that was that was that was cool.

Steve Yoss 26:52

For me. There's like certain memories, you know, that are very like, like stuck in my head that I can remember they were like, Oh my God, you know, like that was like for that time in place, like the coolest thing ever. And I've had the pleasure of working with my dad for all of these years. He's been a member of my crew since I've had my license. And you know Sosa in particular, that kind of stick out in my mind for one reason. The other first show I ever worked on was the Macy's Fourth of July show. I was 18. I was just graduated high school. In May, my dad took me to New York, we worked on that that show, and I remember standing on the barge, and I've been to firework shows forever. But it was the first time I'd ever worked to show and I remember standing on that barge and it's raining down the firework debris, you know, because you're shooting within the fallout zone, we whenever we shoot a show, we know the perimeter in terms of like when the Pyro is going to come down and you're wearing a hard hat and everything. Just seeing these these borders go off. And in such volume and, and frequency. I just remember, I was hooked for life. You know, it was like, oh, and the smell of the sulfur. You know the gunpowder that's going off, I was just like, this is this, I'm going to do this rest of my life. There's no question in my mind about it, I'm gonna get my license, I'm going to do this forever. I'm also part of the group that does pyrotechnics at Burning Man every year, which is takes place. It's a large, temporary city that's constructed outside of Reno, Nevada. And I've worked on that event for almost a decade now. And I remember the first time going and actually doing fire art with pyrotechnics at the same time. Same thing, it was like, you know, just like this is an outstanding, this is something I want to do forever.

Nick VinZant 28:25

Is it different when you're kind of in that Fallout zone when you're close?

Steve Yoss 28:30

Yeah, absolutely. For a couple of technical reasons. And I'll tell you the technical reason here and then I'll tell you what it's like for me now when I'm working on a firework show. So when you're part of a crew, and I would encourage your listeners, if anybody's interested here, I mean, this is something normal people do you know, I'm a normal person, I have a normal nine to five job as do almost everybody in the profession, this is not something call up your local display company, give me a ring, you know, and you can come out work on a show anybody can anybody can do this. In fact, there's a shortage of operators a desperate shortage, pretty much nationwide. If you look at most of the people in here, there's a lot of gray hair. And this is a very physically demanding job. And there is a huge need for a younger generation to step up and get their license that comes due to show we don't have enough operators to shoot the shows that we could possibly shoot. And the first thing you're going to notice is that fireworks are in 3d. Most of the time when you're watching a firework show, you've got the audience and you're standing in front of the actual Pyro itself. But you're you're looking at it the same way that somebody looks at a canvas in a museum, you know, and when you're at a firework site, you're seeing these things go off in that third dimension, which is vertical space. And it's kind of fun to actually see the vertical separation between some of these different fireworks that you just don't get when you're watching it, you know, 1000 feet away, you're just seeing it happen all in front of you. But when you're standing underneath it or next to it, you're seeing happening in another dimension that you just can't physically see unless you're actually standing there. And you're also getting the impact of the actual firework going off itself. to thump you know, there's a visible and auditory and a kinetic thing when you're standing near this in that fireworks Fallout zone operating that show you got your heart hat on, you got your firework turnout, you got your earplugs in, you're physically feeling these things go off, you know, they're going 1000s of feet per second in some instances

Nick VinZant 30:20

of after every single Fourth of July or fireworks saying we're always going to hear about something when something does go wrong, like where is it usually.

Steve Yoss 30:28

And there are certainly accidents that can occur. But a big instances where I see this is that culture, it's that safety, lack of safety, mindset and lack of professionalism with respect to producing these shows and allowing for that culture to, you know, come in and create an environment where like a safety event can occur. Everything kind of kind of comes from there.

Nick VinZant 30:48

What do you think about drones? Seems to be the new the new thing now, right? Where they're lighting up these patterns in drones? Is that Is that a threat to the it's not like pyrotechnicians aren't like they're gonna take they're gonna take our stuff?

Steve Yoss 31:03

No great question. And in fact, our company, we partner with many different drone companies. And we've done joint projects where we've had drones flying in the sky and fireworks going along with them. I think it could be a great complement to, to a firework show, and they offer a different type of experience. You know, and they're different tool, you know, why do I have five different types of screwdrivers in my workshop, you know, because I've reached for the tool I need for the job that I want to do. Now saying that, as somebody who likes drones, and has shot shows that you've included drones, personally, I really like fireworks. And although as a technologist, I enjoy the technology behind this. And I think they're really cool with respect to what they do. I don't think it's a matter of replacement. It's really a compliment. It's not an ad, it's, it's an order you can do both

Nick VinZant 31:49

Do you think that there's going to be is something new coming down the line or like, whoa, never seen that before.

Steve Yoss 31:58

There's innovations all the time in so many different things from the chemistry of the actual compositions that make the fireworks themselves. Our profession is an industry that's constantly striving to, for example, make pyrotechnic devices that are cleaner, safer, more green, more environmentally responsible and sustainable. There's innovations in safety. You know, in the last 50 years, for example, the Advent and introduction of electronic firing, and now digital firing, that has opened up opportunities for doing Pyro musicals, and beautifully choreographed shows, and at the same time improving the safety of the crew that operates those shows. That's a huge innovation, we're seeing lots of innovation in that space as well. It turns to the actual effects themselves. I mean, think of it as an artist with a blank canvas, every show you work is a little bit different. And that artist is going to paint a different picture. And I think there's all different types of effects that can be used. And it's about the order of sequence music and the circumstances that you put around there. But, you know, I'm very, I have a very positive outlook for the industry and in the different types of things that we can do. And I believe this, there's going to be new innovations coming. And I'm excited to see what they are.

Nick VinZant 33:10

That's pretty much all the questions I got, man, what's kind of coming up next, are you how can people get a hold of you? I know you got a lot going on.

Steve Yoss 33:17

Sure, absolutely. And I would encourage our audience to go find their local display. You know, the Fourth of July is about community. It's about family. It's about friendship. It's about celebrating America. And one of the best ways of doing that is find your local community show and supporting your local community, whether you are Massachusetts or you're in Alabama, or Texas or California or Washington and just going out and enjoying it and experiencing it. If you're interested in trying this out and seeing if it's a show you want, just look up and find your local display company. If you're here on the West Coast, check out Pyro spectaculars by Sousa Pyro spec.com. And you can learn a little bit about us we have a full training program. And we are absolutely always looking for new operators. It's a it's something that we're always trying to recruit. And it is, as I've said a few times here, it's a tradition handed down person to person and we very much want to get you involved to go out there and do this for your community and shoot a show for your, your town, your city, your church, your whatever. And it's a great way of kind of exploring for myself, really, by mid next week I start getting into show mode. As I mentioned, I'm shooting the city of Lake Elsinore here in beautiful Southern California. I've shot the show for many years, I have a great relationship with the city and our fire authority there. I've been in contact with them. We're starting to do all the planning and my crew will start showing up we're actually shooting three shows second, third and fourth. And over the three days I mean, it's just going to be a wonderful gathering of old friends and new friends to come together to put on something truly spectacular for that city and come at o'clock on on July 4. They could mean I'll be standing there with my, my city manager and the parks department there and my Fire Authority and we're gonna light up the sky and bring the the city of Lake Elsinore and its citizens of beautiful display to celebrate America now,

Nick VinZant 35:14

but you've got a podcast too, but it's not now you're not just doing Pyro technician full time, right? You got stuff going on?

Steve Yoss 35:22

Yeah, I do. And you know, as I mentioned, pyrotechnics, brings together people all walks and all lives. My background. I'm primarily a software developer and I work also in in finance, I'm a CPA, I'm although I don't practice any publicly any longer, but do continuing education for accountants, and teaching all different types of technology, audit, accounting, ethics, fraud, everything you could think of. And so if you have any financial professionals in the audience, and they want to check us out, our company is CPE today, and you can check us out at CPE. Today and find our podcast where we talk about the latest and greatest technology, providing reviews, Insight training, I do a lot of in depth analysis and training on Excel, Power BI other types of stuff like that, and love for your listeners to check us out. Again, it's CPE today,

Jenna Starr: Actress

Jenna Starr is one of the most sought after and popular performers in her industry. But two years ago her life was very different. Follow her journey from business owner to OnlyFans Content Creator to viral video star to mainstream movies. Then, we countdown the Top 5 Most Annoying Things.

Jenna Starr: 02:03ish

Pointless: 26:32ish

Top 5: 45:06ish

nickvinzant@gmail.com (Show Email)

https://www.instagram.com/jennathestarr (Jenna Starr Instagram)

https://twitter.com/jenna__starr  (Jenna Starr Twitter)

https://www.tiktok.com/@jenna__starr  (Jenna Starr TikTok)

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Jenna Starr Interview

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode and only fans journey, and the most annoying animals,

Jenna Starr 0:21

you know, when I decided to put my vagina out online, I was like, this is all or nothing, this is go bigger go home. That whole year was like, Should I do this? Should I not? Should I do the show? Not? People are gonna call me this people are gonna call me that what if my family does this? Or what have that would I mean, everything went through my head, and I hadn't processed it for the whole year. I think that a lot of people didn't realize the work, it was going to take the consistency. More than anything else.

Nick VinZant 0:52

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. It's been really cool to hear from so many of you have so many of you over the last couple of weeks. i We love getting the feedback. And I really think it helps helps us improve the show. So anytime you've got something to say, we would love to hear it. So our first guest has had a very interesting story. Over the last couple of years, she has gone from a business owner, to only fans, to adult movies, to acting. And all of that has happened just in the last couple of years. So it's really interesting to hear what it's like for somebody who went in to the adult entertainment industry, and how quickly things can change on so many levels. This is actress Jenna star. Is this a career that you ever thought that you would be in?

Jenna Starr 2:05

Absolutely not?

Nick VinZant 2:08

How did you kind of find yourself in it then?

Jenna Starr 2:11

Um, I think one thing led to another. I felt like it was like a calling who was something that I was supposed to do. Just really weird things would just happen to me and it was almost like people kind of aligned me to it would be on the beach. Some random group of guys think I was some porn star. Like maybe over 10 years ago, my ex his best friend just call me Jenna star. And you Hey, Jenna star Hi, you look like a porn star. And I was like, okay, whatever, you know, I just felt like, it just I was like, I'm supposed to be doing this,

Nick VinZant 2:51

you kind of started with an only fans, and then you shifted into more mainstream,

Jenna Starr 2:55

I was already doing the only fans as much as I could and knew of like full force. And I got a bit an inquiry from Brazzers. And they just said, Hey, you know, we'd like to know, it was on my Twitter, they were like, hey, we'd like to know if you would like to shoot for. And if it works out or whatever, we can talk about more scenes from there. And I was like, you know, when I decided to put my vagina out online, I was like, this is all or nothing, this is go bigger go home. If people are going to talk about me just know that I made it somewhere far as far as I could and made my dreams come true. And gave my family what they needed. So I was like, yes.

Nick VinZant 3:43

Now when you were doing the only fans was that the whole thing? And by the whole thing. I mean, like were you showing everything? Or did you kind of like Alright, I'm gonna start out with this and then go to this and or how did that work?

Jenna Starr 3:55

You know, I was doing the you know, the show on my vagina and making customs. Just people would ask me for things and I would just make a like, Okay, I think I could do price and just kind of, you know, trailblaze in that saying,

Nick VinZant 4:11

so you were one of the people that really like started kind of the only got started in only fans and then went into mainstream.

Jenna Starr 4:19

Yeah, I actually started had opened today, even a year prior to the when I when I started putting stuff out and that whole year was like, Should I do this? Should I not? Should I do the show? Not? People are going to call me those people are going to call me that. What if my family does this? Or what if that would I mean everything went through my head and I hadn't processed it for the whole year. And then finally one day I woke up and I was like, These people aren't paying my bills. These people don't really care about me, like people are gonna talk about you, no matter what you do. People talked about me when I ran a wholesome, nice business, you know, and I ran that business for five years until COVID came in and you know, and so it's like I'm going in, and I'm going all the way out.

Nick VinZant 5:03

What has been, like the difference between kind of being out there on only fans versus being out there, in more mainstream applications,

Jenna Starr 5:13

most of the differences, the experience between the two that you go through as a job, they are different. Um, it was better than I thought it was going to be. I wasn't honestly, I wasn't really sure what to expect. And I had like months to like, I'm one of those people where it's like, think about somebody and like, Oh, my goodness, it's like, built up and I was so nervous at lunch, because he contacted me in October, we didn't schedule my scenes until February. So I was really nervous. I was scared, I didn't know what it was gonna be like, I didn't know what the guy was going to be like, I had three scenes, like consecutively. I didn't know how people were gonna treat me I was just kind of more like, you know, what, if people are rude or mean to me, or, or pushy, or, you know, I had all these like fears, you know, then I also had like, the positives of the unknown. You know, we're just gonna go figure it out. I didn't really tell a lot of people at all that I was doing it because I wanted to go in, in a very positive energy, you know, and bring that forward. And my, you know, like, willpower forward, like, Okay, this is something that I want to do.

Nick VinZant 6:30

Like, was that the first time that you had ever had sex on camera? Or had you filmed that before? Either on the only fans or in your personal life? It was like, was it a completely new experience?

Jenna Starr 6:41

Yeah, I think the things that were made personally, but not many, because I wasn't really I was very shy of showing my vagina. I thought it looked ugly and weird. And so I felt really like self conscious about the way I look. But there are some videos out there that were not my consent that people maybe I was hooking up with. I didn't even know that they were recording me until what are you doing? You know,

Nick VinZant 7:09

like that transition going from kind of only fans into the more mainstream stuff? How has that kind of changed your life?

Jenna Starr 7:18

Which part of my

Nick VinZant 7:23

I guess just having what to me, I would assume would be more exposure. Right? I would think that it's more money, more notoriety, more everything.

Jenna Starr 7:33

Definitely. For the better. Absolutely. I feel like this year is going to be really huge for the starting of things, because I'm still pretty new. So I feel like a lot is going to happen this year, maybe double triple the success that I had last year.

Nick VinZant 8:01

And where she like the most viewed

Jenna Starr 8:04

last year for 2021. I featured in goose like the celebrities Brunchy lookalikes. It's a tongue twister, with Kaylee gunner and Kyle Mason, great performers and we got our video. It was the most viral scene of the whole year on Brazzers website.

Nick VinZant 8:30

Now what what looking back at it like why do you think that was? I haven't seen it. I can imagine. I can imagine what was happening. But like,

Jenna Starr 8:41

first three scenes that I did with them. We did them the first one was Bridgette be like something about hot wives or I can't remember the name of it. The second one was boy girl with Brazzers cordovan. And third one was that one with Kyle Mason and Kaylee gunner and these were all this was like the same week. So it's like my it's basically like one of my first videos, you know, I had no idea that that was going to happen. So I couldn't tell you. I don't know. I feel like we all just really tried and just had fun with it. And who knows, you know, just blew up?

Nick VinZant 9:26

Do you get paid more based on how much how many times it's viewed?

Jenna Starr 9:30

Yeah. So it's how many people viewed the scene.

Nick VinZant 9:36

You get paid? Do you get paid the same whether like 100 people see it or a million people see it like as your pay structure. So

Jenna Starr 9:45

we get paid to do scene. And what comes along with that? Are the fans, the followers, the subscribers, the views on our own stuff. So a lot comes with it's like marketing.

Nick VinZant 10:03

After you went into the mainstream role, when was the first time that that you felt like oh, wow, this this is different.

Jenna Starr 10:11

So people were already recognizing me before all that because of my own work of building my own fan base and my Instagram account and my my only fans I'm and so people from the cities I would post in after so many posts and people just start to know who you are. So I already like had that, like people were knowing who I was. Now doing the proceeds just kind of gave it like a like, it's like giving it like a big huge kick. And I think right now I'm starting to realize that I probably need security. I've always had a lot of strange things happen to me, like with men following me around, you know, bugging me like trying to do a lot of weird things and stuff. But you know, I just this last week, I had a god, I was staying in a motel, and I'm gonna see where. And I get up in the morning to go make coffee. And I opened my door and there is a note under the door, and I pick up the note and it's like I saw you checking in. I just want to let you know, and it sounded like a manager, which was funny, because I was like, okay, this person has to work here, because how would they know what room I was in? And why does it sound like, if there's anything you need, let me know. And I'm just, I was just starstruck when I saw you, I really wanted a picture. But I left my phone in like the Uber, I just like all this. And then they were like, I'm in room blah, blah, blah. And I'm like, okay, so I go down to go get my coffee. And the whole time. I'm like, Who in the world? Is this person? And then the guy comes up to me, and was like, um, I hope I you know, didn't bother you buy my note. And I was like, who you left the note? And he was like, Yeah, you know, and I was like, Yeah, that was really weird. And I, you know, and I asked him, I said, you know, because he am like, you know, if I was an athlete, or you know, a music artists, would you have just approached me and said, Hi. And he said, Yeah, and I said, Well, why don't you treat me the way that you would treat other people. And I always tell people, like, you know, when I get on my live with, you see me just say hi, because I can see all the weird shiftiness going on

Nick VinZant 12:41

when you went into the mainstream industry. Did you have to, like did you talk to other people that were in the industry do you like,

Jenna Starr 12:49

so I didn't tell anyone. I told my brother, my sister and one of my best friends. I didn't really want a lot of negative like I said before, I didn't want a lot of negative energy and and stuff. Now, I did reach out to a couple of girls, let's say hula. But I reached out to some, you know, girls, and I wanted some advice and had some questions, and I never got responses. So I walked into everything, just very green. And I don't say that it is in a sense, like, oh my god, I found out all these crazy things. It's just like, I'm learning as I go. I do have, you know, some people now that I can talk to and get advice about like, personal things in the industry, which is great. I'm super thankful for as we all know, a lot of us don't have a lot of people to talk. Yeah,

Nick VinZant 13:36

when you're just like, I would imagine there's not a lot of people that are in that situation, right? Like, who are you getting advice from in that circumstance?

Jenna Starr 13:42

Your family can only listen to you like you're like, very supportive, but like, all they can do is just be like, huh, wow, yeah.

Nick VinZant 13:54

The people in your life when you told them, Were they supportive of it that they discouraged? Did they not know what to say?

Jenna Starr 14:00

So I've never really had my dad in my life. And I already know pretty much what he would say. I mean, I just know how he is. And then my mom, my mom's one of those people where you can just drop a load on her and you gotta like, work it on her.

Nick VinZant 14:20

Yeah, you gotta like prep the groundwork. Yeah, so I did

Jenna Starr 14:23

groundwork on my mom. You know, it was a lot of things that I do. Where I prepared her you know, slowly but surely I didn't over you know, do a sensory overload on her. I just were like, Oh, my goodness, mom. I'm so excited. I'm like, Ah, like, I just this huge company. I'm gonna get to do you know, like, they're just so huge and you know, and I used to do these, you know, like, I'm gonna be an actor. Just like chi Great, great. And it took so many times and then I slowly but surely every time I talked to her about it was like little bit more information a little bit more of information. You know, and then I add some jokes in and I joke around and stuff. So I kind of know how to, like, introduce things in my mom to where, you know whether she agrees with it or not, you know, I just kind of go in and you know, give her the information and it kind of calms her down and then like, Alright, okay, you're doing all right.

Nick VinZant 15:23

How would you say like, society? I know, this is a broad question, but like, how would you say that society has generally responded to it? Like, do you feel? Do you? Are people judgmental? Do they not care? Like, what do you I would

Jenna Starr 15:37

say, there are a lot like a lot of judgmental people. But there's also a lot of just I think people were really curious. Like, a lot of curiosity about the lifestyle. And I think this like, I would say what I thought a lot of people had it figured out and then now I know they don't which I also don't either, if that makes sense.

Nick VinZant 16:00

It does. Like what what was things? Would you say? Like, oh, I don't really have that part of it figured out.

Jenna Starr 16:05

You know, I would just say the personal aspect of it. You're just kind of like, I don't know how they coincide. You know, I haven't figured it out. I'm new. I'm very observant. And so I'm observing a lot of things right now. And just how things go and what works for other people. And you know, just really keeping my mind open.

Nick VinZant 16:26

Are you ready for some harder slash listener submitted questions? Sure. What other names Did you consider? Besides Jenna star? Um,

Jenna Starr 16:37

I didn't really consider much of any other worms. That one just kept sticking in my head. I had to stick with it. I know, some people were like, I shouldn't have done that. But my mother named me Jenna, that was my birth rate name. And she named me after celebrities. So I feel like it was meant to be

Nick VinZant 17:01

how does it get determined who you're going to work with? Like, do you make requests? Did they make requests

Jenna Starr 17:07

Brazzers have signs the situation? Um, I've sent some requests, and I'm sure they just probably like, Okay, this is what you would like to do. I heard that they'll do that. But I think it's really just like, match. Like, they try to match you up with an idea. Unless the unless you do in like a villain scene, like you get a call and someone canceled their scene, and they need to do the scene. It just wasn't planned.

Nick VinZant 17:37

What are the men generally like? And I think what they mean by that is like, are the men usually like, all right? I get to have sex, or they kind of like, this is a job. And this is what I do for my job.

Jenna Starr 17:51

I would say it's probably a little bold, like, they're excited. And it's their job. Yeah.

Nick VinZant 17:59

But it's not like, overly like, oh, my gosh, I'm having sex with this beautiful woman kind of stuff. It's more like that. It's Tuesday, and this is what I'm doing on Tuesday.

Jenna Starr 18:11

I mean, they do express it.

Nick VinZant 18:15

I guess that is true. There's an easy way to tell isn't there? There's kind of a dead giveaway on if the men are excited or not. Um,

Jenna Starr 18:24

yeah, I'm nervous.

Nick VinZant 18:27

Some are nervous. This is a little bit of a deeper question. I guess. You made the transition from only fans into mainstream. During the pandemic, there was a lot of people who started only fans. Do you think that most of those people knew what they were doing? Or knew what they were getting into in the sense that like, once you go down this road, there's kind of no coming back from it.

Jenna Starr 18:53

I think that a lot of people didn't realize the work. It was going to take the consistency more than anything else. There are probably a few people who open that can of worms and realize that they weren't I know one girl had told me that she tried to start it but then her kids father brought it up in court and then you know, and whatever, and then it makes them feel bad. And then so they they quit scenarios like that. I'm sure that probably happened to people. I haven't really heard a lot of that I've just heard more than a million people. Just not understanding what it takes to be successful at it and just quitting and getting tired of it and wore out.

Nick VinZant 19:40

How often will you generally like for only fans or things like that? Like How often will you usually post

Jenna Starr 19:47

daily all day? Oh, it's

Nick VinZant 19:49

all day. Like just do you have to post content or is it just responding?

Jenna Starr 19:57

Like everything making content posting the content responding to your fans. Now, not only do you do that, but you hit your marketing on Twitter, I do most of this stuff myself, like your marketing, Twitter, Instagram, to Instagrams, Twitter, tick tock, you have to have content for all these platforms. And it is a lot of work and it's so much more work than people realize, and definitely work more than the nine to five.

Nick VinZant 20:33

Do you in that regard? Like in the amount of work that you have to do? Do you have to do that to be a certain level of success? Or do you have to do that? To make any money period? It's all you got to be like all access all the time.

Jenna Starr 20:51

You've got to build yourself up marketing, it's about being relevant consistency and connecting with people.

Nick VinZant 20:59

What is your most interesting request?

Jenna Starr 21:03

Recently, somebody asked to eat my shit.

Nick VinZant 21:07

I don't know how to react to that. Maybe. Did you respond?

Jenna Starr 21:12

I said, No.

Nick VinZant 21:13

First of all, it doesn't seem healthy more than anything else. That's the first thing that I think of is like, that's not good for your digestive tract.

Jenna Starr 21:20

No, there's bacteria in there.

Nick VinZant 21:23

I don't think I would really want anyone number one eating my shit, but even just owning my shit. Like, even if they weren't going to eat us, like no, I'm not. I don't know. What should I do with it?

Jenna Starr 21:36

Yeah, I don't know girl in another meal.

Nick VinZant 21:41

Um, oh, you don't have to give their name. But on a scale of one to 10 like one being somebody you've never heard of. 10 we're talking like Tom Hanks, Denzel Washington level famous. What is the most what like what rank would you give the most famous person who tried to slide into your DMS

Jenna Starr 22:04

you know what recently I just got a really big one. I might even go lie Loki. Oh, well excited. I usually don't really get excited because I feel like you're just slightly like everyone else. And not really a cloud chaser So, but, um, I got a flat hall with somebody right? Really, really, really cool. slid into my DMs, like, a week or so ago. You're busy, they're busy. I also don't get overly excited or chase them, chase them down. Or always agree to like, I'll fly you out kind of thing because it's just kind of like, wow, I got to work. I have a life and you know, yeah, let me just go hop on the plane for some, you know, dig, like, Okay, I gotta I gotta get myself ahead in life too.

Nick VinZant 22:54

Are we talking acting? sports, music, politician. Music, can you give us the genre of music?

Jenna Starr 23:05

I want to say rap that this person is more is like flexible with their music. And they have some other stuff out there. Like, like, you're gonna you will hear their music at like, all parties. You know what I'm saying?

Nick VinZant 23:19

This person Oh, yeah,

Jenna Starr 23:21

person has held longevity and been relative for years.

Nick VinZant 23:26

That's pretty much all the questions that we got, most of them are kind of along those lines. Like, I guess where do you? You know, where do you think the future? What do you think the future goes for you? Is this is this the the immediate plan, the short term plan the long term plan.

Jenna Starr 23:43

So this is immediate and medium. Like short term. Like I said, I'm doing this, there's a reason I'm doing this, I'm following an intuition. This is going to get me to the next longer stage in my life, which is like investing. I want to be an investor. So that's what I'm working towards. So I will transition out of this with with the success that comes with it. And the finances, I will use that to be an investor. And then, you know, take care of my old lady. So

Nick VinZant 24:31

it's a good point. There's like the most actresses who are in the industry, like do they have a kind of a shelf life like, Oh, I got I got five years I got 10 years. Do they know that kind of going in?

Jenna Starr 24:46

I mean, if they thought they knew you never know what it really couldn't be when it happens. I would say it probably has to do like you start finding out with your body what your body can actually handle because it's, I would, I'd say, we're athletes, we're sexual athletes, it's a lot of work to do the professional films. And I would say it's all going to be based on your body. And you know, maybe you have your own personal goal and you don't want to do it past a certain point or whatever, and you want to get out or maybe people get tired of it, or they realize it's not really for them, or they stay and they just keep going and they got that milk to give to, you know,

Nick VinZant 25:35

at some point, we got to draw the line, like if we're getting into 100 year old like

Jenna Starr 25:41

she was a very mature woman very, very mature.

Nick VinZant 25:45

Okay. You can answer this question you cannot, right? So like when it comes to the money making part of it? Are we talking like five figures? Six, seven, like how well compensated are actresses like yourself?

Jenna Starr 26:02

So I have zero like several avenues of income. And together? You know, it's a, it's, you know, I do okay.



Rainbolt: Professional Google Maps Player

Professional Google Maps Player Rainbolt knows the world at a glace. Show him any picture and he can tell you exactly where it was taken. We talk competitive Google Maps, Geoguessr, Geography, Travel secrets and figuring out where movies, TV Shows and music videos were really shot. Then, we countdown the Top 5 Condiments and unveil a new Candle of the Month.

Rainbolt: 02:12ish

Pointless: 30:16ish

Top 5: 54:56ish

Email the show: nickvinzant@gmail.com

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Interview with Rainbolt: Professional Google Maps Player

Nick VinZant 0:12

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode, Google Maps and condiments.

Rainbolt 0:19

There's a very lost skepticism around the videos I make, rightfully so I mean is pretty mesmerizing thing. And I guess it's like magic to some people, right? Like, you watch like a magic trick you don't know how it's done, but to the magician, it's easier, I would say soil color is really, really helpful. So if you have like red soil, it's like Cambodia, Brazil, why soil to be like Nigeria, like the car commercials. I love watching car commercials because it's like, what roads in the US early on,

Nick VinZant 0:45

I want to thank you so much for joining us, if you get a chance, subscribe, leave us a rating or a review, I think what we're going to end up doing is adding voicemail to the show. Because it's been fascinating over the last couple of weeks to hear from you guys about what you like about the show what you don't. And we want to continue to make it more interactive. So if you have any feedback, go ahead and send it to us, we really want to try to involve more of the audience more of the listeners in the show. So our first guest is a professional Google Maps player. And whatever reaction you might have immediately to that this is so interesting. It's so interesting, because it's amazing how he's able to look at a flash picture of anywhere in the world and identify where that is. But also, it's, it's really interesting to hear about all of these little differences between states and between countries that you might otherwise not know about, like how a guardrail and by noticing something about a guardrail, will tell you exactly what country you're in. It's all of these things that you didn't notice, that then makes traveling and experiencing the world just that much more interesting. This is professional Google Maps player Rainbolt. So how do you play google maps? professionally?

Rainbolt 2:15

Yeah, so basically, the game is called GeoGuessr. The point of the game is basically find where you are on the world. So it uses Google Streetview. And it basically just pulls random images from Google Streetview. And then you get put in these random spots, and you have to guess where you are.

Nick VinZant 2:31

So essentially, like, part of the game is they just take a picture of Yakima, Washington, some random, random place, and you have to go find this location, is it is it a certain area or can be anywhere in the world,

Rainbolt 2:43

you can play different maps, I like playing the world map, there is like you could play like very local specific maps like Fincher county only, by like playing the world map to where you get, you could put you could be put in Indonesia, or you could be put in Seattle, or a small town population, 300 and Montana,

Nick VinZant 3:01

I have no idea how you can even do this. Like you just get some random picture anywhere in the world. But how do you even figure this out?

Rainbolt 3:10

Yeah, it's a lot of studying and playing a lot. So basically, anything from using bollards on the side of the street, learning different telephone poles in different countries language, what side the road, people drive on what road lines countries use, every country has different road lines, some use double white, some use double yellow, some use white dashed, some don't use white dashed, some have triple yellow, it's like a whole thing of like learning straight lines, road conditions, what type of road types, vegetation, all that everything.

Nick VinZant 3:41

But I would imagine that most countries look generally kind of the same throughout the country. So then how do you narrow it down within a country

Rainbolt 3:49

so like, the USA is one of the toughest countries really in the world to learn. It's like notoriously, like one of the hardest countries because it's so big, and a lot of it looks the same, right? Like New York Catholic site anywhere in the northeast, really, like World New York. So there's, you know, you can learn license plates, some different regions, like every license plate is blurred in the US, but you could still make out like different colors. So you can you can learn like Oklahoma's what Oklahoma looks like blurred license plate looks like so then, you know, you're in Oklahoma, or there's different things in states specifically, or different regions where, like on the back of Oklahoma stop signs, they have like, they use their county number on the back of their stop sign where no other state does. So there's like a bunch of really nice things you learn about different states that help you pinpoint where you are.

Nick VinZant 4:35

But I would imagine that most countries look generally kind of the same throughout the country. So then how do you narrow it down within a country

Rainbolt 4:42

so there's, it's like a mixture that when you're when I'm playing the round, like 0.1 Second, or like 0.001 Second, it's, it's very hard to pick up on very things like that. So that just comes down to vibes, as I like to say is just kind of like you pick up on the journal fill and like, what country looks like and what it feels like in different regions of the world is very, very quickly.

Nick VinZant 5:00

So if you get shown 10 pictures, or whatever, like out of every 10 pictures, how many of them? Would you be able to solve?

Rainbolt 5:08

Consistently in 0.1? Second, I would say like 80 90% success rate.

Nick VinZant 5:14

So 0.1 Second, what does that what does that mean?

Rainbolt 5:17

So 0.1 seconds means I can only see the photo for 0.1 seconds. It's like a game. A challenge I challenge myself to do, where it flashes for 0.1 second, and it turns black, then you have to like, try to remember where it is

Nick VinZant 5:30

you from anywhere in the world. And you can figure this out, for the most part, yeah. And you can figure this out for the most part. So you just get a flash of an image. And then you can go, oh, Karachi, Pakistan.

Rainbolt 5:42

But you could do literally, there's also a lot of metal to it as well to where it helps you to where you have to learn what this is where it gets really like into like the nitty gritty, but you get you have to learn like what car Google drove in what country so like some some countries like Google Streetview car is white, where some like so like, in Jordan, they use a black people's review car, where in Israel, the Street View car has a long antenna on the back of it. So you also it's less, there's also some of that where it's less of like country specific, like actual geographic knowledge and more of like learning Google Street views and what car they use on Google Streetview.

Nick VinZant 6:21

How did you get into this?

Rainbolt 6:23

So I started playing the game, like very casually, and like 2016, like in the back of high school, I had no idea what I was doing at the time. I was probably guessing like Malaysia on Mexico, and then around 2020 when COVID hit, I was like, I would kind of Swan see more of the world. And it's learning more about the world. i There's a couple of go on YouTube, those watching that we're playing the game I really like okay. Yeah, I think I could actually I want to learn experiences for cultures and see the world. So I started studying, and then I've only been playing for almost a year now. It's been 11 months,

Nick VinZant 6:56

what do you like about it?

Rainbolt 6:57

I think it gives me like an appreciation for like different countries that I don't think I necessarily would have had without, or like just seeing different regions of the world that I never would have known about. And like, knowing that this place exists, is cool. And like knowing that, like there's people here, I really enjoyed that process of just like learning the game and experiencing different places and seeing the world in a different light.

Nick VinZant 7:17

That is really interesting, right? In the sense that because of the way that the game is formulated, you see all of the minutia, and the little ways in the country are different is that kind of what keeps what gets people into it,

Rainbolt 7:29

the more I like, study, and the more like once I unlock something like that. It's like the best feeling ever. Like there's a whole community of us, there's probably like, we have a discord like probably 50 people where we just are sharing different tips and like, Oh, my God, I found a, you know, this specific tree in South Africa. That's only in North Cape. And we're like, Yeah, let's go. And so like really finding like unlocking things like that in the pro community is really big. I think more for like the, the newer audience or like the more casual players, it's just like, just a challenge with their friends of seeing who's smarter.

Nick VinZant 8:01

Is it only fun though, if you're really good? Like, I would think that starting out, you just have no idea. Like if you showed me a picture of some random country, unless he's got the Statue of Liberty in it, or the Great Wall of China? I'm not figuring that out.

Rainbolt 8:15

I don't think so at all, I think it's, it's honestly probably arguably more fun when you don't know what you're doing. I think that the joy is that there's always something more to learn. It's not it's not like you can you can ever stop. There's like an end goal here, you'll always find something new Google will always continue to update their coverage. You always have to adapt to different things in different countries changing

Nick VinZant 8:36

in the professional ranks, like where do you rank,

Rainbolt 8:39

I'm definitely not the best. Which is crazy to think about in my videos, you probably tell these people a lot better. I also think it's like it comes down. There's different ways to play the game. And there's different I would rank people differently based off of like, so like, I am more of like a fast speed guesser where I like doing country streaks. So basically, it's how many countries in the row can you get where other people maybe their specialty is guessing exact speed running exactly where you are to the exact road as quickly as you can to exact meter. I would say when it comes in terms of like fast guessing country streaks, I will I don't want to give myself an exact range. But I would say within top, generously top 2530

Nick VinZant 9:26

what makes somebody better than somebody else? Is it simply your experience level? Or how do you get better at

Rainbolt 9:33

it? It gets to a point where it's like very marginal and you start learning like people that have studied Russia, right, like unlocking learning different Russian, like towns and learning Cyrillic like that's like the next step and different vegetation in Russia and like unlocking big countries. And once you come back after like three days you forget a lot and it's really discouraging because like it's like, I always say it's like a language. It's like if you want to I continue to be good at the game you have to, you have to continue to play it. And the less you play, the more you forget. And the more you play, the more you learn. So if I take like a week off, I'll come back and I'll be like, a 2x horse player than I was before, honestly, like your visual identity and like your the vibes you pick up on us lose, like kind of a journal fill of like, guessing very quickly and to intuitive pretty quickly,

Nick VinZant 10:26

you've developed a good amount of online popularity through this, are you surprised that people are as interested in it as they are?

Rainbolt 10:33

I think so. I think part of me understands why like the the appeal behind it, because it is so mesmerizing, and it is such a wide net to really any culture, language and person that can relate back to back to this. And so like, I understand that, I guess the growth and how quickly it happened is pretty astonishing. Like I literally start posting in January, like that's like almost 500,000 in five months, which is pretty absurd. Because I literally, as this is a hobby, I still have a job, I still I this is all something in my in my free time I just pick up on just do when I can. I didn't, I never did expected I'd start posting because I wanted to, I really just want other people to like play the game. Because it's such like a privilege to play this game, and to have like this access to the world on your fingertips, that I kinda just wanted to share that.

Nick VinZant 11:24

Is there any kind of monetary value to say? Like, I mean, are there competitions where you can make some money? Or is this simply just a hobby, and that's probably all it's ever going to be?

Rainbolt 11:35

There's no real, like prize pool money behind anything here. It's, I think the most I've ever seen is like $20. So it's a Yeah, it's actually really hard game to play competitively, too, because it's a very Honor Code game. Because it's very easy to cheat in this game. Because you have Google and UC signs you can google there's different ways to cheat to where it's very much an honor code game, which makes it very hard to play competitively. There's been a lot of drama and security around different players. But

Nick VinZant 12:05

now it's it really anywhere in the world is going to show you just anywhere randomly. I play

Rainbolt 12:10

map called a diverse world, which is like kind of the it's the flagship map, I would say for like professional players of like if you want to get better the map you play on competitively. And it has 62,000 locations that are handpicked by a that are handpicked by a map maker. I haven't seen since 2000 locations. So that is random. Yeah.

Nick VinZant 12:31

I kind of understand what you mean. But like, what is the car, Google Street View car? Like? How does that play into it?

Rainbolt 12:38

So different countries all use different cars, like Google sends a different car to different countries. And you can see some of the car on the coverage. So if you're like if you if you look around, if you look down to the actual car that the cool cars driving, you can make out like what color the car is. And if you learn what color the cars driving, and what country that also helps you pinpoint what country you're in.

Nick VinZant 13:01

Oh, so like, we know that Google uses a black Jeep Cherokee in France. So if you see a black Jeep Cherokee, you automatically know you're in France, kind of like that. Yeah.

Rainbolt 13:11

Or like yeah, like the US doesn't have nowhere in the no car in the US has an antenna on their, on their car where Europe does. So if you're confused before like New York and Belgium, you can see if there's an attack on the current there's not probably going to be in the US or things like that, that you pick up on. Not that specific scenario, but bedroom census.

Nick VinZant 13:29

Are you ready for some harsher listener submitted questions? Let's do it. What is the easiest and hardest country to identify?

Rainbolt 13:37

I think there's two different ways I can answer this to identify as one. I think a very hard country for me identify is I personally struggle with urban Eastern Europe, which is very specific. But so like, let's say, like North Macedonia versus Serbia, sometimes it's hard for me. So both the countries kind of same language have a syndrome feel really the only thing? Yeah, very, your episode is so small that a lot of the countries look the same. So I would say as far as like identifying, I would say urban Europe as a whole. I need to get better at because it just looks so similar. A lot of places if you're don't have language. And then I would say the easiest Russia.

Nick VinZant 14:25

Oh, I see that. Because all that's kind of the same general area.

Rainbolt 14:31

Yeah, there's, I mean, there's also like really countries that are a lot like I'm trying to avoid, like Kenya is really easy because the cargo is in Kenya is only in Kenya. So if you see like a snorkel on the car, you're no you're gonna be in Kenya because it's, you can't be anywhere else because it's the only time that cars used in any country. That's kind of cheating. Right? Yeah. So there's answers like that, like obviously, like Kenya, Ghana, Dominican Republic, Guatemala, like countries like that are gonna be pretty easy because they're There's like metal car coverage, that you can just distinguish where you are within half a second because you can see the Google Street View car. And it's only if you see that, you know, you're gonna be in that country. But without that, I would say like maybe Russia,

Nick VinZant 15:13

I think I could probably get pretty close on some states. Like, I know that Arizona looks different than Utah, which looks different than Colorado, which looks different than Kansas. But if you showed me like a picture of Rhode Island, I don't have any I have no idea what that looks like.

Rainbolt 15:26

What's like the easiest to identify within like half a second. And then there's like, where you are in that country is another question. So like Indonesia, and Russia, are like the two hardest countries to identify where you are within that country. Because we'll want Indonesia has like 4000 islands or so many islands that it all looks? It's so big and all looks very similar, and in Russia is kind of same to where like identifying Russia. If you can pinpoint Russia and Indonesia fairly accurately, you're gonna be one of the top 1% players very quickly.

Nick VinZant 15:57

What geographic feature would help you the most like, do you want to river and ocean mountains,

Rainbolt 16:03

trees are helpful, because there are trees are different, distinct, distinct shul, like there's different trees in different regions that are only like, there's a tree called Parana pine, where it's like only in one specific region of Brazil in the south, we're gonna see that you're like, Oh, this is Amelie, I know, we are, I would say soil color is really, really helpful. So if you have like red soil, it's like Cambodia, Brazil, white soil to be in like Nigeria, things like that. So I would say the top three from you will be soil color trees, and just having an ocean is obviously pretty helpful. Because you can you see, you get you have a compass to where you can see, having an ocean is helpful on identifying where you are in the country, less of like, what country you're in. So if you haven't, if you have, if you know, your Indonesian, you have country, your West, that might be more helpful than if you're in the middle of nowhere. And like mainland, or inland,

Nick VinZant 16:50

has there ever been one that you were just like, nobody can figure this out? Like, nobody knows what this is?

Rainbolt 16:56

Yeah, a lot. So there's like different maps to play there harder difficulty where it's like very rural, and you can play no car as well to where you can't see there's a game out where you can play no car where you can't see the Google car, which makes it a lot harder as well. And when you when you put that to that difficulty, there'll be a lot of pro players that, you know, getting past 20 countries in a row is gonna be I think that's like the world record on that map. Whereas, you know, other maps is your difficulty. And the records are like 600,

Nick VinZant 17:27

this, this question is either brilliant or slightly offensive. I'm not entirely sure. If you're, they're gonna laugh or be annoyed. But do you ever feel like, Man, this is a little nerdy? Or are you just like, This is what I like.

Rainbolt 17:42

I think I embrace it. Definitely. I do think it's like, it is pretty nerdy. I do. I do kind of take that. Yeah, like, it definitely has nerd. I think I embrace it. I don't think I care though. Like, it's just a, there's just a whole community of us that are kind of also nerds. Maybe others won't admit it. But it is it's a fun passion. That's Rare, unique. And I think I understand that. And I accept the name.

Nick VinZant 18:07

Have you ever introduced yourself as a professional Google Maps player, trying to maybe get a good foot in the door? You know, like, you know what I'm talking?

Rainbolt 18:16

Yeah, I feel that, you know, typically, that's not my lead in. I don't think I've ever it's come up in conversation before and like, you know, then it's like, they whip out like a Google Maps like, Oh, can you can you was this country? That's happened quite a few times.

Nick VinZant 18:31

I do feel like it's a thing that people want to test you all the time.

Rainbolt 18:35

Yeah, there'll be I'll get recognized in public sometimes. And there'll be people with like, you know, versus and like, here we go to Singapore, Lithuania. Because a lot of people don't like, there's a very last skepticism around the videos I made, rightfully so I mean, is pretty mesmerizing thing. And it's very easy to cheat. So there is skepticism in people I don't, I don't fault people for wanting to test me a lot because it is quite, quite incredible, honestly. And without knowing. I guess it's like magic to some people. Right? Like, you're watched like a magic trick. You don't know how it's done. But to the magician. It's easier. You know,

Nick VinZant 19:11

do you have a hard time watching TV commercials, because you're just constantly trying to figure out where things are all the

Rainbolt 19:17

time, I'll be I can't consume any content anymore without like, like, I was watching. It was boring. I was watching it the other day. And it was like So it'd be like what I think Kurdistan or something like that, or Kazakhstan somewhere in the stands. And there was a Romanian poll in the background. And I was like, like, I remember Romanian telephone pole. Like this is supposed to be not in Romania. For like, there's different reasons, like things like that, or I'm like, come on, you know. And then if, like, if I'm just like scrolling through Tik Tok or Instagram or something, I'll be like, Okay, that's Greece. You know? It's very, I also get like all my DMs on Instagram or like, where's this? Where's this? Where's this? So I'm constantly challenging myself or it's always like, like the car commercials I love watching car commercials because it's like, what roads in the US? Are they on?

Nick VinZant 20:07

Where do they usually shoot most of those because they seem to use some of the same roads.

Rainbolt 20:12

I think a common trend is actually Norway. I see a lot in Norway. I think it's just because of how beautiful mountains are. Or Switzerland. There is a line like the Western US, I feel like as well, like Colorado, kind of the Rockies, what country

Nick VinZant 20:29

has just made you want to visit the most? Like when you see all of these places, and you're like, Oh,

Rainbolt 20:35

I've three, I've taught my top three. The number three is Singapore, I really want to go to Singapore just looks like a beautiful. And then two is Iceland. I think that's for obvious reasons. It's beautiful. And I think my sleeper number one is northern Thailand or like Laos. There's a city in Laos I really want to go to Vang Vieng. It's like a beautiful, it's beautiful, scenic. As rivers going through it. It's a beautiful city I really want to visit. It's like a mind's eye on my bucket list.

Nick VinZant 21:07

Is there a country that's ugly? Like, this does not seem like every time you see it, this does not seem like a tourist destination.

Rainbolt 21:15

It's funny because there's what's also beautiful about the game is that you'll get countries like that. Where it's like this is a dump or like I this is really tragic type thing. And then you'll also be in the same country and like this is beautiful, right? So there's there's two ends of it really,

Nick VinZant 21:34

most interesting way somebody has called you out for cheating. Or like what's the most ridiculous theory where somebody's like, Oh, he's faking it. And he's doing this.

Rainbolt 21:42

Man, there was one oh my god. So when I was doing one video, this is this is a pretty common, it's a pretty funny one. I would do this to like, try to memorize the photo, like just look down. And like, just like really try to visualize the image. Yeah, picture it in your mind picture in my mind, because I only saw it for 0.1 second, and people were like, Oh, he's looking at tablet on his lap. He has a phone to reading off what country he's in. Dude, I'm just trying to visualize the image like, and so like the next one, I made sure I looked up and like close my eyes rather than looking down because like, so many people were like, he's looking at his phone on his tablet. I think I think what's really funny one, too, is people assume I memorized every single image, which I think is 10,000 times more impressive. No, I'm actually doing

Nick VinZant 22:31

how has this skill benefited you in real life?

Rainbolt 22:34

I think it bleeds into a lot of like, my like, it's, it's really just it keeps me kind of committed to something, which I think helps. And then there'll be times where I honestly think, you know, it's helped my memory. It's helped my, like, visual identification, which is like helpful, I think in times of like, the work I do. So I don't think generally it's like, it's been anything in life changing. But it's definitely, there might be more things that I'm just not aware of, to,

Nick VinZant 23:02

for people who are listening. Basically, I've picked a random google image and showing you this, like looking at this picture, how would you go about figuring out where it is.

Rainbolt 23:14

So the two immediate things are, my eye immediately goes to license plates. So license plates is big, or is a huge portion of the game, where you have to learn what license plates are. So like this one in particular, you can see we're looking at a garage here with a car parked. And you can see there's a short license plate with somewhat of a colorful license plate. And you're gonna get those mainly in the US or Mexico, sometimes Australia, the Europe, European Union all uses like one blue strip left aligned on their license plate. So we know we're not going in Europe here. Now obviously, with this architecture, and material feel we have palm trees, we know we're going to be somewhat, you know, coastal ish, desert ish. So those are two major things. And then if we, if we were to pan we'll probably see like a sign on the right side of the road, or should hint when we're driving right rather than left. So that would like, eliminate it from Australia versus us. Amelia though, is kind of like you're gonna feel like, Oh, this feels like the US but I feel really like nitty gritty into it. You could also we could use a compass and we could see that the sun is in the south here, which means we're in the northern hemisphere. So that also eliminates something like Australia here. So there's a couple different those were the the the couple different techniques I would use to define this location.

Nick VinZant 24:28

Holy fuck, dude. Like I don't notice any of that. How about this one?

Rainbolt 24:34

Okay, so we're definitely in the US again. So this is this is a different one because it's just it looks pretty this looks pretty distinct. These pine trees in the background here though, are very common like Oregon, Washington. Above this house are here so like, and maybe Vancouver BC area is where you're gonna find mostly those trees. I would have gone maybe northeast here if it wasn't for those trees. Honestly. Just to explain, I guess maybe thought RSS is that the US is one of the only countries that uses transformers on our telephone poles. So you'll see like on the top of the telephone pole and distance here, and our North like East, there's a transformer at the top of it. And that's really just the US Canada that really uses those couple other countries too. But that's another like very small things like that. You have to you have to pick up on them like wooden poles, but I probably would have gone to Oregon, Washington here at maybe. BC. But probably more Oregon, Washington just based off this this pine tree in the background. It's tall pine tree.

Nick VinZant 25:31

So in the game, are you just trying to identify the city, the country? Are you even trying to narrow it down to like a street location?

Rainbolt 25:39

Yeah, so there's two types of ways to play I am a country guesser. So I like going for speed. I like going for the right country. So I will just plonked we like to call Congress gets in middle of nowhere. And like Kansas there just because I'm speaker and in countries where I don't have the time to like figure out what state, I'm just guessing and go into the next round. And seeing how fast I can get many countries in a row. Rather than getting the exact location. There's people that will try and speed run getting that exact street in Washington, but I am honestly very bad at that portion of the game. There's people I wouldn't even put myself in top 100 there. So top 200. Really, okay, so well. So this is what we like to call unofficial coverage. So it's just a footnote, rather than like Street View. Oh, so doesn't count this, it doesn't necessarily count. But a couple of interesting things here, I recognize we can we can use this. I actually didn't see where it's in Warsaw there. But we did see that the publisher had a Cyrillic name. So I almost had Russia, but then looked above it, and I can see the name of the park was was dinky Park. And that L in the first letter there, that is a Polish L. And that's actually only found in Poland, in Polish. So if you see an Elvis slash through it, that character is only distinct to polish. It's not found in other languages.

Nick VinZant 26:57

Going back into some of the questions, where do you think that this goes moving forward for you?

Rainbolt 27:03

Yeah, I'm, I'm kind of just you know, I want to keep playing the game get better. Like, there's so much I have to learn, I want to continue seeing the countries and learning more about the world. There's so much I can learn. I'm so excited about what I have to learn. Like I'm learning Australia right now. It's like super fun. And then I think beyond just learning. And I think there's an I want to actually see them in real life. You know, that amount of times I've seen Malaysia's telephone poles, I would love to see them, you know, in real life as well. So

Nick VinZant 27:33

are a lot of people who play are they extensive travelers? Or is this kind of how they travel?

Rainbolt 27:38

It's actually their I don't think so this is our way of traveling. I think there is maybe some people that do travel more than others. And that's maybe that's where they get their specialty. Generally, the best players in this game are like 15, or 16. Like the world's best players are all like, sophomore juniors in high school, which is really interesting.

Nick VinZant 27:58

What's coming up. That's all the questions I got, man what's coming up next for you?

Rainbolt 28:03

Definitely. Yeah, so I'm continuing you know, if you want to learn more, I post tips videos on my Tiktok at geo Rainbolt at on Instagram, as well as your Rainbolt he wants to be speaker and countries also there. But yeah, I'm really excited. There's a certain 5k It's called 5k rank. It's a when you find the exact pinpoint location, because that's the max score you can you guess you're on. So, big thing I'm doing more recently is finding music video locations. So that's my biggest next fee is I have like a list of music videos and going through so if you follow my Tik Tok, you'll, you'll be seeing a lot more of those here soon.

Nick VinZant 28:37

Oh, so you can like look at it and like Okay, where was that actually shot

Rainbolt 28:41

finding where the music videos or films? Yeah.

Nick VinZant 28:44

Do they seem to do most of them in the same place? It's not just music videos, but like, yeah, it's the location again,

Rainbolt 28:50

the amount of times I've seen, I've had to avoid music videos because they're just outside Los Angeles is a million times. It's like always in like a desert or like somewhere near Los Angeles. So I go more for like, if it looks more European or Asian, but yeah,

Nick VinZant 29:08

switch it out. Try some 80s music.

Rainbolt 29:11

I found who was it? There's one band that filmed all their music videos in Sri Lanka. And I was spending it was from like the 80s. I spent like hours I'll have to it was it was some popular band but I was I spent like hours trying to find a music video in Sri Lanka but couldn't because

Nick VinZant 29:28

journey or anything, is it? Who was it? I have to find this

Rainbolt 29:31

real quick. Because it was someone really popular. And it was I was like, I need to find this. Duran Duran.

Bartending Champion Kaitlyn Stewart

Kaitlyn Stewart has been called the World’s Best Bartender. And from her craft cocktails and signature drinks to her hospitality and knowledge of spirits, it’s easy to see why. We talk professional bartending, the secret to good craft cocktails, the best new spirits, the next big thing in the bar industry and her favorite bar stories. Then, we countdown the Top 5 Water Activities.

Kaitlyn Stewart: 01:55ish

Pointless: 33:01ish

Top 5: 50:07ish

Show email: nickvinzant@gmail.com

https://www.tiktok.com/@likeablecocktails (Kaitlyn Stewart Tiktok)

https://linktr.ee/likeablecocktails (Kaitlyn Stewart - Likeable Cocktails Linktr.ee)

Interview with Kaitlyn Stewart: Global Bartending Champion

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant Coming up in this episode cocktails and water activities

Kaitlyn Stewart 0:19

I got into bartending to help pay for university. So when I found the world of like craft cocktail making, I was like, oh, okay, this is like an art form. This is like a chef working in a high end restaurant, I won the title of the World's Best Bartender. And it's one of those things that it was really, really, really hard to get there. I'm into people knowing what they want. That's why like, I find it so fascinating when somebody's like, Okay, I need a gin Martini. With just like a whisper of Vermouth. I want three olives, and a twist, anything that involves fire, I am down for the cars.

Nick VinZant 0:56

I want to thank you so much for joining us. If you get a chance, subscribe, leave us a rating or review. If you weren't with us last week. Right now we're in the process of trying to make the show a lot more interactive. So if there's something that you'd like about the show, or don't like about the show guests that you want to hear from top fives, whatever, we really do want to hear from you. And we really appreciate everybody who took time out of their day to send us a message. It's awesome to hear from people it really is. So our first guest has been named the best bartender in the world. And not only does she have some great tips and drink recipes, and some really funny and interesting bar stories, but she also has this fascinating perspective on what makes a good bar, a good bartender, and where the future of the industry is going. This is global bartending champion, Kaitlyn Stewart, did you always want to be a bartender? Or did you did you just kind of like naturally fall into this?

Kaitlyn Stewart 2:00

You know, I grew up in a family full of hospitality, people. So like my parents worked in owned and ran restaurants for pretty much my entire life. So when I got into the business, my parents ever pressured me to, like, move on and be like, now do what you went to school for? Or, you know, you know, all those conversations were people like, Matt, what's your real job. So I was very lucky to be super supported. And I was I got into bartending, to help pay for university, as most people do. And I found that there was this way to actually create a massive kind of career and network and it was more than just liquid in the glass at that point. Because there's many different styles of bartending, right, you've got like your, say, run of the mill, chain restaurant, you've got your nightclub, you've got your craft cocktail bar, you've got, I don't like hotel, like, there's many different levels to it. So when I found the world of like craft cocktail making, I was like, oh, okay, this is like an art form. This is like a chef working in a high end restaurant, to dry comparison. So I kind of fell in love with playing around with flavors, and just like the whole experience, and then

Nick VinZant 3:12

so when I was growing up, like bartending was something that alright, you phase out of that 25 Maybe you got to keep that job to like 30. Has it always been a professional kind of career? Or is this a transition that was really made in the last couple of whatever years?

Kaitlyn Stewart 3:28

No, I mean, I think this was it's truly a career. And it has been for a lot of people for a long time, you go back to the Savoy cocktail book, which, you know, was produced in like the late 1800s, early 1900s. And there's bartenders that, you know, have cocktails in that, that are well known. And they were like in their 50s. So clearly, it was a profession that, you know, people kind of stuck in. But even now, like some of the people that I look up to that I consider mentors, and I got lucky enough to then consider them friends and be almost like MK would say, on an equal but in the same kind of group as them. And I saw what they could do and what they were doing with their life. And I was like, damn, I want to get to that level. So I can also do that. The people like Dale DeGroff, who famously ran the Rainbow Room in New York City, and like, basically brought the Cosmo to life and to popularity. And he, you know, writes cocktail books, he does seminars all over the world, and he's just so well known as like, King cocktail. And same with somebody like Julie Reiner, who owns a couple of different bars in Brooklyn, like the Clover Club and Les ENDA. So when I saw people like that, I was like, Ah, damn, okay, that's what I want to aspire to do and to be not just not that there's anything wrong with just being a bartender, but going beyond like you said that like liquid in the glass and being a mentor for the next generation of people that come into it. So there's always something to look forward to. And it's always changing. So no one day is ever the same. And I think now, especially with social media and the rise have like, you know, kind of stepping into somebody else's world as an outside. Like spectator. I think looking at the world, especially of like a craft cocktail, bartending people can kind of like immerse themselves. And like I said, kind of watch somebody's social media and be like, Oh, holy shit, okay. Like, there's some really cool things going on. Like, I just got back two days ago from Scotland and I was doing an immersive trip in Edinburgh to, you know, go to a bunch of whiskey distilleries, and, you know, get myself better acquainted with the process of certain whiskies and how they're made and whatnot. But like, I that's part of my job, that was a, that was a trip that was considered work.

Nick VinZant 5:41

So what makes you good at it? Right? Are you? Do you have a fantastic sense of smell that can detect the smallest of changes? There you the most precise pour of liquid? Like, why are you essentially good at it,

Kaitlyn Stewart 5:54

who there are many different types of bartenders, there's like the showman. You know, there's the, the somebody who has like the best style of hospitality. But I just break it down to like, what the word actually is like bartending, you know, you're tending to the bar. And that's encompasses so many different things. So I think, to become a good party bartender, or at least to be somebody who's recognized as a good bartender, you need to, of course, make balanced, delicious cocktails, interesting cocktails, keep up with the trends somewhat. But also continue to educate yourself. Keep yourself out there, like in the public eye, whether that's again, doing tastings, you know, teaching classes, going to seminars, all those kinds of fun things. But then at the same time, like you have to be likable, you have to be somebody who is known for their hospitality, you want to be able to, you know, look at somebody and be like, Yeah, I want to go back to their bar and sit down, and have a conversation with them. And I don't care what they serve me, I just want to hang out with them and be in their presence, because they seem like a really cool person. And they know what they're talking about. I mean, for myself, like, I won the title of the World's Best Bartender in 2017. And it's one of those things that it was really, really, really hard to get there. But it gave me that like notoriety within my, my, like, small niche circle of this craft cocktail world that, yeah, I can like walk into a bar and be like, somebody be like, Hey, I know you, I have respect for you. And especially as a woman in this industry, industry doesn't always happen. So having that little push, definitely helps with that with like, you know, staying in this business and getting opportunities.

Nick VinZant 7:30

So how did you win the the award? Did you get submitted or was there like a competition or what happened?

Kaitlyn Stewart 7:36

There's a, there's a really prestigious competition in the craft cocktail world called world class. And it's put on by Diageo spirits, and it's held every year. And first if the when your country. So I competed and I won for Canada. And then you go and compete in the global finals, and there's about 60 countries so everybody's best winner from 60 countries comes together. In 2017. When I did it was hosted in Mexico City. So we all came together in Mexico City and it was like a week long competition of many different challenges. So there was like tasting challenges where we you know, you had to like nose and taste whiskies and be able to explain if it's from Highlands, lowland, Speyside Isla, or a blend of whiskey and kind of like pick out different notes and characteristics, you know, blackbox competitions, where you're just given like a basket and you're like, Okay, make a cocktail out of this, you have 20 minutes, different ones, you could prepare for speed challenges, all that kind of stuff. So you're competing against the top bartender from 60 other countries, and you go seven rounds, basically. And there's, like you said, a bunch of judges, they're keeping score of all the challenges and the judges are, you know, in my world like industry heavyweights that I look up to and then and yeah, so I ended up winning in in in Mexico City. So that year I was named the World's Best Bartender so it's it's one of the most prestigious competitions in like in the in in the industry. So it's definitely pushed me and basically put my career on a trajectory like, like that. And I got to travel so the last like five years, not so much in COVID but traveled around the world and from Thailand to Taiwan to Brazil to Ireland everywhere in between and get to judge cocktail competitions, put on seminars do guest shifts behind some really awesome bars and yeah, meet other bartenders from around the world.

Nick VinZant 9:34

When you like, as big as the champ right? Yeah, the bell, so to speak. But like if somebody went in and like, alright, this is the champs, and this is somebody who's pretty good. Am I going to be like, Whoa,

Kaitlyn Stewart 9:49

it's it depends on the style of cocktail, different techniques used, but like, ultimately to like, taste is such a spectrum, everybody You know, likes what they like and doesn't like what they don't like. So you know, if I'm serving you something that's like, you know, heavily peated and really smoky to you, you may be like, hell yeah, I love this flavor profile. But the person next to you could be like, hey, this, this is awful. I can't drink this. I want like a strawberry daiquiri, which are two completely different cocktails, right? So again, it's not so much just about the liquid in the glass, but it's about the whole experience around it. You know, whether that's the hospitality and how you actually serve that cocktail.

Nick VinZant 10:30

We don't usually do this necessarily this early, but a lot of our listeners submitted questions kind of fit around things I think we would naturally talk about. So are you ready for some listeners submitted

Kaitlyn Stewart 10:39

questions, fire away, fire them at me, please.

Nick VinZant 10:42

I'll start off with the starting off with some of the easier ones. What do you feel like is overall the best mix, drink not just in taste, but like overall, the taste, the history, the whatever?

Kaitlyn Stewart 10:55

It's so hard to say. Because so many cocktails are steeped in so much tradition. That like every cocktail has a story, especially going back to like the classics. So if you think about something like the Sazerac or like the Ramos Gin Fizz, which are like steeped in like tradition from New Orleans, and they've just got these really, they still make these authentic cocktails in New Orleans, this, like from the 1870 Whatever way, but I would say one of my favorites, is probably ooh, oh, um, I mean, I really love the simplicity of like a sidecar. You've got brandy, you've got orange look, you're and you have lemon juice, three basic ingredients, your basic sour style cocktail. And you can do a little sugared rim on the outside of it if you need a little extra sweetness. But it's cool because it kind of brings that tradition tradition in of using brandy as the base and just bringing in one small modifier from the orange liqueur and another small modifier from the lemon juice. And it's really balanced. It's nice and dry on your palate. And it's yeah, it's just a great classic cocktail that is so simple. It's only three ingredients. But with the right balance, it just works.

Nick VinZant 12:12

Is there a certain point like where you say, like, Alright, these ingredients are great. Like, what number of ingredients? Would you say like, alright, people are again, right? Like, we need the sweat from a Brazilian accent and put that in the drink and mix it with tears from a duck. Right?

Kaitlyn Stewart 12:30

Listen, hey, Stranger Things. But I mean, if you think and you think about like most Tiki cocktails, right? Tiki cocktails, like the zombie or the Singapore Sling, you've got like, 578 ingredients in there. And you're like, alright, like, but traditionally, those were made back in the day when, like, the quality of rum that they were using was pretty crap. So they had to kind of mask it with a bunch of other things. So it was like, Oh, just throw in some of this and throw in some of that. And you know, now we've got this cocktail, which you could probably make it in a lot easier way now, but that's part of the fun of it. It's part of like the history of like, alright, let's let's mess with bartender and order zombie when they're busy as all hell behind a bar and see how long it takes them or the dreaded like Ramos Gin Fizz, because technically, it should take 12 minutes to shake. Yes, yeah, it's it's a long one. There's there's ways to go about it now with modern techniques, that you could make it in two minutes. But traditionally, you put ice in it and you're supposed to shake it until the ice completely dissolves, which takes about 12 minutes. Like

Nick VinZant 13:32

why would ya 12 minute that Oh, yeah. That's that makes sense. Why would take that long?

Kaitlyn Stewart 13:40

Yeah, that's the way they still do it in New Orleans. So they stick with the stick with tradition. The 12 minute round was, as you get have like seven or eight bartenders, and you pass it off between all of you when you're shaking it.

Nick VinZant 13:51

I was gonna say like, what are the arms of that person look like? Oh,

Kaitlyn Stewart 13:55

it's not fun. I've done I mean, I like I've got my own techniques to make it nice and quick. But if you're doing it the traditional way, it's it can be a bit of a definitely a shoulder workout, that's for sure. Like jello

Nick VinZant 14:08

drink you like but always forget how to make

Kaitlyn Stewart 14:13

so many to be honest, sheesh. There's so many cocktails out there that like I always have to like check back on my notes and be like, alright, was it half an ounce or three quarters of an ounce or what? I really enjoy a cocktail called the journalist which again is like a really old kind of early 1900s drink. It's gin base. It's got sweet and dry vermouth in it. And I believe some lemon juice and chartreuse. But I always forget the the levels what the measurables how

Nick VinZant 14:42

it goes and how Yeah, how precise on that stuff. Do you have to be right? Like if it calls out it's an ounce. You put 1.1 ounces in the drink is screwed. Right like

Kaitlyn Stewart 14:53

that's is it usually one ounces. Okay.

Nick VinZant 14:56

Are you like how much wiggle room do you generally have before like Oh, You screw this up.

Kaitlyn Stewart 15:01

It depends on the spirit. So like, vodka is very, very different to something like a green Chartreuse or like a Maraschino liqueur. Green. Chartreuse is super herbal, and you know, it's, you only have to use it in very small doses or it's going to completely overpower the drink and it's not gonna taste very good. Say with Maraschino liqueur. It's like a, you know, a cherry liqueur that tastes like perfume, your Nana's perfume. And if you added in massive amounts, it's not so good. But in small amounts, it's really nice. But I'm a firm believer in measuring all of my cocktails because mostly because of consistency. So if you come in one day, and you come in the next day, or the next week, and you order the same drink, I want it to taste the same every single time.

Nick VinZant 15:41

Most overrated, we're like, oh, honestly, it's not that it's not good. It's just not what people really like. It's okay. Yeah, I

Kaitlyn Stewart 15:53

mean, I'll probably get a lot of flack for this, but I'm not a coffee drinker. So for me, the Espresso Martini is overrated. But I just don't drink coffee. So I don't know. Maybe like a bee's knees. I might get a hate for that one, too. It's like gin, honey and, and lemon juice. Again, I'm not a huge fan of like, have a strong honey flavor. So

Nick VinZant 16:17

drink you are sick of making.

Kaitlyn Stewart 16:20

Drink I'm sick of making is probably. i Everything goes through phases, you know? Like, like the Negroni made a really big like resurgence and then it was like Aperol Spritz was like everybody was drinking spritzes. So I don't think there's one drink in particular. But I think it's like just like the trends and fads that will kind of like, come and go where you're like, you get to the end of one you're like, okay, one is everybody going to stop, you know, wanting to make and drink milk punches. Because it takes two days to like, prepare, and you're like, Alright, gotta go through that process. But yeah, I mean, I like them all. They're kind of fun. For fun for me. vodka soda. I hate making vodka sodas. There you go.

Nick VinZant 17:04

Are you disappointed if somebody's just like whiskey need? No, not at all. I was gonna make something.

Kaitlyn Stewart 17:10

No, I mean, listen, I I'm, I'm a big proprietor in drink what you like, and don't want anybody to, you know, tell you otherwise. I used to get people that would come and sit at my bar and be like, I'm so so sorry. But can I just have a beer? And just like, it's not just a beer like, yeah, of course, you can like don't apologize to me, like, Oh, I know that you You're known for your cocktails and you make really great drinks. But like, I just want a Pinot Grigio and like, Great, perfect, because that's going to take me three seconds, I'm going to serve it to you. And no sweat off my back. Right? So I don't I don't mind it at all. If somebody you know, has a preference. I like it. When I can start to gain trust from somebody who's maybe very narrow minded. It's like, I only drink old fashions, they only drink that's my drink of choice. And then once you kind of get to know them and break them down a bit, you're like, Listen, if you like an old fashion, and you're at all curious, like, let me let me make this for you. And you know, and if you don't like it, don't have to drink it. But I just you know, I just want to show you what else what else kind of is out there. And you know, somebody be like, oh, cool, I would have never thought to order this or now it's my new favorite drink. So. So it's about building that trust.

Nick VinZant 18:16

That is true, right? Like I just I think people are always willing to try something they just don't know what to do. It's a

Kaitlyn Stewart 18:23

big it's a big world right? It's a the spirits category is massive. And the drinks category is massive. So again, I think people go to like their, you know, their trustees, and they're like, gin and tonic. That's all I'm drinking. I don't want to read the menu. I don't understand what half of these words are. But I think with now more and more people kind of talking about it again, like on social media through podcasts and different articles. It's cool because people are really starting to pick up much as they would in like the food world for like I don't know what goes through Jiang is like, Oh, cool. Like now I know what this like delicious fermented chili paste is and I want to eat it. It's the same in the cocktail world. It's like, Oh, I'd never knew what Angostura bitters were, I didn't know you could drink them in a cocktail, but also just drink them and soda water to help with a stomachache. It's like, oh, cool. I learned something new. So, you know, it's again, it's always opening up people's minds to like new things is always really fun for me.

Nick VinZant 19:19

What is the difference between shaken and stirred?

Kaitlyn Stewart 19:22

Right? I mean, they're both different techniques. So when you when you shake a cocktail, you're kind of bruising the spirit and everything that's inside the shaker tin, you're bringing an instant chill and you're getting your dilution. And also, it's just marrying everything together. When you're stirring a cocktail, you have way more control over the dilution. So bringing introducing water into the cocktail, but also you're not bruising the spirit. So you're really just opening up all the aromatics in the Spirit. Now normally you would only stir well normally you would stir cocktails that are only spirit. So like a martini LaGrone a Manhattan an old fashioned And because they don't have any juices or purees added into them, whereas you would shake anything that has like a juice of puree, maybe like muddled fruit or mint or basil or something like that, because you want to extract all those flavors and really bring them to life. So shaking is for that more delicate, balanced, kind of rounded feel and taste. were shaken. You're getting that really bright, refreshing, super cold cocktail.

Nick VinZant 20:29

Okay, this is where my personal bias will come in. Yeah, I've mentioned this before on this podcast that I don't have a sense of smell. And so to me the idea that somebody because my sense of taste is like way, way reduced by Oh, totally. Nobody really tell the difference. Like, could you like, take a sip of one say that's shaken that stirred? Could you can you tell?

Kaitlyn Stewart 20:51

Yes, yes, but I've been doing it for so long. So but also to it changes, it changes the way it feels on your palate. I I use the word mouthfeel. But it has a big it has a it's a big part of it. It's a big component of of a cocktail is the way that how it how it feels on your palate. So yeah, if you shake something, again, you're kind of you're shocking the ingredients. So you're not getting those like lovely flavors. Say if you're having like a gin Martini. All of those flavors in the vermouth and the botanicals in your gin are seized up because they've just been shocked with a bunch of ice. So you're not going to get that same beautiful aromatic finish as if it was stirred. Now some people prefer you know, I mean, I think Ian Fleming kind of screwed us all when he wrote in his James Bond books like shaken not stirred, because everybody thinks the Vesper Martini is meant to be shaken, but it's ultimately meant to be stirred. But thanks to James Bond, you know, everybody wants to order it shaken not stirred

Nick VinZant 21:52

wine in a box or wine cooler.

Kaitlyn Stewart 21:55

Oh, I can't remember the last time I had either or, but I mean, why don't box is quite convenient. It does last a lot longer. I will say that. Why not? Wine? Not?

Nick VinZant 22:07

Well, no wonder you're the champ. Seal the

Kaitlyn Stewart 22:12

seal. Right there?

Nick VinZant 22:14

How good are you at spotting a fake ID?

Kaitlyn Stewart 22:17

Oh, there's a lot of really good ones out there these days, man, I get being in Canada, the legal drinking age is obviously younger than in the States. So I would get a ton of people that would come up from Seattle, because they had just turned 19. And you know, I'd get there like Washington license. And I'm like, I need to like go and check like Google to see exactly what this what a Washington license is supposed to look like. Because like, you know, people come from all over the place. Vancouver's a pretty like international hub. But, but there's some good ones out there these days that are dangerous, but a lot of places if you're going to like a nightclub or whatnot, they will swipe them or scan them or these backlight on them. So

Nick VinZant 23:01

drink that says the most about somebody who I

Kaitlyn Stewart 23:05

think it's a personal preference. So I love it when somebody orders a martini, and they're very, very specific and how they order it. Like it's I think it's the most personal drink and it's probably the drink that gets sent back the most because people are like not that wasn't dirty enough or that wasn't like that's way too much vermouth. So I like it when somebody orders like, like a like martini, like very specific. But then at the same time, too. You're like, oh, yeah, you're, you're this particular with your martini. I wonder what else you're very particular about. But

Nick VinZant 23:37

I can imagine somebody who's probably like, got some money and is stuck up. Like sometimes or maybe just knows what they want. Like exactly what they want.

Kaitlyn Stewart 23:48

Oh, like I'm I'm into people knowing what they want. That's why like, I find it so fascinating when somebody's like, Okay, I need a gin Martini. With just like a whisper of Vermouth. I want three olives and a twist. I want you know, and it's like, did the just run down the gambit? And then you're like, Shit, I better make this right for them. Because, you know, God forbid I put more than a whisper vermouth like they're gonna be able to tell. Yeah, it's always pretty funny to me.

Nick VinZant 24:14

Just saying make it strong work.

Kaitlyn Stewart 24:18

I mean, maybe in the States, but in Canada, we have like such harsh laws on like measurements of spirits. So like, if you order a double, it's going to be two ounces or like 50 mils or 60 mils. So like, it's it's we're very precise. But like when you order a cocktail, you're like, Oh, can I get a margarita but like make it strong? Again, like I can't put any more alcohol and then when I'm specified to like put in and also like in Canada, alcohol is like super expensive. So like when you're doing your inventory at the end of the night or what have you and you're like out a bunch of, you know, ounces of spirit. You're like, I'm out a lot of money. But no, I mean Especially I like it when people ask for like, easy ice or like less ice because they think they're gonna get more drink. You're not I mean, a game the system. Yeah, I mean and also like, for me cocktails are all about balance. So if I start like, I don't know, putting way too much of something in it, then it becomes off balance and it's just not doesn't taste right doesn't taste the way it's supposed to taste. But like if you want something strong order a cocktail and then order like a shot on the side, I guess. And then do it yourself or take your shot and then trigger your cocktail, but I don't know,

Nick VinZant 25:31

oh, weirdest conversation you've ever overheard. Oh,

Kaitlyn Stewart 25:35

I used to work in like the financial district. So I used to get some like really interesting conversations between like people who were like investments and like all that kind of stuff. And you're like, I don't know if this this sounds kind of shady to me. But I don't know, like the weirdest. I've heard some pretty random conversations in my life. I've had some like good ones, where people you know, are talking about like, the like, what happened to them, like, they met a girl or you know, whatever the night before. And they're like talking to their buddy about it. And then they're buddies. Like, that's my ex girlfriend or like, you know, they start like going at it. And you're like, this is this is drama over here. Like, I don't know about this, or like so you can totally tell when somebody's like elaborating their story to their pal. When you watch the whole encounter happen, like maybe 20 minutes before, like, Oh, I just met this girl at the bar, she was totally into me or bla bla bla, and you're like, No, she wasn't buddy. Like she tried to cheat she ran away from you know? So, if you don't, if you don't think the bartender is listening, trust me, we're always listening. It's our job.

Nick VinZant 26:38

Best way to they use the word hit on if you're into somebody, like how do you how do you approach

Kaitlyn Stewart 26:44

like at a bar or to the bartender to the bartender?

Nick VinZant 26:47

Like, if you're into the bartender? What's the best way to kind of like, Hey,

Kaitlyn Stewart 26:53

I mean, I would say don't. But it's, I would say, Okay, if you want to be a maybe like a good customer and leave like a good impression. go that route. I would say it's always really nice. And maybe not everybody can afford to do it. But it's always nice to say like, Hey, can you add a round of beers or whatever to my tab for like, for the bar staff at the end of your shift? You know, sometimes I'll do that if I go into a restaurant and like I really enjoyed the meal. I'll be like, Hey, can you throw like a couple of beers on my bill for like the kitchen staff like just as a thank you. I always think that's like super kind and grabs you know, grabs your bartenders attention and be like, hey, thanks. That's that was very, very kind of your that's very sweet of you might open up the conversation a little bit.

Nick VinZant 27:42

Is there an overall like funnest drink to make like, We love making this one? My favorite?

Kaitlyn Stewart 27:47

Yeah, I mean, I like anything that's like fun and tropical. And like, there's like a bunch of Tiki cocktails that you can kind of set on fire that I'm like, hell yeah, I want to set something on fire. And I want to like, you know, throw some cinnamon on it. And the cinnamon makes it spark and kind of go all over the place. And it's a bit of a show. So I mean, yeah, anything that involves fire, I am down for the cause. Or if it's blue, I love a blue drink. I'm like, hey, it's got an umbrella on it. It's blue. And it's got fire. All three sold?

Nick VinZant 28:18

Do you put water in whiskey? Are you supposed to?

Kaitlyn Stewart 28:20

I'm not. I mean, again, it's a personal preference. You I'm sipping whiskey, I'll sip it as it is versus like the straight spirit. But sometimes just like a tiny little drop of water will just help open up all the flavors even more.

Nick VinZant 28:34

Where do you what do you think is the future? Future who are attending this future of the industry that kind of like where do you think it's going?

Kaitlyn Stewart 28:41

It's It's honestly, it's been really cool to kind of see in these last couple of years that it's not so much about getting like messed up. I think people are actually drinking for like the experience and like the enjoyment of like, the true authentic, like flavors and craftsmanship of a cocktail, that it's not so much about like, what can I drink to get me fluffed up, like I just want to slam sometimes I want to be wasted. I'm sure there's still that out there. But I think the craft is being a little bit more appreciated these days. And people are really, you know, respecting that but also think like non alcoholic cocktails have been very big. And I don't like I've kind of seen it ever since. I mean in Canada, like weed is legal here. So I find that some of my friends especially have kind of like diverted and they're like I want to go the cannabis route more so have a cocktail at night. So there's also kind of that like ebb and flow too. But yeah, I think non alcoholic cocktails have been really big. Even like CBD and like THC. Beverages have become like super popular as well. But yeah, I mean, I think I think people are eager to get back out there and socialize which is really awesome as well. Last two years people were like stuck at home so people are really appreciating going out sitting down enjoying a well crafted cocktail and maybe something to eat and enjoying time with friends. And I mean, I love I love to see it. I think it's fantastic.

Nick VinZant 30:08

Do you think that there's there any indications? Right. And um, you know, ultimately I think it's like a political and elected official thing. But is there any indications that you think that okay, we might be having the mix of like in bars where we're mixing marijuana and alcohol at the same places? Yeah. The industry preparing for that?

Kaitlyn Stewart 30:27

I would say yes, there's a ton of I even have friends that have come up with spirits, spirits, you'll never see alcohol and cannabis mixed in the same cocktail. I don't think not for a long time anyways, just like the adverse effects of the two of them are kind of completely opposite of one another. But there is a ton of like, like non alcoholic mixers now that are either cannabis infused or you know, CBD infused, and people are using those in economical Holic cocktails. So I think once that kind of, you know, becomes a little bit more regulatory, you'll definitely see that hop into the bar scene for sure. Yeah, I think it's, I think it's an interesting, budding market. Again, no pun intended.

Nick VinZant 31:16

But I got two of them. That's two of them.

Kaitlyn Stewart 31:18

It's only 10am. And I'm only 32 Puns deep.

Nick VinZant 31:22

Oh, um, that's pretty much all the questions that we got. Is there anything else that you think that we missed? Or what's kind of coming up next for you? Oh,

Kaitlyn Stewart 31:30

I mean, I like I've been super busy doing lots of really fun, like consulting projects, and like, even doing like some really great doing some really fun content online. Whether it's through like, tick tock, which I never thought I would be on in my entire life. Be my age, I was like, I'm too old for this app. But then I found like, a really cool audience that have been really enjoying the content of just learning about cocktails, and learning about the history and just like the art of making beverages, and it's been really fun doing that. I'm in the process of opening a new bar in Vancouver. So a lot of work. So hopefully, by the end of July, we'll be open. So just hitting the ground running with that, trying to get inspired.

Nick VinZant 32:16

Do you have the name yet?

Kaitlyn Stewart 32:17

Yeah, it's called the Herrick and it's at it'll be at the like historic hotel Georgia down in like the basement. And it's yeah, it's gonna be a really awesome kind of like cocktail lounge and cocktail club. And, yeah, it's gonna be pretty wild.

Survivalist Melissa Miller (Naked and Afraid, Survival Expert)

Do you know what to do if everything goes wrong? From the African desert to the Amazon rainforest, survival expert Melissa Miller has been dropped into some of the most dangerous environments on Earth. We talk wilderness survival, urban survival and what really happens on the hit TV show Naked and Afraid. Then, we countdown the Top 5 Pieces of Summer Clothing.

Show email:

Melissa Miller: 02:24ish

Pointless: 31:50ish

Top 5: 52:37ish

https://www.instagram.com/melissabackwoods (Melissa Instagram)

facebook.com/melissabackwoods (Melissa Facebook)

For more information on BLADE Show, The World’s Largest Knife Show: www.bladeshow.com

Melissa Miller (Naked and Afraid, Survival Expert) Interview

Nick VinZant 0:11

Welcome to Profoundly Pointless. My name is Nick VinZant. Coming up in this episode survival tips, and summer clothes,

Melissa Miller 0:19

foraging was probably my first little dive into the world of wilderness survival. I mean, I've went two plus weeks without eating before, I've made it up to two and a half days without water before when it comes to survival things can get very ugly. Very fast, Naked and Afraid I was on it three different times. I survived in South Africa for 40 days, I've eaten turtles, monitor lizards, IV in Antelope testicles. I've eaten warthog brain,

Nick VinZant 0:51

I want to thank you so much for joining us. If you get a chance to subscribe, leave us a rating or review. Our goal over the next couple of weeks and months, is to try to make this show a lot more interactive. So if there's anything that you think if there's anything that you like, or that you don't like, guests that you want to hear from topics we we want to talk about, we really do want to hear from you. So our email address is right there. We're on social media Profoundly Pointless tick tock, Twitter and Instagram, and even in your podcast app. Leave us a comment, let us know what you like or don't like, because we've been doing this show for almost four years now. And it just feels like it feels like something is missing. And honestly, I think that something is you. Like, we want to know more about what you think. So our first guest teaches people how to survive extreme situations. And she has been in some very extreme situations, everywhere from Africa, to the rainforest, she has survived for weeks on end with basically nothing. And you might recognize her from the TV show Naked and Afraid. The inside look at how that show comes together. And what the situations that they're in are really like, is fascinating. This is survivalist Melissa Miller, when it comes to kind of survival skills. Like how prepared Do you think that most people are?

Melissa Miller 2:30

Oh, goodness. And in terms of for a catastrophic event? Unfortunately, not not much. The whole prepper type thing seems to kind of be something that is actually coming a lot more commonplace nowadays. But you know, people, a lot of people look at it and just think that people who you know, go out of their way to be prepared or know that survival skills, they kind of think that they might think those people are a little crazy. But it's a great skill to have that because when the time comes that you need it, you're really it's really a time when you really need

Nick VinZant 3:02

it. And it's definitely one of those things like if you don't know it already, it's kind of too late.

Melissa Miller 3:07

Yeah, it's good to have some a few basic skills, especially in terms of just emergency preparedness. Absolutely. You know, you just never know when you're going to be in a situation where having that basic knowledge and that basic foundation is going to save your life.

Nick VinZant 3:24

So some of those basic things like what are some things that you think that like, Look, you should you should probably know this?

Melissa Miller 3:31

Well, when it comes to outdoor survival, just knowing what to do if you get lost and knowing just some basic ways to keep yourself alive for at least a couple of days until search and rescue team can come find you what I

Nick VinZant 3:45

guess what do you do if you get lost, the only thing I've ever heard is like well follow water.

Melissa Miller 3:50

If you get lost hiking, honestly, the most important thing you can do is stay where you are. And I know that sounds contradictory, but people will come find you if you are absolutely totally and utterly lost. If you're at that point where you're off grid and you're on a hiking trail, and you have no idea where you are, stay put and figure out how you can how you can survive the night because people are going to come find you within you know, you're gonna get reported missing or whatnot, people are going to know what's up. But before that, before any of that make sure to always let people know you're going out for a hike, let them know, Hey, I'm going to be here. And that way, if you do get lost, they will know exactly where to go.

Nick VinZant 4:29

So in your kind of experience to help, at least me put things in perspective, say 10 is I could go out into the wilds of the wildest places right now and be completely fine. And one if I'm five feet away from my kitchen, I'm probably not going to survive. Like where on that scale of one to 10 Do you think that most people probably are? I want to

Melissa Miller 4:52

give people the benefit of the doubt so also for three I don't know most people I know cannot do a set can't even deal without like the basic of without their phone.

Nick VinZant 5:04

I think that honestly though, that's like a fair assessment, like I grew up camping hunting fishing in Kansas in Colorado. And I don't know if I would last 48 hours. I really don't.

Melissa Miller 5:17

It's it's hard, especially being outside wilderness survival, it is a whole different territory. When you don't have the right equipment, you can you can die really quickly. It's scary. There's a lot of things that happen really quickly, like being too cold, hypothermia and dehydration. And yeah, most people aren't prepared. And honestly, to be prepared, it takes a lot of practice, it takes a lot of research, and it takes a lot of time, it's an investment to be prepared in a scenario like that, you know, just knowing how to survive in the wilderness.

Nick VinZant 5:51

So how did you kind of like how did you get into this? I grew up

Melissa Miller 5:55

a big nature lover my whole life. And it really stemmed. I started to work at nature preservation several years ago, and I started to teach wilderness survival classes, I just got really heavy into it. And I would say that just all stem from a general love of nature, you know, I grew up fishing, hiking all that. And yeah, I think for Gene was probably my first little dive into the world of wilderness survival, and learning about edible plants and fungi, berries, all that stuff. So edible plant species that you can find outside.

Nick VinZant 6:30

That's always really worried me because I thought like, Oh, if I get lost, I have no, like, should I eat that? Can I eat this? Like, is there a way that you can tell like, you can eat this, you shouldn't eat this, because it seems like the consequences are like, if you pick the wrong one, it's really bad.

Melissa Miller 6:48

I highly, highly recommend, don't just go out there and do it. It's definitely something that takes a lot of time and practice and you want to make sure you're eating the right thing. There are poisonous species in your backyard, there are deadly speed she is out there in the woods, in the local park, you just always got to be on top of your game. So yeah, do tread with caution, I would say I have an entire you know, I have a lifetime of experience with being outdoors. It's something I've always been very in tune with. I've always it takes a long time to learn that skill. And it doesn't just come from reading a book, it really comes from being out there and knowing how to properly identify plants and fungi, especially fungi, that's when you really can get dangerous because the fungi are, as we all know, are things that can make you very, very sick.

Nick VinZant 7:35

Now, did you have somebody kind of show you how to do a lot of those things? Because like, I've looked at different species and stuff like that, and in the book and things like that? Well, to me, it's like reading IKEA instructions in the sense of like, well, this could be this way. But it also could be that way. Like it's it's meaningless to me in a way.

Melissa Miller 7:55

Yeah, you know, it's just it's one of those things that the more you get out there, and the more you look at plant species and learn how to properly identify it, the better you will get if you just walk out there with a book and expect to not identify things, it doesn't work like that. It's something that comes with time. You know, I taught classes on foraging, and I did a lot of research and even I, Nick even I'm still not 100% Sure I don't I am always very cautious. And even when it comes to things like mushrooms especially I am not fully comfortable, especially when I'm not in my like local area. I won't mess with things when I'm in a different state or especially to different country.

Nick VinZant 8:34

We had a guy on here who was a fungi researcher and he said the same thing is like, Look, I've been studying these and have a doctorate in it. And there's still some stuff like I I don't know exactly what that is. Right? Um, so like, when you when it comes to survival, I guess what would you say are kind of like the most important skills for people to be able to have,

Melissa Miller 8:59

there are your necessities so food, water and shelter, the most important thing that you're going to want to learn is how to how to get good shelter and how to make sure that you are warm enough to make it through the night I would say shelter and fire because that is the number one killer when it comes to a survival situation is hypothermia and weather conditions. Especially let's say you're walking and you know 70 degree day and it rains you get wet. That goes to 50 degrees at night, your body temperatures what your body temperature is gonna go down to like 40. So making sure that you're staying dry that you have shelter to cover your head from rain, and fire and then water and then food but number one is always having a plan to know how you can get some form of shelter to where you're not going to go into a form of like hyperthermia. It's the number one killer in these wilderness survival cases. You know people they get to cold shelters even

Nick VinZant 9:57

before water, me knowing nothing I'd be like well I'd better find water because

Melissa Miller 10:02

yeah, so Nick, this is really common, there's this really popular rule, it's like the rule of three, it's a survival thing. So in in extreme conditions, your body can survive three hours without proper shelter. Three days without proper water, and three weeks without food, I mean, I've went two plus weeks without eating before, I've made it up to two and a half days without water before, but I, I've always established shelter first, because in a very cold, or in a very extreme weather situation, you can you can perish without proper shelter. So shelter is always the number one priority. And then knowing how to do fire or trying to know, like, always carry a backup fire making method and being aware of ways to make fire in nature is very important to keep warm.

Nick VinZant 10:52

Are we talking, I got to build myself like a three bedroom condo out here, or die, just put some leaves on myself, like how good is the shelter does it need to be to be like, Alright, that's good enough,

Melissa Miller 11:04

I would say the most important thing when it comes to shelter is familiarizing yourself with different types of insulation that you can put on the ground to sleep on. Because the ground will sap your energy at night when you're sleeping on it. So being aware of where there might be dead leaves or moss. So you can put that on the ground and lay on that if you have to overnight it and then just knowing how to create a very simple shelter. Probably the most simple shelter I can think that a super easy to learn is a lean to pretty much you can make one by taking a bunch of sticks and kind of I'm sorry, my I can't raise my arm. But I'm trying to show you

Nick VinZant 11:42

your okay door. For people who may be listening to this at home, Melissa hurt her collarbone. So she can't raise her arm very well, it's

Melissa Miller 11:50

what a common way is people will take like two sticks like this. And then they'll take another one like that. And then you would put more sticks on it. And it kind of creates like a little tent shape. That's another that's pretty much a very basic lean to

Nick VinZant 12:04

know, you mentioned like wilderness survival. Are there other kinds of

Melissa Miller 12:08

survival, there are all different types of survival. So I actually I currently work for a magazine called recoil off grid, and their focus is urban survival, in the case of a catastrophic event where we lose the power on the grid. And it focuses on different types of urban awareness, urban survival situations,

Nick VinZant 12:30

I guess, in urban survival, like what's kind of what are the big things there that people should be aware of?

Melissa Miller 12:38

Well, civil unrest, and basically, total shutdown of the government, I think, is the biggest fear that people have when it comes to that. So basically, imagine a situation where all forms of law enforcement and government go away completely. And you basically need to figure out how to survive in a every man for himself situation in a urban environment. And we would like to believe that we would like to believe that humans would come together and work together. But when it comes to survival, things can get very ugly, very fast, especially if people are in a situation where they're fighting for resources, like food and water. So yeah, urban survival, it's a very scary situation. And that is why you kind of have these people that like, you know, they'll stock up on ammo, or they'll stock up on food, you know, people look and go, Oh, you're crazy. But gosh, if, if God forbid, or really crazy situation happened, where we lost, you know, a form of have we the government lost control, or people, you know, we got into this kind of,

Nick VinZant 13:47

yeah, no, I know what you mean. Ya know what I mean? And that's, that's the kind of thing I mean, look at the beginning of the pandemic, when we had like food shortage, not even a food shortage, but the idea of a food shortage and liquid kind of people did. I'm not one of those, like, Doomsday people necessarily. And if that's your thing, that's your thing, whatever, whatever people want to do. That's your thing. But I do kind of have that feeling like, oh, maybe we should kind of be ready for something. Like my wife and I, we've got earthquake kits in the house.

Melissa Miller 14:20

I think, you know, I'm not a huge prepper myself, like, I don't have this crazy bunker, but I do have some essentials. I do have some emergency food stashed away. And I think that people, most importantly, in terms of preparedness should be familiar with basic medical and emergency response situations, and that you should always have a good medical kit on hand. I know it sounds crazy, but like I in my car, I have a full med kit. I have a full trauma kit, you know, just make sure you have these, you know, medical things on hand. I think those are, in my opinion, a very important thing to have in terms of emergency preparedness

Nick VinZant 14:58

for people like yourself have and this is a generalization. So keep that in mind. Right? Like, are people afraid that these things are going to happen? Are they more just like, prepared? Because from, for my example, like we have earthquake kits, but I'm not really worried about an earthquake. Do you think that for a lot of survivalists like are they more prepared? Are they really worried that these things are going to happen?

Melissa Miller 15:27

I'm definitely just more prepared. I think there's this big misconception on like, every, like, there's a prepper that's just sitting there looking out his window blinds, thinking that something crazy is going to happen. No, the community is not like that. They're there. They're focused on being prepared. And just in case something happens, I don't think. And it's kind of like if you're prepared, you don't have to be worried.

Nick VinZant 15:51

There's definitely something along the lines to have like, You're crazy. Until you're not that you're basically crazy until you're a genius is how I feel a lot of that stuff works. Now, like for some of your experiences, you mentioned like two and a half days without water, how many weeks without food? Like, how did you end up in these situations,

Melissa Miller 16:10

there's a Discovery Channel show it is called Make it unafraid. It's this, it's this crazy concept of a show that is focused just on primitive survival. They throw two people out in the middle of the wilderness, and you have to survive, they give you like, you get like two to three items, and you have to survive completely enough to survive without and that's all. And it's a very intense situation. I don't think honestly, I don't think there's any other situation that could possibly be more intense than being thrown out in the middle of the woods with literally nothing, you don't even have clothes. And it's not meant to be like a provocative, sexy thing. Because trust me, it is not sexy at all. It is like a disgustingly gross situation. It's meant to be all about survival. So you have to make like your own clothes or figure out ways to fight off the bugs. So that's my, that's my extreme experience in that realm is being on the show, Naked and Afraid I was on it three different times. I survived in South Africa for 40 days, with nothing but I had a knife I had my bow and arrow. And then I did it in the Amazon jungle. I had a knife and I had a fishing line. And then I did it in the Florida Everglades and we had a fire starter and a knife and like a pot, so very limited equipment every time and it was very extreme situations.

Nick VinZant 17:36

The thing that I've always wondered about those shows is like well who's filming that? Are they they have camera people out there.

Melissa Miller 17:42

Very limited camera crew, it is a sound guy, it is a producer and it is a camera guy so you literally have a crew of three people and they get there around 10am and then they leave at 5pm and then it's just you and a video camera and your partner for the entirety of the night so it is very real it's very raw and yeah, you're out there alone. I've had situations where you know it's me and two of my one situation was me and two other partners and we had a fire in our knives and we could hear lions outside of our shelter and there was nobody else in sight so it just like a very real situation. And it is very scary at times

Nick VinZant 18:23

are they just eaten in front of you that's what I would like Bob the camera guys just got his granola bar sitting here and I'm like digging in the mud for

Melissa Miller 18:32

know that so the crew is not allowed to eat me they're not they're not allowed to eat in front of you they're not allowed to like smoke in front of you know that would be that would be torture because yeah all you're thinking about authors to read so I'm only signed up for it so i guess but yeah, that would be pretty lame but they were like eating stuff in front of us but now they're not even allowed to like drink water from us.

Nick VinZant 18:56

Like I can just see like cute and Melissa 10 days in starving hungry tired cold and like here's Bob with his McDonald's and three coats showing kindness. Um,

Melissa Miller 19:10

no feel bad for us. If anything, they actually always tell us like oh we feel bad for you. So I don't think they would want to do that to us.

Nick VinZant 19:18

Be pretty tough when it comes to like things that people need. Like what kind of stuff would you recommend like alright, you should have this you should have this you should have this.

Melissa Miller 19:30

If you told me like hey, you're going to need to survive in this area for like a few days before emergency crew finds you I personally with my skill set would prefer like a waterproof fire starter, a good outdoor knife and like a pot for boiling water. Like if I was you know narrowed down to three solid items that could get me through a couple of days. I would want those three items because I can use that knife to build my shelter I can use that Firestarter to create fire. To create heat for myself, and I can use that pot to collect water and to collect into cook food and to cook water to sanitize it.

Nick VinZant 20:09

Are you ready for some harder slash listener submitted questions?

Melissa Miller 20:12

Oh, okay. Yes.

Nick VinZant 20:14

What skill took you the longest to learn?

Melissa Miller 20:17

Oh, I'm probably be able to create, to build and create a friction fire outside. It involves knowing how to procure the right materials and use the right woods. And it also involves really a specific way, a specific technique to create a bow drill friction fire. That took me quite a while to learn how to do that,

Nick VinZant 20:42

or a lot of those skills. are they hard things to do? Or do people just need to? You just need to know how to do it.

Melissa Miller 20:50

I would say it's about 90% experience. It's not necessarily hard. It's just tedious, very time consuming, and a lot of trial and error, especially when it comes to things like primitive trapping and friction fire.

Nick VinZant 21:05

And primitive trapping is basically kind of like building like rabbits snares or something like that, right?

Melissa Miller 21:11

Yes, yeah. And doing it out of things like map natural materials. So when I say like primitive trapping, I mean, building like an animal trap with like, you have a knife. And that's all you can use in your building everything from natural materials, it's very hard and very time consuming. You know, you see people make like something like these primitive fish baskets. And you'll see him do it on TV. And that something like that takes it takes a whole day just to collect and find the right materials to make it you know, not let alone another day to like weave it and make it properly. So everything it takes time. It's not hard, but it just takes a ton of patience, time, trial and error.

Nick VinZant 21:52

Brains are brawn.

Melissa Miller 21:55

It's definitely brains. I would say we have brains 100% knowledge. Patience is a mental thing. You have to have the right mentality. And but endurance I will say endurance and Fitness is important as well, though I don't want to dismiss, you know,

Nick VinZant 22:10

this one might hit on the nose. Why do you keep getting injured?

Melissa Miller 22:16

Because I like to live a dangerous lifestyle. Yeah, it's a comment. I mean, my hobbies are wilderness survival and like extreme mountain biking. So I guess when those two things combined, you know, downhill mountain biking and wilderness survival. It tends to be kind of a recipe for getting injured.

Nick VinZant 22:40

Of the three places that you were on Naked and Afraid or other places that you've been to, like, what would you say is like, Oh, this is the hardest place to survive.

Melissa Miller 22:48

Hands down a hands down the Amazon rainforest. Rain is super hard to survive. And because it's really hard to keep fire and you need fire to boil water. And you need yet you need fire to cook food. I always tell people I would rather do 60 days in South Africa than 20 days in the Amazon jungle it is it is so much harder to survive in a wet rain. four

Nick VinZant 23:15

most common mistake people will make

Melissa Miller 23:17

not learning how to properly do fire. I think fire like I said fire is my favorite part of primitive survival. And not not knowing how to do fire because you need you just need fire for food. You need fire for water. I would say another big one is not getting shelter up in time. Because if it rains, then you're screwed. If you don't have if you don't have a proper roof over your head, you're just screwed. If you get what overnight you're going to freeze even if it's like 70 degrees during the day, you can be so cold at night if you do not get a shelter over your head as soon as possible.

Nick VinZant 23:58

Have you ever been in a situation where you're like, Oh, this is it?

Melissa Miller 24:02

Oh, yeah. So when I first did Naked and Afraid I got lost in the Amazon forest. I was looking for some food and I got I got totally lost. And I started like doing circles. And it was it was so scary. I started thinking my parents. And then I'm like Melissa, what? And I had to stop and like tell myself what what do you do you stay in place stay in place. This is what you've been teaching people for like years stay in place when you get lost. So I stayed in place. I found a log I sat on it. And like two hours later, I hurt my producers were able to find me by calling my name. It was Yeah. That was one of that was the scariest I've ever been in like a survival situation. And another time was in South Africa. When like I said it was me and my two partners and we could hear we could hear in lines chuffing. I mean there were probably a ways away. We did have a fighter But we could hear them and I was like, it was really scary. Like, you know, when you're we found we later found out that they were actually lines that had previously killed a ranger and in a poacher, so we were pretty upset that they put us in an area with to mandating

Nick VinZant 25:19

small oversight. Small right most dangerous animals, plants or insects.

Melissa Miller 25:30

It's actually believe it or not, it's the smallest things that will drive you the crazies out there. So I'm not particularly afraid of like larger animals, but it's always the little ones that would freak me out the most like when we were in the Amazon, we were in an area where the bullet out was present and they have like the most painful bite on Earth. I would say, though, in terms of larger animals, probably god this is so bad because I was like literally go swimming in the water all the time. The producers hated me because they thought I was gonna die. But the alligators I was like a very alligator infested area. And I would say that they're pretty, pretty dangerous. But I think people when the more you learn about animal behavior, the more you realize that animals they don't want like anything to do with you. They just want you to leave them alone.

Nick VinZant 26:23

What is something that you see other survivalist or survival myth that is out there? That you think like, oh, that's you can't that that's not the right thing.

Melissa Miller 26:34

That you can just create fire by rubbing two sticks together, but there's a ton of weird survival myths out there on yes sucking sucking you can't suck Venom you know out of when a snake bites you. Yeah, that's a that's a really big one.

Nick VinZant 26:48

Here's the one that's either a brilliant question offensive or just weird, since this show is Naked and Afraid. What person man or woman is greater risk of getting something snagged.

Melissa Miller 27:02

So definitely the man in fact there is like, I know that a lot of the Amazon tribes they have actually like it's a it's a contraption where they'll like tie a rope and they'll secure their penis and their sometimes their balls on the in the Amazon tribes they'll secured against their stomach because of fish potentially coming to nibble. Yeah, yeah.

Nick VinZant 27:27

Yeah. Fish.

Melissa Miller 27:31

One of my partners, when we were in the Amazon, he had his balls bitten Several times he I would just go off fuck like your idea of like swearing, he'd be like, I fire it just false. And I just, I felt so bad. So men definitely have much more exposed and especially in a Naked and Afraid situation. Would you say

Nick VinZant 27:52

like in the survival communities like, oh, who would probably like our men more equipped? Are women more equipped? Or is it pretty much just equal?

Melissa Miller 28:03

And I'm not. So I'm not just saying this, because I'm a girl. But I do think that women have an easier time with the survival situation. And I think it's just because genetically our bodies are built to, we have naturally we also have more fat stores than men. And we, from my experiences on the show, women tend to deal better with caloric restriction than men. And I think a lot of that that is just set up in our biology. We also are, and I don't want to confirm this, but I've heard many times that women just have a higher pain tolerance, because, you know, the fact that we have to give childbirth to so I personally think that, at least on the show, it would seem that women had the ones that I came across handled a bit more of a easier time, actually. And I will say that we also have just I think throughout life, I know I personally had experience with like diet and more dieting and more calorie restriction. So I was like, prepared, you know, compared to like, my, one of my partners, and one of the challenges who was used to eating like 4000 calories a day. I was like, Oh, this is just like an extreme diet. Well, I've never done that extreme of a diet, but you know what I mean? Yeah, I think I think biologically women's bodies are set up a little bit better, to tolerate pain and to tolerate a starvation.

Nick VinZant 29:31

Strangest thing you've ever eaten. While out there.

Melissa Miller 29:35

There's been so many weird things that I've eaten. Well, let's name a few. I've eaten turtles, monitor lizards, IV in Antelope testicles. I've eaten warthog brain, warthog, eyeballs. I've eaten all sorts of snakes, lizards. And that's just to name a

Nick VinZant 29:55

few which one tasted the best?

Melissa Miller 29:59

The most Omniture egg, it was like so monitor lizards are these type of eggs found in Africa. And it could have just been because I was really hungry but man, it was delicious yolk. I also had liver like antelope. It was like the liver and that was really good. And surprisingly, the Warthog brain to me, it tasted quite delicious. It was like this fatty tissue. It was it was kind of like it's like weird because normally in my day to day life, I would not want to eat any of that stuff. But when you're hungry, it tastes everything kind of tastes like a delicacy.

Nick VinZant 30:36

That's pretty much all the questions that we got is what's kind of coming up next for you.

Melissa Miller 30:41

Well, Nick, I have a whole summer of mountain biking planning. And as of most recently, I'm getting ready for blade show. I work for this company called blade show and we are the world's largest knife show. And it comes to Atlanta, Georgia, June 3 through fifth. And it's like 1000 Knife companies, you know 10s of 1000s of people there you got swords kitchen knives, there's like after parties demos invalid like a lot of blacksmith all the forged people all the people from the show fortune fire there and all the there's a lot of Naked and Afraid people there a lot of outdoor knife like a lot of outdoor celebrities come there. So if you like knives, you should come to Atlanta, Georgia, June 3 through fourth. And I'll be at blade show as well too. So people can Yeah, come see me there. That's that's the big project in the work right now is our is our life show. So